Sentences with phrase «in early twentieth»

Phrases like Art Nouveau and Art Deco describe movements, or approaches to design, that became popular in the early twentieth century and helped shape the types of houses we build today.
Psychodrama was developed by Psychiatrist Jacob L. Moreno, MD in the early twentieth century and was the first recognised form of group psychotherapy.
This trade ceased in the early twentieth century when Australia passed laws to protect the developing trepang industry in Australia.
It's hard to say when the cover letter and resume emerged as separate entities, says Sean Weinberg, co-founder of RezScore, an online resume analyzer, but he places it somewhere in the early twentieth century.
The company was founded in the early twentieth century and as of fiscal year end 2005 had assets of $ 3.1 billion with yearly revenues of $ 600 million.
In the early twentieth century, when Paul Cravath was a young lawyer, the structure of American law firms was quite different from today's.
Seven years later, English engineer Guy Callendar, something of an outsider (a steam - engine specialist but with a very keen interest in meteorology), revived the idea, having discovered evidence of a warming temperature trend in the early twentieth century from compilations of temperature records.
(You will also notice the lack of an obvious trend in retreating ice in the early twentieth century, contrary to Steel's hypothesis.)
Note how most of the downward adjustments take place in the early twentieth century and most of the upward take place in the late twentieth century.
In the early twentieth century, the warming rates of land and oceans were pretty much in line.
We find that in the early twentieth century the warming was dominated by a positive phase of the Atlantic multi-decadal oscillation (AMO) with minor contributions from increasing solar irradiance and concentration of greenhouse gases.
Brönnimann, S., A. Stickler, 2013: Aerological observations in the Tropics in the Early Twentieth Century.
Compared with the 1950 — 2005 results, the larger model versus observed difference over 1900 — 2005 is due to a much larger observed warming in the early twentieth century than the model expectation.
So far as I know, nobody had to ban horse transport in the early twentieth century.
In the early twentieth century there was a racial and eugenic streak to population - reduction arguments: some claimed that there were too many Africans and Asians, who might weaken the power of white European nations.
By analyzing climate anomalies in the model that are similar to those that occurred in the early twentieth century, it was found that the simulated temperature increase in the Arctic was related to enhanced wind - driven oceanic inflow into the Barents Sea with an associated sea ice retreat.
What might different experiences of dirt and attitudes towards cleanliness tell us from the perspectives of the citizens of Delft in seventeenth century Holland; Victorian London; Glasgow in the 1860s; Dresden in the early twentieth century; New Delhi in the present day and Fresh Kills, New York's largest municipal landfill in 2030.»
After the 1960s, unlike in the early twentieth century, the values of WEIO are mostly comparable to those of EEIO.
Making the modern individual's perception a key theme of his work, Caillebotte showed himself to be far ahead of his time: it was only in the early twentieth century that comparable photographic strategies began to emerge in the medium itself.
This landmark exhibition unites for the first time the John Singer Sargent watercolors acquired by the Brooklyn Museum and the Museum of Fine Arts, Boston, in the early twentieth century.
The medium of animation was first popularized in the early twentieth century and was adopted by both avant - garde artists seeking progressive social change, and by private companies seeking to better market their products and grant inanimate commodities «life.»
Whilst allusions to fugue are only occasionally found in nineteenth century writings about art, they abound in the early twentieth century, the dawn of abstraction.
In the early Twentieth Century, African and Oceanic objects were popular collectibles and a source of inspiration for many European artists.
Just as the surrealists invented the technique in the early twentieth century as a playful and ultimately enriching exercise, the present drawings combine the two artists» distinct styles in a revealing and often seamless fashion.
Since its founding in the early twentieth century, the Whitney has served as a forum for the most urgent art and ideas of the day, at times attracting protest itself.
Date: 1910 Size: 30 x 43 inches About The Poster: Chanabier and Sons was a French company who, in the early twentieth century, produced French liqueur such as the digestif advertized in this poster.
In Western eyes the work of the Ma - Xia School, with its obvious visual and emotional appeal, came in the early twentieth century to represent the quintessence of Chinese landscape painting.
Athier's definitive idea of what «futuristic» looked like was strongly fused with the Metaphysical Painting movement, the Futurists and the Memphis movements throughout Europe in the early twentieth century, as well as early visual effects defined by the late 80s and early 90s aesthetic: bright colours and crude grid - based computer animation.
A shift came in the early twentieth century with the emergence of two related innovations: the so - called Neues Sehen, a tendency in photography and visual art propelled by the development of modern camera technology, and the Neues Bauen in architecture and urban design; the nexus between them is exemplified by the work of László Moholy - Nagy, who taught at the Bauhaus.
New York photographer Alfred Stieglitz (1864 — 1946) befriended and championed several of the most visionary modern painters to emerge in early twentieth - century America.
Echoing the formal and material innovations introduced by the historic avant - gardes in the early twentieth century, contemporary artistic practice has dethroned the eye as the hegemonic sense and reinstated hearing in a real and contingent body.
By making Frank Stella, Robert Rauschenberg, Mark Rothko, and Ad Reinhardt the sole artists represented, the narrative of a purely New York phenomenon is promulgated, drawing a line of demarcation between these painters and the European modernists who tested the dark palette in the early twentieth century.
It is the largest show ever mounted by the Gallery, providing a comprehensive look at how the «collage» emerged as a mode of artmaking in the early twentieth century and has evolved through the rapid uptake of technology and digital media to facilitate new modes of production in all fields of visual culture today,» said Kathleen S. Bartels, Director of the Vancouver Art Gallery.
The museum is housed in an early twentieth century mansion, a modern 1970s era building and a sleek, contemporary structure of steel and glass.
Power sculpture from the Congo has a longstanding, cross-cultural formal appeal, which led to its proliferation in early twentieth - century Western collections.
This landmark exhibition is a retrospective of artist Paul Moro (1886 - 1953), whose oil paintings showcase a masterful vision of Cape Cod in the early twentieth century.
Nonobjective Art The abstract or «nonobjective» art in this gallery represents a period in the early twentieth century when American artists began to follow their European counterparts in questioning the purpose and nature of art.
Both artists with an interdisciplinary and research - based practice, they work towards re-contextualizing desire and privilege in the United States, currently developing installations inspired by the lost histories of Bengali sailors who passed as Black in the early twentieth century.
Art collector Stan Fry specializes in early twentieth - century American Impressionism.
In the early twentieth century, artists such as Robert Henri, George Luks, John Sloan, and others were interested in the gritty details of modern urban life.
Pablo Picasso's re-working of classical composition inspired in part by African masks, Frank Stella's creation of non-rectangular shaped canvases, and Dan Flavin's experimentation with neon light are all important milestones in the history of modernism — an art movement that has origins in Western Europe in the early twentieth century and took hold in America in the 50s and 60s.
In the early twentieth century, artists like William Henry Johnson and Elizabeth Catlett embraced modernism by representing personal experiences or scenes of daily life in vibrant colors and dynamic compositions.
Her books include The Spectacle of Women: Imagery of the Suffrage Campaign, 1907 - 1914 (1988), Modern Life and Modern Subjects: British Art in the Early Twentieth Century (2000), and Hornsey 1968: The Art School Revolution (2008).
Curated by Simonetta Fraquelli, an independent curator and specialist in early twentieth - century European art, the exhibition explores Pablo Picasso's work between 1912 and 1924, prior to, during, and after the tumultuous years of the First World War, when the artist began exploring both cubist and classical modes in his art.
Simonetta Fraquelli is an independent curator and specialist in early twentieth - century European art.
Now a global industry leader and one of the main exporters of candy to the United States, Colombina was founded in Murillo's hometown of La Paila in the early twentieth century.
In the early twentieth century, artists moved away from representation, instead making works that did not correspond to visual phenomena found in the real world.
The selected portraits include cultural and political figures admired by Neel, among them playwright, actor, and author Alice Childress; the sociologist Horace R. Cayton, Jr., whose 1945 Black Metropolis: A Study of Negro Life in a Northern City is among the key academic studies of the African American urban experience in the early twentieth century; the community activist and cultural advocate Mercedes Arroyo; and the academic Harold Cruse, known for known for his widely - published academic book The Crisis of the Negro Intellectual (1967) and for teaching at LeRoi Jones's Black Arts Repertory Theatre / School in Harlem.
At the military's request, artist's created camouflage beginning in the early twentieth century.
Organized in collaboration with a seminar from Clark University, the exhibition will be presented with thematic emphasis on botanicals, landscape, abstraction, and portraiture — areas that dominated much of the production of cyanotypes in the early twentieth century and recur in contemporary work.
a b c d e f g h i j k l m n o p q r s t u v w x y z