Sentences with phrase «in early cinema»

As in early cinema, the typical Vine clip so far involves either animals, comedians, stop - motion animations, non-narrative abstractions, or some combination thereof.

He received his M.A. in Native American Studies, focusing on Native American exploitation in early cinema and his B.A. in Cultural Anthropology from the University of Oklahoma.

As my interest in early cinema continues to grow, so too does my curiosity.

The four features are the highlights, but the totality celebrates the diversity of cinematic forms in early cinema: 30 - second «actualities,» newsreels, cartoons, political tracts, documentary exposés, and more.

Not exact matches

For example, Nora Dashwood, COO of the company's ArcLight Cinemas division, once learned from a theater assistant manager in his early twenties that «he could feel the air in the room go cold» around Dashwood whenever a problem arose.

Saudia Arabia's conservative clerics instituted the ban on cinema in the early 1980s.

Construction of the new Buffalo Grove Cinemas is scheduled to begin in June and be completed in late October or early November, said Mark Stern, president of Chicago Area Theatres.

A MOVIE called Vanishing of the Bees opened in cinemas across the UK earlier this month.

Yesterday or more today very early I tried to watch 4 horror movies in the cinema, but lasted only 2 movies.

A fter a record - breaking box office run in 2012, Korean cinema continued to flex its muscles in the early part of 2013.

Six months after opening in American cinemas, Shrek the Third came to DVD and HD DVD earlier this week.

He studied art and cinema as a young adult, often spending a considerable amount of time on his father's movie sets, and honed his skills in his early twenties not in the arena of directing (as might be expected), but in that of painting.Danny Huston's directorial assignments began inconspicuously, at the age of 24, with the 1987 made - for - television comic fantasies Bigfoot and Mr. Corbett's Ghost (the second of which featured John Huston in the cast).

Mexican filmmaker Guillermo del Toro returns to the phantasmagorical cinema that defined such early fare as Cronos and The Devil's Backbone with this haunting fantasy - drama set in the aftermath of the Spanish Civil War and detailing the strange journeys of an imaginative young girl who may be the mythical princess of an underground kingdom.

Saw it on an early Friday afternoon in a pretty empty Dutch cinema and liked it a lot.

The film is hilarious, if viewed in context, but of course having watched it dozens and dozens of times since my first viewing in the early 1960's in an «art cinema» in Greenwich village, I no longer laugh out loud, but enjoy my silent amusement, because I love satire.

He begins by exploring the director's early life and career in his native Hungary, revealing how Curtiz shaped the earliest days of silent cinema in Europe as he acted in, produced, and directed scores of films before immigrating to the United States in 1926.

In addition to being a great piece of art, A Month in the Country sees several of British cinema's most formidable talents in some of their earliest performanceIn addition to being a great piece of art, A Month in the Country sees several of British cinema's most formidable talents in some of their earliest performancein the Country sees several of British cinema's most formidable talents in some of their earliest performancein some of their earliest performances.

Calvary was a box - office phenomenon when released in Irish cinemas earlier this year, with a gross of almost $ 1.6 million.

If we'd known about its existence six months earlier, do you think anyone would have cared as much by the time it arrived in cinemas?

A startlingly intelligent, incandescent thriller topped off by one of the great endings in recent cinema, Christian Petzold's Phoenix has been granted early canonization by the Criterion Collection, which releases the film in a deluxe Blu - ray edition featuring interviews with the director and his star Nina Hoss.

In 1961, when he made the wonderfully fresh A Taste of Honey, Tony Richardson was still in his early thirties but was already a major force in both cinema and theater in BritaiIn 1961, when he made the wonderfully fresh A Taste of Honey, Tony Richardson was still in his early thirties but was already a major force in both cinema and theater in Britaiin his early thirties but was already a major force in both cinema and theater in Britaiin both cinema and theater in Britaiin Britain.

Iron Fist was created by Roy Thomas and Gil Kane in the early 70s and they've discussed how they got their idea for the character from Asian cinema.

Although he supposedly retired to Tasmania in the early 2000s, it is very difficult to see a substantial decrease in his level of engagement or activity, though it did give him more time to write for such outlets as Senses of Cinema and communicate his passion for film history, as well as contemporary cinema, in a series of lectures or talks (I'm sure he'd prefer the latter term) held over a ten - year - period at the State Cinema in Hobart.

This is a genuinely interesting and well - made film that fits neatly into a current trend in American cinema (as mentioned earlier).

As a 3D film I wonder if I like it more than the film that I saw earlier this year, How to Train Your Dragon, which was the film that reminded me that 3D can be great in the cinema.

It's a surprisingly early launch for the film which doesn't open in cinemas unit May next year.

This tribute to Schepisi's important contribution as an Australian and international filmmaker, a distinctive auteur and jobbing filmmaker, covers his early work in documentary (his fascinating short on The Age newspaper, People Make Papers), the mercurial critical reception of his groundbreaking opus The Chant of Jimmie Blacksmith, the representation of landscape across his first three Australian features (specifically in the partisan and compassionate Evil Angels, 1988), his initial project in the United States (the elemental and mythic Western, Barbarosa), the now iconic Six Degrees of Separation, and the importance of adaptation and collaboration across his cinema.

British cinema in the early 1960's pulsed with the ambitious energy, on the screen and off, of young men — not angry, necessarily, but certainly restless.

It was made into a classic piece of early 1960s cinema (and a 1990s remake), and will soon arrive at Netflix in a modernized form.

The producer added that filming could begin in 2013 at the earliest, with the movie not in cinemas until at least 2014.

But in his new introduction, his observations about slow cinema from Tarkovsky to Kiarostami to Tarr are every bit as compelling as his earlier insights into film noir.»

Steven Spielberg's Raiders of the Lost Ark (1981) was an affectionate return and tribute to the early days of Saturday morning matinees and cinema, with comic - book archaeology hero Indiana Jones (Harrison Ford) battling the Nazis while searching for the sacred Ark of the Covenant - the first in a very successful trilogy of films.

Achieving moments of lyrical beauty seldom before attempted, much less reached, in his earlier films, Rosi here appears to be moving beyond a politically - inspired cinema and more towards an investigation of private spheres of experience.

After a series of so - called «nudie cuties» in the early 1960s, Lewis paved a bloody road of exploitation cinema, connecting the age of the drive - ins with the later advent of the blaxploitation era.

He spent the next decade performing in a large variety of productions and ventured into cinema in the early 1990s.

Unceremoniously dumped in scant few cinemas last September, Stolen finds its rightful place as an early - January, home - video dump.

The early 1970s to the late 1980s was a unique moment in Australian cinema history; a time when censorship was reigned in and home - grown production flourished, resulting in a flurry of exploitation films — sex comedies, horror movies and action thrillers — that pushed buttons and boundaries, trampled over taste and decency, but also offered artistry within their escapism, giving audiences sights and sounds unlike anything they had seen in Australia before.

He explored adventure and horror cinema early in his career and created the popular Indiana Jones franchise and the film Poltergeist with George Lucas.

Ultimately, he said earlier today, the mix of fantasy, romance, thriller and old - style Hollywood is a movie that's «in love with love and in love with cinema.»

This beautiful, moving and funny picture has been playing to packed houses at the Curzon cinema in London (a large and pricey place) since early summer, and has, in that time, become the most profitable movie of James Ivory's career.

His passionate interest in the cinema developed early on, and shortly after the second world war he accompanied Jean Renoir when he travelled to India to scout locations for The River.

As his latest intoxicating effort, Dog Eat Dog, arrives in cinemas, it's this earlier effort which seems most ripe for a revisit.

Boasting a bigger cast with a slew of newcomers who will supposedly be pivotal in the franchise's future, the upcoming comic book flick teases a crazy good time at the cinema, and based on the early reviews from the critics, it appears to fulfill its promises.

Known as an inventive poet of early sound cinema in France, thanks to such sharp, creative films as Under the Roofs of Paris (1930), Le million (1931), and À nous la liberté (1931), Clair had a reputation that preceded him to Hollywood, and I Married a Witch overflows with the same comic irreverence and fleet storytelling as his earlier films.

Theatre owners were pissed when the cinema - to - VOD window was downsized to 60 days earlier in the year («Unknown» was one of the films available to buy on the telly after only a couple of months at the cinema) so they're likely not going to be happy about giving up a movie 3 weeks after it's debut.

On the other hand, Venice, which used to be just a glamorous showcase for classy world cinema, too early to factor in the Oscar race anyway, has now proved to be a viable place to kick off six - month Oscar campaigns.

While at the Toronto International Film Festival for the North American premiere of Happy End, which opens this week in New York, Haneke sat down with me to talk about his early experiences falling in love with cinema and the films that have shaped his singular aesthetic.

The third collection of the brilliant «Treasures From American Film Archives,» which showcases 48 rarities made between the years 1900 to 1934, is loosely organized around themes of social issues and engagement and reveals a side of early cinema forgotten in the popularity of the comedy legends and silent screen heartthrobs.

The great Austrian filmmaker spoke with us about his early experiences falling in love with cinema and the films that have shaped his singular aesthetic.

by Bill Chambers Two Family House and Panic, a pair of overlooked films hopefully not destined to become overlooked DVDs, have more in common than a passing glance suggests, and their joint failure to earn even a pittance sounds the death knell for independent cinema as we knew it in the early -»90s.