Sentences with phrase «in conversations between friends»

Slang terms or socially charming colliquiolisms certainly have their place in conversations between friends at the bar, but when it comes to your resume these phrases should be persona non grata.

Not exact matches

Our testing has shown that doing this in moderation for just a small number of stories can lead to more conversations between people and their friends on all types of content.»

«I set up this company because I didn't want to see my nieces, who at the time were between 14 and 22, having the same conversations in their 40s about how much money they had left on the table that so many of my friends were having.»

• There are a lot of problems with Truman Capote's In Cold Blood, not least the fact that, as he later admitted, he made up the climactic graveyard conversation between a detective and the murdered girl's best friend.

Of course, this conversation is best had among friends, in living rooms and coffee shops, over homemade meals and shared bottles of wine, during the Sunday school hour or in those precious few moments of fellowship squeezed between meetings, play dates and appointments.

I was familiar with neither, and spent half the book feeling like I was listening in on a conversation between friends as they discussed some event which only they had experienced.

We became friends and colleagues in the mid-1980s, and I discovered that, in addition to his insight into society and its dynamics, Peter Berger was one of the funniest men alive, a walking encyclopedia of jokes who used his native Viennese wit to both sharpen conversations and deflect silly conflicts between overinflated academic egos.

It is one thing if it is a conversation between friends but in passing, try to avoid doing this.

Now he thrusts a camera between himself and life, videoing his two — and only — friends in ordinary conversation.

Other than a brief conversation held between best friends Gerry (Elizabeth Olsen) and Lilly (Dakota Fanning) at the beginning of the movie, where they discuss first Lilly catching her father cheating on her mother and then the strange notion of parents having sex in general before moving on to their own unappreciated virginity, there is no real plot to become de-virginized.

HollywoodNews.com: The Academy of Motion Pictures Arts and Sciences will honor Oscar ® - nominated actress Gloria Stuart's career in film and celebrate her 100th birthday with a program featuring film clips and an onstage conversation between Stuart and her longtime friend, film historian Leonard Maltin, on Thursday, July 22, at 7:30 p.m., -LSB-...]

Framed by a boisterous dinner scene between playwright friends, alarm bells ring early in Melinda and Melinda when conversation turns to whether a random scenario, the arrival of an unexpected stranger at a dinner party, would work best as the premise for tragic drama or comedy.

Other highlights in this strand include: Miguel Gomes» mixes fantasy, documentary, docu - fiction, Brechtian pantomime and echoes of MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin this strand include: Miguel Gomes» mixes fantasy, documentary, docu - fiction, Brechtian pantomime and echoes of MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth MosIN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Moss.

There is no other Gunther's on the planet, with its «Jugglin» Joe» neon sign from 1949; no other rose garden anywhere filled with Gerwig's memories; and no Tower Bridge lookalike that could have been a more stunning backdrop for a momentous coming - of - age conversation between Lady Bird and her best friend Julie (played by newcomer Beanie Feldstein, now starring opposite Bette Midler in the Broadway revival of Hello, Dolly!).

Lonergan's screenplay actually divides the page into two columns, with one column devoted to a conversation between Anna Paquin's protagonist and her best male friend, and the other column chronicling a simultaneous and completely irrelevant conversation between two strangers who happen to be sitting at an adjacent table in the same diner.

It doesn't help that some of the clumsiest camerawork takes place right at the start, in which a conversation between Alexandra and her best friend and colleague, Sin - Dee (Kitana Kiki Rodriguez), is chopped into an awkward, shot - reverse - shot sequence (the widescreen lens isn't helpful in the interior scenes).

From talks of royales with cheese to foot massages to talks of Superman, no matter the subject the conversations between enemies or friends or colleagues are always just as engaging in his films as any action sequence he also decides to wow us with.

Teacher leaders are often right in the middle — at the crux of important conversations about teaching and learning that can feel like they are between a rock and a hard place as they talk with colleagues and friends about altering long - standing practices and challenge established beliefs.

As reviewer Henry Carrigan wrote in his review, reading this book is like «sitting in on intimate conversations between old friends reminiscing about good times and bad in a city where the promise of a music career inspires musicians to persevere doggedly in pursuit of their dreams.»

Billed as «A Conversation» between Patchett and her friend and fellow writer Edith Pearlman (whose short story collection is a finalist in this year's National Book Awards), watching two authors chat before a considerable crowd in the War Memorial Auditorium was a glimpse into the writer's world that stood out from the crowd of readings and panel discussions.

In this fun conversation between two old friends and colleagues, Tom Cock of Vestory.com and Paul discuss their 401k Project, John Bogel, and answers to listener / investor questions about newsletters, currency, IRAs, annuities and more.

You can hold a conference here or chat to a friend; you can fall asleep or watch two videos transmitting The Ordered Oval (1992/3), a film by West and others featuring conversations between people in the art world.

Please join us for the final event of David Weiss: Works, 1968 - 1979, a conversation between Weiss's longtime collaborator and friend, artist Peter Fischli and Nancy Spector, Deputy Director and Jennifer and David Stockman Chief Curator of the Solomon R. Guggenheim Foundation, in advance of a major retrospective of Fischli / Weiss at the Solomon R. Guggenheim Museum in Spring 2016.

A more general social realism can be seen in Up at the Bleachers, 1983, and After Hours, 1993, where we can almost hear the buzz of conversation between friends.

at the FLAG Foundation in New York that statistically analyzed five months of Facebook conversations between Saltz and his online friends.

An unusual hybrid between a solo exhibition and a group show, Urs Fisher: False Friends places the oeuvre of Swiss artist Urs Fischer (born 1973) in conversation with the work of a selection of his peers: Pawel Althamer, Maurizio Cattelan, Peter Fischli and David Weiss, Robert Gober, Martin Kippenberger, Jeff Koons, Paul McCarthy, Cindy Sherman and Kiki Smith.

A publication, The Company She Keeps, a collection of conversations exploring ideas of friendship between Céline Condorelli and the philosopher Johan Hartle, as well as her friend the sociologist Avery Gordon, previously presented as part of the How To Work Together «Think Tank», edited by Nick Aikens and Polly Staple, was published by Book Works, Chisenhale Gallery and Van Abbemuseum in June 2014.

In this conversation between artists and close friends Raed Yassin and Hrair Sarkissian, Sarkissian discusses his recent exhibition at the Mosaic Rooms in London, and recent evolutions in his work; to the artists» heritage, and the problem of the «name»; to identity and language, and its relationship to contemporary arIn this conversation between artists and close friends Raed Yassin and Hrair Sarkissian, Sarkissian discusses his recent exhibition at the Mosaic Rooms in London, and recent evolutions in his work; to the artists» heritage, and the problem of the «name»; to identity and language, and its relationship to contemporary arin London, and recent evolutions in his work; to the artists» heritage, and the problem of the «name»; to identity and language, and its relationship to contemporary arin his work; to the artists» heritage, and the problem of the «name»; to identity and language, and its relationship to contemporary art.

I had this conversation with a physicist friend of mine in the past few days — scientific institutions generally discourage faculty from participating in blogs, believing that discussions between scientists should be conducted in «peer reviewed, quality journals».

Winter in the Upper Valley is long, dark, and cold; one way to cope is to gather with friends and neighbors for good conversation, on a lively topic... such as shedding light on the connections between our health and the health of the planet.

One - on - one chats are great in WhatsApp when you want to have a private conversation between you and a friend, but sometimes you need to loop in a bunch of people.