Sentences with phrase «in cinematographic»

The resulting film, Empire, 1964, is a study as much in cinematographic looking as it is on the properties of film itself; though the image of the building at night is otherwise fixed, small dramas play out through exposure, the shifting of light over time, and the slight jumpiness of the image as the celluloid passes through the projector.

One of the most original voices of his generation, Deimantas Narkevičius explores the process and methods of reflecting both history and subjectivity in the cinematographic language.

One of the most original voices of his generation, Narkevičius explores the process and methods of reflecting both history and subjectivity in the cinematographic language.

I also have to say that I find that both Barbara Auer and Matthias Brandt really are beautiful people, in a cinematographic sense.

But we are quite fascinated that now even teenagers have that affinity for the music / style even in a cinematographic sense (e.g. stranger things).

Not exact matches

He does not set out to give a full and cinematographic record of all things said and done in the period under review, for that would be neither possible nor valuable.

Overall, this is a look I can totally imagine in an old Soviet movie (my cinematographic memory from the childhood is still fresh!).

The picture is grainy, but this is an (effective) artistic, cinematographic choice, and not a flaw in either the print or the transfer.

These moments also allow him a chance to show off some silly little cinematographic tricks without inflicting them on «real - life» scenes in which they would be an unneccessary distraction.

It would seem that this year's cinematography nominees were picked by aliens — certainly not by the same people who voted for Memoirs of a Geisha last year (no offense to Dion Beebe, who surely deserved a nomination this year): not a single Best Picture nominee in the lot, and all mostly uncompromised examples of purposeful cinematographic beauty.

While Thomas W. Kiennast's black - and - white cinematography is quite beautiful to behold (Gröning's film certainly features some excellent cinematographic moments as well), Atef's film never manages to convey why we should care, today, about this brief moment in Schneider's well - documented life, including her never - ending struggle with the German press, her inability to escape the role of Sissi that made her instantly famous as a teenager, and the various tragedies that befell her, including the suicide of her ex - husband.7 The film is not a biopic per se (and Atef declared that she did not intend to make one): thus, audiences who are not already familiar with Schneider certainly will not come away from viewing the film with much of a sense of her life's story); yet, given it is not a biopic, one wonders what the film is, or what it tries to accomplish.

In lieu of a discrete breakdown, the peaks: Spielberg admitting he'd be in favour of arrests on the basis of precognition were the system infallible; Kaminski referring to Samantha Morton as «kind of an angel»; Spielberg confessing he all but poached McDowell and his concepts for Mel Gibson's planned remake of Fahrenheit 451; Kaminski contradicting his collaborators» joy over the «spyder sequence» — a logistical nightmare from a cinematographic standpoint; and sound designer Gary Rydstrom divulging that the noise you're hearing from the Maglev actually came from his washing machinIn lieu of a discrete breakdown, the peaks: Spielberg admitting he'd be in favour of arrests on the basis of precognition were the system infallible; Kaminski referring to Samantha Morton as «kind of an angel»; Spielberg confessing he all but poached McDowell and his concepts for Mel Gibson's planned remake of Fahrenheit 451; Kaminski contradicting his collaborators» joy over the «spyder sequence» — a logistical nightmare from a cinematographic standpoint; and sound designer Gary Rydstrom divulging that the noise you're hearing from the Maglev actually came from his washing machinin favour of arrests on the basis of precognition were the system infallible; Kaminski referring to Samantha Morton as «kind of an angel»; Spielberg confessing he all but poached McDowell and his concepts for Mel Gibson's planned remake of Fahrenheit 451; Kaminski contradicting his collaborators» joy over the «spyder sequence» — a logistical nightmare from a cinematographic standpoint; and sound designer Gary Rydstrom divulging that the noise you're hearing from the Maglev actually came from his washing machine.

That film is the story of several characters with particularly diverse sexual orientations, and it uses sex in different cinematographic forms because it's simply too interesting to leave to porn.

In strictly cinematographic terms, however, God Knows Why But It Works (1975) is the most noteworthy.

The film is one of the most exciting and remarkable cinematographic events in modern cinema.

His works are discerned by a pioneering, unconventional directing viewpoint, and moreover, his distinct cinematographic techniques have resulted in numerous visually stunning movies and countless breathtaking scenes.

Levinson discusses shooting in sequence and its effect on the production, reshoots, casting some actors, decisions related to the rhythmic score, cinematographic choices, editing, improvs, and many other elements.

Like most of the other majors, Warner doesn't much deal in arthouse fare these days, which is the most generous designation you could apply to an effort that looks to grab your attention early and often with cinematographic flair.

Sexy Beast has a fairly easy linear flow to it - the film gets to the point, and does not bother with useless backlog of character history, and a bank - robbery scene which is not lacking in imagination not only in narrative but also in montage editing and cinematographic terms.

In order to help you select your reference critic, we have also selected for you the best websites of cinematographic critics.

Hayter takes a different cinematographic approach — speed ramping, dizzying superimpositions, hyperactive step - by - step montages, hyper - stylized lighting — to every stage in this rush of exposition without ever sacrificing a clear sense of cause and effect, and the result suggests some unholy hybrid of the aesthetic and genre indulgences of Michael Bay and the hyper - literalist plot construction of Christopher Nolan.

I felt that after the last war, the motion picture going public had tired of the cinematographic «chocolate eclairs» which had been stuffed down their throats, and which had in a large degree figuratively ruined their stomachs with this overdose of saccharine in pictures.

In one of your interviews you said, you have a cinematographic vision when you write.

A cinematic adventure, not one of the three games lasts longer than 12 hours, and they all feature Hollywood - inspired action sequences, traditional cinematographic framing techniques and even the standard overarching story arcs you'll find in any successful filmic trilogy.

In À propos de New York en peinturama (1965) he included a self portrait alongside the artist Jean Tinguely, recording their stay in America in 1962; the canvas becomes a pretext for the artist's cinematographic experimentatioIn À propos de New York en peinturama (1965) he included a self portrait alongside the artist Jean Tinguely, recording their stay in America in 1962; the canvas becomes a pretext for the artist's cinematographic experimentatioin America in 1962; the canvas becomes a pretext for the artist's cinematographic experimentatioin 1962; the canvas becomes a pretext for the artist's cinematographic experimentation.

For this exhibition she has selected some of her most significant landscape drawings and collections of found natural objects and has created a body of new work culminating in a major, one hour - long, two - screen 35 mm Cinemascope film, Antigone, which uses multiple exposures to combine places, people and seasons into a single cinematographic frame.

During this period she began to incorporate her cinematographic experience to create works in photography and video.

The Cinema Effect: Realisms at Caixa Forum Madrid is an exhibition that reflects on the influence and impact of cinema in constructing our visual culture, highlighting how cinematographic language has taken on various artistic forms including video and installation art.

Focusing on the developments of gentrification and on how community is constructed in this particular neighborhood, the feminine cinematographic gaze engages with the social and historical fabric of the urban geography, the spatial legacies of Apartheid, the class and gender based diversity of life experience and the current transformations in Jeppestown.

His work is rooted in his fascination with cinematographic iconography, and his thematics study the relationship between the individual and architecture.

Key areas of analysis were the interaction between cinematographic film and media art, critical strategies and techniques of film deconstruction, the montage of found footage and the receptive use of filmic structure and iconography in video art and art films.

In conceiving her work, indeed, Cornelia Parker was inspired by some very «cinematographic» archetypes, namely the paintings of Edward Hopper, the traditional American red barns, and the sinister house Alfred Hitchcock imagined as the perfect family abode for the disturbed character of Norman Bates in Psycho (1960), which was clearly inspired by Hopper's painting House by the Railroad (1925In conceiving her work, indeed, Cornelia Parker was inspired by some very «cinematographic» archetypes, namely the paintings of Edward Hopper, the traditional American red barns, and the sinister house Alfred Hitchcock imagined as the perfect family abode for the disturbed character of Norman Bates in Psycho (1960), which was clearly inspired by Hopper's painting House by the Railroad (1925in Psycho (1960), which was clearly inspired by Hopper's painting House by the Railroad (1925).

With the additional sound piece weaving a narrative between the fragments of land and body displayed on podiums, Geng Xue constructs a surreal and almost cinematographic visual landscape in the exhibition space — a means of mapping the intricacies between perception and embodiment in Buddhist cosmology.

2011 Corresponding membership of the Russian Academy of Fine Arts 2009 State Prize of the Russian Federation in the field of culture 2007 Russian Academy of Cinematographic Arts» Nika Award 2007 Membership of Russian Academy of Cinematographic Arts 2006 Honorary Artist of the Republic of Buryatia 2003 Honorary title «Siberian of the Year» 2003 Silver Medal of the Russian Academy of Fine Arts

After his studies in cinema his practice adopted a cinematographic aspect, embracing media the time and space, narrative and a tension span.

However, his artistic practice with elements of the cinematographic already started in 1990 with spatial installations and serial paintings that can be experienced through movement.

Shot in 16 mm and 35 mm and using a visual language so reduced it is at times almost abstracted, the works use the early cinematographic technique of multiple exposure as a framework to investigate synchronicity and divergence, originality and reproduction and the deferment of artistic control.

Rooted in his love of architecture, and nourished by cinematographic sources, James Casebere's pioneering work has, for the past twenty - five years, placed him at the forefront of artists working with staged photography whose other prominent exponents include Jeff Wall and Gregory Crewdson.

«Realisms» is an ironic look at an era, like the present one, in which, even though documenting real life through cinematographic means is increasingly simple, the line separating reality from fiction is becoming incredibly diffuse.

Mimic [9](1982) typifies Wall's cinematographic style and according to art historian Michael Fried «characteristic of Wall's engagement in his art of the 1980s with social issues».

In this experimental, quasi-narrative film, which features writer / poet Anne Carson and actor Stephen Dillane, Dean has gone so far as to combine multiple «scapes» and events within the single film frame, therefore, mixing different places, geologies and seasons into a single cinematographic image.

(a) in the case of any work, whether published or unpublished, including a cinematographic work, the author was, at the date of the making of the work, a citizen or subject of, or a person ordinarily resident in, a treaty country;

If so requested by a country that is a party to the North American Free Trade Agreement, the Minister may, by a statement published in the Canada Gazette, grant the benefits conferred by this section, subject to any terms and conditions specified in the statement, to performers who are nationals of that country or another country that is a party to the Agreement or are Canadian citizens or permanent residents within the meaning of subsection 2 (1) of the Immigration and Refugee Protection Act and whose performer's performances are embodied in works other than the prescribed cinematographic works referred to in subsection (3).

Brazil About Youtuber Horror Movies 2.0 is intended to foster interest in horror - related cinematographic works in general through full - length dubbed and le films.

Professional Duties & Responsibilities Assisted in sales and marketing efforts for a number of companies across varied industries and cultures Marketed company and partner products through print and telephone mediums Successfully planned and executed diverse special events including plays, receptions, and fundraisers Utilized extensive literary background to edit newspaper copy, advertising materials, and related writings Served as the literary assistant and assistant editor to a prominent Israeli author Experienced in artistic and cinematographic material design, creation, and display Developed English and French fluencies and an appreciation for varied cultures Oversaw and maintained client information database ensuring accurate recordkeeping Served as company receptionist performing all duties in a positive and respectful manner Provided exceptional customer service resulting in client satisfaction and repeat business Consistently recognized for excellence in sales, marketing, and team leadership