Reese has worked
in commercial galleries since 2006 and was most recently the assistant director of Fleisher / Ollman Gallery in Philadelphia from 2010 to 2012.
Not exact matches
Name: Chris Fowler, MA Title: President and Chief Executive Officer Areas of responsibility: Executive management, strategy Years with CWB Financial Group: 27 Career history: Has served at CWB
in roles with increasing responsibility
since 1991, including,
commercial account management (1991 - 1995), credit risk (1995 - 2008), and joined the executive team
in 2008 as Executive Vice President, Banking, and then President and Chief Operating Officer Education: Master of Arts Degree
in Economics from the University of British Columbia Community involvement: Trustee for the University Hospital Foundation (University of Alberta), Member of the Canadian Bankers Association's Executive Council, director with the Art
Gallery of Alberta's board of directors, and campaign cabinet member with the United Way of Alberta Capital Region
Since then, Seth has developed a career as a Lifestyle Pet Photographer, accepting commissions and
commercial assignments, collaborating with dozens of publishers and exhibiting his artwork
in galleries around the world.
Since then, he has been the subject of exhibitions
in both
commercial galleries and leading public institutions around the world.
Weiner has presented a number of projects and exhibitions across the UK
since the early 1970s: at ICA, London; Pier Arts Centre, Orkney; The Fruitmarket
Gallery, Edinburgh; The Henry Moore Sculpture Trust, Halifax; Art Transpennine, Hull; Inverleith House
in Edinburgh; several engagements with Bury Art
Gallery, including their Text Festivals; a solo show at the National Maritime Museum, London; and occasional shows
in commercial galleries, the most recent at Lisson
Gallery in 2013.
Since the late 1970s she has worked primarily
in photography and has become best known for shooting art objects
in collectors» homes, museums, auction houses,
commercial galleries, and corporate offices, whether installed above copier machines or piled on loading docks and
in storage closets.
Bartlett has been a
commercial success
since the 1970s when her highly acclaimed artwork, Rhapsody (1975 - 76, collection Museum of Modern Art), a painting based on geometry and the figural motifs of house, tree, mountain, and sea on 987 gridded, enameled steel plates was shown
in May 1976 at the Paula Cooper
Gallery in New York.
Since the mid-1970s he has shown widely
in museums and
commercial galleries and has completed a number of permanent public art projects.
The artist's upcoming show at Michael Werner will be the painting's
gallery debut, where it will be shown alongside seven other works composed
since 2008 and inspired by Jones's ongoing interest
in the formal qualities of his earlier
commercial work.
In 2015, he became the first Chinese artist to show with the Fine Art Society, London's oldest
commercial gallery on Bond Street, where he has
since staged two solo exhibitions.
«This year the Newd Art Show really added another dimension to the weekend,
since it highlighted some of the many strong
galleries in the neighborhood and brought
in a few others from surrounding areas to create a hub for the
commercial face of the area's art scene.»
Since 1999, she has had solo exhibitions
in commercial galleries in Berlin, Cologne, and London.
In the couple of years since she left the Gagosian Gallery, Cecily Brown said, she has «enjoyed the independence of not working with a commercial gallery» and had shows at Maccarone in New York and the Thomas Dane Gallery in Londo
In the couple of years
since she left the Gagosian
Gallery, Cecily Brown said, she has «enjoyed the independence of not working with a commercial gallery» and had shows at Maccarone in New York and the Thomas Dane Gallery in
Gallery, Cecily Brown said, she has «enjoyed the independence of not working with a
commercial gallery» and had shows at Maccarone in New York and the Thomas Dane Gallery in
gallery» and had shows at Maccarone
in New York and the Thomas Dane Gallery in Londo
in New York and the Thomas Dane
Gallery in
Gallery in Londo
in London.
He has been based
in New York City
since 1995 where he has shown at PS1, New Museum, Queens Museum, and many
commercial and non-profit
galleries.
The significant
commercial galleries are still those that have been
in business
since the 1990s: Buchholz, Neu, Barbara Weiss and Esther Schipper; and although they are now exhibiting clutches of young Americans, their core programmes remain German.
He has
since exhibited
in public and
commercial galleries in Canada and abroad, including the Queens Museum of Art,
in New York City, and Carrie Secrist
Gallery,
in Chicago, Il.
The concurrent exhibitions mark the first time R.H. Quaytman has shown
in commercial gallery spaces
since 2001.
«Every developer
in the city wants to be
in West Chelsea,» said Stuart Siegel, senior vice president at CBRE, who has worked with many
galleries as a
commercial broker
in western Chelsea
since 1993.
Longo has been represented by Metro Pictures — the first New York
commercial gallery to establish a market for the Pictures Generation artists —
since they opened
in 1980.
Bradford was about to open an exhibition of new paintings at Hauser & Wirth — his first solo
commercial gallery show
in L.A.
since a 2002 exhibition at Susanne Vielmetter Los Angeles Projects — and already major collectors were taking an interest.
Since YBA erupted on to the scene, Andrew Lamont, a Fair exhibitor who opened the first
commercial art
gallery in the East End
in 1985, has had to cut the prices of some of his painters by half.
To be fair, I've seen some of the foundation's large - scale paintings installed
in large, white - walled
galleries; there, the monumental indifference seemed humorous,
since they were able to mock the expansive,
commercial gallery space;
in this congested space, they lose that bite.
The
gallery's
commercial bent is not only made explicit by its English and Chinese moniker (a pun on the name of China's economic reform guru, Deng Xiaoping), but
in its programming, which
since its inception
in 2008 has been dominated by painting.
Since then, he has shown almost continuously
in commercial galleries and museums.
Teller is one of a few artists
since Robert Mapplethorpe — an exhibition of whose work he was recently invited to curate at Alison Jacques»
gallery in London — who has been able to straddle both the art world and that of
commercial fashion photography.
That data can be misleading
since it's based solely on public auction sales and doesn't reflect purchases made
in commercial galleries.
Since its foundation
in 2007, that
gallery has been as successful as any of the newer
in combining a bold exhibition programme (Gabriele de Santis installed a trampoline
in the
gallery in 2015) with
commercial growth.