Bringing together over 30 artists from different generations and parts of the world, the exhibition explores the complexities of «abstraction»
in contemporary drawing.
«Civil Progress: Life in Black America,» Greg Kucera Gallery, Seattle, WA, February 6 — March 30, 1997 «Blind Spot: Coming of Age,» White Columns, New York, NY, May 8 — 29, 1997 «Kimchi Xtravaganza,» Korean American Museum, Los Angeles, CA, June 16, 1997 — January 10, 1998; catalogue «The Dual Muse: The Writer As Artist, The Artist As Writer,» Washington University Gallery of Art, St Louis, MO, November 7 — December 21, 1997; catalogue «Thirty - Third Annual Exhibition of Art on Paper,» Weatherspoon Art Gallery, The University of North Carolina at Greensboro, Greensboro, NC, November 16, 1997 — January 18, 1998; catalogue «Heart, Mind, Body, Soul: American Art in the 1990's,» Whitney Museum of American Art, New York, NY, November 26, 1997 — January 4, 1998 «La Biennale di Venezia, XLVII Esposizione Internationale d'Arte,» Venice, Italy, 1997; catalogue «A Decade in Collecting: Recent Acquisitions
in Contemporary Drawing,» Museum of Modern Art, New York, NY, 1997 «Coming of Age,» White Columns, New York, NY, 1997 «Identity Crisis: Self Portraiture at the End of the Century,» Milwaukee Art Museum, Milwaukee, WI, 1997; traveled to Aspen Art Museum, Aspen, CO; catalogue «Kinds of Abstract,» Seattle Art Museum, Seattle, WA, 1997 «Rhapsodies in Black,» Hayward Gallery, The South Bank Centre, London, UK, 1997; travels to Arnolfini Gallery, Bristol, UK; The Mead Gallery, Coventry, UK; California Palace of the Legion of Honor, Fine Arts Museums of San Francisco, San Francisco, CA; Corcoran Gallery of Art, Washington D.C.; catalogue «Sunny Days / Critical Times,» The Bohen Foundation, New York, NY, 1997 «Un Bel Ete,» Casino Luxembourg, Luxembourg City, Luxembourg, 1997
Durant's work was also featured in dOCUMENTA (13), Kassel, (2012); I Am Still Alive: Politics and Everyday Life
in Contemporary Drawing, Museum of Modern Art, New York (2011); and Contemplating the Void, Solomon R. Guggenheim Museum, New York (2010).
The Power of Suggestion: Narrative and Notation
in Contemporary Drawing, Los Angeles: Museum of Contemporary Art; Santa Monica: Smart Art Press, 11.
Nature, Once Removed The (Un) Natural World
in Contemporary Drawing Curated by Sean McCarthy at the Lehman College Art Gallery Bedford Park Boulevard West, Bronx, NY 10468
Nature, Once Removed The (Un) Natural World
in Contemporary Drawing Curated by Sean McCarthy at the Lehman College Art Gallery Bedford Park Boulevard West, Bronx, NY 10468 Artists: Melissa Barrett, Melissa Brown, William Crump, Lorenzo De Los Angeles, Nicholas Di Genova, Felix Esquivel, Chie Fueki, Trenton Doyle Hancock, Arturo Herrera, Jackie Hoving, Elizabeth Huey, Daniel Johnston, Darina Karpov, Gary Panter, Christopher Patch, Lamar Peterson, Angela Piehl, Peter Saul, Craig Taylor, Christopher Ulivo, and John Wesley
The Power of Suggestion: Narrative and Notation
in Contemporary Drawing.
David Nolan Gallery, New York, NY Nature, Once Removed: The (Un) Natural World
in Contemporary Drawing.
2011 Wander, Labyrinthine Variations, Centre Pompidou - Metz, Metz, France Terrible Beauty - Art, Crisis, Change and The Office of Non Compliance, Dublin Contemporary, Ireland 9/11, MoMA PS1, New York, USA I Am Still Alive: Politics and Everyday Life
in Contemporary Drawing, MoMA, New York, USA All that Glisters, Stephen Friedman Gallery, London, England Dislocación: Cultural Location and Identity in Times of Globalization, Kunstmuseum Bern, Switzerland French Window, Mori Musuem, Tokyo, Japan Of Bridges and Borders, Fundacio Proa, Buenos Aires, Argentina The Luminous Interval, Guggenheim Museum, Bilbao, Spain ILLUMinations Venice Biennale, 54th International art exhibition, Venice, Italy Declining Democracy, Centro di Cultura Contemporanea Strozzina, Palazzo Strozzi, Florence, Italy The Uncanny Familiar, Images of Terror, C / O Berlin, International Forum for Visual Dialogues, Berlin, Germany
2011 All that Glisters, Stephen Friedman Gallery, London, England One, Another, curated by Stephanie Roach, FLAG Art Foundation, New York, USA Collecting for the Future: The Safeco Gift and New Acquisitions, Tacoma Art Museum, Tacoma, Washington, USA Contemporary Collection, Centre Pompidou, Paris, France I Am Still Alive: Politics and Everyday Life
in Contemporary Drawing, The Museum of Modern Art, New York, USA Making a Mark: Drawings from the Contemporary Collection, High Museum of Art, Atlanta, USA Compass: Drawings of the Museum of Modern Art New York, The Judith Rothschild Foundation Contemporary Drawings Collection, Berliner Festspiele, Berlin, Germany
The exhibition will showcase some of the best artists
in contemporary drawing and painting, including: Juliette Aristides, Steven Assael, Colleen Barry, Daniel Graves, Michael Grimaldi, Michael Klein, Kate Lehmaa, Edward Minoff, Edmond Rochat, Travis Schlaht, Burton Silverman, Robin Smith, Brandon Soloff, Will St. John, and Peter Van Dyck.
Dzama's quirky cartoon - like drawings extend the trend
in contemporary drawing of examining social narrative, exemplified by Mike Kelley, Raymond Pettibon and the late Martin Kippenberger.
His work is also currently on view at the Museum of Modern Art as part of the exhibition, «A Decade of Collecting: Selected Recent Acquisitions
in Contemporary Drawing» (through January 19th, 1998).
Blvd. E., presents two free exhibits: State of the Dao: Chinese Contemporary Art - and Nature, Once Removed: Flora and Fauna
in Contemporary Drawing, featuring work of 20 artists of animals, plants, and landscapes.
Besides being heavily published
in contemporary drawings, Rose's research into the influence of film on Braque and Picasso may significantly change the art world's understanding of Cubism.
Not exact matches
Those numbers were far diminished from what the show
drew in its heyday, but they remain respectable by
contemporary standards, with delayed viewing and increased competition applying downward pressure on live ratings across television.
And Amazon's streaming station, despite being set
in a fictional 1960s,
draws at least a few explicit connections to
contemporary politics.
The more
contemporary, almost laid - back feel, can easily
draw people
in who would not have attended that church if they knew that it is sexist.
Finally,
drawing mainly from the thinking of
contemporary Calvinist and Lutheran theologians, the authors discuss the implications of recent scientific research on theological views about the human being as a creature made
in the image of God.
Drawn from learning that is both vast and profound, the rich details and frequently exciting flashes of insight provided by this work confirm the stature of Robert Jenson among
contemporary theologians» a stature that, it seems to this foreign observer, is not sufficiently recognized
in American theology.
The 1,500 - page manifesto that has been attributed to him
draws on
contemporary European and American conservatism
in its attacks on Marxism, multiculturalism, secularism, academia and feminism.
This type of analysis is a vital precursor to any attempt to measure the social and cultural effects of the extension of the capitalist system, especially
in its
contemporary neo-liberal phase, but it also permits us to
draw up strategies and alliances for resistance.
In this story these characters and their situation are not depicted by analogy but directly, and, in consequence, the hearers are not left to draw their own conclusions, but rather are challenged by the direct statement: «I tell you...» The challenge is the one we have seen throughout this group of parables, the fundamental challenge of Jesus to his hostile contemporarie
In this story these characters and their situation are not depicted by analogy but directly, and,
in consequence, the hearers are not left to draw their own conclusions, but rather are challenged by the direct statement: «I tell you...» The challenge is the one we have seen throughout this group of parables, the fundamental challenge of Jesus to his hostile contemporarie
in consequence, the hearers are not left to
draw their own conclusions, but rather are challenged by the direct statement: «I tell you...» The challenge is the one we have seen throughout this group of parables, the fundamental challenge of Jesus to his hostile
contemporaries.
He
draws on phenomenology, Kantian theory of knowledge, the Greek fathers of the first millennium of Christianity and a range of 20th century Russian and French thinkers, to fashion a unique critical examination of how and what we know
in contemporary
[6]
In analysing this, I have drawn upon the section «Baptism in the Contemporary Ecumenical Discussions,» of my earlier work, J. Jayakiran Sebastian,»... baptisma unum in sancta ecclesia...»: A Theological Appraisal of the Baptismal Controversy in the Work and Writings of Cyprian of Carthage (Delhi: ISPCK, 1997
In analysing this, I have
drawn upon the section «Baptism
in the Contemporary Ecumenical Discussions,» of my earlier work, J. Jayakiran Sebastian,»... baptisma unum in sancta ecclesia...»: A Theological Appraisal of the Baptismal Controversy in the Work and Writings of Cyprian of Carthage (Delhi: ISPCK, 1997
in the
Contemporary Ecumenical Discussions,» of my earlier work, J. Jayakiran Sebastian,»... baptisma unum
in sancta ecclesia...»: A Theological Appraisal of the Baptismal Controversy in the Work and Writings of Cyprian of Carthage (Delhi: ISPCK, 1997
in sancta ecclesia...»: A Theological Appraisal of the Baptismal Controversy
in the Work and Writings of Cyprian of Carthage (Delhi: ISPCK, 1997
in the Work and Writings of Cyprian of Carthage (Delhi: ISPCK, 1997).
He
drew from this memory a lesson for
contemporary Christians, namely to invest
in their Sunday observance some of the spirit of the Jewish Sabbath (
in whose observance, by the way, Jesus was so scrupulous during his life on earth).
I find it remarkable that these four factors, which are
drawn from very different aspects of
contemporary thought and life, should so powerfully intersect
in relation to our interpretive responsibility.
But this task of
drawing all men to Himself the divine purpose to «sum up all things
in Christ», will not be effected till the end of history; and the fellowship of love which it is the divine plan to establish can not come into being
in its completeness within history at all, for it must be more than a fellowship of
contemporaries.
Now,
in American Fascists, he offers a critique of
contemporary Christianity ¯
drawing, he tells the reader many times, on his own experience as a Christian and the son of a Presbyterian minister.
My own sense is that the true vitality lies with congregations that are able to take the
contemporary interest
in spiritual life and growth seriously and yet are able to
draw on the riches of Christian tradition and history to do so.
So - called «Romophobia» has led many
contemporary Protestant churches to refrain from incorporating stained glass windows and other ornaments, yet more are recognizing that beauty can
draw one closer to faith
in Christ.
Even Jeremiah, while
in contrast with his
contemporaries he counseled submission to Babylon, could not
draw the full inferences of universal moral obligation that were implicit
in his idea of God; and his
contemporary, Habakkuk, could get no further than the assurance that the terrible power of the conqueror was temporary and that his downfall would vindicate the moral order of Yahweh's world.
Instead of grounding her thinking here simply
in scripture and tradition, Farley
draws as well on secular perspectives and
contemporary experience.
All
in all, there is little enthusiasm for a ressourcementthat would
draw deeply on the actual contents of our Scripture - based, Sacramental - Liturgical Tradition, and would use these resources to challenge our
contemporaries and ourselves to a conversion that would be not only a widening and deepening, but also a change of perspective.
It is certain that the Chronicler
draws an Ezra somewhat more massive and significant than
in fact he was; and it is probable that the Chronicler errs
in making Ezra an older
contemporary of Nehemiah.
While Spice Route awes Toronto with its exotic atmosphere, Ciao Wine Bar
draws customers
in with its
contemporary rustic charm.
Aimed at an international audience of practitioners and policymakers, it tackles
contemporary themes
in early childhood, with contributions from both foundation - supported projects and outside experts
drawn from the fields of practice, policy, and academia.
The lack of attention to the diversity and particularity of thinkers
in the republican tradition impoverishes it and so makes it less useful and attractive to us as a source from which we can
draw contemporary political inspiration.
In contrast to most mainstream
contemporary political scientists Lebow goes back to the writings of ancient Greeks, among others Thucydides, Socrates, Homer, Plato, Aristotle to
draw lessons from their wisdom.
In contrast to many
contemporary political scientists Lebow goes back to the ancient Greeks — such as Thucydides, Socrates, Homer, Plato, Aristotle — to
draw lessons from their writings.
Contemporary civic republicans have
drawn on insights from the classical republican tradition
in developing their political doctrines.
This is a deeply disturbing story about loss of identity, which
draws together the less attractive side of eco-awareness and
contemporary fears about designer drug research,
in a setting of art research and deception, the history of the Hapsburgs, and what might or might not be dark magic.
For nearly 40 years, MUIH has educated practitioners
in health and wellness through transformative and relationship - centered programs that
draw from traditional wisdom and
contemporary science.
It is a tragedy, but during his short life span he left us with so much poetry,
drawings and painting
in which he married text and image, abstraction, figuration and historical information mixed with
contemporary critique.
The artist, Simon Te Tai,
draws inspiration from
contemporary art, appreciating the simplicity of lines and forms found
in nature.
Drawing down the Moon (also known as drawing down the Goddess) is a central ritual in many contemporary Wiccan trad
Drawing down the Moon (also known as
drawing down the Goddess) is a central ritual in many contemporary Wiccan trad
drawing down the Goddess) is a central ritual
in many
contemporary Wiccan traditions.
Ann Arbor, MI About Blog WSG Gallery, located
in downtown Ann Arbor, Michigan, represents
contemporary regional artists and features original fine art including paintings, prints,
drawings and sculpture.
But regular practice alone isn't
Drawing down the Moon (also known as drawing down the Goddess) is a central ritual in many contemporary Wiccan trad
Drawing down the Moon (also known as
drawing down the Goddess) is a central ritual in many contemporary Wiccan trad
drawing down the Goddess) is a central ritual
in many
contemporary Wiccan traditions.
As directed by my generational
contemporary Len Wiseman, Live Free or Die Hard shows at least a superficial understanding of what makes Willis» most fiscally successful films tick: a hissable bad guy (Timothy Olyphant as cyber-terrorist Thomas Gabriel), armies of henchmen (and
in this case, a henchwoman), and NYPD cop McClane, reluctantly
drawn into bruising fistfights and games of chicken with large vehicles and machinery.
Christian Petzold's last film, the masterful Phoenix,
drew complex undercurrents of suspicion, psychological unease, and suspense (not to mention one of the greatest endings
in contemporary film) out of the noirish story of a disfigured Holocaust survivor who returns to post-war Berlin and is roped into a scheme by the husband who mistakes her for a stranger.