The work reflects Chris Ofili's interest
in classical mythology and contemporary «demigods» as well as the stories, magic, and colors of Trinidad, where he has lived since 2005.
Both artists professed an abiding interest
in classical mythology and the unconscious and sought to explore archetypal and timeless forms in their work of this period.
The vision for the tapestry «reflects Ofili's ongoing interest
in classical mythology and the stories, magic, and colour of the Trinidadian landscape he inhabits.»
A dithyramb
in classical mythology is a wild choral hymn dedicated to Dionysus, and Lüpertz borrows the term from Nietzsche.
The Clothworkers» Company has commissioned Ofili's tapestry and he has worked with the world - renowned Dovecot Tapestry Studio, who have spent two and a half years hand weaving this beautiful tapestry which reflects the artist's ongoing interest
in classical mythology.
The imagery in this new tapestry reflects Ofili's ongoing interest
in classical mythology and contemporary «demigods», together with the stories, magic and colour of the Trinidadian landscape he inhabits.
The textile's image reflects the «ongoing interest
in classical mythology and the stories, magic, and colour of the Trinidadian landscape he inhabits.»
Did you know that most of the names of characters and magical creatures in the Harry Potter series have roots
in classical mythology and Latin and / or Ancient Greek?
Not exact matches
I think Bultmann has adequately defined
mythology in its
classical sense.
One is reminded of the way
in which John Milton so frequently used the terms of
classical mythology in his poetry
in order to express his Christian faith.
Along with dualistic
mythology several developments
in scientific thought since the seventeenth century have contributed to the exorcism of mind from nature: first, there is the cosmography of
classical (Newtonian) physics picturing our world as composed of inanimate, unconscious bits of «matter» needing only the brute laws of inertia to explain their action; second, the Darwinian theory of evolution with its emphasis on chance, waste and the apparent «impersonality» of natural selection; third, the laws of thermodynamics (and particularly the second law) with the allied cosmological interpretation that our universe is running out of energy available to sustain life, evolution and human consciousness; fourth, the geological and astronomical disclosure of enormous tracts of apparently lifeless space and matter
in the universe; fifth, the recent suggestions that life may be reducible to an inanimate chemical basis; and, finally, perhaps most shocking of all, the suspicion that mind may be explained exhaustively
in terms of mindless brain chemistry.
Classical myth - makers didn't spend much time with this constellation, although it was thought to represent an uncharacteristically wise centaur that figured
in the
mythology of Heracles and Jason.
With a rich heritage rooted
in mythology and symbolism, Zeus + Δione transcends
classical notions of style and design.
The fifth full - length release for the now Los Angeles - based quintet led by Carrie Keith and Dylan Sharp was inspired
in part by
classical and post-modern
mythologies.
And there is something like the heft of
classical mythology in the resolution of their tale:
in how the film is nearly a three - hour Mexican standoff between the three as they shuffle through betrayals and deceits and cheats and being horrible to those they love
in the name of that love.
In true revisionist Western style, he wavers back and forth between amoral mercenary desires and noble actions — he's not
classical Hollywood's Western hero, but he draws on that
mythology, breathing new life into the genre.
Based on one of the company's hokier characters, who
in turn is based on Norse
mythology, Thor has largely been a second - tier champion whose blend of superheroics and
classical melodrama has defeated many a writer since the thunder god debuted
in 1962.
The opening credit sequence,
in which aging scientist Weyland (an uncredited Guy Pearce) discusses origin
mythology, art and
classical music with his creation, «Walter» (Michael Fassbender)
in a sterile setting which may or may not be a memory implant of the android, establishes what most engages the director.
Students who are interested
in mythology can take a national test through the American
Classical League's Excellence Through Classics program.The website is www.etclassics.org.
Moreover
classical mythology inspired then his sculpture art, like
in the famous Greece
classical figure of Orpheus; he made several sculptures of Orpheus.
About Emily Windsor: I grew up
in the north of England on a diet of historical romance and
classical mythology.
The previous installments of God of War weren't exactly history lessons
in classical Greek
mythology, but they introduced you to the main characters.
With three landmark exhibitions
in London this year — including the inaugural show of the RA's new galleries — the artist discusses mysteries of the cosmos,
classical mythology and chance encounters at her LA studio.
In deceptively cheery colors, 91 - year - old artist Charles Garabedianreimagines famous tales of woe from
classical mythology, where murder, torture, and madness abound.
His works» anthropomorphic references and undercurrents of doom, both
in the imagery and
in titles sourced from
classical mythology, invoked enduring ideological quandaries.
Influenced by the Aesthetic and Decadent writers of the 19th century,
in particular Oscar Wilde and Joris - Karl Huysman, Bas's works weave together stories of adolescent adventures and the paranormal with
classical poetry, religious stories,
mythology and literature.
He is researching a PhD on
classical mythology in contemporary visual art.
No longer setting a stage for a dystopian lifestyle borne by the delusions and failures of the Soviet system, the paintings on view are referencing Soviet visual representation and its history by juxtaposing,
in fragments, hypothetical subjects from Soviet life and
classical or baroque
mythology.
Spearheaded by Leon Golub and united by a shared interest
in the figure during a period that is often seen as dominated by abstraction, the group created deeply psychological works that drew on
classical mythology and ancient art.
Whereas the artists of the Renaissance, for example, had been steeped
in Classical history,
mythology and the Bible, the artists of the modern era had been progressively schooled
in the visual imagery of mass culture, which thus formed the chief substance of their own internal image banks.
JMcK: Your own paintings evoke a mood of reverie, where the characters and creatures appear to be an extension of your self,
in the context of
classical mythology or the detached worldview of Henri Rousseau.
Judith Raphael who is known for her paintings of girls
in the poses of
classical mythology is here presenting the iconic image «Pandora / Caught Red - handed», of a young girl wielding an open red box surrounded by war planes.
It emphasized the lyrical turn of the painter's late work,
in which graffiti - like passages thicken into vine - like forms or give way altogether to inspiration by passages of
classical literature or
mythology.
The artist is aware that many of the references contained
in the paintings will be unknown to audiences, unlike
classical mythology which has been extensively used
in European painting.
Titles like Persephone and Lethe are derived from visual events taking place
in the works themselves that imply rippling water and bright flame respectively, but also obviously reference
classical mythology.
In the Black Odyssey series, Bearden establishes an artistic bridge between Homer's poem — arguably the definitive work of
classical mythology — and African - American culture by depicting Homeric characters as black players on the timeless stage of antiquity.
The museum describes Bearden's series as «rich
in symbolism and allegorical content» creating «an artistic bridge between
classical mythology and African - American culture.»
The Telegraph's review of the exhibition states, «The Caged Bird's Song is a sumptuous monumental tapestry
in which Ofili's painterly skills have been almost miraculously translated into thread to present a lush, limpid scene
in which the arcadian landscapes of
classical mythology are given a contemporary, tropical twist.»
A visual artist working primarily
in the realm of self - portraiture and narratives inspired by
classical mythology and allegory, Shimoyama seeks to depict the black queer male body as both desirable and desirous.