Sentences with phrase «in aesthetic theory»

Exile presents artists of different generations, often setting these in dialogue with each other and understands art as a collaborative, inter-generatioal and overarching discourse embedded in a complex web of socio - political, gender and personal histories as much as in aesthetic theory and conceptual practice.

The resulting volume (to be released in fall 2017) offers a resource for students, scholars, or any engaged reader, to consider dominant threads in aesthetic theory along side related works of art, including selections from structuralist and post-structuralist explorations of representation, to German media theory, the study of cultural techniques, and the still - burgeoning realm of new media theory, together offering a wide array of theoretical and methodological approaches to the world of images, and a sense of how those approaches have evolved over time.

EXILE presents artists of different generations, often setting these in dialogue with each other and understands art as a collaborative, inter-generational and overarching discourse embedded in a complex web of socio - political, gender and personal histories as much as in aesthetic theory and conceptual practice.

As T.W. Adorno observes in Aesthetic Theory, it is precisely through a fragmentary and «not closed» form, through a «synthesis of the dispersed» which renounces the idea of consonance, that art can express the reality of our time.

In aesthetic theory, by the way, I like Susanne Langer very much.

Not exact matches

The revolution in the conditions of production in the superstructure has made the traditional aesthetic theory unusable, completely unhinging its fundamental categories and destroying its «standards».

Examining absurd theories around Mad Men and True Detective, Julia Yost characterizes this phenomenon as a shift from the aesthetic to the forensic: «Everything on screen and soundtrack is a clue, and the viewer's challenge is to suss out the secrets encoded by the creators» choices in writing, casting, wardrobe, and art direction.

The special logic of this theory, after all, is that the Christian philosopher — having surmounted the «aesthetic,» «ethical,» and even in a sense «religious» stages of human existence — is uniquely able to enact a return, back to the things of earth, back to finitude, back to the aesthetic; having found the highest rationality of being in God's kenosis — His self - outpouring — in the Incarnation, the Christian philosopher is reconciled to the particularity of flesh and form, recognizes all of creation as a purely gratuitous gift of a God of infinite love, and is able to rejoice in the levity of a world created and redeemed purely out of God's «pleasure.»

This theory is rationalistic in that it identifies aesthetic experience with a clear, distinct, and ordered estimation of the external artistic reality.

Here she encountered pressure to choose: the literary classicists understood their task to be «philological and to some extent aesthetic» rather than philosophical, while the ethical theories she encountered in studying philosophy were in different ways and for different reasons «hostile to literature.»

On the methodological possibilities in «reader response,» see Wolfgang Iser, The Act of Reading: A Theory of Aesthetic Response (Baltimore: Johns Hopkins University Press, 1978), and the collection of essays, Susan R. Sulieman and Inge Crosman, eds., The Reader in the Text (Princeton, N.J.: Princeton University Press, 1980).

This separability is a fault not only because it violates the aesthetic principle of unity, held in some form by any theory of beauty.

This last theory, pleasure in the ugly, best articulates the essential aesthetic of the electronic church.

In our aesthetic model with its allied bipolar theory of perception, we can find an illuminative value in each mode of discourse, science or religioIn our aesthetic model with its allied bipolar theory of perception, we can find an illuminative value in each mode of discourse, science or religioin each mode of discourse, science or religion.

A theory of Supreme Value which, despite many changes in formulation, can always be understood (whether or not Wieman himself said so explicitly) in aesthetic terms;

We have also spoken of the power of religious naturalism, especially drawing upon Bernard Meland, to develop the theory and practice of a sensitive discernment, the key component in a land, water, and sky aesthetic.

Our writers specialise in several Architecture - related fields including design and aesthetic theory.

Given In Good Company's small - screen aesthetic, it's ironic that Weitz lets out a sigh of relief that Grace (late of «That»70s Show») didn't need to break any «TV habits,» although he has grown enough as a filmmaker to have developed theories of camera movement, such as that left - to - right pans possess a more «melancholy air.»

Her friend Vi advocates an aesthetic theory of storylessness, like Zen parables, in which «all structures must contain the possibility of their own non-existence — some zip that undoes them.»

The highly valued profession of a fashion designer needs vast knowledge in different areas such as art, cultural heritage, history, aesthetic theories.

In 2006 he released Gamer Theory, an ambitious and unconventional look at how videogames relate to the philosophical, political, and aesthetic dimensions of contemporary life.

Where it works, people who are completely unaware of any aesthetic theory can be stopped in their tracks by it.

His aesthetic project was, according to some scholars, related to Bertolt Brecht's theory of epic theater, in which creative expression transforms the spectator from an inert receiver to an active, reflective observer and motivates social action.

These theories were illustrated in sketches — «structures drawings» — that Falkenstein used to define the underlying components of her work and her philosophical approach to science that was the basis of her aesthetic concerns.

Meanwhile, embedded in the dialogue are about 20 important contemporary art exhibition titles, aesthetic philosophical quotes, as well as titles of books on economic theory.

Although Greenberg supported his pronouncements with aesthetic theory, corporate America was not slow to invest in abstractions incapable of communicating any social message, helping create the weird art market that now exists.

This is reflected in his aesthetic that suggests science, the study of outer space, and an atomic theory of the universe.

While they may look like pure exercises in color theory and abstraction, Wilson's works have titles — Hollywood, Lantern, Extra Spicy — that gesture toward real - world aesthetic experiences.

His Gallery 291 became a locus for the exchange of critical opinions and theoretical and philosophical views in the arts, while his periodical Camera Work became a forum for the introduction of new aesthetic theories by American and European artists, critics, and writers.

The first writers to acquire an individual reputation as art critics in 18th - century France were Jean - Baptiste Dubos with his Réflexions critiques sur la poésie et sur la peinture (1718)[17] which garnered the acclaim of Voltaire for the sagacity of his approach to aesthetic theory; [18] and Étienne La Font de Saint - Yenne with Reflexions sur quelques causes de l'état présent de la peinture en France who wrote about the Salon of 1746, [19] commenting on the socioeconomic framework of the production of the then popular Baroque art style, [20] which led to a perception of anti-monarchist sentiments in the text.

[2][3][7] As extremes in a possible spectrum, [13] while some favour simply remarking on the immediate impressions caused by an artistic object, [2][3] others prefer a more systematic approach calling on technical knowledge, favoured aesthetic theory and the known sociocultural context the artist is immersed in to discern their intent.

The body of work on show deal with potent issues hinged on history and aesthetic theory, presenting a unique artistic vision «invested in visual arts» relationship with politics of fiction, disjunctive temporalities, and postcolonial imaginations», as the press release reads.

After returning to England in 1880 he painted a wide variety of subjects, continued with his interest in the graphic arts, and promulgated his aesthetic theories in print and in the Ten O'Clock lecture (1885); his polemical The Gentle Art of Making Enemies was published in 1890.

Reem Fadda, Associate Curator for Middle Eastern Art, Abu Dhabi Project Ms. Fadda is an active curator and cultural practitioner, focusing on contemporary cultural and aesthetic theory and practice in the Middle East.

Americans who had not witnessed the aesthetic revolution taking place in Europe could see avant - garde art and discuss theory in the small New York gallery of the photographer - dealer Alfred Stieglitz.

Stedelijk @ University of Amsterdam — a symposium addressing the relationship between Marx's political and aesthetic theories, bringing in questions about art and politics today

This is an aesthetic journey that derives its conceptual basis from the pervading theory of rhizomes, explored in the eponomously named text, Mille plateaux by Gilles Deleuze and Felix Guattari.

Aesthetic theories in both regions gave the highest status to the works seen to require the most imagination from the artist.

The aesthetic decisions that govern basic self - expression are not always based in theory, culture, trends or taste, but sometimes by economics and necessity.

Fuelled by a deeply felt antipathy toward nostalgia, and incorporating references to personal, folk, and collective histories, these works were formally realized in ways that evoked tropes of modernist aesthetic practice and theory, while critically reflecting on the criteria and categories through which recent art historical memory has been forged.

It won that scrap, in the court of uptown galleries, but soon succumbed to the juggernauts of Pop art and minimalism, which had behind them forces of more than rarefied aesthetic theory: by 1962, Andy Warhol's silk - screened works equalled the formal strength of color - field and surpassed its éclat, with the added bonus of Marilyn Monroe.