Sentences with phrase «in biblical imagery»

Like the other great American songwriters his poetic songs about politics, love and life are steeped in biblical imagery and spiritual themes that weave beautifully through guitars, string sections and banjos in brilliantly earthy compositions.

Not exact matches

I utterly reject Biblical inerrancy http://lotharlorraine.wordpress.com/2013/09/18/on-the-inspiration-of-the-bible-and-other-books-von-der-interpretation-der-bibel-und-anderen-buchern/ but find it interesting that this view of the afterlife is the most likely interpretation of the passages, provided one consider the Old Testament imagery in its own context.

Yetser, the Biblical word for «imagery,» is identical, in fact, with the Talmudic word for the evil and good urges.

Biblical imagery provided the basic framework for imaginative thought in America up until quite recent times and, unconsciously, its control is still formidable.

He acknowledges the importance of personalistic imagery in the biblical tradition.

Religious leaders, I think, face alternatives not easily reconciled: to try to form communities in which biblical imagery and ideas provide an alternative vision to our cultural ones, or to engage in a process of mutual critique, edification, correction and revision of frameworks that are informed both by our religious traditions and by the sciences and culture.

Black American politics is still largely inspired by religion and often led by clergy, usually of charismatic and evangelical bent; black political rhetoric can not be understood except in the context of biblical thought and imagery.

Teilhard is helpful at this point because he does bring together in his thought an understanding of the world — if not God — as a thoroughly processive reality and a positive use of biblical imagery of the eschaton as finis.

Of this distinctive vocation, Mgr Paul Marie Guillaum, wrote the following in 2006, reflecting on the teaching primarily of Pope John Paul II but also of Pope Benedict, drawing out much of the biblical and patristic imagery discussed above:

God, as chief causative principle and as supreme affect, is «in this world or he is nowhere»; biblical material, and in relation to it Christian liturgical and hymnological imagery, with the theological articulation of this, intend to make affirmations which are to be found in the pictures and forms and myths — and these we must seek to make meaningful and valid for ourselves in our present existence; man is an «embodied» and a social occasion or series (or «routing») of occasions, organic to the world of nature, and can only truly live as he lives in due recognition of these facts and sees them as integral to himself.

Let us note that Teilhard, in faithfulness to biblical imagery, presents two contrasting models for this cosmic cataclysm.

From consistent Biblical imagery (and actual Bible verses) in The Walking Dead to the mess of Mother!

Butler also has a fascination with Biblical imagery here that hasn't been present in past projects.

Still, it seemed worth voicing a few protests, even if only a debiliori: that the biblical imagery of the redeemed state is cosmic in scope and positively teeming with fauna (lions lying down with lambs and such)-- that Paul's vision of salvation in Romans 8 is of the entirety of creation restored and glorified — things of that sort.

But watching it with the Sacred Heart League in mind makes all the biblical imagery seem slightly sinister.

Thus through a wealth of colorful imagery the Biblical writers were telling that processes such as have functioned in all ages will ultimately bring a wonderful day when right will be finally and permanently triumphant all the world around.

They may also emphasize the biblical imagery that suggests movement and physical expression in the worship of God.

Ljubica D. Popovich, «Popular American Biblical Imagery: Sources and Manifestations,» in Phy, The Bible and Popular Culture, 209.

Someone in Hollywood realised at the time of the Bush administration that were big dollars in redressing Christian entertainment with biblical imagery and action clichés.

2013 Reflections: African American Life from the Myrna Colley - Lee Collection, International Arts & Artists, Washington, DC; Kalamazoo Institute of Arts, Kalamazoo, MI Ashé to Amen: African - Americans and Biblical Imagery, Museum of Biblical Art, New York, NY; Reginald F. Lewis Museum of Maryland African American History & Culture; Dixon Gallery & Gardens, Memphis, TN Etched in Collective History, Birmingham Museum of Art, Birmingham, AL

2012 African American Art in the 20th Century, Smithsonian American Art Museum, Washington, DC Tides of Provincetown: Pivotal Years in America's Oldest Continuous Art Colony (1899 - 2011), The New Britain Museum of American Art, New Britain, CT; Westmoreland Museum of American Art, Greensburg, PA; Cape Code Museum of Art, Dennis, MA Group Shoe, Gavin Brown's enterprise, New York, NY Tradition Redefined: The Larry and Brenda Thompson Collection of African American Art, Rice University Art Gallery, Houston, TX Blues for Smoke, The Museum of Contemporary Art, Los Angeles, CA; Whitney Museum of American Art, New York, NY; Wexner Center for the Arts, The Ohio State University, Columbus, OH INsite / INchelsea: The Inaugural Exhibition, Michael Rosenfeld Gallery LLC, New York, NY Ashé to Amen: African - Americans and Biblical Imagery, Museum of Biblical Art, New York, NY; Reginald F. Lewis Museum of Maryland African American History & Culture; Dixon Gallery & Gardens, Memphis, TN

In the Quogue Gallery show, for example, there are a number of words and numbers inscribed in the complex textures of the paint, from the Biblical «33» to the word «wu» itself and allusions to Jacob's Ladder and bird imagery related to the story of NoaIn the Quogue Gallery show, for example, there are a number of words and numbers inscribed in the complex textures of the paint, from the Biblical «33» to the word «wu» itself and allusions to Jacob's Ladder and bird imagery related to the story of Noain the complex textures of the paint, from the Biblical «33» to the word «wu» itself and allusions to Jacob's Ladder and bird imagery related to the story of Noah.

In his artistic practice, archival and original photographic imagery is combined with mystical, biblical and liturgical Hebrew.

This new placing of the character plays in a humorous way with the two distant times represented, the historical, mythical and sometimes biblical imagery of the past, coming up against the ordinary materialistic and consumerist attitude of modern times.

He also encouraged him to use representational imagery (something Motherwell rarely did in his painting), despite the biblical prohibition of «graven» images.

Bartlett's imagery fuses art historical, biblical and literary narratives in contemporary contexts.