Sentences with phrase «in contemporary artistic production»

In dialogue, they touched on a number of topics addressed within the book, including abstract painting's critical reception today, and Brooklyn's role in its recent importance in contemporary artistic production.

The artist tests the limits of photography as a medium and its place in contemporary artistic production.

TSA New York and NURTUREart will host a dialog on abstract painting's critical reception today, and Brooklyn's role in its recent importance in contemporary artistic production.

It also includes a two - day symposium (March 5 - 6) examining the diverse practices of artists, curators and collectors from Africa and the Diaspora through a series of panel discussions and video screenings, looking at new global phenomena in contemporary artistic production.

Not exact matches

Even back in 1993, by television production standards, it had been a long time since the late 1970s, and this series put its then - contemporary artistic and technical sensibilties to good use, crafting this world with plenty of artistic grace and style.

A look at this week's art news, including the exhibition «Art in the Age of the Internet» at the ICA Boston which explores how the internet has shaped contemporary culture and artistic production.

Explore how observation of animal behavior influenced religious belief, artistic production, and daily life from ancient America to contemporary Africa in this three - day workshop for teachers on June 5 - 7.

Spanning 150 spectacular years of artistic production, A Century in Crisis offers the first systematic exploration of modern and contemporary Chinese art.

«We feel that by approaching us in particular, The Armory Show shows a deep sensitivity and understanding toward the complexities of contemporary artistic productions from Africa and the Diaspora.»

Her curatorial work focuses on artistic production from the neo avant - garde until today, particularly rooted in global art histories, the intersections of sound and performance with traditional media, and the function of contemporary art within encyclopedic museums.

Founded in Beirut in 1993, Ashkal Alwan is committed to the production, research, and circulation of contemporary artistic and intellectual practices.

Over the past fifty years performance art has shifted from being a fledgling artistic practice grounded in the immediacy of the live body, to an increasingly popular medium of contemporary art, engaging large numbers of performers, high production values and rising audience numbers.

With the exhibition ON STAGE, the Kunstverein Hannover has taken on one of the central themes of contemporary art: theatricality and stage - like aspects in current artistic production.

The show presents a chronological reading of the artistic production in different moments of the history of Brazil - Modernism, New State, Golden Age, Leaden Years and Contemporary art.

Although more than half a century has passed since the era of Inventing Downtown, many of the issues mined in the exhibition still resonate in today's art world — split as it is between the booming commercial market for contemporary art and ever more pluralistic models of artistic production, promotion, and display.

With the early Arts and Crafts movement and the Bauhaus vision of art integrated with everyday life as its historical point of departure, the Art and Craft department seeks to elaborate on the relationship between art and life, on matters of materiality (production, sustainability, globalisation), on design and architecture, and on artistic practice in social and political contexts in a contemporary perspective.

Noa Gur's works presented in the exhibition «Dawn till Dusk» intertwine two series of questions: one thread questioning contemporary modes of artistic production, the other thread questioning inequality based on class or ethnicity.

Founded in Beirut in 1993, Ashkal Alwan is committed to the production, research, and circulation of contemporary artistic and intellectual practices, through initiatives such as Home Works: A Forum on Cultural Practices (2002), a multidisciplinary platform bringing together artists, writers, thinkers, filmmakers, and choreographers, for a public program of exhibitions, panel discussions, film screenings, and performances, as well as the Home Workspace Program (2011), an annual tuition - free art - study program.

Harlem Postcards Fall / Winter 2016 — 2017 is the latest installment in an ongoing project that invites contemporary artists to reflect on the many sides of Harlem: as a site of cultural activity, political vitality, visual stimulation, artistic contemplation and creative production.

Through unconventional artistic media and methods of manifestation, the artist investigates the concealed exploitations of social energies in contemporary economy and cultural production.

AARL functions in support of Artpace's mission to nurture the production of contemporary art by serving as an open resource to promote artistic practice.

Responding to the current climate of art fairs in regard to artistic production and reception, Paris Internationale is a joint initiative from five emerging galleries — Crèvecoeur, High Art, Antoine Levi, Sultana and Gregor Staiger — as a collective attempt to develop an appropriate model for fostering new advanced initiatives in contemporary art.

Taken as a whole, the exhibition is a clean, a strong, and a varied one and of vast artistic, educational interest and importance, and, if I mistake not, will have as a result, and despite the unquestionably skeptical and even hostile attitude towards the merits of the new foreign movements, or an indisposition to accept them as being worthy of the title of art movements in general — the most marked effect upon the cause of art in America, and upon the coming production of American painters and sculptors, than anything that has occurred since the first exhibition of the so - called Munich band of young American painters in the old American art galleries in 1878, and of the work of Monet and his contemporaries and followers held here in 1883.

Discussion topics will include the current trajectory of contemporary African art production and practice in a global context, and explore modes of existing, retrospective and theoretical artistic practice.

«This is a space of extreme relevance for the diffusion of contemporary artistic production in our country.»

A contemporary arts residency centre and campus for artistic production, experimentation and learning in South Cambridgeshire

Awarded biannually to a young Greek or Cypriot artist, the Prize aims to identify and showcase the work of an emerging generation of contemporary artists who are actively redefining the parameters of cultural production and contributing to new issues in the artistic discourse.

With over 120 studios at four different locations in Frankfurt and changing exhibitions of contemporary artistic positions, the production and exhibition platform basis e.V. provides a lively and inspiring environment for guest artists.

In five decades, the Goodman Gallery has played a vital role in forging change through artistic production and dialogue, shaping contemporary art within and beyond the continenIn five decades, the Goodman Gallery has played a vital role in forging change through artistic production and dialogue, shaping contemporary art within and beyond the continenin forging change through artistic production and dialogue, shaping contemporary art within and beyond the continent.

By enabling artistic production, critical debate and dissemination of contemporary visual art in the three dimensional form, we help to develop the careers and reputation of artists and an understanding of their artistic practice on a local, national and international level, making GSS a vital platform for all who wish to understand, participate in and embrace contemporary three - dimensional artistic practice.

Director / Curator Mary Reid's counterview of contemporary artistic practice in Winnipeg pleasantly interrupted a reverie of city - centric exhibitions asserting legacies and mythologies of local artists and art production.

surcontexto is a contemporary art platform based in Montevideo, Uruguay, dedicated to generating projects that prioritize the production of knowledge and experience of curatorial and artistic practices today with its focus on South and Latin American art and culture.

the modernist paradigm he established in evaluating contemporary artistic production is David Geers's shortsighted dismissal and suspicion of anything resembling modernist tropes in his «Neo Modern,» October 139 (Winter 2012): 9 - 14.

Is this a worthy challenge of contemporary arts insularity or does it discount subversive and against - the - grain art production, made by and for art communities, including that which is made within and by these same diverse communities that are being targeted by new funding initiatives as in need of help in the form of artistic interventions?

Established and directed by Illya Haro in 2012, Laboratory supports artistic and cultural projects that inspire critical dialogue relating to the production of contemporary art.

Today's funding trends such as Creative Place - making, made possible through partnership enterprises among foundation, governmental, and financial - sector support, such as ArtPlace America, are concentrated on giving art and artists opportunities in diverse communities yet also require artists and arts organizations to think through an entrepreneurial frame by integrating their initiatives into their community's economic development and community revitalization strategies and having the potential to attract additional private and public support of the community.3 Is this a worthy challenge of contemporary arts insularity or does it discount subversive and against - the - grain art production, made by and for art communities, including that which is made within and by these same diverse communities that are being targeted by new funding initiatives as in need of help in the form of artistic interventions?

The largest show is «Art in the Age of the Internet, 1989 to Today» at the Institute of Contemporary Art, which will feature work by some 60 artists and explore the Internet's influence on artistic production.

Studying the initial Westernization of the Ottoman Empire through to the early Republican period, Repertoire reveals the reverberations of historic processes in today's artistic productions and provides the historical backdrop to the Modern and contemporary artworks in the exhibition — from the musical tones of the abstract art of the 1950s to the popularized content of the 1980s.

This separation between African artists who have either lived or travelled to European countries throughout their working lives and the bitter past history of this vast continent is what renders the artistic production of both older and younger artists absolutely crucial to the social dynamics of the contemporary age as an overwhelming sense of wisdom emanates from even the youngest artists included in the fair.

In five decades, Goodman Gallery has played a vital role in forging change through artistic production and dialogue, shaping contemporary art within and beyond the continenIn five decades, Goodman Gallery has played a vital role in forging change through artistic production and dialogue, shaping contemporary art within and beyond the continenin forging change through artistic production and dialogue, shaping contemporary art within and beyond the continent.

What is left open by Joselit's brief and polemical text is how we might best use this diagnosis of the present possibilities and limitations for artistic production to analyze works of art themselves for, if After Art has a limitation of its own, it is in putting these provocative but abstract ideas in the service of contemporary art, rather than simply having the former represented or narrativized by the latter.

During the symposium, a selection of key experts in the field have addressed these questions and framed them in the wider context of the naissance of the modern and contemporary art museum and the role models of Pontus Hultén and Willem Sandberg, our continuous engagement with the art production of the 1960s, the place of these exhibitions in the wider artistic oeuvres of the participating artists, post-1960s «labyrinthine» exhibition practices at large, and the growing discipline of exhibition history.

Through studio projects, readings, discussions, and case studies, students in this class will engage the immediate context of the University as source material for their artworks as a means to explore the effect that research and knowledge production might have on contemporary artistic practice.

contemporary media art also wants to establish a regular intercourse between international and regional artistic productions, for example by combining local and international artistic production in group - exhibitions.

By presenting a variety of media in works that consider some of the same kinds of themes seen in the work of Hector Hyppolite, «Boundless Discourse» illustrates how these dialogues continue to be relevant to contemporary artistic production.

Here, Sanford's work is part of what he refers to as the «hip - hop ethos,» as well as Afrofuturism as (in this case) a platform for contemporary artistic production and discourse.

The State Art Collection is shaped in an inclusive manner to represent the diversity of contemporary artistic production.

In the 1950s and 1960s, London underwent a cultural revolution, which altered forever the trajectory of contemporary art and gave rise to a radical re-formulation of artistic production.

A exhibition explores Iranian modern and contemporary art, shining a spotlight on visual culture in Iran and examining the impact of history on artistic production.

Holding both a MFA from Hunter College and a PhD in Physics from Harvard, Smith's work plays off of contemporary trends in a clever way, highlighting technology's effect on all aspects of artistic production.