Sentences with phrase «in cinema studies»

A panel discussion on the topic of pop and cinema, with leading scholars in cinema studies and art history — among them the art historian Kalliopi Minioudaki, and University of Michigan Museum of Art curator Jacob Proctor — accompanied the program.
She is a member of FIPRESCI (Federation of International Film Critics) and has a PhD in cinema studies.
The principle aspects of the stylistic system of film, cinematography, editing, mise en scène and sound are well - established in cinema studies and a primary tool for film analysis.
The representation of rape is a fascinating site for exploring a range of ethical and political issues in cinema studies.
She received a PhD in cinema studies from LaTrobe University, and has contributed to Senses of Cinema, Overland, Kill Your Darlings, The Guardian, and many others.
He graduated from American University with a BA in film and media arts and a minor in cinema studies.

Not exact matches

South Barrington village trustees, meeting in joint session Thursday night with their counterparts from the South Barrington Park District, persuaded park officials to hold off conducting a feasibility study on building a sports complex on 22 acres next to the AMC Studio Centre cinema complex.
Now in the second year of her PhD in Silvio Parodi's experimental oncology group at the National Institute for Cancer Research in Genoa, Stefania Pasa (see photo) was a studious child who often «preferred to... study rather than go out to the cinema
Hi, I am french Canadian, I study in cinema (so you have to like cinema too), like I said in my headline: im in love with Harry Potter, The Hunger Games, Disney and Punk Rock music.
Directed by Anton Corbijn from a book by Martin Booth, «The American» is an action thriller that refuses to deliver action or thrills, instead engaging in a brand of arty formalism rarely seen outside cinema studies classrooms.
A first - rate cinema intellectual — as a 24 - year - old graduate student he wrote «Transcendental Style in Film,» a study of Bresson, Yasujiro Ozu and Carl Dreyer that is still worth reading (and has just been reissued)-- Mr. Schrader has been, to put it mildly, an uneven filmmaker.
He studied art and cinema as a young adult, often spending a considerable amount of time on his father's movie sets, and honed his skills in his early twenties not in the arena of directing (as might be expected), but in that of painting.Danny Huston's directorial assignments began inconspicuously, at the age of 24, with the 1987 made - for - television comic fantasies Bigfoot and Mr. Corbett's Ghost (the second of which featured John Huston in the cast).
A spectacular piece of virtuoso cinema that impresses not only for its remarkable technical achievement (Lubezki reached heavens with that jaw - dropping «forged» long - take), but also for being an incredibly well - constructed (and hilarious) character study with Michael Keaton in a magnificent career - defining performance.
The 39 Steps is a masterclass in propulsive narrative cinema that even today's so - called blockbuster auteurs should study.
All Is Lost is not to be mistaken for a Hollywood star vehicle; on paper, it's Robert Redford versus the raging sea, but this near - wordless study of perseverance is, in Chandor's hands, able to take you someplace beyond the cinema entirely.
If I had to claim one area of development that signified the importance of cinema studies in the last two decades of the twentieth century, I would...
After developing a love of cinema at 8 years old, Cline studied at the University of Southern California, earning a Bachelor of Arts in Journalism / Communication Arts.
Already widely cited and used in courses in film studies, film genre, and art and avant garde film, this updated edition situates «Transcendental Style», forty - five years later, as part of a larger movement in post-war cinema, the Slow Cinema movement.
It's no coincidence that a book - length study of its stylistic wonders of was later written by another believer in cinema's theatricalization of reality, Eric Rohmer.
(3) Moreover, given that all four contributors to this section were trained in North America, it begs the question: is Japanese cinema studies a Western discipline?
In addition, and unlike much English - language film scholarship even today (and certainly television studies), the book is far from Anglophone - or even Francophone - centric in its account of both cinema and criticism / theory's history, being at pains to emphasise the reality of new - century scholarly discourse as truly global in scopIn addition, and unlike much English - language film scholarship even today (and certainly television studies), the book is far from Anglophone - or even Francophone - centric in its account of both cinema and criticism / theory's history, being at pains to emphasise the reality of new - century scholarly discourse as truly global in scopin its account of both cinema and criticism / theory's history, being at pains to emphasise the reality of new - century scholarly discourse as truly global in scopin scope.
It's easy to see how such a cinema might seem alien to fans of contemporary Hollywood, which seems to have forsaken the notion of consequences or responsibility (the lack of reaction shots in recent movies is a phenomenon worthy of study) in favor of pyrotechnics and virtual games in which digital effects, unlike the tracking shots of yore, are divorced from ethics.
Lastly, Nornes is the only contributor who mentions Dudley Andrew, who has been one of the dominant figures in the study of world cinema for many decades, including Japanese cinema.
«When I was studying at NYU, I took classes in critical studies, and one of my favorites was on queer cinema,» Franco says, explaining his fascination with queer art.
Oana Chivoiu is finishing her dissertation in Theory and Cultural Studies at Purdue University and has special interests in issues of migration, post-communism, and realism in European cinema.
Alongside its more disposable virtues, «Unsane» serves as an interesting case study for the ever - expanding possibilities of smartphones in cinema, not least because its grimy aesthetic and breath - on - your - face atmosphere couldn't be further removed from the iridescent visual poetry of Sean Baker's «Tangerine» — the first major title handed the «iPhone movie» label.
We don't watch horror or experimental films for finely drawn character studies but for their particular attention to what film theorists call «excess,» the stuff (color, music) that goes beyond the imperatives of most cinema, whether it's the excess that takes monstrous or supernatural shape in horror, or the material, structural, and textural excess of experimental films.
Well, it's because he actually has a Masters in Film Studies, and one heck of a thesis on cult cinema.
Unsane, says Guy Lodge, «serves as an interesting case study for the ever - expanding possibilities of smartphones in cinema, not least because its grimy aesthetic and breath - on - your - face atmosphere couldn't be further removed from the iridescent visual poetry of Sean Baker's Tangerine — the first major title handed the «iPhone movie» label.
Greg toiled for years in the hallowed bowels of the legendary Thomas Video and has studied cinema as part of the Concentration for Film Studies and Aesthetics at Oakland University.
Born in Hungary but raised in Paris, Nemes is a second - generation filmmaker (his father András Jeles worked in theater and cinema) who worked as Béla Tarr's assistant on the two - year production process for «The Man From London» a decade ago, before heading to NYU to study directing.
From his second feature, 2008's Tony Manero, about a Saturday Night Fever - obsessed killer in»70s Chile, up to his forthcoming film, the poetic Neruda (out in the UK in April), Larraín has made character studies that trust audiences to search the sweep of a film for meaning, using the formal potential of cinema to explore what people are like, rather than saddling an actor with revelatory baggage.
In the world cinema field, interesting to see Brit actor Paddy Considine scoring a directing award for his debut feature «Tyrannosaur,» a relationship study that also scored an acting prize for stars Peter Mullan and Olivia Colman (best known to Anglophiles for her wonderful work in the sitcom «Peep Show»In the world cinema field, interesting to see Brit actor Paddy Considine scoring a directing award for his debut feature «Tyrannosaur,» a relationship study that also scored an acting prize for stars Peter Mullan and Olivia Colman (best known to Anglophiles for her wonderful work in the sitcom «Peep Show»in the sitcom «Peep Show»).
Ryan Swen lives in Seattle and is pursuing an undergraduate degree in cinema and media studies at the University of Washington, Seattle.
Yorgos Lanthimos» scary, witty tale of a dysfunctional Greek family is both daring and brilliant — and, while its study of parent - child relationships is still relevant today, plays a keep part in Greece's «weird wave» of cinema.
Saintliness and cinema are an odd couple, enough so that auds will be caught off - guard by «This Is Martin Bonner,» a mood piece, a character study and an exercise in poetic gesture possessed of a sort of evanescent, secular spirituality.
A detailed study of 19th - century painter Joseph Mallord William Turner in his final years, Mike Leigh's latest slice of art - house cinema works in much the same way as a Turner landscape: You have to be with the piece in person, then let it wash over you, one muted colour at a time.
It was the weirdest thing because I never went to film school, I never studied cinema, I didn't know cinematic history or anything, and suddenly, in a very short period of time, I'm on this aircraft carrier with these robots and Bruce Dern trying to figure it out and having all these guys around me to help.
He received his M.A. in Native American Studies, focusing on Native American exploitation in early cinema and his B.A. in Cultural Anthropology from the University of Oklahoma.
In Argentina, Spaniards mixed with Italians, their descendants read, studied and often watched French cinema.
With The Grand Budapest Hotel, Anderson seems to be not so concerned with history, but with the history of cinema; we can see references to Kubrick and F.W. Murnau, and the plot descends into an elaborate caper full of bizarre character studies, wondrous sequences (including a superb cat - and - mouse chase where Gustave and Zero zoom down a precarious mountain atop a toboggan in pursuit of Willem Dafoe on skis), and meticulously - designed, glamorous sets that are reminiscent of the traits of classical Hollywood films and murder - mysteries.
Kenji Mizoguchi is acknowledged as one of the masters of classic Japanese cinema, but his films are rarely exhibited or studied in film courses.
On Friday, December 8, 2017, Linda DeLibero — Director, Film and Media Studies, Johns Hopkins University — and Christopher Llewellyn Reed (that's me)-- Chair and Professor, Department of Film & Moving Image, Stevenson University — joined Dan Rodricks on his Baltimore Sun podcast, «Roughly Speaking,» to discuss the following topics: the ongoing revelations of sexual predation and harassment in both Hollywood and the political realm; what's currently getting Oscar buzz; what is currently out in cinemas that we recommend (including Coco, The Disaster Artist, Lady Bird and the upcoming The Shape of Water); and highlights from the careers of actor Claude Rains (1889 - 1976) and film composer Ennio Morricone (1928 ---RRB-, both of whose birthdays are on November 10, when we originally planned to celebrate them (a podcast we had to cancel for various reasons).
«Students in The Blackboard Jungle challenged their teacher to find a way to get through to them,» says Middletown (Connecticut) High School cinema studies teacher Chris Warren.
Some of the more private areas in Sixteen are the games room, home cinema, and study, all great places to relax and watch a movie, or challenge a friend to a game of billiards.
When the sun sets, head inside for a formal dinner with seating for eight, then a family movie night in the home cinema room, or bury yourself in a good book in the study.
The School offers comprehensive programs in directing, producing, writing, cinema and media studies, animation and digital arts, production, interactive media and games, all backed by a broad liberal arts education and taught by leading practitioners in each field.
Felan Parker is an Assistant Professor of Book & Media Studies at the University of St. Michael's College in the University of Toronto, specializing in interdisciplinary media studies, game studies, and cinema sStudies at the University of St. Michael's College in the University of Toronto, specializing in interdisciplinary media studies, game studies, and cinema sstudies, game studies, and cinema sstudies, and cinema studiesstudies.
Sunday, September 18, 2:00 p.m. T2, Titus Theater 2 Introduced by artist Dara Birnbaum Monday, September 19, 4:00 p.m. T2, Titus Theater 2 Saturday, September 24, 1:30 p.m. T2, Titus Theater 2 Conner's COSMIC RAY (1961), VIVIAN (1964), and BREAKAWAY (1966) are liberating studies of the female body in motion and influential examples of the appropriation of popular music in experimental cinema.
Antoine Lefebvre was born in France in 1979 and studied city planning and cinema before moving to New York in 2007.
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