Lorna Simpson has pursued a number of innovations
in her conceptual photography practice, including printing on felt, which she did with the above work.
Themes of seriality, identity, and place explored
in conceptual photography on the West Coast from the 1960s to the present.
Drawn from the Hammer Contemporary Collection and the Grunwald Center, this exhibition looks at the themes of seriality, identity, and place
in conceptual photography on the West Coast from the 1960s to the present.
Not exact matches
He then attended art school and received a B.F.A.
in multimedia and
conceptual art, with a minor
in photography.
This is the largest art gallery
in the Maldives and forms the epicentre of the country's art scene, with numerous exhibitions of local as well as international artists that create everything from
conceptual art to
photography to be displayed on the museum.
Collectively, the years of research have resulted
in a more complete view of art
in Southern California, one that goes beyond the genres typically identified with the region: Light and Space sculpture,
conceptual landscape
photography, and Modernist design.
More recently she studied Fine Art at Central Saint Martins, specialising
in photography, video and
conceptual art.
Artwork ranges from drawing,
photography, sculpture, installations, film and video to performance and social practice taking place
in both urban and rural landscapes, and include works that are narrative, political, performative, and
conceptual examples of contemporary art.
The artists
in Amerika coagulate around textile and
conceptual sculpture,
photography, painting, installation and performance to interrogate discursive practices that undertake the body that is formed - objectified - abstracted.
And given UCLA's rank as the No. 2 graduate fine art program
in the country, it's a compelling list, which includes Woman's Building pioneer Judy Chicago,
conceptual artist Barbara Kruger, painters Lari Pittman and Toba Khedoori (the latter of whom recently had a one - woman show at LACMA), installationist Rodney McMillian, photographer James Welling and groundbreaking photo collagist Robert Heinecken (who established the
photography program at UCLA
in the 1960s and was the subject of a retrospective at the Hammer Museum
in 2014).
The Contemporary art collection encompasses works created from 1945 to the present with strong examples of Abstract Expressionism, Color Field painting, Pop art,
Conceptual art, and recent movements
in painting, sculpture,
photography, and video.
A New York - based photo
conceptual artist, Thomas earned an MFA
in Photography and an MA
in Visual Criticism from CCA (2004).
Vancouver - born artist Ken Lum, is known worldwide for his
conceptual and representational art
in a number of media, including painting, sculpture and
photography.
At a time when artists across the board were turning away from painting and towards
photography and
conceptual art, Pacific Coast Highway and Santa Monica addresses the history and impact of artistic styles such as Post-Impressionism and Fauvism, all executed
in Hockney's signature vernacular.
In groundbreaking works from the 1970s like Mary Kelly's Post-Partum Document (1973 — 79) and Martha Rosler's Semiotics of the Kitchen (1975), the tenets of
conceptual art — with its integration of language and image, its embrace of
photography and the video camera, and its unfolding over time and space — are enmeshed with questions of subjectivity, the body, and indeed, emotional affect, subjects generally avoided by an earlier generation of
conceptual artists.
The Pyes» artistic output spans
photography, film, performance, video, and installation while acknowledging the profound influences of surrealism
in film, narrative conventions
in painting, 19th and early 20th century portraiture, and
conceptual approaches to subject matter.
Marcelo Brodsky is a
conceptual artist and Human Rights activist who uses
photography to intervene
in the ongoing debate about Argentina's Dirty War (1976 - 1983).
For his
conceptual photography series «Unbranded: Reflections
in Black by Corporate America 1968 - 2008,» the American artist Hank Willis Thomas took advertisements featuring or directed at African - Americans and simply removed all of the accompanying text.
In 2002, Gilad discovered photography and began combining his writing with the photos he took trying to «explore photography in a conceptual sense, to help me express and complement my writing.&raqu
In 2002, Gilad discovered
photography and began combining his writing with the photos he took trying to «explore
photography in a conceptual sense, to help me express and complement my writing.&raqu
in a
conceptual sense, to help me express and complement my writing.»
Opening today
in the Curve at the Barbican Art Gallery is
conceptual documentary photographer and Deutsche Börse
Photography Prize winner Richard Mosse's immersive multi-channel video installation
With a background
in sound, performance and writing, Pasquier has developed a poetic visual language
in her
conceptual approach to
photography.
Strategies that emerged earlier
in the circles of the surrealists and New Vision photographers — the untutored «photographic mistake,»
photography as a form of literary pointing — adopted by the artists
in this exhibition have subsequently been absorbed by the contemporary generation using
photography as
conceptual art, from Gabriel Orozco to Hank Willis Thomas.
His so - called
conceptual photography pushes the boundaries of the medium, demonstrating that photographs are not neutral; on the contrary, they convey an idea
in addition to a picture.
She has worked across
photography, film, and dance, but is best known for her experimental approach to painting, the medium
in which she was trained, stretching its bounds and assumptions through
conceptual and abstract works.
It illuminates her
conceptual approach to
photography and foretells the career that would be launched
in the late 1970s, positioning her as one of the most significant artists of our time.
JOHN ANDERSON Roslindale, MA REBECCA KUZEMCHAK New York, NY RACHEL BORGMAN Baltimore, MD MICHELLE RAMIN San Francisco, CA JUSTIN GAFFREY Santa Rosa Beach, FL KIM RICE Norman, OK RICHELLE GRIBBLE Idyllwild, CA HERB ROE Lafayette, LA TERI HAVENS Carbondale, CO BETH WALDMAN San Francisco, CA JOO LEE KANG Boston, MA MARGI WEIR Detroit, MI Comprised of painting, sculpture, drawing,
photography,
conceptual, installation, and cutting - edge, digital mediums, NO DEAD ARTISTS is an exhibition known for a great diversity
in media but with a cohesive cross-section of the pulse of Contemporary Art.
From early assemblages to pioneering works
in film, from
photography and photograms to prints, drawings, paintings, and
conceptual works, Conner pursued a distinctive vision that endlessly broke new ground.
The Empirical Eye Much
conceptual photography of the 1970s emulated the dispassionate appearance of documentary
photography in an effort to shift the focus from aesthetic concerns to the objectifying nature of information systems.
Welsh graduated from Pratt with a BFA
in Photography, which underscores the varied and intersecting nature of her painting practice, as well as her
conceptual and technical interests.
Writing with light 14 June A new exhibition at the Morgan Library & Museum
in New York explores
photography's more unusual byways: from x-rays to aerial views,
conceptual art to documenting warfare.
Drawn largely from the MCA's permanent collection, Picture Fiction: Kenneth Josephson and Contemporary
Photography considers the artist's work
in the larger context of
conceptual art.
2005 African Queen, The Studio Museum
in Harlem, New York, NY Double Consciousness: Black
Conceptual Art Since 1970, Contemporary Arts Museum, Houston, TX Earth and Memory: African and African American
Photography, Elizabeth Stone Harper Gallery, Presbyterian College, Clinton, SC Identità & Nomadismo, Palazzo delle Papesse, Centro Arte Contemporanea, Siena, Italy (catalogue) Male Desire Two, Mary Ryan Gallery, New York, NY
A pioneer
in experimental film, collage,
photography,
conceptual works, and paintings, he challenged the limitations of medium, genre, and style, constantly breaking new ground.
So there is a place
in the art world for straight
photography to flourish, along with say,
conceptual work like a Moyra Davey, or studio work like Eileen Quinlan, or work that is somewhere
in between straight and
conceptual, like a Roe Ethridge or a Daniel Shea,» Gunhouse adds.
Snap Judgments highlights a shift away from the commercial studio portraiture that predominated
in Africa
in previous decades, revealing a new and surprising emphasis on
conceptual art, documentary, and fashion
photography.
ABOUT THE UNTITLED SPACE: Founded
in 2014 by Indira Cesarine, The Untitled Space gallery features an ongoing curation of exhibits of emerging and established contemporary artists exploring
conceptual framework and boundary pushing ideology through mediums of painting, sculpture, printmaking,
photography, video and performance art.
Works on view are varied, including pioneering x-rays and aerial views, artifacts of early photojournalism, and recent examples of
conceptual art all grouped
in arrangements to emphasize the range of possibilities offered by
photography as a medium.
Under the tutelage of the photographers and
conceptual artists Bernd and Hilla Becher at the city's Staatliche Kunstakademie, this generation of photographers took the methodical, taxonomic approach of the Bechers and applied
conceptual modifications, veering from the pure «straight»
photography of their mentors to produce works that functioned more self - consciously as art, and ushering
in a new era for
photography where the medium was not simply accepted as art but embraced.
A pioneer
in experimental film, collage,
photography,
conceptual works, and paintings, Bruce Conner challenged the limitations of medium, genre, and style, constantly breaking new ground.
Be sure not to miss booths by Benrubi Gallery from New York, a leading gallery with a focus on 20th Century and contemporary photographs; Blindspot Gallery from Hong Kong, a gallery with a primary focus on contemporary image - based works; Bryce Wolkowitz Gallery from New York, a gallery with a major commitment to representing new media artists who are exploring the intersection of arts and technology; Dittrich & SCHLECHTRIEM & V1 from Berlin, a gallery representing emerging, mid-career and established artists from around the world; Fraenkel Gallery from San Francisco exploring
photography and its relation to other arts; Gagosian Gallery from New York, Hong Kong, Beverly Hills, Athens and Rome; Hamiltons Gallery from London, one of the world's foremost galleries of
photography; Galerie Lelong from Paris focusing on an international contemporary art and representing artists and estates from the United States, South America, Europe, and the Asia - Pacific Region; Magda Danysz from Paris, Shanghai and London dedicated to promoting and supporting emerging artists and favouring a larger access to contemporary art on an international level; Mai 36 from Zurich focusing on trading and presenting international contemporary art; Pace Prints / Mac Gill, a publisher of fine art prints and artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising
in post-war and contemporary art with an interest
in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the
conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among others.
Alejandro Figueredo Díaz - Perera is a
conceptual artist from Havana, Cuba who works
in a variety of media including: video,
photography, painting, installation, and text.
They serve as an anti-thesis to the recent trend of increasingly sophisticated
conceptual imagery not only
in Japanese
photography but also
in other media.
In the early days of photography, questions of technical feasibility were pressing and creative possibilities beckoned; beginning in the 1960s, artists expanded the scope of their engagement with «space» to include social and conceptual issue
In the early days of
photography, questions of technical feasibility were pressing and creative possibilities beckoned; beginning
in the 1960s, artists expanded the scope of their engagement with «space» to include social and conceptual issue
in the 1960s, artists expanded the scope of their engagement with «space» to include social and
conceptual issues.
Through the familiar threads of home and domestic objects, the exhibition reveals the shift
in art over that period from the representational through to powerful social commentary
photography as well as
conceptual art and the appropriation of «ready - made» objects.
Through independent and collaborative projects I curiously explore a wide range of
conceptual material using
photography and video, often
in combination with machine driven and hand - crafted fabrication of wood and acrylic.
The wide panorama established by the collection, which alongside painting and sculpture also includes to a substantial degree
photography and video works, finds its
conceptual orientation through the search for comparable visual concepts
in works employing various media.
Repetition, a recurring motif
in Warhol's paintings, plays both a
conceptual and practical role
in his
photography.
A pioneer of
conceptual photography, Laurie Simmons is at work on a new series of staged compositions using images of online porn that refer to photographs she made 25 years ago of women
in color - coordinated domestic interiors.
Leah Beeferman is a
conceptual artist, using
photography in her newest digital work, Strong Force (Chromodynamics).
He joined Goodman Gallery
in 2010 and featured prominently on Goodman Gallery's booth at Frieze New York
in 2017, for which his work was placed
in conversation with South African photographer Mikhael Subotzky and Angolan
conceptual photography - based artist Kiluanji Kia Henda.