Sentences with phrase «in architectural renderings»

Not exact matches

An architectural rendering of Amazon's proposed building in Boston's Seaport district.

But the case isn't about nothing, Schneiderman said in a statement, pointing to Newman's alleged use of drafted architectural renderings for more than 100 properties in the Capital Region area that had been submitted along with engineer letters, foundation inspections, field reports and energy compliance letters.

Started by sister - duo, Morgan (a former Bloomingdale's buyer) and Jaclyn Solomon (an ex-designer at Proenza Schouler), Agmes creates sleek, sustainable jewelry rendered in modern, architectural shapes.

Being able to play videos or view slideshows on a big screen is a great feature for using this tablet in a business setting but unfortunately I wasn't able to play the architectural render that one of my co-workers needed to show at an afternoon meeting so he had to take the laptop.

According to FWM, his «theological concepts, at times rendered through text, diagrams, and architectural elements — such as altars, church pews, and in this exhibition, a pulpit — create unexpected encounters through his use of unique materials.»

The artist demonstrates an acute observation of architectural detail and materials in her renderings of hotels, resort cabins, and subway stations.

Overlapping influences of Futurism and Neoclassicism feature in these renderings as historical echoes to Italian and German fascism, and their respective nation - building architectural schemes.

You try to imagine the unknown people who once used those doors, and struggle to visualize what is being pictured in his abstract paintings, which hint at topographical maps or architectural renderings.

Their more expansive compositions allow the viewer to ponder architectural elements or the unusual collections of objects that she has rendered — a blue plastic doll imported from Ghana, an arched doorway and television set, an assortment of framed photographs, an empty balcony, oil lanterns on a tabletop — which serve to represent absence and quietude in her otherwise densely textured works.

«Daniëls may be best known for paintings depicting simple architectural spaces that, rendered in perspective, look like bowties and often have monochromatic paintings hanging on the walls.

The series Mattoni [Bricks] originated in the years 1969 - 72, and between 1972 and 1978 Uncini created the series Ombre [Shadows], in which massive architectural presences converse with and confront the artist's own shadow, which has also been constructed and rendered into a volume.

Through a language of architectural and natural forms rendered in resin, bronze, stainless steel and terra cotta, she poetically redefines any logical interpretation of space by confounding interior and exterior, organic and artifice.

Playing with the language of architectural presentation by showing models and renderings for the future in combination with historical maps and buildings from the past, the artists conceive of «the urban construction site as an ever - changing still life».

Also on view are two of the artist's more recent video works, ICON (2014) and Stop Playing in My Face (2016), both of which weave together the exuberant pageantry of voguing with digitally - rendered backdrops of glittering architectural spaces.

In the entrance of the space stands a thirty - foot long scaffolding over which he will hang an architectural rendering printed on industrial mesh.

The autobiographical dimension of the artist's work is revealed in pieces related to friendships, memories and places; while the formal aspect is evident in paintings of grids and squares rendered in primary colors and in works based on architectural planes.

pieces related to friendships, memories and places; while the formal aspect is evident in paintings of grids and squares rendered in primary colors and in works based on architectural planes.

As Clement Greenberg stated in his essay «Sculpture in Our Time» (Arts Magazine, June 1958), «Rendering substance entirely optical, and form, whether pictorial, sculptural, or architectural, as an integral part of ambient space — this brings anti-illusionism full circle.

Over the past 20 years the artist has hyper - realistically rendered pictures of prepubescent boys, non-existent 19th century ethnographic studies and invented architectural spaces, as well as animations of physical forms in motion.

The archival binders he kept in his Adams Morgan apartment on Columbia Road NW are filled with exhibition - design drawings — fine and detailed, as distinctive as an old - school architectural rendering (a skill he honed at the University of Louisville).

The artist has also introduced a new formal theme to these paintings: on each canvas one can find coiled knot - like forms that, rendered in beautiful, rich colors, take on a floral, sculptural resonance, much like rosettes in architectural bas - relief.

Steinkamp's digitally rendered animations of natural phenomenon and movements are projected within architectural surroundings, resulting in immersive environments that blend awareness of the physical and ethereal and challenge the viewer's preconceived ideas of form and space.

This exhibition uses archival photographs and architectural renderings to describe Dixon's pivotal role in establishing and disseminating the tropic - flavored Art Deco style now commonly associated with the city by the shore.

These disconnected passages form a series of transitions that hover in an architectural uncanny, somewhere between model and fragment, calculated rendering and lived space.

The autobiographical dimension of the artist's work is clear in her pieces related to friendships, memories and places; while the formal aspect of her oeuvre is evident in her paintings of grids and squares rendered in primary colors and in works based on architectural planes.

Based on city maps, architectural renderings, building plans and aerial perspectives, they represent the hectic urban development of the modern times, moving in a way so accelerated that it is hard to catch its rhythm.

I have not posted much of the recent work of Michael Jantzen on TreeHugger; he has interesting visions but very little reality, mainly renderings of architectural wonders in open fields.

We saw a virtuoso demonstration of 3D modeling in VR, game engines reapplied to purposes like architectural rendering where entire forests could be pasted into a giant, open field with no lag or loss of visual detail.

My experience in business architecture combined with strong relationship building and expanding skills have always rendered me capable of meeting and exceeding clients» architectural satisfaction.

Come to me to handle all your in - house print and copy needs from small format black and white, to oversize color prints and architectural plots and renderings.

EXPERIENCE: Intern Architect, Garrison McNeil and Associates, Architects and Planners 04.08 - present — Office Managerial Duties: office support duties, purchasing manager — Marketing: Letters of Interest; RFQ's; RFP's — Zoning / Building Code Analysis — Site Survey — Development of schematic and design development phase plans, elevations, sections, and rendered axonometrics — Construction Documents: Fluent in construction document standards and construction details (section and axon)-- In - house Specification and Project Manual Compilation: proof - reading and writing architectural specifications — Presentation Prep: materials boards, presentation boarin construction document standards and construction details (section and axon)-- In - house Specification and Project Manual Compilation: proof - reading and writing architectural specifications — Presentation Prep: materials boards, presentation boarIn - house Specification and Project Manual Compilation: proof - reading and writing architectural specifications — Presentation Prep: materials boards, presentation boards