Sentences with phrase «in aesthetic form»

To paraphrase Jan Tumlir, anything that gets in the way of productivity; drinking, sex, fame, jealousy, guilt, shame are made manifest in aesthetic form and substance.

Curator Emily Pethwick selected this work by Carol Bove, «an artist who is interested in tracing the social, political, and artistic movements of the 1960s and 1970s, in particular looking at how these were expressed in aesthetic form.»

The photographic sheets this produce a strong meditative power, as was characteristic for example, for Rothko room installation picturesque Swatches; Howalts photographs confirm that even today Finsens thesis of the therapeutic effect of light in aesthetic form.

Here, too, the biological is rendered in aesthetic form, wonder and horror combine, and we are left to ponder what the future might look like.

Contemporary political theorist Chantal Mouffe argues that all art is inherently political in that all aesthetic forms can be politicized and all political forms can, in turn, be aestheticized.

Not exact matches

This was the need to include aesthetic appreciation as an educational aim, a counterweight to words and numbers in the form of attention to the concrete.

On the one hand, the comrades take refuge in outdated forms of communication and esoteric arts and crafts instead of occupying themselves with the contradiction between the present constitution of the media and their revolutionary potential; on the other hand, they can not escape from the consciousness industry's program or from its aesthetic.

The obvious problem of dealing with such contrasts in the linear form of narrative can be alleviated by pointing out explicitly what sorts or contrasts are being integrated, so that even if readers lose sight of the particular information involved, they can still appreciate the aesthetic transformation of elements.

In modern societies, Weber argued, the biblical God must compete with worldly gods such as aesthetic experience, material success, nationalistic fervor, erotic pleasure, and the many other forms of self - transcendence and this - worldly immortality that call out to our inner demons.

His rejection of independently existing substance in favor of a universe in which all entities are related, the idea of actual entities as valuing subjects prehending and creating themselves Out of the feelings of other subjects, the declaration that the most basic form of order is aesthetic, and the insistence that the lure toward beauty and adventure is a primary drive in the process of reality, are all examples of Whitehead's fundamental insight that to be is to be related, to exhibit some degree of beauty in those relationships, and to have the power both to affect and to be affected.

If we take seriously Whitehead's claim that the fundamental form of order and hence of value is aesthetic, and the accompanying principle of relatedness, it is obvious that unilateral power (the ability to affect without being affected) inherently inhibits the growth of value in human experience.

The special logic of this theory, after all, is that the Christian philosopher — having surmounted the «aesthetic,» «ethical,» and even in a sense «religious» stages of human existence — is uniquely able to enact a return, back to the things of earth, back to finitude, back to the aesthetic; having found the highest rationality of being in God's kenosis — His self - outpouring — in the Incarnation, the Christian philosopher is reconciled to the particularity of flesh and form, recognizes all of creation as a purely gratuitous gift of a God of infinite love, and is able to rejoice in the levity of a world created and redeemed purely out of God's «pleasure.»

By the time I had graduated, the field had become «one that maintains its interest in literary texts but explores all forms of aesthetic speech and that views performance as an art and recognizes its communicative potential and function» There were three challenges to those of us graduating with doctoral degrees in this discipline: 1) to locate which performances within art and / or culture we would focus our attention on as scholars and performers; 2) to interpret the core concepts generating from the cultural turn in our discipline to other studies of culture and human communication and 3) to develop «performance - centered» methods of research and instruction in whatever parts of the university we found ourselves.

Much later, as a graduate student at Northwestern University's School of Speech, I began to develop some tools for investigating intersections between language and action, angling toward such forms of aesthetic expression as oral reading, acting and directing in the theatre, and storytelling.

The form of the harmony is grasped in a kind of aesthetic judgment, although «aesthetic» should not be taken to refer exclusively to art or to imply that the value is actually appropriate to the situation.

Certainly, he continues, «at some point judgment is eclipsed by aesthetic delight» — revealing that propositions in their simplest and most fundamental form are entertaining and for entertainment (PR 184f / 281).

Here, the psychic act of distancing was applied to that quality of experience which gives rise to man's sense of the normative, and this was conceived as standing over against man, possessing just the objectivity that belongs to a visual form when it is distanced in aesthetic experience.

We must first achieve an inner relationship to this whole world; then we will be able to grasp the inner necessity, which rules here as in any organic structure and which, of course, is also involved in the problem of the relationship of content to aesthetic form.

From my viewpoint, what needs to die, or at least to be relativized, is absolute confidence in the religious intuition of man, which in this form I take to be a deifying of the aesthetic dimension of the creature.»

Moreover, he corrects Plato, who said that love is the search for supreme beauty, and declares that love simply is the supreme beauty.39 In addition, he avers that the whole range of emotional and aesthetic experiences in whatever sensory form can be interpreted most illuminatingly as the manifestations and self - enjoyment of love.In addition, he avers that the whole range of emotional and aesthetic experiences in whatever sensory form can be interpreted most illuminatingly as the manifestations and self - enjoyment of love.in whatever sensory form can be interpreted most illuminatingly as the manifestations and self - enjoyment of love.40

He says «Just as in love I encounter the other as the other in all his freedom, and am confronted by something which I can not dominate in any sense, so in the aesthetic sphere, it is impossible to attribute the form which presents itself to a fiction of my imagination.

If indeed we are to judge all thought by the way it «promotes the art of life,» then I think that we must recognize that there are many ways in which that «art» can be promoted, just as there are many different forms and styles within the fine arts, all of which can give rise to particular kinds of rich aesthetic experience.9

This separability is a fault not only because it violates the aesthetic principle of unity, held in some form by any theory of beauty.

In this connection, he cites not only the Whiteheadian «emphasis upon the aesthetic modality as a means of defining the substance and form of philosophic endeavor» (El 101), but also the whole American philosophical tradition (in which, correctly I think, he locates Whitehead's thoughtIn this connection, he cites not only the Whiteheadian «emphasis upon the aesthetic modality as a means of defining the substance and form of philosophic endeavor» (El 101), but also the whole American philosophical tradition (in which, correctly I think, he locates Whitehead's thoughtin which, correctly I think, he locates Whitehead's thought).

The claim of Dewey and others that all knowing involves aesthetic valuation is intimately associated with the idea that knowing is purposive, that it is guided and given form by some end in view, some active concern of the knower.

The aesthetic integration of order with freshness, stability with complexity, continuity with change, form with dynamics, and unity with variety is preserved in God's experience in such a way that novelty does not mean loss after all.

There are gradations of aesthetic harmony Beauty, which is «defined as being the perfection of Harmony;» comes in two forms, minor and major.

He writes that «the term can be understood to refer to any attempt that would render the essence of God accessible, bringing God into either aesthetic visibility (in the form of a physical structure, such as a statue) or conceptual visibility (in the form of a concept, such as a theological system.)

For an aesthetic element, they can also be written in various forms of Japanese writing, like kanji or hiragana.

If it is in fact a new form of Pan-Africanism, it is one that is rooted in a cultural aesthetic more than a political ambition, its leaders run blogs rather than political parties, and it calls for a reinterpretation rather than return to African culture and values.

Apart from their aesthetic qualities, the oak meadows were easier to hunt in and provided additional calories in the form of camas bulbs.

Perhaps the new business aesthetic palpable through the looks in the form of tailored checked suits was due to the fact that the Australian designer moved from Sydney to the Les Marais neighbourhood in Paris last year.

An extensive background and numerous skills in architectural design, a lifelong passion for art, and a penchant for culture has provided Laura Dittrich, a visual storyteller based in Germany, with a keen eye for aesthetics and a unique creative vision materialized through aesthetic visuals such as cinemagraphs and experimental video content in the form of outfit editorials (cinematorials).

Apart from the obvious aesthetic appeal in terms of features, having similar tastes and interests also provides a solid base to form an ongoing relationship and with the details available, you will be able to make an informed decision as to who suits your particular requirements best.

Yet films that reach even the barest form of mass audience are often most vulnerable to accusations that they're somehow capitulating to dominant political, narrative, or aesthetic modes — most significant in the U.S., perhaps, have been Brokeback Mountain (2005) and Milk (2008), which respectively take on, rather than truly subvert, the Western and the Great Man Biopic.

Focusing on Pixar, the initial discussion centres on Toy Story (John Lasseter, 1995), and the «Hyper - Real» aesthetic formed in that film.

We are looking for something new in the use of the documentary form, whether the projects are journalistic or creative, observational or aesthetic, objective or personal.

«The Other Side of Hope is Kaurismäki in top form, displaying all the traits people love in his work — a gorgeous noir - infused aesthetic, a quick, deader - than - deadpan wit, and a deep humanistic streak.

This brief recap brings us up to date with Nioh as it appears in its current form — A lovingly crafted homage to the precision combat and mechanics of the Soulsborne games, whilst also introducing an RNG loot system inspired by Diablo and Borderlands and transplanting the action from the more European fantasy aesthetic of Miyazaki's aforementioned series to a feudal Japan setting that is more than a little reminiscent of the Onimusha games.

Form and performance work hand in hand to produce a relentless celebration of aesthetic beauty.

Between his gregarious back pats and distant stare, his disco and classical aesthetic, Nathan is inconsistent in his broad strokes, but Isaac turns those schisms into an asset, suggesting a rich recluse who doesn't have a solid character because he's never had to form one.

The picture - in - picture commentary stands as perhaps the best extra of the year, in which the directors hold forth with a marvelous lack of pretension even as they describe a fantastically experimental approach More surface pleasure than their borderline avant - garde Crank films or Gamer «s symbiosis of satiric content and form, Ghost Rider 2 nevertheless tries to create new aesthetic paths for a genre that has rapidly fallen into vanilla homogeneity.

While Porterfield's aesthetic gambit with Putty Hill — utilizing documentary techniques to convey a fictional narrative — resulted in a remarkable hybrid form of experiential cinema, I Used To Be Darker arguably ups the ante by pairing a similarly observational naturalism (sans interviews) with more traditionally - plotted melodrama.

It's a slippery criticism to level at a picture that seems to be about emotional and aesthetic remove, of course, but there comes a point when the form imitates the message to an obfuscating degree — in other words, when it's no longer about the distance, but is the distance.

In the wake of filmmakers as disparate as Todd Haynes and Abel Ferrara self - consciously toying with the limits of the biopic form, ostensibly killing dynamic subjects by pinning them to the wall, Saint Laurent isn't as radical a work of genre subversion as some of its adherents claim, but it sure as hell is beautiful, channelling its subject's hedonist spirit and delicate aesthetic sensibility in roughly equal measurIn the wake of filmmakers as disparate as Todd Haynes and Abel Ferrara self - consciously toying with the limits of the biopic form, ostensibly killing dynamic subjects by pinning them to the wall, Saint Laurent isn't as radical a work of genre subversion as some of its adherents claim, but it sure as hell is beautiful, channelling its subject's hedonist spirit and delicate aesthetic sensibility in roughly equal measurin roughly equal measure.

It's worth remembering that the aesthetic tendencies of somebody like Lynch, however striking or fascinating they are in practice, aren't in and of themselves sources of depth or substance; his style is a consequence of the emotional logic of his films, not the other way around, which is to say that his idiosyncrasies of form are warranted by the material.

Easily my favorite award category of all the year - end shenanigans, the Heterodox Award is designed for the brazen filmmakers who allow docu - form to enhance the narrative experience — essentially service narrative form who boldly incorporate a docu aesthetic and this year's batch of five noms do this serviceably in their own fashion.

Students critique several dramatic works in terms of other aesthetic philosophies (such as the underlying ethos of Greek drama, French classicism with its unities of time and place, Shakespeare and romantic forms, India classical drama, Japanese kabuki, and others)

Benefitting from weight saving materials including aluminium and carbon fibre; the DBS offers dynamic and aesthetic purity, an exquisite interior and a driving experience unsurpassed by any other car in its coupe and Volante forms.

The result is a minimalist aesthetic — form and function in perfect harmony.