Ersoy worked
in the curatorial departments of various nonprofits in New York, Istanbul, and Cairo, and combined this experience with her work at foundations that aim to support the growth and stability of the arts field through resource creation, capacity building, and networking in the US and the Middle East.
Ersoy worked
in the curatorial departments of various nonprofits in New York, Istanbul, and Cairo, and combined this experience with her work at foundations that aim to support the growth and stability of the arts field through resource creation and capacity building in the U.S. and the Middle East.
She has worked
in the curatorial departments at the Baltimore Museum of Art, the National Portrait Gallery, and The Phillips Collection, and has contributed to publications such as Art + Auction, Artinfo.com, Art Papers, and The Washington Post.
Before moving to New Orleans, Shaw was Research Manager at David Zwirner Gallery in New York, and she has worked
in curatorial departments at the Yale Center for British Art in New Haven, the J. Paul Getty Museum in Los Angeles, and the National Gallery of Art in Washington, D.C. Photo: Andres Gonzalez
She has also worked
in the curatorial departments of the Dallas Museum of Art and the Museum of Modern Art, New York.
Pujan Gandhi has assisted
in the curatorial departments of the British Museum, Middlebury College Museum of Art, High Museum of Art ad other galleries in New York and Mumbai.
She previously worked at Outset Contemporary Art Fund, and
in the curatorial departments at The National Gallery in London and the Metropolitan Museum of Art in New York.
He earned a Ph.D. in art history in 2002 from Princeton University and has worked
in curatorial departments at the Metropolitan Museum of Art and the Fogg Art Museum, Harvard University.
I worked
in the curatorial department at the Guggenheim for several years, before I realized I needed to really DO something.
Prior to joining IMA, Freiman worked as assistant professor of art history, theory, and criticism at the University of Georgia, Athens and served
in the curatorial department of the Institute of Contemporary Art, Boston.
Padgett accepts the assistant curator position following previous roles at Crystal Bridges including research assistant
in the curatorial department and a 2016 Tyson Scholar fellowship.
Internships are periodically available
in the curatorial department depending on upcoming projects and need.
Each year the Dallas Museum of Art offers nine paid internship positions — four in the Museum's Education Department and five
in the Curatorial Department — open to individuals who have completed undergraduate or graduate degrees prior to the program's start date and are interested in exploring museum careers.
His professional background consists of time spent
in the curatorial department at the Museum of Modern Art in New York and one can't help but notice that it must have been time well spent.
Prior to joining the Indianapolis Museum of Art, Freiman worked as assistant professor of art history, theory, and criticism at the University of Georgia, Athens, and served
in the curatorial department of the Institute of Contemporary Art, Boston.
The Dallas Museum of Art, through the help of the Eugene McDermott Education Fund, will offer eight paid internship positions — four in the Museum's Education Department, and four
in the Curatorial Department — all beginning September 7, 2010, and with a duration of nine months.
After graduating from Queens College in 1970 with a degree in art history and spending two years in graduate school at Johns Hopkins studying African art, Sims got a job at the Met, first in the education department and then
in the curatorial department for 20th - century art.
Originally trained as an architect and graduated from the Royal College of Art in 2004, he has since been based
in the curatorial department at Arnolfini, Bristol and curated contemporary art and performance projects for Tate Britain, De La Warr Pavillion, Spike Island and Frieze Art Fair.
She has also worked as a Departmental Assistant
in the Curatorial Department for Prints and Photographs at the Metropolitan Museum of Art
Prior to this, he worked
in the curatorial department at the Palais de Tokyo in Paris during its opening years from 2001 to 2004.
Not exact matches
Work / Study Opportunities for Purchase College Students Work / Study, a Federal program administered through Financial Aid
Department, provides opportunities
in various
departments of the Neuberger Museum, i.e. education, marketing, development,
curatorial, visitor services, exhibition assistant and museum shop.
The Koch
Curatorial Fellow supports the
Curatorial Department in all aspects of operations and offers immersive training for those interested
in...
Anthony Allen, Associate Director, Paula Cooper Natalie Bell, Assistant Curator, New Museum Heather Darcy Bhandari, Adjunct Lecturer, Visual Art, Brown University Marina Chao, Assistant Curator, International Center of Photography Jean Cooney, Project Manager, Artist Commissions, Creative Time Sean Corcoran, Curator of Photographs and Prints, Museum of the City of New York Lisa Dent, Director of Resources & Award Programs, Creative Capital Kareem Estefan, Independent Art Critic and Editor - at - large, Creative Time Reports Hitomi Iwasaki, Director of Exhibitions and Curator, Queens Museum Flora Katz, Independent Curator Theodore Kerr, Writer, Hyperallergic William Petroni, Managing Director, Cristin Tierney Gallery Heather Reyes, Exhibitions and Collection Manager, The Bronx Museum of the Arts Matthew Schum, Independent Curator Anthony Allen, Associate Director, Paula Cooper Marco Antonini, Executive Director, NurtureArt and Writer Mark Beasley, Curator, Performa George Bolster, The Shelley & Donald Rubin Foundation Gary Carrion - Murayari, Kraus Family Curator, New Museum Susan Cross, Curator, Mass MoCA Clément Delépine, Assistant Curator, Swiss Institue Bridget Donahue, Owner / Director, Bridget Donahue Gallery Lisa Dent, Director of Resources & Award Programs, Creative Capital Elizabeth M. Grady, PhD, Programs Director, A Blade of Grass Stamatina Gregory, independent curator and critic Janice Guy, Owner, Murray Guy Nicole Hayes, Curator, The Fields Sculpture Park, Art Omi Amanda Hunt, Assistant Curator, Studio Museum Alexis Johnson, Associate Director, Paula Cooper Ruba Katrib, Curator, Sculpture Center Vitaly Komar, Artist Melanie Kress, High Line Art
Curatorial Fellow, High Line Art Thomas Lax, Associate Curator
in the
Department of Media and Performance Art, MoMA Barbara London, Independent Curator, formerly of MoMA Matthew Lyons, Curator, The Kitchen Julie McKim, Curator, Galapagos Christiane Paul, Curator of New Media, Whitney Museum Christian Rattemeyer, The Harvey S. Shipley Miller Associate Curator,
Department of Drawings and Prints, MoMA Sara Reisman, Artistic Director, The Shelley & Donald Rubin Foundation Magda Sawon, Owner, Postmasters Nato Thompson, Chief Curator, Creative Time Nat Trotman, Associate Curator, Guggenheim Museum Eugenie Tsai, John and Barbara Vogelstein Curator of Contemporary Art, Brooklyn Museum
AWARD / HONOR April 30: Thomas J. Lax, an associate curator
in the Museum of Modern Art's
department of media and performance art, receives the Menil Collection's Walter Hopps Award for
Curatorial Achievement.
Discover the latest exhibitions, the secrets of how they were put together, and other curiosities
in program of unique guided tours with professionals from the Museum's
Curatorial and Education
departments.
Prior to moving west, she held various
curatorial positions
in the Contemporary and Canadian
departments of the Art Gallery of Ontario, ultimately that of Acting Curator, Canadian Art, and from 2002 - 2004, she was the Director of Programming at the Centre for Art Tapes
in Halifax.
Elyse Goldberg, Director, James Cohan Gallery Flora Katz, Independent Curator Erin Kimmel, Associate Curator, Ballroom Marfa Christopher Lew, Assistant Curator, MoMA PS 1 Omar Lopez - Chaoud, Independent Curator Matthew Lyons, Curator, The Kitchen Allyson Melchor, Trustee, La Napoule Arts Foundation Erica Papernik, Assistant Curator, MoMA Christian Rattemeyer, The Harvey S. Shipley Miller Associate Curator,
Department of Drawings and Prints, MoMA Elisabeth Sherman,
Curatorial Assistant, Whitney Museum Nat Trotman, Associate Curator, Guggenheim Museum Eugenie Tsai, Curator, Brooklyn Museum Hrag Vartianian, Editor
in Chief, Hyperallergic Edward Winkleman, Director, Edward Winkleman Gallery Jordana Zeldin, Executive Director, ArtBridge
She has previously served as the project director of Cai Guo - Qiang's studio and as a
curatorial assistant
in the
Department of Painting and Sculpture at The Museum of Modern Art,
in addition to organizing numerous independently curated exhibitions.
Prior to moving to the Bay Area, Lehtinen worked for several museums
in both education and
curatorial departments, including the Art Institute of Chicago, Solomon R. Guggenheim Museum, J. Paul Getty Museum, and Skirball Cultural Center.
2 pm: Laura Vookles, Chair of the
Curatorial Department, and Assistant Curator Ted Barrow will explore works on view
in the permanent collection as well as the HRM Object of the Month for May, Samuel Colman's «Moonlight
in Venice.»
Assistant Curator of Prints and Illustrated Books; Lee Bontecou: All Freedom
in Every Sense is organized by Veronica Roberts,
Curatorial Assistant,
Department of Painting and Sculpture.
«The Forever Now: Contemporary Painting
in an Atemportal World is organized by Laura Hoptman, Curator, with Margaret Ewing,
Curatorial Assistant,
Department of Painting and Sculpture, MoMA.
Ingres at the Morgan is organized by Esther Bell, Moore
Curatorial Fellow
in the
Department of Drawings and Prints.
At the School of the Art Institute of Chicago he served as a
Curatorial Assistant
in the
Department of Exhibitions and Exhibition Studies.
In her new role at the Hammer, Hodge will provide management and guidance to the
curatorial department, including assuming oversight of projects and administrative responsibility for the
department's staff and budget.
Margaret Ewing is
Curatorial Assistant
in the
Department of Painting and Sculpture at The Museum of Modern Art, New York.
Naima J. Keith joined the California African American Museum (CAAM)
in 2016 as the deputy director of exhibitions and programs to guide the
curatorial and education
departments as well as marketing and communications.
In addition, he will work with the executive staff and across curatorial departments to develop plans for a reinstallation of the permanent collection galleries in 2018 and to organize an ambitious schedule of special exhibition
In addition, he will work with the executive staff and across
curatorial departments to develop plans for a reinstallation of the permanent collection galleries
in 2018 and to organize an ambitious schedule of special exhibition
in 2018 and to organize an ambitious schedule of special exhibitions.
It's to the credit of the show's organizers — Christophe Cherix, chief curator of the drawings and prints
department at MoMA; David Platzker, a former curator
in that
department; Cornelia H. Butler, chief curator at the Hammer Museum
in Los Angeles; and Tessa Ferreyros, a
curatorial assistant at MoMA — that they've been careful to make such links, and by doing so point up the fierce, steady logic of this artist's career.
Anthony Allen, Associate Director, Paula Cooper Marco Antonini, Executive Director, NurtureArt and Writer Mark Beasley, Curator, Performa George Bolster, The Shelley & Donald Rubin Foundation Gary Carrion - Murayari, Kraus Family Curator, New Museum Susan Cross, Curator, Mass MoCA Clément Delépine, Assistant Curator, Swiss Institue Bridget Donahue, Owner / Director, Bridget Donahue Gallery Lisa Dent, Director of Resources & Award Programs, Creative Capital Elizabeth M. Grady, PhD, Programs Director, A Blade of Grass Stamatina Gregory, independent curator and critic Janice Guy, Owner, Murray Guy Nicole Hayes, Curator, The Fields Sculpture Park, Art Omi Amanda Hunt, Assistant Curator, Studio Museum Alexis Johnson, Associate Director, Paula Cooper Ruba Katrib, Curator, Sculpture Center Vitaly Komar, Artist Melanie Kress, High Line Art
Curatorial Fellow, High Line Art Thomas Lax, Associate Curator
in the
Department of Media and Performance Art, MoMA Barbara London, Independent Curator, formerly of MoMA Matthew Lyons, Curator, The Kitchen Julie McKim, Curator, Galapagos Christiane Paul, Curator of New Media, Whitney Museum Christian Rattemeyer, The Harvey S. Shipley Miller Associate Curator,
Department of Drawings and Prints, MoMA Sara Reisman, Artistic Director, The Shelley & Donald Rubin Foundation Magda Sawon, Owner, Postmasters Nato Thompson, Chief Curator, Creative Time Nat Trotman, Associate Curator, Guggenheim Museum Eugenie Tsai, John and Barbara Vogelstein Curator of Contemporary Art, Brooklyn Museum
Respini has been a champion of photographic and new media practices since the early years of her career
in MoMA's
curatorial department, when she organized the 2012 blockbuster mid-career retrospective of Cindy Sherman.
After a long run on the East Coast — where she received her master's degree at Columbia University, worked for several years
in MoMA's painting and sculpture
department, and began her doctorate at Harvard (she's
in the process of polishing off a dissertation on Sigmar Polke's work of the 1960s)-- Tattersall returned to her hometown of L.A. last year, when MOCA tapped her for its
curatorial team, which was then just two people.
Studio Visitors 2014 Christopher Allen, Founder, Director of UnionDocs Alexander Benenson, Independent Curator Heather Darcy Bhandari, Director, Mixed Greens Gallery Jennifer Blessing, Senior Curator of Photography, Guggenheim Museum Sherry Dobbin, Director of Public Art, Times Square Alliance Taraneh Fazeli, Education Associate, New Museum of Contemporary Art Elizabeth Ferrer, Director of Contemporary Art, BRIC Arts Media Gabriel Florenz, Chief Operations Officer, Pioneer Works Larissa Harris, Curator, Queens Museum Paddy Johnson, Editor, Art Fag City Naima Keith, Assistant Curator, Studio Museum Emily Liebert,
Curatorial Assistant,
Department of Painting and Sculpture, MoMA Barbara London, Independent Curator / Writer, Former longtime Curator of Media and Performance, MoMA Jennifer McGregor, Director of Arts and Senior Curator, Wave Hill Julie McKim, Director, Kunsthalle Galapagos Magdalena Sawon, Owner / Director, Postmasters Gallery Manon Slome, President and Chief Curator, No Longer Empty Cara Starke, Director of Exhibitions, Creative Time Lumi Tan, Associate Curator, The Kitchen Gregory Volk, Writer, Art
in America
JUROR Kristen Gaylord is a Beaumont & Nancy Newhall
Curatorial Fellow
in the
Department of Photography at MOMA.
From 2011 - 2013, He worked as
curatorial assistant
in the
department of modern and contemporary art at the High Museum of Art.
The exhibition is curated by Eva Respini, Barbara Lee chief curator at the ICA, and Katerina Stathopoulou,
curatorial assistant
in the
Department of Photography, at MoMA, New York.
Now she is included
in the Whitney Biennial (her second)
in a year that also sees her acclaimed survey «Amy Sillman: One Lump or Two» touring
in May to Bard College's Center for
Curatorial Studies, where she is the co-chair of the influential paintings
department (and where she herself earned her MFA
in 1995).
I was at the Whitney from the time I graduated college until I moved to L.A. I got to be
in three different administrations and a lot of different positions within the
curatorial department — opportunities that I wouldn't have expected, at least not that quickly.
She is an instructor at the Senghor University
in Alexandria, Egypt, and teaches
curatorial process, communications strategy, and methodology
in the
department of cultural industries.
«Through collaboration across three
curatorial departments, we've captured the opportunity to highlight important elements from our own permanent collection
in the High's presentation of this exhibition.