With an interest
in cultural mythologies, narratives and everyday life, these materials served as a vital source in his practice.
Not exact matches
If one can recognise the vital role which the mass media are playing
in this regard and understand some of its major
mythologies, exploration of the process and media
mythologies offers a rich resource for theological reflection and the
cultural contextualization of faith.
Is the Muslim terrorist really such a strange, marginal, and alien figure
in our own
cultural history and
mythology?
This is the reason why historic Christianity,
in the long run, always granted a place to other
cultural traditions: paganism survived
in law; its
mythology enjoyed a series of rebirths
in art.
«We now know,» says Saturno, «that
mythology that was important
in the16th century was equally important
in the first century,» which establishes a degree of
cultural continuity.
Since Homer's Illiad and Odyssey committed their exploits to text, the heroes of Greco - Roman
mythology have proliferated
in the
cultural realm.
It's comparable to the emergence of Johnny Depp
in Edward Scissorhands — reactions, both, to Eisenhower eras defined by
cultural repression and the indoctrinated magnification of the
mythology of the American male.
His latest film, The Ornithologist (2016), is a quasi-western shot
in anamorphic widescreen that follows one man's bird watching trip that takes him through the pressures of nature, mysterious
cultural rites, and a bricolage of
mythologies that
in turn transform him.
The situation
in which our protagonist finds herself, and all the characters that surround her, everything we see
in the film, I would say is deeply rooted
in the Russian
cultural tradition and the
mythology of the place
in literature.
Terra Feminarum, released on Kalevala day, may not be as important
in the
cultural scale but it's an uncanny marriage between Kalevala
mythology and Japanese danmaku shoot»em up (bullet hell shooter).
Mulaka is a 3D action - adventure sport that appears to the Sierra Tarahumara area of northern Mexico and channels its
cultural heritage into a captivating journey steeped
in mythology.
Often
in dialogue with literature, the early work of this visionary artist explored
mythology and
cultural archetypes related to gender, while more recent projects address our complex relationship to the natural world.
As an independent curator, he has presented exhibitions
in Brazil and abroad, such as
Mythologies - Brazilian Contemporary Photography (Shiseido Gallery, Tokyo, 2012); Éloge du Vertige (Maison Européenne de la Photographie, Paris, 2012); Generation 00 - The New Brazilian Photography (Sesc Belenzinho, São Paulo, 2011), Look and Simulate - Photographies from Collection Auer (MAM - SP, 2009), The Invention of the World - Collection of the Maison Européenne de la Photographie, Paris (Itaú
Cultural, 2009, with Jean Luc Monterosso), Provisional Power (MAM - SP, 2014).
Today, he continues to probe
cultural mythologies and archetypes
in various media, appropriating imagery from animated films, mail - order catalogues, modernist abstraction, and street graffiti to create an artistic lexicon that insistently collapses the boundaries between high and low.
Moderated by Lauren Haynes, Associate Curator, Permanent Collection, this conversation will explore the scope of this exhibition
in relation to broader
cultural concerns, and unpack the roles of performance,
mythology and narrative
in Hancock's practice.
Some works
in the show call up more recent
cultural mythologies pervading black representation.
Three themes that emerge from her work are explored
in Outcasts: finding a voice, the process of constructing multiple perspectives on female identity; hybrid alternatives to the status quo, harnessing ancient and modern
mythologies to subvert the established social and
cultural order; and healing and empowerment as pathways to resistance, inclusiveness and recovery from loss and trauma.
His criticisms reveal the tenuous truths of their original messages, asking his audience to consider the often unsavory consequences and legacies that lie
in the shadows of our
cultural mythologies.
A world - renowned artist, McCarthy works
in a wide variety of media, often exploring the idea of the artist - protagonist through American
cultural mythology.
He never seizes to challenge our preconceived notions and questions of
cultural hierarchy, the
mythology of the artist and his position
in society, or modes of production.
Knight Foundation January 21 - April 8, 2018 - Solo Show The Unavoidable Twilight - AIRIE Nest Gallery - Everglades National Park October 18, 2017 - January 8, 2018 - Solo Show
Mythology & Site - Deering Estate - Miami November 19, 2017 - January 5, 2018 - Group Show SIXTH - curated by Jane Hart Bridge Red Studios / Project Space November 30, 2017 - Four Women Show The Reform of Consciousness - curated by Nina Surel Collective 62 October - November 2017 - Artist Residency - Crandon Park September 8 - October 22, 2018 - Group Show Dual Frequency South Florida
Cultural Consortium - Art and Culture Center of Hollywood June 28 - Open Studios Fountainhead Studios June - September 2017 - Two of my drawings are featured
in the Perez Art Museum's Inside / Out Public Art Program, which brings reproductions of artworks from their collection into Miami neighborhoods.
Her fantastical and elaborate artwork is rooted
in the disciplines of anthropology,
mythology and
cultural studies.
The four artists
in Revision: Translating Histories engage with
cultural ancestries ranging from Haitian migration and Yoruba beliefs to the everyday
mythologies of good luck charms and barber capes to craft contemporary portraits of deep - rooted canons.
In Kent Monkman's first New York solo show, which closes this weekend at Sargent's Daughters, art history commingles with cultural mythology in a passion play about masculinity and belongin
In Kent Monkman's first New York solo show, which closes this weekend at Sargent's Daughters, art history commingles with
cultural mythology in a passion play about masculinity and belongin
in a passion play about masculinity and belonging.
Biographical legend, produced
in the construction of an individual
mythology, is a critique of biographism; it gives shape to the identity crises experienced by individuals
in their various
cultural and social relations of belonging.
His works question today social and
cultural phenomenons (individualism, nomadism, personal
mythologies)
in relation with European identity, conceived as a paradigm.
Valeska Soares (b. 1957) was born
in Belo Horizonte, Brazil, and from a young age, she was exposed to references from a variety of
cultural milieus, including poetry, literature, film, psychology, and
mythology.
Becker is interested
in these landscapes as an intersection of personal identity,
cultural mythologies, and political power.
In this class, you will explore your own set of personal and
cultural narratives that contribute to your image - making
mythology.
Drawing from such wide - ranging
cultural areas as film, fashion photography, literature,
mythology, news images, sports, and individuals she meets
in her day - to - day life, Wylie paints colorful and exuberant compositions that are uniquely recognizable.