Sentences with phrase «in analog photography»

Working in a darkroom, she manipulates the various chemicals used in analog photography to make colorful, unique abstract prints on irregularly shaped pieces of photographic paper.

These were made by placing three different black - and - white photographs into Adobe Photoshop's red, green, and blue color channels, thus yielding a multilayered color image similar to double exposures in analog photography.

Addressing the growing interest in analog photography in a digital world in which many artists using photography are better served...

Ryan James MacFarland, born Tallahassee, FL in 1985, is a multidisciplinary artist with a focus in analog photography.

It is also like the colors that occur in analog photography that tend toward dark mixes of Magenta, Viridian, Sienna, Umber, and Ultramarine Blue that sit in the photo paper in a way that shifted one way looks green and another way looks violet.

Not exact matches

Whether it is in the eerie intimacy of Aron's analog consumer video or the larger than life exuberance of the boundless photography of the mountainous Utah desert, the 1.85:1 widescreen transfer packs a punch.

And in a movie crammed with odd contrasts, the most striking may be the clinical crispness of the digital photography up against the old - school strings and analog vibe of Bear McCreary's musical score.

Specializing in analog production techniques, she has exhibited and taught video and photography across the country.

Today art is filled with presences, in the scraps of abstraction, of analog and digital, and of photography as object.

After Yoko passed away, in 1990, Araki began a host of new projects, even using his own diagnosis with prostate cancer in 2008 as a jumping - off point to explore the diminishing status of analog photography.

Focusing on social structures, mainly human connections and relationships that exist in his multi-faceted consciousness, Le makes chromogenic prints through a performative approach towards portraiture — utilizing a combination of analog and digital photography.

Each year, Baxter St at CCNY selects four emerging photographers living in New York City for the Workspace Residency Program, which offers them analog and digital workspace at the International Center of Photography, access to the Baxter St at CCNY community and programs, and solo exhibitions at Baxter St.. This exhibition is the first in a series of four solo exhibitions by 2017 winners of the Workspace Residency, supported by the Jerome Foundation, the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, the New York City Department of Cultural Affairs, in partnership with the City Council, Fujifilm of North America, and Awagami Factory.

It will explore artistic practices that range from installation works by artists from the post-internet generation to abstraction in oil paintings, from performance art to ink and wash, from analog photography to new media art.

This self - reflexivity reveals the chemical processes of photography, dividing the picture plane into different exposure times; an analog technical process normally used to calculate the ideal picture exposure, being used aesthetically and critically, to expose the photographic medium with its claims to both truthfulness and fabrication in the age of digitization.

Undergraduates establish strong photographic practices and discourses through the study of analog and digital processes, the history and theory of photography, and the development of critical thinking and writing skills through required and elective courses in photography, other creative disciplines, and the liberal arts.

By sourcing existing images, employing analog methods and digital interventions, the works in the show disrupt the expectations of straight photography, examining its limits with images that exist at threshold of photographic formulation.

Each year, Baxter St at CCNY selects four emerging photographers living in New York City for the Workspace Residency Program, which offers them analog and digital workspace at the International Center of Photography, access to the Baxter St at CCNY community and programs, and solo exhibitions at Baxter St.. This exhibition is the third in a series of four solo exhibitions by 2016 winners of the Workspace Residency, supported by the Jerome Foundation, the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, the New York City Department of Cultural Affairs, in partnership with the City Council, Kodak, and FUJIFILM North America Corporation.

Each year, BAXTER ST at CCNY selects four emerging photographers living in New York City for the Workspace Residency Program, which offers them analog and digital workspace at the International Center of Photography, access to the BAXTER ST at CCNY community and programs, and solo exhibitions at BAXTER ST.. This exhibition is the last in a series of four solo exhibitions by 2015 winners of the Workspace Residency, supported by the Jerome Foundation, theNew York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, the New York City Department of Cultural Affairs, in partnership with the City Council, Kodak, and FUJIFILM North America Corporation.

Each year, Baxter St at CCNY selects four emerging photographers living in New York City for the Workspace Residency Program, which offers them analog and digital workspace at the International Center of Photography, access to the Baxter St at CCNY community and programs, and solo exhibitions at Baxter St.. This exhibition is the last in a series of four solo exhibitions by 2016 winners of the Workspace Residency, supported by the Jerome Foundation, the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, the New York City Department of Cultural Affairs, in partnership with the City Council, Kodak, and FUJIFILM North America Corporation.

Each year, Baxter St at CCNY selects four emerging photographers living in New York City for the Workspace Residency Program, which offers them analog and digital workspace at the International Center of Photography, access to the Baxter St at CCNY community and programs, and solo exhibitions at Baxter St.. This exhibition is the second in a series of four solo exhibitions by 2016 winners of the Workspace Residency, supported by the Jerome Foundation, the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, the New York City Department of Cultural Affairs, in partnership with the City Council, Kodak, and FUJIFILM North America Corporation.

Each year, Baxter St at CCNY selects four emerging photographers living in New York City for the Workspace Residency Program, which offers them analog and digital workspace at the International Center of Photography, access to the Baxter St at CCNY community and programs, and solo exhibitions at Baxter St.

Each year, Baxter St at CCNY selects four emerging photographers living in New York City for the Workspace Residency Program, which offers them analog and digital workspace at the International Center of Photography, access to the Baxter St at CCNY community and programs, and solo exhibitions at Baxter St.. This exhibition is the third in a series of four solo exhibitions by 2017 winners of the Workspace Residency, supported by the Jerome Foundation, the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, the New York City Department of Cultural Affairs, in partnership with the City Council, Fujifilm of North America, and Yarden Wines.

Each year, BAXTER ST at CCNY selects four emerging photographers living in New York City for the Workspace Residency Program, which offers them analog and digital workspace at the International Center of Photography, access to the BAXTER ST at CCNY community and programs, and solo exhibitions at BAXTER ST.. This exhibition is the first in a series of four solo exhibitions by 2015 winners of the Workspace Residency, supported by the Jerome Foundation, the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, the New York City Department of Cultural Affairs, in partnership with the City Council, Kodak and FUJIFILM North America Corporation.

Offering courses in painting, drawing, graphic design, photography, sculpture, film and video, and film history and theory, the program provides enrolled students extensive contact with an internationally accomplished faculty as well as access to state - of - the - art technical, analog, and digital labs, including a fully functional letterpress studio.

Mounted and arranged on shelves in front of vivid color backgrounds, the figures become players in a story that is both a tribute to the heyday of analog photography and an accomplished vision of the possibilities that the digital age has opened up to artists.

Using collage strategies, sculptural tropes and theater staging techniques, Lipps's series is a requiem for analog image - making, which is relevant to the ubiquity of photography in the digital age.

She distinguishes the subjects in her photography through a mixture of analog and digital processes creating what she calls «an illusion of technology.»

The artists in New Photography 2013 explore dialectical reversals between abstraction and representation, documentary and conceptual processes, the uniquely handmade and the mechanically reproducible, and analog and digital techniques, underscoring the idea that there has never been just one type of pPhotography 2013 explore dialectical reversals between abstraction and representation, documentary and conceptual processes, the uniquely handmade and the mechanically reproducible, and analog and digital techniques, underscoring the idea that there has never been just one type of photographyphotography.

This technique mirrors the material reversal of analog film - based photography, in which a negative is used to transfer the image.

Her career represents a breadth and depth of experience and skill in education, photography (analog, digital, alternative, and historic processes), the creative process, and workflow.

In this series of spooky photographs, Cump sheds light on the darker side of nature, revealing the nocturnal landscapes and the intertwined histories of analog photography and the myth - laden night sky.

The paintings are rendered in the saturated and murky colors Twilley associates with analog photography and, though devoid of human figures, are filled with human presence.

Each year, Baxter St at CCNY selects four emerging photographers living in New York City for the Workspace Residency Program, which offers them analog and digital workspace at the International Center of Photography, access to the Baxter St at CCNY community and programs, and solo exhibitions at Baxter St.. This exhibition is the first in a series of four solo exhibitions by 2016 winners of the Workspace Residency, supported by the Jerome Foundation, the New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the New York State Legislature, the New York City Department of Cultural Affairs, in partnership with the City Council, Kodak, and FUJIFILM North America Corporation.

Kodak, a company that became a punchline in recent years due to its epic inability to quickly adapt to digital photography that crushed its analog film based world, is going crypto.