This endeavor results
in endless conversation and arguments that can't be won.
The buzz about veganism means that people are
in endless conversations on social media, the latest vegan news is often trending, and vegan meetup groups are getting together for outings ranging from restaurant visits to activism.
Not exact matches
It was
in a stuffy boardroom with zero circulation and a seemingly
endless conversation about table games.
Some of our friends and acquaintances put a great deal of effort into holding creatively themed birthdays and getting their kids into the right dance classes and sport programs, identifying peanut allergies and purchasing BPA - free water bottles, and having
endless conversations about the negative effects of too much technology
in the home, frequently interrupted by pinging phones and debates about which phone plan is best.
Having engaged
in far too many seemingly
endless and usually fruitless discussions about the word «inerrancy,» I am both convicted and encouraged by McKnight's reminder here that «having the right view [of the Bible] isn't the point of the Bible... We must begin an entirely new
conversation that gets us beyond the right view of the Bible to one that seeks to answer this question, «What is our relationship to the God of the Bible?»
When there lacks voice inflections and tonality variations
in phone call
conversations and, facial emotions, body proximity and an
endless array of other nonverbals during
in person discussions, a text message is forced to carry the load of the entire human message being sent.
Endless questions, generating endless conversations and arguments, and in the process stitching the nation together through a shared sense of befuddled ve
Endless questions, generating
endless conversations and arguments, and in the process stitching the nation together through a shared sense of befuddled ve
endless conversations and arguments, and
in the process stitching the nation together through a shared sense of befuddled vexation.
And yet, I've started to push him anyway, trying something called the Three - Day Potty Training Method (to little success, surprise, surprise), reading him all sort of books about potties, having
endless conversations about not peeing
in his fancy big boy underwear, even bribing him with gummy bears when I'm really desperate.
Because of this, it should come as no surprise to anyone that fear of loss of brain function is becoming a national obsession, generating seemingly
endless conversation among baby - boomers, a seemingly
endless procession of reports from researchers on the nightly news telling us more research is needed, and a seemingly
endless amount of commercials advertising both natural substances and pharmaceuticals that supposedly deal with the problem
in a highly efficacious, cost effective manner.
Embroidered Top c / o Chicwish / / Jeans: BLANK c / o Shopbop / / Shoes: Steve Madden (also available
in black, yellow, and nude) / /
Conversation Clutch c / o Sole Society / / Sunglasses: Karen Walker via Ditto's
Endless Eyewear (use code STRAIGHTASTYLE for your first month FREE) / / Bracelet set, ring, and earrings c / o Kendra Scott
Based
in the UK, this dating site offers time - poor London singles the chance to stop the
endless online
conversations and just go out already.
A considerable chunk of the first act is dedicated to their troubled schooldays; we endure long minutes of fatuous Skype
conversations, and a seemingly
endless scene
in which the lads buy ice - cream
in Venice.
Case
in point: the
endless shots of parents
in town spending quality time with loving children, while Sue has to have spatially and emotionally distant
conversations with her son by phone or Skype.
Labelled «the smartest horror film this decade» by Dazed writer Kemi Alemoru, Get Out broke numerous box office records, and is a film that sparked
endless conversation, a movie that provoked, entertained and terrified
in cinemas across the world.
Other highlights
in this strand include: Miguel Gomes» mixes fantasy, documentary, docu - fiction, Brechtian pantomime and echoes of MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mos
in this strand include: Miguel Gomes» mixes fantasy, documentary, docu - fiction, Brechtian pantomime and echoes of MGM musical
in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mos
in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has
conversations with his pet hamster, voiced by Isabella Rossellini; THE
ENDLESS RIVER a devasting new film set
in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mos
in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING
IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mos
IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen
in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mos
in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed
in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mos
in «Tondoscope» — a circular frame
in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mos
in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief
in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mos
in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights
in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mos
in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Moss.
In conversation, Trier candidly launched into a myriad of topics, from familial dysfunction to unpacking his endless ambition to just wanting to impress women in film schoo
In conversation, Trier candidly launched into a myriad of topics, from familial dysfunction to unpacking his
endless ambition to just wanting to impress women
in film schoo
in film school.
The default setting for a film about political scandal is to have characters conduct an
endless stream of
conversation and frame them
in tight shots that make their environments irrelevant.
Be they toddlers or teenagers, adventurous family travel results
in close bonds and
endless hours of shared
conversation.
«
In 1966, Judd was a topic of
endless conversations among the artists I knew,» Mel Bochner wrote, adding, «His writing and his sculpture influenced us all.
What was once our beloved American West, the promised land of adventurers and sleepyheads at the end of the motorized Oregon Trail that was Route 66, where an explorer's spirit was put to good use by way of burning rubber and gasoline whiffs, is now a less magical place that somehow glows more fascinating because you only catch it
in cracks of structure and moments of
conversation, so it's never been more important; a rare, practically exotic essence drenched
in seemingly
endless sunshine.
The Jakarta Post featured Entang Wiharso's latest exhibition,
Conversation:
Endless Acts
in Human History» and is held at Galeri Nasional Indonesia
in collaboration with the Canna Gallery through to Feb 1.
The New York based artist's Memories Afloat was produced
in the summer of 2016 while she was residing
in Granada, Spain and engages
in that «always»
conversation and the
endless fascination García has had with history.
Our daily
conversations at lunches and around
endless projects have kept us close
in our collective labor, and as a result our personal growth has been encouraged through open criticism and constructive insights.
Echoing Albert Barnes's belief
in artistic expression as an
endless conversation between works of different times and places, this exhibition gathers new works by renowned contemporary artist Anselm Kiefer (born
in 1945) that were created
in response to sculptures and drawings by Rodin.
It could also give people a way to talk with friends about interesting public posts without their
conversations getting lost
in the
endless reels of comments spurred by celebs and popular users.