Sentences with phrase «in contemporary culture»

This provocative exhibition focuses on issues of racial, sexual, and historical identity in contemporary culture while exploring the powerful influence of artistic legacy and community across generations.

How does art represent love and what does it tell us about what love means in our contemporary culture?

With origins in the colonial period, it has maintained a powerful continuing presence as a charged concept in contemporary culture.

However, the way he considers this heritage draws upon concepts prevalent in contemporary culture, such as ideas of collapse and ruin, recycling and reforming.

The project is dedicated to exploring issues in contemporary culture through their expressions in art.

The scenario she describes is not unlike the response to the changing roles of women in contemporary culture and in the churches.

After all, it's a common representation in contemporary culture.

The conference will continue to address other topics relating to marriage; specifically addressing the nature of marriage itself which is being questioned so frequently in contemporary culture.

The issue is not the validity of Scripture as a guide to faith in contemporary culture.

Gay marriage is a hot topic for a lot of people and is going to bring up strong emotions in debate in contemporary culture.

With baby boomers reaching retirement the cohort is younger, more active, more health - conscious and more engaged in contemporary culture than ever before.

We promote engaging and transformational art experiences with the goal of connecting the viewer's personal experience with relevant areas in contemporary culture.

Building on previous exhibitions, the artist continues to critique storytelling in contemporary culture, and its reliance on film and photography.

Join us for lectures and conversations that address the most current topics in contemporary culture.

We examine the definition, history and influence of camp in contemporary culture.

It was seeking to stimulate the discussion and debate about other aspects of the sport's remarkable position in contemporary culture.

Rather than grappling with ideals of beauty or touching the sometimes contentious third rail of identity politics in contemporary culture, artists seek refuge in the safety of suggestion rather than representation.

Their examination of place explores an aggregate of geographical, cultural, and familial histories past and present, embedded and examined in contemporary culture.

The ambiguity and multiple meanings implicit in «The End of Love» provide a rich internal dialogue surrounding the nature of sex and myth in contemporary culture.

It has been my fortune that I have been able to combine these two great passions and interests along with a third — that of the role of religion in contemporary cultures.

The problem in contemporary culture is that a large proportion of society is increasingly blind to the fundamental structure of human nature and to the ethical character of human sexuality.

The Center for Curatorial Studies and Art in Contemporary Culture at Bard College (CCS Bard) is an exhibition and research center dedicated to the study of art and exhibition practices from the 1960s to the present day.

The course also addresses the realities of being a working artist in contemporary culture (i.e. gallery representation, grants & funding, job information, etc.).

About the Center for Curatorial Studies The Center for Curatorial Studies and Art in Contemporary Culture at Bard College (CCS Bard) is an exhibition and research center dedicated to the study of art and exhibition practices from the 1960s to the present day.

Sarah Charlesworth (1947 - 2013) was a seminal artist in a generation that used photographic practices to explore issues concerning the language of images in contemporary culture.

The first in the Serpentine series, the Interview Marathon in 2006, involved interviews with leading figures in contemporary culture over 24 hours, conducted by Obrist and architect Rem Koolhaas.

A highly influential artist, Sarah Charlesworth focused on examining the role that photographic images play in contemporary culture.

Since the launch of ECT two decades ago, authentic Christian witness has become more — not less — difficult in a world marked by secularism, terrorism, and the dehumanizing forces in our contemporary cultures of death.

A member of the African American avant - garde in Los Angeles and New York in the 1970s and 1980s, Nengudi began her career with innovative sculptures and performances, staged within art spaces and beyond gallery walls, that expanded the definition of sculpture, engaged with performance art's ephemeral nature, and questioned women's delimited roles in contemporary culture.

««WOMEN Words» was created to challenge the representation of female identity, the politics of pleasure and the role of sexuality in contemporary culture.»

But Zhang playfully asserts the continuing relevance of such natural elements in contemporary culture by modeling the rock in ink.

Barlow's recent work emerges from a 40 - year practice in which she questions the nature and role of the sculptural object in contemporary culture, utilising an extensive, fluid vocabulary and immense enthusiasm for engaging with the physical «stuff» of the world.

In the group exhibition «The Projective Drawing» at Austrian Cultural Forum New York (ACFNY), curator Brett Littman applies Evans's theory, which is skeptical of drawing at its core, to challenge our understanding of how the medium of drawing operates in contemporary culture by highlighting both Austrian and international artists whose drawings require viewers to activate a matrix of complex and nontraditional ideas in order to interpret the works on view.

In The Projective Drawing, the curator Brett Littman applies Evans's theory, which is skeptical of drawing at its core, to challenge our understanding of how the medium of drawing operates in contemporary culture by highlighting both Austrian and international artists whose drawings require viewers to activate a matrix of complex and nontraditional ideas in order to interpret the works on view.

The first Marathon, Interview Marathon, 2006, featured interviews with leading figures in contemporary culture over 24 hours.

Hence, in the current crisis of values in our contemporary culture, their approach provides a more open affirmation of the historical capability of democratic ideas and institutions («the American mind») to develop by uncovering their deepest roots.

Captivating characters, suspenseful story lines, and thought - provoking themes — bestselling author, Rosemary Hines crafts gripping, and at times poignant, tales of the challenges Christians face in contemporary culture.

The Crisis of Presence in Contemporary Culture: Ethics, Privacy and Speech in Mediated Social Life, is published by Sage.

Pioneer Works is a center for research and experimentation in contemporary culture located in Red Hook, Brooklyn.

In his performances, sculptures, films, collages, and sound pieces, he investigates these ideas by mining his personal history and character — as a man who grew up in a working class family in the north of England in the eighties, a self - described «autodidact,» a participant in contemporary culture, and an artist in London.

Based on the mechanic system of View - Master stereoscopes and reels, in addition to the design features and function of baggage carousels, Memory, Market, and Migratory Transition explores the dominance of mediated experience in contemporary culture as seen through a journey into imagined and physical spaces.

Charged with power and desire, the works, while challenging fraught stereotypes of masculinity, confront a highly mediated range of seductive forces that influence how identity becomes performed in contemporary culture.

Post-black art became a stance in this transitional moment in the quest to define ongoing changes in African - American art, and ultimately became part of the perpetual redefinition of blackness in contemporary culture.

Through an array of campy stereotypes that range from a suspicious housewife peering out a window to a Divine-esque drag queen, Gaignard interrogates her own intersectional identity as a biracial woman as well as the often murky, difficult terrain of race, class, and gender in contemporary culture.

Toronto - based Angell Gallery opened in April 1996 with a mission to support both emerging and mid-career artists known for taking risks in their work, while challenging the critical norms of art making in contemporary culture.