Sentences with phrase «in body horror»

The director - who is renowned for making films in the body horror genre, which...

Hazing rituals of a veterinary college make for a morbid playground of sexuality, feminism, and subversion in this body horror wonder, as smart as it is profane.

«Get Out» directed by Jordan Peele: For white viewers, this debut feature from «Key & Peele» star Jordan Peele offers a glimpse at how the other half lives; for everyone else, it's more of a documentary in body horror movie drag.

The younger Cronenberg has made a derivative exercise in body horror that plays as little more than low rent Cronenberg pastiche.

Not exact matches

Reports of paranormal activity inspired the horror movie «Death Tunnel» set in the underground passageways used by staff to remove bodies from the building.

This social biography is the story of broken lives in terms of spirit, body, coqunity and history — the heritages of oppression and exploitation of the Yi dynasty rule, the destructive power of brutal colonialism, the horror of the atomic bomb.

This is not gruesome: as Addis and Arnold wrote in relation to relics in their Catholic Dictionary, because of the doctrine of the resurrection of the body «Christians have lost that horror of dead bodies which was characteristic of the heathen».

Among the huge abuses that cry out for rectification, Hodrick rightly emphasizes, are those of Planned Parenthood selling body parts, global pornography, and the horrors involved in artificial reproduction and surrogacy.

As a nation watches in sorrow and horror videos showing the dismemberment of the human body inherent in abortion, I relive the physical loss of my daughter with every woman who has miscarried a child as I have, or held a stillborn, or had an abortion — and I mourn.

as I behold, come here to shed Their common blood, yon concourse of our kin, My members fail, my tongue dries in my mouth, A shudder thrills my body, and my hair Bristles with horror; from my weak hand slips Gandiv, the goodly bow; a fever burns My skin to parching; hardly may I stand;...

Because Jesus underwent death in all its horror, not only in His body, but also in His soul («My God, why hast thou forsaken me»), and as He is regarded by the first Christians as the Mediator of salvation, He must indeed be the very one who in His death conquers death itself.

The fact that Atheists indicate that spending time thinking about their soul in relation to Eternity and God would be an embarrassingly silly thing to do, is going to resound in their horror when they realize that even they have a soul, and it is not part of their flesh, and existed before they were born, and will also exist after their body dies.

In some cases this means continuing the author's lead in A Sort of Life, which, for instance, presents the horrors of boarding school (on the other side of the «green baize door» from his family quarters) as a season in hell, replete with demonic adversaries among the student bodIn some cases this means continuing the author's lead in A Sort of Life, which, for instance, presents the horrors of boarding school (on the other side of the «green baize door» from his family quarters) as a season in hell, replete with demonic adversaries among the student bodin A Sort of Life, which, for instance, presents the horrors of boarding school (on the other side of the «green baize door» from his family quarters) as a season in hell, replete with demonic adversaries among the student bodin hell, replete with demonic adversaries among the student body.

I can not even begin to describe the horror of it all... They flew the al - Shabaab flag and lined up dead bodies in the streets and kept shouting «Allahu Akubar» [«Allah is greater»].»

After Josiah's reforms and his pollution of the accursed spot, it became an object of horror to the Jews and was used for the incineration of refuse and of the bodies of animals and criminals, and in general for the disposal of anything noisome and unclean.

«But though by the end of the battle the men felt all the horror of their actions,» he writes, «though they would have been glad to stop, some incomprehensible, mysterious power still went on governing them, and the artillery men, covered with powder and blood, reduced to one in three, though stumbling and gasping from fatigue, kept bringing charges, loaded, aimed, applied the slow match; and the cannonballs, with the same speed and cruelty, flew from both sides and crushed human bodies flat, and the terrible thing continued to be accomplished, which was accomplished not by the will of men, but by the will of Him who governs people and worlds.»

@GOPer My hope, though I will never see it, that all crazy religious practices such as the taliban beheading youngstesr because they chose to party, the muslim brotherhood attacking koptik christians, the vicar of christ condemning condoms and the resulting spread of aids, the right o a woman to control her own body, etc. the horror done in the name of religion still goes on.

And to be fair, when I say «horror» stories, I say that with full, enthusiastic belief that women should not be shamed for the ways in which their bodies change after having / nursing a baby, and it's a bummer that so many of them are.

We have all heard of the concept used in horror films of aliens invading our bodies and minds, such as in movies like Invasion of the Body Snatchers.

The shame that cloaks women's bodies in all their reproductive functions was present in my shock and horror at the amount of milk my body was forcing out of me, and how unfeminine -LRB-!)

The horror is that he's trapped in a body that doesn't work.»

The physiological responses to horror films result in decreased appetite while your body's response to stress could boost basal metabolic rate, experts suggest.

When I found myself sitting on the couch reading Elle magazine drinking coffee at 11 a.m. during the middle of the week with old episodes of American Horror Story playing in the background of an otherwise silent house, I felt my whole body relax.

In 1964 «The Museum of Horror» came out, which was a loosely remake of «House of Wax», and in addition, it contained plot twists from «The Body Snatchers»In 1964 «The Museum of Horror» came out, which was a loosely remake of «House of Wax», and in addition, it contained plot twists from «The Body Snatchers»in addition, it contained plot twists from «The Body Snatchers».

Fargeat's camera apes the male gaze in such an ostentatious way that it's nearly laughable, a parody of the way that women's bodies are consumed in horror movies.

There are some gruesomely well - orchestrated scenes of body horror (one particular dissection is nightmarishly staged) and Garland's knack for gonzo imagery ensures that many scenes in the film will make a lasting impression.

So when the 32 - year - old actress pulls up to Jan De Bont's bank - breaking house of mock - horrors (a k a «The Haunting») in a dusty yellow Gremlin, it's obvious Taylor has elected to deal her career - hallmarked by furious spins in «I Shot Andy Warhol» and «Girlstown» - a big - budget body blow.

When Jonah returns to unleash a new kind of horror on the innocent family, Sara enlists the aid of enigmatic priest Popescu (Elias Koteas) in driving the evil out before it consumes her son's body and soul.

Her feature - length debut, 2013's «It Felt Like Love,» focused on the bumpy trajectory of an introverted teenage woman exploring her urges with dangerous results; with the markedly similar «Beach Rats,» Hittman brings the same tropes to the plight of a young man in a film that has the precision of a great short story and the uneasiness of body horror.

The murderous spirit of Jason Vorhees lives on in this horror sequel, although the plot hinges on the mystery of whether the killer's body actually survives.

This is a film about a horrific act of violence that eventually results in more bloodshed and gruesomely realistic, Cronenbergian body horror than anything I've seen in a long time.

Taking Lives is a socio - political horror film trapped in the body of a game show hostess; smart in spite of itself, it's a statement on a bedazzled culture forever reaching for enlightenment with one hand and distractedly fondling the contents of its corpulent crawlspaces with another.

Scenes are often hilarious and heartbreaking, like when Marlo defeatedly removes her tattered blouse at the kitchen table, soiled by spilled milk, and her children stare at her bulging gut in horror and beg, «Mommy, what's wrong with your... body?»

Underworld is horror action in the Matrix age, a bullet riddled flourish of body - glove leather and acrobatic contortions.

This is a persistent problem throughout the film, and yet, it still got its hooks in me thanks to a sure, persistent unpredictability, not to mention some more unpleasant divergences into David Cronenberg-esque body horror.

The younger Cronenberg is clearly following in his father's footsteps here, delivering a nasty, queasy film loaded with social commentary and body horror.

«ParaNorman» is like the nicest horror movie fan you've ever met, with his body covered in tattoos and piercings all over his face.

Since finishing The O.C. in 2007 Brody has gone down the indie film route with roles in Diablo Cody's horror JENNIFER»S BODY and Julian Farino's THE ORANGES.

Lead item: Belgian horror and giallo fetishists Hélène Cattet and Bruno Forzani, the couple behind Amer and the mind - melting The Strange Color of Your Body's Tears are striking out in a new direction.

First time feature writer / director Emiliano Rocha Minter announces his presence with authority — and a lot of body fluids — in this carnal horror show.

Pretty quickly, the film turns into a horror show, with the airborne, microscopic spores from a plant on the planet serving as the way those killer aliens end up in their human hosts (Scott offers a microscope - level shot of the infection entering a crewmember's body through his ear canal, which is simultaneously frightening and deviously amusing).

In the next scene, two kids find the dead bodies, and the piano coda from «Layla» comes up, suggesting sadness, regret, and a longing for things past, before we knew such horrors existed.

Nine years ago Michael Bay and his Platinum Dunes had tapped Transformers and Jennifer's Body star Megan Fox to star in a Groundhog Day-esque horror pic about a girl who must relive the same day over and over again until she figures out who is trying to kill her and why.

Jen and Sylvia Soska «s remake of David Cronenberg's 1977 body horror classic Rabid is set to begin shooting in early 2018.

Although, the version of this movie where the staff have realistic eyes embedded in metal bodies would tip the film even further into David - Cronenberg - body - horror than it already is.

But the writer's sophomore effort, intended to capitalise on the immense popularity of Juno, was Jennifer's Body (2009), a horror comedy that many felt suffered in comparison to its predecessor.

Winstead's wide - eyed cringing in the lead doesn't give the film much personality — particularly by comparison with Kurt Russell's shaggy swagger in the 1982 version — and the concepts and visuals that don't come from Carpenter instead come from Ridley Scott's Alien, or David Cronenberg's body - horror films.

The introduction of a mysterious woman (Elizabeth Debicki, always with inappropriately dazzling hair in space) is one of the few strong suits, combining the suspense of this confusing crisis with wince - inducing grotesqueness, which reminisces of the body horror of Tetsuo: The Iron Man or David Cronenberg's eXistenZ.

Warm Bodies (PG - 13 for violence and profanity) Romeo and Juliet re-imagined as a romantic horror comedy set in a devastated, post-apocalyptic America and revolving around a zombie (Nicholas Hoult) who falls in love with the girlfriend (Teresa Palmer) of one of his victims.

Brandon Cronenberg has been extremely quiet in regards to his upcoming body horror film Antiviral.