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Not exact matches
There's a hint of cinematic
fiction to the scenes or,
at best, of a stunt that'll never work
in the real world.
Yet, while both are
at the height of hype
in the tech world, much of the general public still has trouble believing either has progressed beyond the realm of science -
fiction.
«The tax numbers
in corporate filings are mostly
fiction,» Alison Christians, a law professor
at McGill University who specializes
in tax matters, told us.
That scenario isn't science
fiction in the slightest, the new study by Sandra Matz
at Columbia Business School shows.
«As a science
fiction idea, it clearly works, but as a business, I'm not sure,» John Hansman, a professor of aeronautics and astronautics
at MIT, told Inc.
in January.
Researchers
at the New School for Social Research
in New York have determined that reading literary
fiction — books that have literary merit and don't fit into a genre — enhances what scientists call «Theory of Mind (ToM), or an ability to understand the mental states of others.
Let us begin, then, with one cold, hard - numbered truth: For much of corporate America, racial diversity continues to be
at best a challenge — and
at worst a flat - out
fiction — particularly
in the executive ranks.
I switched from academic papers to climate
fiction a few years ago, seeking to inform, and
in one story envisioned trouble
at the BC / AB border... «Blown Bridge Valley», an excerpt from a climate reality novel series... a free e-book
at the link here https://www.smashwords.com/books/view/497190
Here's one very basic fact you need to keep
in mind: If you accept the Synoptic gospels» assertion that this all happened
at Passover, then you MUST immediately know that the entire account is
fiction.
Russ Christian thinking
at its best, 5 billion people totally ignore or think the bible is just another poorly written of
fiction, sure to your lot it may be the most influential book
in history, not so much to everyone else and is getting less and less influential as time goes by.
At least the writers of the bible and Stephen King had one thing
in common — they both wrote good
fiction.
On a related note: Even if my understanding of the cartoon is wrong, there is indeed nothing wrong
at all for hating a being which is:»...» is arguably the most unpleasant character
in all
fiction: jealous and proud of it; a petty, unjust, unforgiving control - freak; a vindictive, bloodthirsty ethnic cleanser; a misogynistic, homophobic, racist, infanticidal, genocidal, filicidal, pestilential, megalomaniacal, sadomasochistic, capriciously malevolent bully.»
Indeed, the attempt
at that rescue and restoration is the disturbing aspect of Percy's
fiction, disturbing to the «liberal» mind
in its common manifestation among us.
First published
in 1907, GK Chesterton's The Man Who Was Thursday is a classic work of
fiction that was right
at home
in its era but also way ahead of...
This makes
fiction based upon Scripture peculiarly problematic,
at least for those who regard the work's underlying source as more than mere raw material: Is the novel, play, movie to be judged to some degree
in accordance with its piety?
While her book
at times threatens to become a kind of Answer Key to Waugh's novels, which themselves,
in her hands, almost resemble mere romans clef, she does convincingly show that Waugh always drew from his own life
in his
fiction.
Reinforcing the fact that this book is historical
fiction and not a precise biography, my friend Dalia Mogahed (executive director of the Center for Muslim Studies
at Gallup and member of President Barack Obama's Advisory Council on Faith - Based and Neighborhood Partnerships) rightfully noted
in her review that this «is not a book recounting Muhammad's life, but a beautiful story inspired by it... There was editorial license and creativity, and while many of the words and events have been recorded
in authentic sources, many have not...»
Insofar as the problem of despair is overcome
at all
in Percy's
fiction, it is through a confession that we are indeed «prisoners and exiles,» as he calls us — wanderers and wayfarers who can not avoid the quest for God and who thus must be ever waiting and watching, and listening for manifestations of the Holy
in the most unlikely places.
McCarthy emerges
in her
fiction as a moralist, and friends who recognized themselves
in her work (Philip Rahv
in The Oasis, Edmund Wilson
in A Charmed Life, her Vassar classmates
in The Group) naturally bridled
at her judgments.
And even though Jan Karon has tried to make her
fiction cozy, I've never really felt
at home
in Mitford.
2) The bible is a work of
fiction, or
at least it's not a fully factual account of actual events
in history.
In the 1970s and 1980s, his essays and fiction regularly took withering aim at the hypocrisies and absurdities of colonialism, and likewise at apartheid - era life in his native South Africa (this included, incidentally, a thoughtful, if critical, review of Dispensations, Richard John Neuhaus's own book about South Africa
In the 1970s and 1980s, his essays and
fiction regularly took withering aim
at the hypocrisies and absurdities of colonialism, and likewise
at apartheid - era life
in his native South Africa (this included, incidentally, a thoughtful, if critical, review of Dispensations, Richard John Neuhaus's own book about South Africa
in his native South Africa (this included, incidentally, a thoughtful, if critical, review of Dispensations, Richard John Neuhaus's own book about South Africa).
Perhaps I ought to be more surprised
at his omission of historical
fiction, including that of Madeleine Polland, written from a deeply Christian perspective; she wrote such works as Beorn the Proud, now available
in reprint, and my personal favorite, The Queen's Blessing, set
in the time of Saint Margaret of Scotland.
Editor's note: Danielle Elizabeth Tumminio is an ordained Episcopal Church priest and is author of «God and Harry Potter
at Yale: Teaching Faith and Fantasy
Fiction in an Ivy League Classroom.»
Editor's note: Danielle Elizabeth Tumminio is an ordained Episcopal Church priest and author of «God and Harry Potter
at Yale: Teaching Faith and Fantasy
Fiction in an Ivy League Classroom.»
My favorite high school memories take place
in the library: lounging by the magazines, Quiz Bowl practice, the time I spent reading The Lord of the Rings
at a table
in the
fiction section.
Tumminio said she wrote God and Harry Potter
at Yale: Teaching Faith and Fantasy
Fiction in an Ivy League Classroom, to explore the contention by conservative Christians that Harry Potter is akin to heresy.
Editor's Note: Danielle Elizabeth Tumminio is an ordained Episcopal Church priest and is author of «God and Harry
at Yale: Faith and
Fiction in the Classroom.»
It was an outlook on the world that not only went unchallenged
at home but was the presupposition of all of England
in the eighteenth century, and was utterly determinative for Jane's
fiction, as Honan succinctly summarizes:
At this point
in my career, I took a break from
fiction to write Alive: The Story of the Andes Survivors.
Which is why we need smart TV more than ever, because
fiction in all forms still steals past the watchful dragons of our own presuppositions and prejudices and helps us look
at the world
in a different light.
At a time when many writers of
fiction appear content to spin out tales concocted by marketing firms, or else lose themselves
in worlds of arch and arcane wordplay, Murdoch is extravagant, enthusiastic and earnest.
While the terror
at the power and indifference of nature can be found
in her other books, and is the foundation insight
in Living by
Fiction, the difference here is that she has claimed a place with others.
The teacup
at hand,
in this case, is contemporary
fiction» (p. 11).
At worst, these words are
fiction written by men
in a religious cult trying to further their own power.
That imagination — fired,
at least during the great middle years, by intense moral and religious perception — made Greene's
fiction the best - realized portrayal
in its time of the drama of the human soul.
Look
at al the
fiction bestsellers of the last two years and notice the trend
in cover art.
To quote Kenyan feminist theologian Musimbi Kanyoro, «Those cultures which are far removed from biblical culture risk reading the Bible as
fiction,» Conversely, societies that identify with the biblical world feel
at home
in the text.
It is wonderful that Lewis's work has only grown
in popularity - 40 years ago
in college, some people looked askance
at our studying his
fiction from a serious literary point - of - view.
I know it's way back
at the top where this all started but I think it's hilarious that Doc basically says he believes the bible is historical
fiction and
in the very next comment Theo says the bible proves that abortion is murder.
Richard Duffield, a priest
at St. Aloysius, says you can see the Catholic influence
in Tolkien's
fiction.
Julia Yost is a Ph.D candidate
in English
at Yale University and an MFA candidate
in fiction at Washington University
in St. Louis.
Are you so damn blinded by your 2000 year old book of
fiction to see that our world population is
at a hefty 7 billion and is set to increase by another 2 billion
in the next 8 years?
I think we have to look
at intent and effect — religion,
at least
in the modern era, creates complex explanations to (continue to) deceive, and does real damage to individuals and society, whereas pop
fiction creates elaborate expanations and plots to entertain.
I place it
in the same bucket as the bible (one of which is currently
in the hallway outside my hotel room with the dirty dishes)--
at the best it is bad
fiction and most likely it is just a load of crap.
Scientology roots are
in Hubbard science
fiction writings and techniques he supposedly stole from the occult organization the OTO, which
at the time was run by Aleister Crowley
in the UK and Hubbards contact was John aka Jack Whitesides Parson who ran the the Agape Lodge
in Los Angeles.
This world view might be summarized
in the words of Pascal's Pensée 507, which Updike quotes
at the beginning of Rabbit, Run: «The motions of Grace, the hardness of the heart; external circumstances,» This epigraph may serve as a brief outline of Updike's literary effort: his theologically concerned
fiction seeks to portray (1) external circumstances, (2) the hardness of the heart, and (3) motions of grace.
There comes a time when you need an everyday cider, a cider that teaches Martinelli's drinkers what cider can be if it decides to really put
in the hours
at work, instead of reading Game of Thrones fan
fiction all day.
I do not have the figures
in front of me, but I expect that golfers buy more instruction books, chuckle
at more golf whimsy, read more
fiction about their sport and sympathize more fully with accounts of the agonies of their brethren of the links than any other athletes.