Sentences with phrase «in classical forms»

By the time of his death, Palladianism had been taken up by a whole new generation of British architects working in the classical forms, and was to remain in fashion until it was replaced by the Neoclassical interpretations of such architects as Robert Adam.

Smith holds this chorus together quite beautifully, often embedding contrasting fragments of text and tone in classical forms and schemes.»

The problem is still raised in its classical form as the persistence of the disembodied soul, but the question really concerns the retention of subjective immediacy for any occasion, and Whitehead's language suggests that there may be «a peculiarly intense relationship of mutual immanence» between the occasion and God supportive of its subjective immediacy.

Increasingly, it is evident Realism in its classical form can no longer offer a roadmap for states in the contemporary international system because it can not offer tenable solutions for the long term.

In the Classical form of CAH, the 21 hydroxylase enzyme (21 - OH) is severely deficient with resulting low cortisol levels.

Thus, information on dynamics can not be retrieved from this equation which for that reason is never used in circulation models in its classical form.

Not exact matches

You may recall that in my own blog at eforum21.com, I have repeatedly explored the reasons behind the difference between «productive» and «unproductive» investment - which, as you know, formed the basis for the essential distinction in Classical Political Economy between productive and unproductive labour.

This kind of classical free market viewed capitalism's historical role as being to free the economy from the overhead of unproductive «usury» debt, along with the problem of absentee landownership and private ownership of monopolies — what Lenin called the economy's «commanding heights» in the form of basic infrastructure.

Even without a formal rhythmic underpinning, the impression gained from reading her work is to have come across something elegantly crafted and almost classical in form.

In other parts of the world which still embrace classical forms, the Gospel still speaks quite loudly through the works of Handel, Bach, and so many other composers (some of whom have, admittedly, complicated personal lives).

By «classical spirituality,» Wells is referring to the devotional habits and moral demeanor of the Protestant Reformers which had been «passed on in deepened pastoral form by the Puritans» and now have extended «down through history and into the present through people like Martyn Lloyd - Jones, J. I. Packer, John Stott, Francis Schaeffer, and Carl Henry.»

Blessed are the Cheesemakers I could spend all day correlating causation in a classical quantum state with the form and substance of the Holy Spirit yet never publish an accepted study simply because certain laws of physics can not be applied outside the field which limits their reflective properties (matter and energy chain of causation).

You could spend all day correlating causation in a classical quantum state with the form and substance of the Holy Spirit yet never publish an accepted study simply because «my god did it» is not a reasonable explanation for things that are not known.

Economics, at least in the classical and neoclassical forms that have dominated its modern development, is a science that analyzes interactions as exchanges relevant to ends determined by consumer preferences, such that the ends lie beyond the domain of the inquiry.

In other words, we shall attempt to show that if one desires to pick between process theism and a coherent form of classical theism, one must do so on grounds other than the alleged adequacy or inadequacy of their respective views on divine omnipotence.

We can recognize, under the legendary form, the same kind of personal experience as that described in the classical passage in Isaiah.

Prophets in truth they were, as seen from the later vantage point of the matured form of classical prophetism.

The most common form of this phenomenon is the reaction to the problem of evil in its classical formulation.

As a first step, I would argue, we must reaffirm the outward or external covenant and that includes the civil religion in its most classical form.

To be sure, classical realism is lost to us, a development due in part to increased awareness of the extent to which the human mind and cultural forms are the irreducible prisms for any apprehension of reality.

Like Elizabethan drama, they are so heterogeneous in form as practically to constitute a rebellion against classical restraints; they simply can not resist mixing intense pathos with high comedy, stateliness with farce, heroic magnificence with nursery fantasy.

Classical theism opts for the second alternative in the form of conventional views of personal immortality.

The general position of these writers, whose contributions vary considerably in approach and quality, is that Jesus made no claim of divinity for himself and that the doctrine of the incarnation was developed during the early centuries of the Christian era as an attempt to express the uniqueness of Jesus in the mythological language and thought forms of the Greek culture of the time.While recognizing the validity of the patristic theologians» work, which culminated in the classical christological definitions of Nicea and Chalcedon, the British theologians question whether these definitions are intelligible in the 20th century, and go on to suggest that some concept other than incarnation might better express the divine significance of Jesus today.

Although patriarchy as a complete sociopolitical system has been modified in the course of history, the classical politics of patriarchal domination has decisively shaped — and still does so today — modern Euro - American forms of democracy.

In this logically impeccable form, the scheme killed off interest in the classical languages so effectively that it had to be modifieIn this logically impeccable form, the scheme killed off interest in the classical languages so effectively that it had to be modifiein the classical languages so effectively that it had to be modified.

In The Spirit and the Forms of Love Williams analyzes the meaning of love and indicates what this implies about the nature of God.104 The classical conviction that the immutable is the superior is shown to devalue human love and to conflict with the biblical conception of God's love.

In classical philosophy it is possible to understand how a form is present in a human being without distorting or destroying his humanity, but it is unintelligible how one substance can enter into another without displacing some part of that other substancIn classical philosophy it is possible to understand how a form is present in a human being without distorting or destroying his humanity, but it is unintelligible how one substance can enter into another without displacing some part of that other substancin a human being without distorting or destroying his humanity, but it is unintelligible how one substance can enter into another without displacing some part of that other substance.

Hence, appropriately, it was in the terms of his own synthesis of classical and biblical forms that the new edifice of culture was established and continually reformed — four, five, six, even seven centuries later.

Ordinarily one would not regard the great national epics as scriptures though, in the case of the Iliad and the Odyssey, they come close to forming at least an equivalent of scripture for the Greek people, and to students of Greek religion they provide a rich mine of material with reference to the gods of classical Greek religion.

The belief that the classical form of Christianity will come through every crisis in the long run is, of course, an essential component of the Christian faith.

In any event, The Mystery of Existence is not about the clash between classical and modern / personal forms of theism («theistic personalism»), a distinction that is anyway not directly on point in explicating Nothing (our limited mission again), since in either case, classical or modern / personal, God can be in some sense necessarIn any event, The Mystery of Existence is not about the clash between classical and modern / personal forms of theism («theistic personalism»), a distinction that is anyway not directly on point in explicating Nothing (our limited mission again), since in either case, classical or modern / personal, God can be in some sense necessarin explicating Nothing (our limited mission again), since in either case, classical or modern / personal, God can be in some sense necessarin either case, classical or modern / personal, God can be in some sense necessarin some sense necessary.

In microphysics Planck postulated in 1900 that electromagnetic energy is emitted in quantised forms and its study must rely on statistical probabilitiesinstead of classical lawIn microphysics Planck postulated in 1900 that electromagnetic energy is emitted in quantised forms and its study must rely on statistical probabilitiesinstead of classical lawin 1900 that electromagnetic energy is emitted in quantised forms and its study must rely on statistical probabilitiesinstead of classical lawin quantised forms and its study must rely on statistical probabilitiesinstead of classical laws.

[2] Smith holds that the perverted faculty argument, in at least some form, is a part of any coherent argument against contraception, [3] but claims that her argument is more than the classical version of the perverted faculty argument because it dwells on more than the physical end of the faculty.

For it forms the background of the work I am currently trying to do in the recovery of the classical pastoral traditions.

The classical description of the Father begetting the Son before all worlds can also describe the way in which God, in the Whiteheadian conceptuality, creates himself by envisaging all the pure forms as constituting the metaphysical order God and the world exemplify.

What survives of the classical form of Christianity appears thin when compared with the substantial body of teaching in its heyday.

He certainly regards Ellington as a genius, and by no means dismisses his artistically ambitious side (the way the Count - Basie - loving John Hammond did, for example), but he emphasizes his shortcomings in long - form composition, due to deficiencies in his understanding of classical music.

It constitutes a radical challenge to classical and humanistic axioms with regard to beauty and art, not in the form of an apologetic diatribe but rather of a masterly study in comparative literature.

In brief, my response to this fundamental affirmation of liberal Protestantism would he that the idea of the ultimate value and reality of the individual is historically limited to the classical period of modern Western culture, and that it can have neither a living meaning nor a truly human form in a post-modern or post-liberal period of historIn brief, my response to this fundamental affirmation of liberal Protestantism would he that the idea of the ultimate value and reality of the individual is historically limited to the classical period of modern Western culture, and that it can have neither a living meaning nor a truly human form in a post-modern or post-liberal period of historin a post-modern or post-liberal period of history.

In a celebrated essay published during World War II, he acknowledged that the classical form of Christian proclamation (kerygma) in which the living Christ was communicated was couched in terminology drawn from the now obsolete cosmology of the ancient world.&raquIn a celebrated essay published during World War II, he acknowledged that the classical form of Christian proclamation (kerygma) in which the living Christ was communicated was couched in terminology drawn from the now obsolete cosmology of the ancient world.&raquin which the living Christ was communicated was couched in terminology drawn from the now obsolete cosmology of the ancient world.&raquin terminology drawn from the now obsolete cosmology of the ancient world.»

In this, his relationship to Aquinas is important, since the medieval scholastic theologian represents classical theism in its most perfect forIn this, his relationship to Aquinas is important, since the medieval scholastic theologian represents classical theism in its most perfect forin its most perfect form.

Even those who have remained most faithful to the doctrine have modified some of the cruder forms of the «second blessing» theology by reaffirmation of the more subtle classical Wesleyanism, with its themes of growth and process in sanctification.

The Swallow Anthology of New American Poets edited by David Yezzi Swallow Press, 360 pages, $ 19.95 In his introduction, editor and contributor David Yezzi suggests that this collection reconciles the traditional division in the poetry world between those who prefer classical forms and those who..In his introduction, editor and contributor David Yezzi suggests that this collection reconciles the traditional division in the poetry world between those who prefer classical forms and those who..in the poetry world between those who prefer classical forms and those who....

This abstraction has ultimately to be expressed precisely in some mathematical form that will give us a new description of implicate order, which is as systematic and coherent as that given in classical physics by the Cartesian co-ordinates.

The modern dimension of this wager is that our time is so obviously divorced from the time of Jesus, or, at least, our world and history is clearly estranged from the classical world of Christendom, with the consequence that to choose the traditional form of Christ is either to set oneself against the contemporary world or to decide that the actuality of one's time and situation can have no bearing upon one's faith in Christ.

I remember a modern Hebrew speaker insisting that ehyeh asher ehyeh means «I will be who I will be», not «I am who I am» (another example of the same verb), which is of course correct in modern Hebrew, but in classical Hebrew that form of the verb is completely timeless.

In the four chapters of 1 Kings that are in the main the creation of the Elijah narrator, we meet a highly gifted verbalist, who is given to the use of unique words, forms, and structures; who is relatively sophisticated; who, as compared with the Elisha narrators, for example, appears to be notably disinterested in miracle for the sake of miracle; and who shares with Elijah himself a kind of precognition of the substance of classical prophetisIn the four chapters of 1 Kings that are in the main the creation of the Elijah narrator, we meet a highly gifted verbalist, who is given to the use of unique words, forms, and structures; who is relatively sophisticated; who, as compared with the Elisha narrators, for example, appears to be notably disinterested in miracle for the sake of miracle; and who shares with Elijah himself a kind of precognition of the substance of classical prophetisin the main the creation of the Elijah narrator, we meet a highly gifted verbalist, who is given to the use of unique words, forms, and structures; who is relatively sophisticated; who, as compared with the Elisha narrators, for example, appears to be notably disinterested in miracle for the sake of miracle; and who shares with Elijah himself a kind of precognition of the substance of classical prophetisin miracle for the sake of miracle; and who shares with Elijah himself a kind of precognition of the substance of classical prophetism.

Here the prophet inveighs against pagan forms of worship practiced in Jerusalem — another characteristic expression of classical prophetism.

In the classical tradition of Aristotle and Aquinas prime matter, the principle of individuality conjoined to form, is identified as non-being.

Everything of enduring significance that ancient Israel became, believed, and proclaimed is ultimately influenced not only by what actually occurred in the time of the exodus, but by the story of the exodus — the story as it was first remembered and repeated; the story as it assumed relatively fixed classical forms in different areas, in the North or South; the story as its multiple versions, written and oral, were compared, mutually «corrected,» and finally composed into the single, unified narrative that is before us now.