Sentences with phrase «in an exhibition catalogue»
«I don't know whether Andy Warhol was so much an influence,» she told «Regarding Warhol» co-curator Marla Prather in an interview to be published in the exhibition catalogue.
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«When I was a child, the word «life» itself was a foreign concept,» Nara explained in an interview published in the exhibition catalogue.
To read more about Rauschenberg's involvement with the environmental movement, see Robert S. Mattison's essay, «Robert Rauschenberg's Environmental Activism,» in the exhibition catalogue Last Turn — Your Turn: Robert Rauschenberg and the Environmental Crisis, Jacobson Howard Gallery, New York, March 6 — April 12, 2008.
The Young Art Critic's mentoring program matches emerging critics with experienced AICA / USA members who guide them through the process of writing a catalogue essay, which is published by a CUE in an exhibition catalogue.
(This statement was originally published in the exhibition catalogue that accompanied this installation when it was first on view at the Museum of Contemporary Art, Chicago in Dan Flavin: alternating pink and «gold,» December 9, 1967 - January 14, 1968, Flavin's first solo museum exhibition.)
And so we learn from Eric Shiner's interview published in the exhibition catalogue, when Ai came to New York, he read The Philosophy of Andy Warhol (From A to B and Back Again).
Albers hoped his recruitment efforts would be, as Robert Mattison states in the exhibition catalogue, Audrey Flack: The Abstract Expressionist Years, «a way of enlivening the program and revolutionizing the school.»
The book, edited by Trevor Schoonmaker, Curator of Contemporary Art at the Nasher, brilliantly presents a masterful look at the figurative painting, a selection of which can be seen in the next iteration of Soul of a Nation, which opened earlier this month at the Crystal Bridges Museum of American Art in Bentonville, Arkansas, as well as in the exhibition catalogue, available from the Tate, which features Hendricks» painting «What's Going On» (1974) on the cover.
As Doro Globus writes in the exhibition catalogue, «Wilson's appropriation is wide reaching.
In an interview with Marshall N. Price that is in the exhibition catalogue, the artist states: «I recently made a large body of small paintings (16 × 12 inches) and the act of making these was really movement - oriented, and very involved with the materials in a physical way.
Her writings have appeared in the exhibition catalogues such as Kasia Klimpel.
His texts have been featured in exhibition catalogues and publications in both countries.
Indeed Tate will find it difficult to match the breadth and scale of this book in any exhibition catalogue it may choose to produce.
Nonetheless, they manage to exert, via word of mouth and the occasional image in an exhibition catalogue or art magazine, a sub-rosa influence on subsequent painters.
«Creating art that is honed from a conceptualism that pays homage to minimalist practices of the 1970s and reinvents identity - based explorations of the 1980s, Simmons came of age aesthetically in the 1990s and his work represents the fluid hybridity of that time,» wrote Thelma Golden in the exhibition catalogue Gary Simmons (2002).
Through his teaching, Rockburne discovered theories that would influence her life and art throughout her career, wrote Anfam in the exhibition catalogue.
Dunne, Aidan, «Why it might finally be time to shout Great Scott», Irish Times, 9 March 2013 Texts in Exhibition Catalogues
In an artist's statement that appeared in the exhibition catalogue, Philip Guston: Drawings 1947 — 1977 (New York, David McKee Gallery, 1978), Guston stated:
The article, which is reproduced in full in the exhibition catalogue, is as strikingly relevant to Pearlstein's painting today as it was in 1971.
In the exhibition catalogue, art historian Danilo Riponti observes, «Boundless spaces, human silences, deep soul rest — here are the keys of the noble reading of the artist's vision».
Her writing has appeared in exhibition catalogues and art journals such as
Full interview available in the exhibition catalogue Mike Nelson: Again, more things (a table ruin), published by the Whitechapel Gallery and V - A-C collection.
Her writing has appeared in exhibition catalogues and art journals such as ArtNexus, Caribbean Intransit: The Arts Journal, Gulf Coast: A Journal of Literature and Fine Arts, Interventions: International Journal of Postcolonial Studies.
«Someone once referred to the figure I did in the Northern Lights painting as a pimp,» wrote Hendricks in his exhibition catalogue essay for «Birth of the Cool,» his first career retrospective, which took place at the Nasher Museum of Art in 2008.
With Salerno I (1990), an image of the Italian city's busy industrial port — which, Gursky admits to photographer Jeff Wall (in a conversation printed in the exhibition catalogue), was captured in the last few minutes before sunset shadows moved in — the artist first experimented with the «all - over focus» technique that would come to define his practice.
As Claire Messud notes in her reflections on the artist in the exhibition catalogue, «The complex emotions Neel evokes in her art are nothing less than the contradictions of life itself.»
On October 20, 2018, fellows will present their findings during a daylong symposium that will be published in the exhibition catalogue.
Her published work includes books, articles, interviews, and essays in exhibition catalogues and other publications.
In the exhibition catalogue, Tsai describes the artist's program of righting the absence of nonwhite faces in art - historical masterpieces as «using the power of images to remedy the historical invisibility of black men and women.»
«It's about me being able to not have to define myself with a gallery, within a space, within a country,» she tells the curator (and former boyfriend) Carl Freedman, in the exhibition catalogue.
As Albright - Knox Chief Curator Emeritus Douglas Dreishpoon notes in his essay in the exhibition catalogue, Frankenthaler instinctively adopted Jackson Pollock's determination to challenge the basic tenets of what painting could be — an ethos that sustained her well beyond her breakout work Mountains and Sea (1952), indeed, for the rest of her artistic life.
In the exhibition catalogue, Susan York: 3 Columns, Lucy Lippard wrote, «This nuanced fusion of the intellect and sensual experience is precisely what York achieves.
In a conversation with Brunnet, published in the exhibition catalogue, it was put to Hirst, «I could do that [spin drawings] with my eyes closed... where's the art in that?»
Images of accepted work may be used for promotional purposes and be featured in an exhibition catalogue.
Documentation of these two projects appears in the exhibition catalogue, less like an object more like the weather available at CCS Bard.
As Lüpertz tells Doig in an interview included in the exhibition catalogue, his paintings, nowadays are made to «look like paintings, paintings that have no story,... that create only an atmosphere».
Read the full interview with Jonas Lund in the exhibition catalogue Electronic Superhighway: From Experiments in Art and Technology to Art After the Internet.
As Thomas Kellein wrote in the exhibition catalogue for Donald Judd: Early Works 1955 - 1968, «Over a period of more than two years until 1958, the bridge motifs gave way to garden pictures with which he later installed at the Cobb House in Marfa, Texas.»
In the exhibition catalogue were «Several Quotations for Donald Judd...» which included statements by the artists Juan Gris and Dan Flavin, among others.
Jan Hoet, in the exhibition catalogue for the 1986 Ghent exhibition Chambres d'Amis, describes this: «The sculpture is no longer at ease on its socle — if it still has one.
Somewhere between the Abstract Expressionists and Pop artists, some would argue; a rogue group of anti-New York, anti-Europeans influenced by outsider art, say others (this is the angle Corbett takes in his exhibition catalogue essay).
Jeff has pushed that legacy further than any other artist in terms of the standards and level of detail with which he produces his work, and there's an essay in the exhibition catalogue by [Artforum editor] Michelle Kuo that argues that he is producing objects at a level that's higher even than science or industry today, with elements of his sculptures that are more exacting and complicated than equipment made by the aerospace industry.
PR: What came first: The idea to curate an exhibition with water as theme or the idea to curate an exhibition that would reveal what you described in the exhibition catalogue essay as a «new form of expression» — artists making site - specific work on the water instead of water in the distance as muse?
In an essay in the exhibition catalogue Jack Bankowsky, co-curator of the exhibition, describes the image as of «a bath - damp and decidedly underage Brooke Shields... When Prince invites us to ogle Brooke Shields in her prepubescent nakedness, his impulse has less to do with his desire to savour the lubricious titillations that it was shot to spark in its original context... than with a profound fascination for the child star's story.»
Her writing has appeared in exhibition catalogues and periodicals nationally and internationally, with forthcoming texts in catalogues published by the Vancouver Art Gallery and the Herning Museum of Art (Denmark).
Dean is the first to admit that these genres are not something she particularly identifies with; writing in the exhibition catalogue, she expresses the frustrations of working with such discrete categories: «It goes well until you come across an anomaly, and the anomaly makes you create a new description and a new category, and it goes well again until the next anomaly and the next category, and so on and so forth.»
Kang has lectured and written extensively on Vuillard and additionally on Renoir, Degas, Van Gogh, and Gauguin, and she has been published in exhibition catalogues from the Frick Collection, the Metropolitan Museum of Art, and the Museum of Fine Arts, Boston.
As Stuart Weitzman himself expresses in the exhibition catalogue, shoes «tell an almost infinite number of stories.
In this exhibition catalogue, experts, art theoreticians, anthropologists and urban scholars from Libya, Egypt and Syria report on artistic interventions in their countries and critically reflect on the role of art in periods of political transformation.
«We know and can not unknow the fact that the labored - over painting is the end product of a nearly instantaneous mechanical process — a sixtieth of a second stretched out over months and months,» wrote artist and writer Richard Kalina in his exhibition catalogue essay.