With a previous Ph.D.
in Architectural Theory, History and Criticism from Princeton University, Abrams had worked for more than 20 years as an architecture and design critic and editor, organizing numerous conferences and salons, and writing for publications including frieze, I.D. Magazine, Blueprint, and The New York Times.
Not exact matches
Plainspoken and witty, it qualifies as social history, film
theory, personal reverie,
architectural history and criticism, a bittersweet meditation on automotive transport, a critical history of mass transit
in southern California, a wisecracking compilation of local folklore, «a city symphony
in reverse,» and a song of nostalgia for lost neighborhoods such as Bunker Hill and unchronicled lifestyles such as those of locals who walk or take buses.
He holds a PhD
in History and
Theories from the
Architectural Association, London.
He holds a Ph.D.
in Histories and
Theories from the
Architectural Association, London.
In a focused manner, Maunz's work mines the history of classical art,
architectural structures abstracted from memory, particular aspects of the artist's past, and family and childhood psychological
theory.
About Pablo León de la Barra Pablo León de la Barra, Curator, Latin America at the Solomon R. Guggenheim Museum, New York; and associate curator at MASP, Museu de Arte de São Paulo, and holds a Ph.D.
in Histo - ries and
Theories from the
Architectural Association, London.
Born
in Mexico City
in 1972, Leà ³ n de la Barra earned his PhD
in histories and
theories from the
Architectural Association, London.
Sabina Andron is a teaching fellow
in Architectural History at the Bartlett School of Architecture, University College London and Lecturer
in Interiors History &
Theory, Univeristy fo East London.
Until 2010, Arakawa and Gins painted large canvases that consistd of letters and numbers arranged geometrically,
in which they meditated on their
theory of the «mechanism of meaning»; these works enabled the couple to financially support their
architectural projects.
Trix & Robert Haussmann have been pioneers
in breaking with the canonical premises of modernist design, playfully reinterpreting the linguistic dogmas of its
architectural theories.
Pablo León de la Barra is an exhibition maker, independent curator, researcher, editor and blogger, and holds a PhD
in History and
Theories from the
Architectural Association, London.
As the Nancy and George E. Rupp Professor, she teaches
architectural design and architectural theory / history courses at Columbia University's GSAPP, where she also directs the graduate program in Advanced Architectu
architectural design and
architectural theory / history courses at Columbia University's GSAPP, where she also directs the graduate program in Advanced Architectu
architectural theory / history courses at Columbia University's GSAPP, where she also directs the graduate program
in Advanced
ArchitecturalArchitectural Research.
Socio - urban and
architectural theory has argued that space is not self - evident, rather that it is socially produced; we produce the city, the digital landscape, office waiting rooms, the postal system, the nation and its territory by the way we live
in and occupy it, use it, by what we wait for
in it, send through it, and the violence we use to try to control it.
Sylvia Lavin is a leading figure
in contemporary
architectural history,
theory, and criticism.
Founded
in NYC
in 1967 as an alternative forum for
architectural research, education, and practice, the IAUS was a place of immense energy and effervescence, whose young founders and participants, while hardly known at the time, would shape
architectural practice and
theory for decades.