In the Indonesian language they are referred to by the word for iron dagger because members of this order, after having reached a state of ecstacy by reciting dhikrs and making all kinds of bodily movements under the leadership of their teacher, tried to stab themselves in the chest or shoulder with the iron dagge
In the Indonesian language they are referred to by the word for iron dagger because members of this order, after having reached a state of
ecstacy by reciting dhikrs and making all kinds of bodily movements under the leadership of their teacher, tried to stab themselves
in the chest or shoulder with the iron dagge
in the chest or shoulder with the iron dagger.
In this capacity, Fausto Tozzi played supporting roles in such internationally distributed films as The Wonders of Aladdin (1960)(as the cowardly Grand Vizier), Constantine and the Cross (1961), The Agony and the Ecstacy (1965)(as one of the foremen overseeing the Vatican projects of Michelangelo), The Valachi Papers (1972)(as notorious gangster Albert Anastasia), Crazy Joe (1974) and March or Die (1977
In this capacity, Fausto Tozzi played supporting roles
in such internationally distributed films as The Wonders of Aladdin (1960)(as the cowardly Grand Vizier), Constantine and the Cross (1961), The Agony and the Ecstacy (1965)(as one of the foremen overseeing the Vatican projects of Michelangelo), The Valachi Papers (1972)(as notorious gangster Albert Anastasia), Crazy Joe (1974) and March or Die (1977
in such internationally distributed films as The Wonders of Aladdin (1960)(as the cowardly Grand Vizier), Constantine and the Cross (1961), The Agony and the
Ecstacy (1965)(as one of the foremen overseeing the Vatican projects of Michelangelo), The Valachi Papers (1972)(as notorious gangster Albert Anastasia), Crazy Joe (1974) and March or Die (1977).
2005 H. MUS, «Agony and
Ecstacy in His Moving Pictures», The Canberra Times (Australia), 30 July M. Morgado, «Bill Viola nacimiento, vida, muerte... y renacer», Harper» s Bazaar en Español (Mexico), June, p.98 - 101 A. Ross, «The Waves», The New Yorker (New York) 30 May, p. 94 - 95 N. Denny, «Viola Bodies», New Statesman (London) 28 May, p. 45 — 46 S. Douglas, «Interview: Bill Viola», ArtInfo.com, 2 November L. Cumming, «A Rembrandt for the Video Age», The Observer (London), 6 May, p. 11 C. Young, «Real Time Players», Modern Painters (London), May, p. 56 - 61 A. Riding, «In Pursuit of Total Art...», The New York Times, 14 April, p. 83 M -
in His Moving Pictures», The Canberra Times (Australia), 30 July M. Morgado, «Bill Viola nacimiento, vida, muerte... y renacer», Harper» s Bazaar en Español (Mexico), June, p.98 - 101 A. Ross, «The Waves», The New Yorker (New York) 30 May, p. 94 - 95 N. Denny, «Viola Bodies», New Statesman (London) 28 May, p. 45 — 46 S. Douglas, «Interview: Bill Viola», ArtInfo.com, 2 November L. Cumming, «A Rembrandt for the Video Age», The Observer (London), 6 May, p. 11 C. Young, «Real Time Players», Modern Painters (London), May, p. 56 - 61 A. Riding, «
In Pursuit of Total Art...», The New York Times, 14 April, p. 83 M -
In Pursuit of Total Art...», The New York Times, 14 April, p. 83 M - A.