Sentences with phrase «in curatorial vision»

Despite featuring a few strong works, the Jamaica Biennial 2017 lacks in curatorial vision with contrasting aims and...

Not exact matches

In a memo distributed to staff, Cooper said, «Kim's curatorial vision combines a voracious appetite for films across genres with a creative instinct for the work that will affect audiences and culture.

Each of the above phases will be detailed in later blog posts, but for now, we need to pick a curatorial vision for the project.

Paul Behnke's curatorial criteria for the show Eight Painters are compellingly straightforward: «an individual, rigorous vision; a certain ambition without regard for scale or a specific way of making a painting; and an abiding belief in the ability of paint - and specifically, the genre of abstraction - to best communicate the artist's appetite and inventiveness.»

Curatorial assistant Laura Phipps will discuss the decisions and logistics involved in rotating the works in Singular Visions, a special presentation of works from the Whitney's collection.

Known for over 25 years as a legendary director of exhibitions at Massachusetts College of Art and Design in Boston, Jeffrey Keough's innovative curatorial vision has connected local artists in the New England region with international artists such as Xu Bing, William Wegman, Kiki Smith, Tony Oursler, and many others, while tackling diverse historical, social, and political themes ranging from the Holocaust, to AIDS, to the bombing of Hiroshima.

Art in General will select artists based on artistic strength, vision, and professional capability, as well the artist's relevance to curatorial concepts identified for the upcoming programming at Art in General.

Anthony Elms (Associate Curator at the Institute of Contemporary Art in Philadelphia) organized his curatorial vision as an answer to the question architect Marcel Breuer posed in his notes for the plans for the Whitney Museum on Madison Avenue: «What should a museum look like, a museum in Manhattan?»

«As we look ahead to an exciting new chapter in MOCA's history, Alex provides the curatorial vision and administrative leadership necessary to strengthen the museum's standing as a leading voice in the local and international contemporary art communities,» said Dr. Kira Flanzraich, Chairman of the Board of Trustees.

CAMH's director Bill Arning and full curatorial staff — Valerie Cassel Oliver and Dean Daderko — will each organize two exhibitions; these six complete visions will be mounted in two rounds.

Haggarty's paintings & curatorial work has been reviewed & featured in Hyperallergic, Two Coats of Paint, Brooklyn Magazine, The New York Times, Maake Magazine, Art Maze Magazine, The Black and White Project (UK), Sound and Vision Podcast and Young Space.

The owners, Christine Berry and Martha Campbell, share a curatorial vision of bringing new attention to the works of a selection of postwar and contemporary artists and revealing how these artists have advanced ideas and lessons in powerful and new directions.

It is hoped that the next editions of the Venice Biennale will give voice to other curatorial visions in order to reflect the artistic diversity of the continent.

Maintain regular workflow with the museum's communications department to ensure messaging on exhibitions and programs is aligned with the curatorial vision and updates to exhibition schedule are communicated in a timely and effective manner.

In 2016 he received the Independent Vision Curatorial Award from Independent Curators International (ICI), New York.

In fact, these two booths would fit very nicely into Thomas and Chevremont's curatorial vision, especially considering the curators» focus on the pitfalls of historicity and neatly ordered narratives.

Work with the Director of Curatorial Affairs to provide leadership and guidance to the exhibition program in tandem with curatorial staff and trustees, and in accordance with the Museum's mission aCuratorial Affairs to provide leadership and guidance to the exhibition program in tandem with curatorial staff and trustees, and in accordance with the Museum's mission acuratorial staff and trustees, and in accordance with the Museum's mission and vision.

Her last curatorial project, Eisenstaedt: Two Visions, was produced in conjunction with the Museum of Fine Arts (Boston) exhibition Ansel Adams.

The Curator - in - Residence will work alongside residency and curatorial staff, and actively contribute to the overall vision of the Bemis's renowned exhibition program.

Not only is she a well - respected arts professional with a strong curatorial vision, but her departure marks the third contentious and abrupt removal of a woman in a position of power at a major art institution in just seven weeks.

He was awarded an Asian Cultural Council (CCA) fellowship grant in 2014, and selected to participate at the Independent Vision Curatorial Award of the prestigious Independent Curator International (ICI).

Based on her previous experience, as well as her curatorial vision, she will undoubtedly push the institution in exciting new directions.»

Curtis arrived with a reputation for scholarship and curatorial vision, but her successor needs to come with a plan for pulling in many more punters.

Continental Shift - Artists from the African continent in Europe, Bonnefantenmuseum, Maastricht, The Netherlands Intelligence: New British Art 2000, Tate Britain, London South Meets West, Accra, Ghana and Kunsthalle, Bern, Switzerland 1999 From where - To here, Art from London, Konsthallen Göteborg, Sweden Kunstwelten im Dialog, Museum Ludwig, Cologne Missing Link, Museum of Arts, Bern, Switzerland Heaven, Kunsthalle Düsseldorf, Germany; Tate Gallery, Liverpool Mirror's Edge, Bild Museet, Umeå, Sweden; toured to Vancouver Art Gallery, Canada; Castello di Rivoli, Torino, Italy; Tramway, Glasgow; Charlottenborg, Copenhagen, Denmark Citibank Private Bank Photography Prize, Photographers» Gallery, London In the Midst of Things, Bournville Village, Birmingham Secret Victorians, Arts Council Touring Exhibition, Ikon Gallery, Birmingham; Firstsite, Colchester; Arnolfini, Bristol; Middlesborough Art Gallery; Museum and Art Gallery, Brighton; Armand Hammer Museum, Los Angeles, USA Sensation, Brooklyn Museum of Art, New York, NY, USA 1998 Cinco Continentes y una Ciudad, Museo de la Ciudad de México, México D.F. Personal Effects; Sculpture & Belongings, Spacex Gallery, Exeter; toured to Angel Row Gallery, Nottingham Ethno - antics, Nordic Museum, Stockholm, Sweden Crossings, National Gallery of Canada, Ottawa, Canada Liberating Tradition, Bard Center for Curatorial Studies, New York, NY, USA Transatlantico, Centro Atlantico de Arte Moderno, Canary Islands, Spain Beyond Mere Likeness: Portraits from Africa and the African Diaspora, Duke University Museum of Art, Durham, North Carolina, NC, USA Global Vision; New Art from the»90s, Deste Foundation, Athens, Greece 1997 Sensation: Young British Art from the Saatchi Collection, Royal Academy of Arts, London; toured to the National Gallery of Berlin, Germany and the Brooklyn Museum of Art, New York, NY, USA Portable Personal Histories Museum, Ikon Gallery, Birmingham Trade Routes: History and Geography, 2nd Johannesburg Biennale, South Africa Transforming the Crown: African, Asian and Caribbean Artists in Britain, 1966 - 1996, Caribbean Cultural Center / African Diaspora Institute, New York, NY; Studio Museum, Harlem, NY; the Bronx Museum of the Arts, New York, NY, USA Pictura Britannica, Museum of Contemporary Art, Sydney, Australia; toured to the Art Gallery of South Australia, Adelaide and the City gallery, Wellington, New Zealand What, Trinity Buoy Wharf, London 1996 Pledge Allegiance to A Flain Europe, Bonnefantenmuseum, Maastricht, The Netherlands Intelligence: New British Art 2000, Tate Britain, London South Meets West, Accra, Ghana and Kunsthalle, Bern, Switzerland 1999 From where - To here, Art from London, Konsthallen Göteborg, Sweden Kunstwelten im Dialog, Museum Ludwig, Cologne Missing Link, Museum of Arts, Bern, Switzerland Heaven, Kunsthalle Düsseldorf, Germany; Tate Gallery, Liverpool Mirror's Edge, Bild Museet, Umeå, Sweden; toured to Vancouver Art Gallery, Canada; Castello di Rivoli, Torino, Italy; Tramway, Glasgow; Charlottenborg, Copenhagen, Denmark Citibank Private Bank Photography Prize, Photographers» Gallery, London In the Midst of Things, Bournville Village, Birmingham Secret Victorians, Arts Council Touring Exhibition, Ikon Gallery, Birmingham; Firstsite, Colchester; Arnolfini, Bristol; Middlesborough Art Gallery; Museum and Art Gallery, Brighton; Armand Hammer Museum, Los Angeles, USA Sensation, Brooklyn Museum of Art, New York, NY, USA 1998 Cinco Continentes y una Ciudad, Museo de la Ciudad de México, México D.F. Personal Effects; Sculpture & Belongings, Spacex Gallery, Exeter; toured to Angel Row Gallery, Nottingham Ethno - antics, Nordic Museum, Stockholm, Sweden Crossings, National Gallery of Canada, Ottawa, Canada Liberating Tradition, Bard Center for Curatorial Studies, New York, NY, USA Transatlantico, Centro Atlantico de Arte Moderno, Canary Islands, Spain Beyond Mere Likeness: Portraits from Africa and the African Diaspora, Duke University Museum of Art, Durham, North Carolina, NC, USA Global Vision; New Art from the»90s, Deste Foundation, Athens, Greece 1997 Sensation: Young British Art from the Saatchi Collection, Royal Academy of Arts, London; toured to the National Gallery of Berlin, Germany and the Brooklyn Museum of Art, New York, NY, USA Portable Personal Histories Museum, Ikon Gallery, Birmingham Trade Routes: History and Geography, 2nd Johannesburg Biennale, South Africa Transforming the Crown: African, Asian and Caribbean Artists in Britain, 1966 - 1996, Caribbean Cultural Center / African Diaspora Institute, New York, NY; Studio Museum, Harlem, NY; the Bronx Museum of the Arts, New York, NY, USA Pictura Britannica, Museum of Contemporary Art, Sydney, Australia; toured to the Art Gallery of South Australia, Adelaide and the City gallery, Wellington, New Zealand What, Trinity Buoy Wharf, London 1996 Pledge Allegiance to A FlaIn the Midst of Things, Bournville Village, Birmingham Secret Victorians, Arts Council Touring Exhibition, Ikon Gallery, Birmingham; Firstsite, Colchester; Arnolfini, Bristol; Middlesborough Art Gallery; Museum and Art Gallery, Brighton; Armand Hammer Museum, Los Angeles, USA Sensation, Brooklyn Museum of Art, New York, NY, USA 1998 Cinco Continentes y una Ciudad, Museo de la Ciudad de México, México D.F. Personal Effects; Sculpture & Belongings, Spacex Gallery, Exeter; toured to Angel Row Gallery, Nottingham Ethno - antics, Nordic Museum, Stockholm, Sweden Crossings, National Gallery of Canada, Ottawa, Canada Liberating Tradition, Bard Center for Curatorial Studies, New York, NY, USA Transatlantico, Centro Atlantico de Arte Moderno, Canary Islands, Spain Beyond Mere Likeness: Portraits from Africa and the African Diaspora, Duke University Museum of Art, Durham, North Carolina, NC, USA Global Vision; New Art from the»90s, Deste Foundation, Athens, Greece 1997 Sensation: Young British Art from the Saatchi Collection, Royal Academy of Arts, London; toured to the National Gallery of Berlin, Germany and the Brooklyn Museum of Art, New York, NY, USA Portable Personal Histories Museum, Ikon Gallery, Birmingham Trade Routes: History and Geography, 2nd Johannesburg Biennale, South Africa Transforming the Crown: African, Asian and Caribbean Artists in Britain, 1966 - 1996, Caribbean Cultural Center / African Diaspora Institute, New York, NY; Studio Museum, Harlem, NY; the Bronx Museum of the Arts, New York, NY, USA Pictura Britannica, Museum of Contemporary Art, Sydney, Australia; toured to the Art Gallery of South Australia, Adelaide and the City gallery, Wellington, New Zealand What, Trinity Buoy Wharf, London 1996 Pledge Allegiance to A Flain Britain, 1966 - 1996, Caribbean Cultural Center / African Diaspora Institute, New York, NY; Studio Museum, Harlem, NY; the Bronx Museum of the Arts, New York, NY, USA Pictura Britannica, Museum of Contemporary Art, Sydney, Australia; toured to the Art Gallery of South Australia, Adelaide and the City gallery, Wellington, New Zealand What, Trinity Buoy Wharf, London 1996 Pledge Allegiance to A Flag?

They often look like the output of committees, lacking a clear and consistent curatorial vision, with art works poorly displayed and thrown together in uncomfortable juxtapositions.

His managerial acumen, curatorial expertise, and vision will be instrumental in enhancing the DMA's international reputation and in strengthening our engagement with the ever - changing local and regional communities that we serve.»

I expected the experience of going through the archive to really suck, like an onerous homework assignment, but this magical thing happened... like when you're afraid to try karaoke and then when you do you have to be wrestled to the ground in order for someone else to take a turn... There were so many directions I could have taken — themes and filters I could have implemented to come up with a curatorial «vision.»

With the Museum's Board and Executive Director, Dziedzic will shape the curatorial vision of the Museum and develop the Museum's adult educational programming as the Museum approaches its 20th anniversary in 2014.

While, intentionally, the core exhibition doesn't present a single theme, Macel sorted the works on view into nine chapters, which she calls Trans - Pavilions, each featuring a trans - national selection of different artists based on similarities and consonances in approach, personality, influences, and creative vision, thus focusing more on art and artists than on a theoretical, superimposed curatorial subject.

«EyeMinded: Living and Writing Contemporary Art» by Jones, «offers a glimpse into the family conversation that has shaped and sustained Jones, insight into the development of her critical and curatorial vision, and a survey of some of the most important figures in contemporary art.

The goal of the project was to preserve Kellie's existing research, writing, and curatorial vision, as well as that of other scholars involved in the exhibition.

At the EVA International, their work will be woven into Guerrero's larger curatorial vision, which is based on Ardnacrusha, a hydroelectric dam built in 1925 in Ireland that represented technological progress and the promise of modernity.

Appointed as director / consultant curator for the next three years, I guided that institution on matters regarding its building development, curatorial and policy development, training, staffing, vision and mission statement until its opening in June 2003.

EXHIBITIONS / SCREENINGS / READINGS (* solo or two - person) Apparatus for a Utopian Image 2.0, Center and Foundation for Contemporary Arts, Prague, 2018 CV, YYZ Artist's Outlet, Toronto, 2017 * Artist's Rendering (DISTRESSED, RELAXED), AXENÉO7, Quebec, 2017 * You can tell that i'm alive and well because I weep continuously, Knockdown Center, New York, 2017 Apparatus for a Utopian Image, Elizabeth Foundation for the Arts Project Space, New York, 2016 Self - Titled (Materials for a 21st Century Room — or SWAMPED, EXHAUSTED, HESITATING), 8 - 11, Toronto, 2016 * Self - Titled (w / Aryen Hoesktra & Shane Krepakevich), Modern Fuel, Ontario, 2016 Local Tide (curated by PARALLELOGRAMS and Francesca Capone), S1, Portland OR, 2016 Double Visions, Elizabeth Foundation for the Arts Project Space, New York, 2015 From Line to Constellation, Granoff Center, Providence, 2015 Maximum Sideline: Postscript, Proxy, Providence, 2015 Use Values, SPRING / BREAK Art Show, New York, 2015 An Earthquake at the Race Tracks, Museo de la Cuidad, Santiago de Querétaro, Mexico, 2014 Classroom, NY Art Book Fair, PS1, New York, 2014 Almost Everything, Eric Arthur Gallery, Toronto, 2014 Milieu, Skol Centre des Arts Actuel, Montreal, 2013 * More Than Two (Let It Make Itself)[w / Josh Thorpe], The Power Plant, Toronto, 2013 Cultural Fluency, BRIC Rotunda Gallery, Brooklyn, 2013 Sediment, G Gallery, Toronto, 2012 Survive.Resist, CAFKA Biennial, Kitchener - Waterloo, Canada, 2011 On Printed Matter, [w / Josh Thorpe], Printed Matter, New York, 2011 * Around YYZ [w / Josh Thorpe], YYZ Artist's Outlet, Toronto, 2010 - 11 * House Broken, Flux Factory, NY 2010 Reading the Garden [w / Josh Thorpe], Toronto Sculpture Garden, Toronto, 2010 * Titles, Art Metropole, Toronto, 2009 On Convenience [w / Josh Thorpe], Convenience Gallery, Toronto, 2009 * Vehicle [organized by WayUpWayDown curatorial collective], Nuit Blanche, Toronto, 2008 ERI 3: Eyelevel Re-Shelving Initiative, Eyelevel Gallery, Halifax, 2008 AT WORK, Toronto Free Gallery, Toronto, 2007 Rip Current, Eyelevel Gallery, Halifax, 2007 Tales from the Cyclop's Library, Third Space Gallery, Saint John, 2007 Unsurprising Geographies [w / Andrea Williamson], Eyelevel Gallery, Halifax, 2006 Alectric 3, Alectric Audio [online exhibition] 2006 a / s / l, Anna Leonowens Gallery, Halifax, 2006 * RESIDENCIES Interrupt 3, Brown University, Rhode Island 2015 SHIFT, Elizabeth Foundation for the Arts, New York, 2014 - 15 Artist - in - Residence, Workspace, Lower Manhattan Cultural Council, 2013 - 14 Visiting Scholar, NYU Advanced Media Studio, 2013 - 14 The Decapitated Museum, The Banff Centre, 2012 Making Artistic Inquiry Visible, The Banff Centre, 2008 AWARDS Canada Council for the Arts, Research and Creation, 2018 - 19 Banff Centre, Residency Scholarship — The Decapitated Museum, 2012 Foundation for Contemporary Art, Emergency Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2009 University of Toronto, Graduate Fellowship, 2007 - 09 Social Sciences and Humanities Research Council, Canada Graduate Scholarship, 2007 - 08 Banff Centre, Residency Scholarship — Making Artistic Inquiry Visible, 2008 University of Toronto, David Buller Memorial Scholarship, 2007 NSCAD University, Simon Chang and Phyllis Levine Foundation Scholarship, 2006 New Brunswick Arts Board, Arts Scholarship, 2005 WRITING «Panorama of Our,» Plot, Claudia Weber, ed., 2015 «Anodyne: or X of Demarcation,» Rearviews II, Xenia Benivolski & Danielle St - Amour, eds., 2014 «On Printed Matter» Artefact:, C Magazine C122, 2014 «Lana Turner Has Collapsed!

In partnership with Craft Ontario and Culture Storm, this exhibition of commissioned works addresses issues of cultural appropriation through fashion, textiles and wearable art with curatorial vision by Erika Iserhoff and Sage Paul, founders and directors of Setsuné.

She joined CAMH in 2000 as an associate curator, becoming full curator in 2006, and, in 2010, moved into the senior curator role, where she assisted in shaping and articulating the museum's curatorial vision.

In 2012 he was co-recipient of the Independent Vision Award for Curatorial Achievement, awarded by Independent Curators International, New York.

Doryun Chong, Associate Curator of Painting and Sculpture at MoMA, received the first Independent Vision Curatorial Award in 2010 for his multiple, global understandings of artworks and their contexts, including his groundbreaking lexicon on Huang Yongping's complex web of meanings, intentions, history, conflict, and culture.

ICI's Alaina Claire Feldman met in New York with 2016 Independent Vision awardee Miguel A. Lopez to discuss his curatorial practice.

The ICI Independent Vision Curatorial Award is the first in the world to recognize rising curatoriCuratorial Award is the first in the world to recognize rising curatorialcuratorial talent.

In order to reflect her broader interests throughout her career and family history in the local Columbus community, the curators anticipate working with scholars beyond the discipline of art history to expand their curatorial vision and contribute to the exhibition cataloIn order to reflect her broader interests throughout her career and family history in the local Columbus community, the curators anticipate working with scholars beyond the discipline of art history to expand their curatorial vision and contribute to the exhibition cataloin the local Columbus community, the curators anticipate working with scholars beyond the discipline of art history to expand their curatorial vision and contribute to the exhibition catalog.

Funded by the Hong Kong Arts Development Council (HKADC) and private donations, it seeks to establish and maintain a platform for artists and other art practitioners to realize their vision in relation to their immediate and extended communities through the production of artistic works, exhibitions and curatorial projects as well as through dialogue, critical analysis, publications, research, education and cultural exchange.

She wrote that the CAFAM curatorial team was attracted by «Washington's unique vision and intricate, highly experimental practice... as well as his «under the radar» status in Los Angeles» art history.»

Eva Wittocx (Curator of Museum M, Leuven and frequent contributor to art publications such as Flash Art) Martin Germann (Senior curator at S.M.A.K, Stedelijk Museum voor Actuele Kunst, Ghent, and regular contributor to exhibition catalogues and magazines) Nav Haq (Belgian - based exhibitions curator at Museum of Contemporary Art, M HKA, Antwerp; curatorial advisor for the Guggenheim Abu Dhabi and Iberia Art Center in Beijing; contributor to Art Review, Bidoun, Frieze, and Yishu: Journal of Contemporary Chinese Art; winner of ICI's 2012 Independent Vision Curatorial Award) Piet Coessens (Director of Raveelmuseum in Machelen - aan - de-Leie) Sophie Lauwers (Deputy Director of Exhibitions at BOZAR, writer) Joel Benzakin (Independent curator who worked on the Belgian Pavilion at the 52nd Venice Biennale, with BOZAR and renowned galleries) Luk Lambrecht (Director and curator of visual arts and dance at Strombeek Cultural Center and art critic for Knack Weekend, De Morgen, Knack, and curatorial advisor for the Guggenheim Abu Dhabi and Iberia Art Center in Beijing; contributor to Art Review, Bidoun, Frieze, and Yishu: Journal of Contemporary Chinese Art; winner of ICI's 2012 Independent Vision Curatorial Award) Piet Coessens (Director of Raveelmuseum in Machelen - aan - de-Leie) Sophie Lauwers (Deputy Director of Exhibitions at BOZAR, writer) Joel Benzakin (Independent curator who worked on the Belgian Pavilion at the 52nd Venice Biennale, with BOZAR and renowned galleries) Luk Lambrecht (Director and curator of visual arts and dance at Strombeek Cultural Center and art critic for Knack Weekend, De Morgen, Knack, and Curatorial Award) Piet Coessens (Director of Raveelmuseum in Machelen - aan - de-Leie) Sophie Lauwers (Deputy Director of Exhibitions at BOZAR, writer) Joel Benzakin (Independent curator who worked on the Belgian Pavilion at the 52nd Venice Biennale, with BOZAR and renowned galleries) Luk Lambrecht (Director and curator of visual arts and dance at Strombeek Cultural Center and art critic for Knack Weekend, De Morgen, Knack, and Flash Art)

The gallery's curatorial vision endeavours to foster a transcultural perspective on the history of art, encompassing both modernism and the emergence of contemporary cultural thought in an increasingly interconnected world.

The successful candidate will bring a strong curatorial vision and an active engagement with current ideas and practices in art and contemporary culture internationally.

Ayas occasionally contributes to publications such as Yishu Journal, A Prior, Mousse and Creative Time Reports, and was nominated for ICI ¹ s Independent Curatorial Vision Award in 2012.

In addition to his curatorial vision and expertise, he brings considerable writing, publication, and teaching experience.

Yildiz was a nominee for ICI's Independent Curatorial Vision Award in 2012.

So while our Made in L.A. co-curators do receive many inquiries and suggestions along the way, the particular studios they visit and the final selection of artists is based on a long period of research and ultimately their curatorial vision.