Sentences with phrase «in every horror movie there»

Now we know that in every horror movie there is always one asshole who you can't wait to die.

Yeah, YouTube has this thing about «censorship,» but in horror movies there has to be a lot boobies!

Not exact matches

I'm not sure that there is a «growing morbidity» in America's imagination, as Goldman says, or that, if this is occurring, it is because America is watching too many horror movies.

And given the number of horror movies that take Christian claims seriously or portray Christians in a positive light, there's more than just subversion or provocation going on.

There's more to the story that you'll never see in the horror novel's many movie adaptations.

When naming this polish, the KBShimmer team learned that Holly is a huge straight - to - DVD scary movie fan, so they knew that there had to be a tie - in with a campy horror name!

There are bits and images in this film that would ensure praise from the horror - fan crowd if they weren't in a Halloween movie directed by Rob Zombie.

There was potential for an alright horror movie here, but it wasn't used properly, and then it crashed and burned in the end.

Honestly, there were a lot of really terrible horror movies released in those two decades.

There were scenes that could have been lighted better but all in all this a fun horror movie with «hidden message» that made all the great horror movies, well, great.

It's probably the most light - hearted slasher / horror movie I've ever seen, and there's a mix of stoner comedy in here, as well.

I've never been a fan, as a rule of horror movies, however, the trailer drew me to this one and i'm glad it did, the awful acting we usually get in horror movies wasn't there this time round, in fact, the whole cast were excellent, the special effects were really very good and the humorous, intelligent dialogue (another thing you don't usually get in horrors) was brilliant, loved the film, Chris Hemsworth, although with less to do in this than he does in Thor, was great in it too.

Similar to Inception and Pulp Fiction (okay, maybe not so much the latter), this movie is horribly misunderstood by the common person, but to anyone who has a sense of meta - humour, good cinematography, writing, and great plot line this movie shines like lamp in a dark basement (See what I did there, I was implying that horror movies in general aren't that great... I was also referencing the movie).

But what makes horror movies set in the woods, or the desert, or the south pole, or space so scary is that palpable sense of isolation - nobody is there to hear you scream.

The way they appear and vanish is almost supernatural, and it deliberately mimics the way horror movies toy with their audiences; there's a bit in the first film where Speedman is desperately rifling through his car and a finger menacingly makes its way into the frame to tap him on the shoulder, barely a half step away from having someone actually jump out and yell, «Boo!»

There are a couple of original shots and some funny moments, and in the gross - out, sadistic violence and celebration of crudity, it successfully does the horror movie as a Looney Tunes farce, although Joe Dante and George Miller have done that with finesse.

There is an art or at least a formula to doling out scares in horror movies and The Witch doesn't abide by it, frustratingly suffering as a result.

All directors make the same movies of obsession, there is sex drama and rage but this is not a not a horror movie it's perry's next drama movie, which sucks Perry Black a-fies everything in his movies he adds humor quotes to characters line and it's not funny.

There's a tendency in science fiction movies, even sci - fi horror, to conflate «quiet» with «smart and deep.»

There was a great opportunity for the meta element here, considering the changes in horror movies along the past ten years, but this useless reboot is never original and basically redoes the same slasher of fifteen years ago.

For those of us who prefer to judge Gibson solely in terms of his art, the movie is a virtuosic piece of action cinema — particularly in its second half... And while there has been no shortage of recent films that decry the horrors of war and man's inhumanity to his fellow man, I know of none other quite this sickeningly powerful.

The movie's various problems are compounded by its regrettable lack of strong horror elements, as Gillespie places a consistent emphasis on set - pieces of a decidedly lifeless nature (eg there's a palpably awful Children of Men - like sequence in which Jerry attacks a car full of potential victims).

It has some clichés here and there that could have been avoided and the characters sometimes don't seem to be the brightest people in this sort of situation, but still this atmospheric horror movie works quite well, especially in a second half that can be really unnerving.

Because there's a lot of brilliant, unrestrained, nasty kills that you don't see often in mainstream horror movies anymore.

There's almost excessively little within Cabin Fever that won't seem all - too - familiar to horror fans, as scripters Randy Pearlstein and Roth have infused the narrative with just about every convention and cliche of the genre imaginable - and yet it's clear that the movie, in its early stages, fares much better than one might've anticipated.

There is no gore here, and no on - screen violence, but this is in every way a horror movie.

There's style in it, and that great silence concept — which reminds me of how light was treated in The Others, one of the best modern horror movies.

«There has always been an element of humor in the in - your - face horror genre,» says veteran scare director Craven, whose new movie is so comedic that the shock factor seems secondary.

The horror event of the year is the return of Michael Myers in the new Halloween movie, along with the franchise's most recognizable icons in John Carpenter as executive producer and composer, Jamie Lee Curtis reprising her role as Laurie Strode, and Nick Castle suiting up as Myers again, but make no mistake, there is a new man behind the mask stepping into The Shape, his name his James Jude Courtney, and he's about to make a killer impression.

There's irony there, somewhere, in saying this about a horror movie that's essentially about the concept of a Jungian ShThere's irony there, somewhere, in saying this about a horror movie that's essentially about the concept of a Jungian Shthere, somewhere, in saying this about a horror movie that's essentially about the concept of a Jungian Shadow.

There are many reasons why The Thing is considered a top - tier horror movie, but the fact that any one of the stellar character actors featured in the film could actually be the titular shape - shifting alien creature is definitely one of them.

And there are a couple of effective moments: an early scene, in which we see an advancing «army» (about four men to be honest) of zombies in the WW1 trenches is well done, and it's a shame Halperin didn't concentrate on this aspect of the story — had he done so he would have beaten the first horror movies (to my knowledge) to be set in the Trenches by some sixty years.

While cult films range from campy science fiction to highly graphic horror movies and just about everything in between, there are a few characteristics that most cult films share:

The short answer is that there appears to be a conflict of vision, and the movie in itself is conflicted in whether it wants to be a sci - fi or horror film, never content in being both at the same time.

I hope that Insidious convinces audiences that a real horror movie doesn't need to be gruesome and that, sometimes, there's more to be scared of in the shadows of your own house than in some fictional faraway torture chamber.

Director Josh Boone (The Fault in Our Stars) previously described the film as «a full - fledged horror movie set within the X-Men universe,» saying «There are no costumes.

Dunsany Productions post-apocalyptic horror short film Out There was awarded the best short film award by «Movie days Horror Convention» in Dortmund Germany during the weekend of the 22nd of horror short film Out There was awarded the best short film award by «Movie days Horror Convention» in Dortmund Germany during the weekend of the 22nd of Horror Convention» in Dortmund Germany during the weekend of the 22nd of March.

There are a lot of teen related horror movies out there in the market pThere are a lot of teen related horror movies out there in the market pthere in the market place.

There are two decent Amityville Horror movies: the 1979 original starring Margot Kidder and James Brolin, released when some still believed the book it was based on was a true story; and 2016's The Conjuring 2, which features a big scene in the infamous eye - window house, and is technically not part of the 18 - film...

Not once did I have to force myself to be gentler in my critique — this looks like a big - budget movie, and virtually stabs, mauls and garrottes the overwhelming majority of teen horror flicks out there.

Indeed, both Queirós, whose film There Was Once Brasilia won special mention in the festival's Signs of Life section, and the Brazilian directing team Juliana Rojas and Marco Dutra, whose socially driven horror movie Good Manners took home the Special Jury Prize, referenced Andrade as an ever - vital figure for today's Brazilian political cinema.

The biggest news of the year for horror fans was the announcement that John Carpenter would return to the Halloween franchise as executive producer to help oversee a new movie, but there has been little progress since, and now Jason Blum of Blumhouse Productions explains the reason for that is because they have not yet settled on what approach to take in bringing about the return of Michael Myers to the big screen.

Roth, who mostly has offered (really violent, really gory, and really bad) horror movies in the past, obviously loves the carnage here (There's even a scene of surgical torture, almost as a call - back to the torture - based horror that he helped create).

There are certain arbitrary rules that seem to define awards season: Movies released early in the year will be ignored; Horror never gets nominated; First time directors don't have a chance; Stories about racism should be told through a white gaze.

Wendy obviously has a lot weighing on her mind — like a true teen horror movie, there are no parental figures to be found — and she finds an unlikely ally in her reluctant ride mate Kevin (Ryan Merriman), who was dating Wendy's friend.

But Warner sold the movie as all - out horror, announcing in a preposterous but extremely effective advertising campaign that «during the last eight minutes of this picture the theatre will be darkened to the legal limit to heighten the terror of the breathtaking climax... If there are sections where smoking is permitted those patrons are respectfully requested not to jar the effect by lighting up during this sequence.»

Yes, spending half a movie with battered Romans fleeing for their life, almost as if they are starring in a horror movie than an action, is quite entertaining, but because Neil Marshall keeps the pace almost always at maximum speed, there is little time to actually reflect on what is going on.

One thing McBride assures fans in that same interview is that the movie is 100 % horror, as there's only «one joke on the page», and that he and Green are taking this very seriously, as they're terrified of «fucking it up».

In some respects, this is the inverse of the problem del Toro's Crimson Peak had: there, the trailer gave very little away, and made audiences think it was a standard horror movie, which it wasn't.

The biggest news of the year for horror fans was the announcement back in May that John Carpenter will return to the Halloween franchise as executive producer to help oversee a new movie from Miramax and Blumhouse Productions, but there has been little progress since, and now Carpenter himself, who has spent most of this year on his first concert tour, has offered an update on the status of the highly anticipated return of Michael Myers to the big screen.