Sentences with phrase «in cultural geographies»

Not exact matches

Countries that have been divided the way Germany and Korea have are of special interest to political analysts, since such key factors as religion, cultural history, geography, ethnicity and technological capacity are relatively constant in both regimes.

Gifts to our campaign support classes in woodwork, handwork, eurythmy, Spanish, chorus and strings as well as geography, cultural studies, English, science, math, campus maintenance, tuition assistance and CWS faculty salaries and professional development.

AHRC Associate Director of Programmes Gary Grubb said: «I welcome the Panel's affirmation of the international standing and leadership of UK historical and cultural geography which is also reflected in their important contributions to AHRC's themes and programmes such as «Landscape and the Environment» and «Connected Communities».»

Beyond Geography in the Search for Cultural Boundaries,» is published online in the journal Management International Review.

About Site - The Kentishtowner website is dedicated to cultural affairs — art, food, film, booze, fashion, history, music — in this corner of central north London and beyond, we're not bound by boroughs or geography.

Norfolk About Blog Cultural Geography and Geography in the Media.

London About Blog The Kentishtowner website is dedicated to cultural affairs — art, food, film, booze, fashion, history, music — in this corner of central north London and beyond, we're not bound by boroughs or geography.

In a recent unit on cultural diffusion and physical geography, students spent the morning visiting the mountains (aluminum bleachers in the football field) and the desert (baseball diamondsIn a recent unit on cultural diffusion and physical geography, students spent the morning visiting the mountains (aluminum bleachers in the football field) and the desert (baseball diamondsin the football field) and the desert (baseball diamonds).

In order to assess global events such as the war in Iraq, they need to understand global politics; in order to have an informed perspective about global warming, they need to understand global economics, environmental sciences, and geography; and in order to communicate successfully with their neighbors from other cultures, they need to appreciate cultural differences and have skills that allow effective and respectful cross-cultural interactionIn order to assess global events such as the war in Iraq, they need to understand global politics; in order to have an informed perspective about global warming, they need to understand global economics, environmental sciences, and geography; and in order to communicate successfully with their neighbors from other cultures, they need to appreciate cultural differences and have skills that allow effective and respectful cross-cultural interactionin Iraq, they need to understand global politics; in order to have an informed perspective about global warming, they need to understand global economics, environmental sciences, and geography; and in order to communicate successfully with their neighbors from other cultures, they need to appreciate cultural differences and have skills that allow effective and respectful cross-cultural interactionin order to have an informed perspective about global warming, they need to understand global economics, environmental sciences, and geography; and in order to communicate successfully with their neighbors from other cultures, they need to appreciate cultural differences and have skills that allow effective and respectful cross-cultural interactionin order to communicate successfully with their neighbors from other cultures, they need to appreciate cultural differences and have skills that allow effective and respectful cross-cultural interactions.

Reimers noted that he sees an opportunity to develop students» global competencies by creating a positive disposition toward cultural differences; an ability to speak, understand, and think in languages outside of the country in which they are born; and a deep knowledge and understanding of world history, geography, and global dimensions such as health, climate, and economics.

This test consists of 20 items (with an associated answer key for the teacher) that assess the vocabulary, grammar, and cultural concepts listed below: - Country / Region: United States: La Florida - Vocabulary Themes: Modes of transportation; The beach; Weather - Grammar Themes: Prepositions: Overview; Contractions: a + el / al (to the), de + el / del (from the)- Culture Theme: History of Florida: San Agustín, Immigration from Latin America, cultural fusion, geography, ecology An alternate version of the test is also provided to the teacher, in case a student needs to re-take the assessment or for use in large classrooms.

Examples of project themes range from a comparison of French and American schools to a discussion of an environmental issue facing your region or the state; from sharing cultural information (e.g. tourism, history, visual and performing arts) to comparing geography and related industries in Maine and the Pays de la Loire; from sharing information about students» families and / or friends to creating stories or plays together in French and English.

Whether you're from Wisconsin or Japan — or somewhere in - between — traveling will naturally make you more interested in the world around you, increasing the likelihood that you'll pick up some memorable geography and cultural lessons along the way.

We have no studies to investigate these issues and it is likely dependent on the breed of dog, regional differences in geography and cultural differences, as well as other factors.

Norfolk About Blog Cultural Geography and Geography in the Media.

Nusa Lembongan is a beautiful little island off the south west coast of Bali and offers classic Indonesian heritage in terms of physical geography and cultural purity.

In Encampment — a multi-part 30,000 square foot installation occupying MASS MoCA's largest gallery — Clemente's transitory experience of changing geographies, diverse cultural climates, and indeed consciousness itself infuses his imagery and art with a particularly rich range of references and meaning.

In areas of conflict, personal and cultural differences defined by geography, economics, language, race, religion, politics, and sexuality are magnified.

Inspired by the Norwegian, Swedish and Danish coastal geography and cultural history the internationally renowned artist Susan Philipsz develops a land border sound installation to be implemented in nine different places from May to September 2014.

Art and Culture Center / Hollywood in Hollywood, Florida, features a unique look at four generations of South Florida artists, curated by the Miami - based, internationally exhibited artist and indefatigable independent curator William Cordova, with emphasis on the region's distinctive geography and cultural diversity.

Akunyili Crosby's works are multilayered both in their materials (she uses paint, charcoal, pencils, fabric, paper transfers, and collage) and in their meaning — she explores questions of cultural identity, relationships, and geography through portraiture, interior space, and objects.

Her work often provides a portal into a third space [1], one of hybridity, where Crosby intersects her cultural experiences in Nigeria and the West to diminish the limitations of geography.

In the pursuit of her creative and scholarly interventions she employs the methods and languages of a variety of disciplines including fine arts, art history, critical theory, cultural studies, geography, and anthropology.

#globalization #museums #access #representation #decolonization #history A recent conference at the Stedelijk Museum in Amsterdam, «Collecting Geographies — Global Programming and Museums of Modern Art,» invited participants to question the responsibilities accrued to arts institutions when they present works of global cultural production as a response to market interest.

Her paintings are layered geographies, in which these fragments of cultural objects are chromatically twisted and blended into complex wholes.

Homelands cuts to the heart of cultural relations in the 21st century, exploring ideas of belonging and alienation, possession and loss, public histories and personal memories, nostalgic geographies and the intangible terrains of the imaginary.

Continental Shift - Artists from the African continent in Europe, Bonnefantenmuseum, Maastricht, The Netherlands Intelligence: New British Art 2000, Tate Britain, London South Meets West, Accra, Ghana and Kunsthalle, Bern, Switzerland 1999 From where - To here, Art from London, Konsthallen Göteborg, Sweden Kunstwelten im Dialog, Museum Ludwig, Cologne Missing Link, Museum of Arts, Bern, Switzerland Heaven, Kunsthalle Düsseldorf, Germany; Tate Gallery, Liverpool Mirror's Edge, Bild Museet, Umeå, Sweden; toured to Vancouver Art Gallery, Canada; Castello di Rivoli, Torino, Italy; Tramway, Glasgow; Charlottenborg, Copenhagen, Denmark Citibank Private Bank Photography Prize, Photographers» Gallery, London In the Midst of Things, Bournville Village, Birmingham Secret Victorians, Arts Council Touring Exhibition, Ikon Gallery, Birmingham; Firstsite, Colchester; Arnolfini, Bristol; Middlesborough Art Gallery; Museum and Art Gallery, Brighton; Armand Hammer Museum, Los Angeles, USA Sensation, Brooklyn Museum of Art, New York, NY, USA 1998 Cinco Continentes y una Ciudad, Museo de la Ciudad de México, México D.F. Personal Effects; Sculpture & Belongings, Spacex Gallery, Exeter; toured to Angel Row Gallery, Nottingham Ethno - antics, Nordic Museum, Stockholm, Sweden Crossings, National Gallery of Canada, Ottawa, Canada Liberating Tradition, Bard Center for Curatorial Studies, New York, NY, USA Transatlantico, Centro Atlantico de Arte Moderno, Canary Islands, Spain Beyond Mere Likeness: Portraits from Africa and the African Diaspora, Duke University Museum of Art, Durham, North Carolina, NC, USA Global Vision; New Art from the»90s, Deste Foundation, Athens, Greece 1997 Sensation: Young British Art from the Saatchi Collection, Royal Academy of Arts, London; toured to the National Gallery of Berlin, Germany and the Brooklyn Museum of Art, New York, NY, USA Portable Personal Histories Museum, Ikon Gallery, Birmingham Trade Routes: History and Geography, 2nd Johannesburg Biennale, South Africa Transforming the Crown: African, Asian and Caribbean Artists in Britain, 1966 - 1996, Caribbean Cultural Center / African Diaspora Institute, New York, NY; Studio Museum, Harlem, NY; the Bronx Museum of the Arts, New York, NY, USA Pictura Britannica, Museum of Contemporary Art, Sydney, Australia; toured to the Art Gallery of South Australia, Adelaide and the City gallery, Wellington, New Zealand What, Trinity Buoy Wharf, London 1996 Pledge Allegiance to A Flain Europe, Bonnefantenmuseum, Maastricht, The Netherlands Intelligence: New British Art 2000, Tate Britain, London South Meets West, Accra, Ghana and Kunsthalle, Bern, Switzerland 1999 From where - To here, Art from London, Konsthallen Göteborg, Sweden Kunstwelten im Dialog, Museum Ludwig, Cologne Missing Link, Museum of Arts, Bern, Switzerland Heaven, Kunsthalle Düsseldorf, Germany; Tate Gallery, Liverpool Mirror's Edge, Bild Museet, Umeå, Sweden; toured to Vancouver Art Gallery, Canada; Castello di Rivoli, Torino, Italy; Tramway, Glasgow; Charlottenborg, Copenhagen, Denmark Citibank Private Bank Photography Prize, Photographers» Gallery, London In the Midst of Things, Bournville Village, Birmingham Secret Victorians, Arts Council Touring Exhibition, Ikon Gallery, Birmingham; Firstsite, Colchester; Arnolfini, Bristol; Middlesborough Art Gallery; Museum and Art Gallery, Brighton; Armand Hammer Museum, Los Angeles, USA Sensation, Brooklyn Museum of Art, New York, NY, USA 1998 Cinco Continentes y una Ciudad, Museo de la Ciudad de México, México D.F. Personal Effects; Sculpture & Belongings, Spacex Gallery, Exeter; toured to Angel Row Gallery, Nottingham Ethno - antics, Nordic Museum, Stockholm, Sweden Crossings, National Gallery of Canada, Ottawa, Canada Liberating Tradition, Bard Center for Curatorial Studies, New York, NY, USA Transatlantico, Centro Atlantico de Arte Moderno, Canary Islands, Spain Beyond Mere Likeness: Portraits from Africa and the African Diaspora, Duke University Museum of Art, Durham, North Carolina, NC, USA Global Vision; New Art from the»90s, Deste Foundation, Athens, Greece 1997 Sensation: Young British Art from the Saatchi Collection, Royal Academy of Arts, London; toured to the National Gallery of Berlin, Germany and the Brooklyn Museum of Art, New York, NY, USA Portable Personal Histories Museum, Ikon Gallery, Birmingham Trade Routes: History and Geography, 2nd Johannesburg Biennale, South Africa Transforming the Crown: African, Asian and Caribbean Artists in Britain, 1966 - 1996, Caribbean Cultural Center / African Diaspora Institute, New York, NY; Studio Museum, Harlem, NY; the Bronx Museum of the Arts, New York, NY, USA Pictura Britannica, Museum of Contemporary Art, Sydney, Australia; toured to the Art Gallery of South Australia, Adelaide and the City gallery, Wellington, New Zealand What, Trinity Buoy Wharf, London 1996 Pledge Allegiance to A FlaIn the Midst of Things, Bournville Village, Birmingham Secret Victorians, Arts Council Touring Exhibition, Ikon Gallery, Birmingham; Firstsite, Colchester; Arnolfini, Bristol; Middlesborough Art Gallery; Museum and Art Gallery, Brighton; Armand Hammer Museum, Los Angeles, USA Sensation, Brooklyn Museum of Art, New York, NY, USA 1998 Cinco Continentes y una Ciudad, Museo de la Ciudad de México, México D.F. Personal Effects; Sculpture & Belongings, Spacex Gallery, Exeter; toured to Angel Row Gallery, Nottingham Ethno - antics, Nordic Museum, Stockholm, Sweden Crossings, National Gallery of Canada, Ottawa, Canada Liberating Tradition, Bard Center for Curatorial Studies, New York, NY, USA Transatlantico, Centro Atlantico de Arte Moderno, Canary Islands, Spain Beyond Mere Likeness: Portraits from Africa and the African Diaspora, Duke University Museum of Art, Durham, North Carolina, NC, USA Global Vision; New Art from the»90s, Deste Foundation, Athens, Greece 1997 Sensation: Young British Art from the Saatchi Collection, Royal Academy of Arts, London; toured to the National Gallery of Berlin, Germany and the Brooklyn Museum of Art, New York, NY, USA Portable Personal Histories Museum, Ikon Gallery, Birmingham Trade Routes: History and Geography, 2nd Johannesburg Biennale, South Africa Transforming the Crown: African, Asian and Caribbean Artists in Britain, 1966 - 1996, Caribbean Cultural Center / African Diaspora Institute, New York, NY; Studio Museum, Harlem, NY; the Bronx Museum of the Arts, New York, NY, USA Pictura Britannica, Museum of Contemporary Art, Sydney, Australia; toured to the Art Gallery of South Australia, Adelaide and the City gallery, Wellington, New Zealand What, Trinity Buoy Wharf, London 1996 Pledge Allegiance to A Flain Britain, 1966 - 1996, Caribbean Cultural Center / African Diaspora Institute, New York, NY; Studio Museum, Harlem, NY; the Bronx Museum of the Arts, New York, NY, USA Pictura Britannica, Museum of Contemporary Art, Sydney, Australia; toured to the Art Gallery of South Australia, Adelaide and the City gallery, Wellington, New Zealand What, Trinity Buoy Wharf, London 1996 Pledge Allegiance to A Flag?

EXHIBITIONS / SCREENINGS / READINGS (* solo or two - person) Apparatus for a Utopian Image 2.0, Center and Foundation for Contemporary Arts, Prague, 2018 CV, YYZ Artist's Outlet, Toronto, 2017 * Artist's Rendering (DISTRESSED, RELAXED), AXENÉO7, Quebec, 2017 * You can tell that i'm alive and well because I weep continuously, Knockdown Center, New York, 2017 Apparatus for a Utopian Image, Elizabeth Foundation for the Arts Project Space, New York, 2016 Self - Titled (Materials for a 21st Century Room — or SWAMPED, EXHAUSTED, HESITATING), 8 - 11, Toronto, 2016 * Self - Titled (w / Aryen Hoesktra & Shane Krepakevich), Modern Fuel, Ontario, 2016 Local Tide (curated by PARALLELOGRAMS and Francesca Capone), S1, Portland OR, 2016 Double Visions, Elizabeth Foundation for the Arts Project Space, New York, 2015 From Line to Constellation, Granoff Center, Providence, 2015 Maximum Sideline: Postscript, Proxy, Providence, 2015 Use Values, SPRING / BREAK Art Show, New York, 2015 An Earthquake at the Race Tracks, Museo de la Cuidad, Santiago de Querétaro, Mexico, 2014 Classroom, NY Art Book Fair, PS1, New York, 2014 Almost Everything, Eric Arthur Gallery, Toronto, 2014 Milieu, Skol Centre des Arts Actuel, Montreal, 2013 * More Than Two (Let It Make Itself)[w / Josh Thorpe], The Power Plant, Toronto, 2013 Cultural Fluency, BRIC Rotunda Gallery, Brooklyn, 2013 Sediment, G Gallery, Toronto, 2012 Survive.Resist, CAFKA Biennial, Kitchener - Waterloo, Canada, 2011 On Printed Matter, [w / Josh Thorpe], Printed Matter, New York, 2011 * Around YYZ [w / Josh Thorpe], YYZ Artist's Outlet, Toronto, 2010 - 11 * House Broken, Flux Factory, NY 2010 Reading the Garden [w / Josh Thorpe], Toronto Sculpture Garden, Toronto, 2010 * Titles, Art Metropole, Toronto, 2009 On Convenience [w / Josh Thorpe], Convenience Gallery, Toronto, 2009 * Vehicle [organized by WayUpWayDown curatorial collective], Nuit Blanche, Toronto, 2008 ERI 3: Eyelevel Re-Shelving Initiative, Eyelevel Gallery, Halifax, 2008 AT WORK, Toronto Free Gallery, Toronto, 2007 Rip Current, Eyelevel Gallery, Halifax, 2007 Tales from the Cyclop's Library, Third Space Gallery, Saint John, 2007 Unsurprising Geographies [w / Andrea Williamson], Eyelevel Gallery, Halifax, 2006 Alectric 3, Alectric Audio [online exhibition] 2006 a / s / l, Anna Leonowens Gallery, Halifax, 2006 * RESIDENCIES Interrupt 3, Brown University, Rhode Island 2015 SHIFT, Elizabeth Foundation for the Arts, New York, 2014 - 15 Artist - in - Residence, Workspace, Lower Manhattan Cultural Council, 2013 - 14 Visiting Scholar, NYU Advanced Media Studio, 2013 - 14 The Decapitated Museum, The Banff Centre, 2012 Making Artistic Inquiry Visible, The Banff Centre, 2008 AWARDS Canada Council for the Arts, Research and Creation, 2018 - 19 Banff Centre, Residency Scholarship — The Decapitated Museum, 2012 Foundation for Contemporary Art, Emergency Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2009 University of Toronto, Graduate Fellowship, 2007 - 09 Social Sciences and Humanities Research Council, Canada Graduate Scholarship, 2007 - 08 Banff Centre, Residency Scholarship — Making Artistic Inquiry Visible, 2008 University of Toronto, David Buller Memorial Scholarship, 2007 NSCAD University, Simon Chang and Phyllis Levine Foundation Scholarship, 2006 New Brunswick Arts Board, Arts Scholarship, 2005 WRITING «Panorama of Our,» Plot, Claudia Weber, ed., 2015 «Anodyne: or X of Demarcation,» Rearviews II, Xenia Benivolski & Danielle St - Amour, eds., 2014 «On Printed Matter» Artefact:, C Magazine C122, 2014 «Lana Turner Has Collapsed!

Stay: Feburuary 4, 2013 - March 9, 2013 Founder: The Agency for Cultural Affairs, Government of Japan, in Fiscal Year 2012 Event: THIS IS A GEOGRAPHY LESSON - A 2 - day discussion and dinner event, mapping Art and Social situations of Mexico and Japan -(closed) Report for Curator in Residency:

In «Encampment» — a multi-part 30,000 square foot installation in MASS MoCA's largest gallery — Francesco Clemente's experience of changing geographies, diverse cultural climates, and consciousness itself infuses his imagery and art with a rich range of references and meaninIn «Encampment» — a multi-part 30,000 square foot installation in MASS MoCA's largest gallery — Francesco Clemente's experience of changing geographies, diverse cultural climates, and consciousness itself infuses his imagery and art with a rich range of references and meaninin MASS MoCA's largest gallery — Francesco Clemente's experience of changing geographies, diverse cultural climates, and consciousness itself infuses his imagery and art with a rich range of references and meaning.

2013 Alien She, Miller Gallery, Carnegie Mellon University, Pittsburgh, PA NYC Mix Festival, NY, NY The Unknown Music Series # 3, Anacortes, WA Films by Vanessa Renwick, CCA, Santa Fe, NM 30th Annual Olympia Film Festival, Olympia, WA Hunters Moon Festival, Carrick on Shannon, Ireland Atomic Surplus, Center for Contemporary Arts, Sante Fe, NM Flaherty Fellows Screening, Flaherty Seminar, Hamilton, NY Futurefarmers / Flatbread Society / Tinders, UKS, Oslo, NORWAY Hellenic Art of the Lovejoy Columns, The Hellenic American Cultural Center & Museum, Portland, OR World Naked Bike Ride, Portland Art Museum, Portland, OR Onafhankelijk Cultureel Centrum In It, Amsterdam, Netherlands Focus on Locus: Psycho - Geography, Other Cinema, San Francisco, CA Cascadia, The Reach, Abbotsford, BC, CANADA Northern, Olympia, WA Heartland, Seattle, WA NW Film Forum, Seattle, WA Frames Per Second, Plug Projects, Kansas City, MO The Berlin International Directors Lounge, Berlin, GERMANY Raw, Raucous and Sublime: 30 Years Of Vanessa Renwick, An Oregon Department of Kickass Retrospective, Hollywood Theatre, Portland, OR

This first edition presents a selection of papers originally written for the conference «Collecting Geographies: Global Programming and Museums of Modern Art,» jointly organized by the Stedelijk Museum, the Amsterdam School for Cultural Analysis, the Moderna Museet in Stockholm, the Folkwang Museum in Essen, and the Tropenmuseum in Amsterdam between March 13 — 15, 2014.

1997 Sensation: Young British Art from the Saatchi Collection, Royal Academy of Arts, London; toured to the National Gallery of Berlin, Germany and the Brooklyn Museum of Art, New York, NY, USA 1997 Portable Personal Histories Museum, Ikon Gallery, Birmingham 1997 Trade Routes: History and Geography, 2nd Johannesburg Biennale, South Africa 1997 Transforming the Crown: African, Asian and Caribbean Artists in Britain, 1966 - 1996, Caribbean Cultural Center / African Diaspora Institute, New York, NY; Studio Museum, Harlem, NY; the Bronx Museum of the Arts, New York, NY, USA Pictura Britannica, Museum of Contemporary Art, Sydney, Australia; toured to the Art Gallery of South Australia, Adelaide and the City gallery, Wellington, New Zealand 1997 What, Trinity Buoy Wharf, London, England

This exhibition and its related events are part of UHM ART: CRITICAL GEOGRAPHY IN HAWAI`I SERIES that highlights local and international artists who address social - cultural concerns associated with space, place, and environment in O`ahIN HAWAI`I SERIES that highlights local and international artists who address social - cultural concerns associated with space, place, and environment in O`ahin O`ahu.

I was particularly keen for this to be a cross - disciplinary conversation, as I work very much in that way, drawing on a mix of resources from sociology, anthropology and geography to political and cultural theory, to inform my artistic practice.

From New York, throughout the 1990s and 2000s, her work has been positioned in multiple platforms, reinforcing the globalized art world's questions of geography, cultural and national identity, discipline, and form.

Speakers pointed to our need, in the arts and elsewhere, of modes of cultural intersectionality: welcoming differences of geography, context and intention.

The weaving of fact and fiction has always been fundamental to Nelson's practice and his constructs are steeped in both literary and cinematic references whilst drawing upon the geography, history and cultural context of their location.

Camille Hoffman's paintings are layered geographies, in which fragments of cultural objects are chromatically twisted and blended into complex wholes.

IPBES is particularly looking for fellows with a scientific and / or practical background in: ecological and environmental economics, environmental and sustainability sciences, environmental ethics and philosophy, environmental sociology and anthropology, environmental psychology and behavioral science, environmental history, science and technology studies, political ecology, human geography, human ecology, cultural ecology, environmental policy and law, political sciences and trade, and from other fields related to integrative approaches to human - nature relations and linking knowledge to policy and practice.

Norfolk About Blog Cultural Geography and Geography in the Media.

London About Blog The Kentishtowner website is dedicated to cultural affairs — art, food, film, booze, fashion, history, music — in this corner of central north London and beyond, we're not bound by boroughs or geography.

Norfolk About Blog Cultural Geography and Geography in the Media.

Though parenting practices come and go and beliefs regarding the consequences of such practices vary by geography and cultural era, most historical and present human societies have attributed to young children a special susceptibility to the character of the social and physical contexts in which they are reared.

Working with referrals outside of American borders is an education, providing lessons in geography, math (read: name that time zone) and perhaps most importantly, cultural awareness.