Sentences with phrase «in experimental dance»

Nancy Meehan was a highly original choreographer and dancer whose evocative, plotless works on nature themes found a special place amid opposing trends in experimental dance.

Not exact matches

«The atoms used to have the whole dance floor to move around on and now they are confined in alleys, so the interaction energy goes way up,» says NIST / JILA Fellow Jun Ye, leader of the experimental team.

Like Ballad of Narayama, they are often essentially musicals: Karumen kokyo ni kaeru (Carmen Comes Home, 1951), Japan's first colour film, had characters break into song and dance and even put on a climactic show in the Hollywood manner; Kinoshita's masterpiece, the experimental melodrama Nihon no higeki (A Japanese Tragedy, 1953), is about a failed singer turned geisha and abused mother.

She hasn't made a movie in a long time The Wire Archer will return to its spying roots next season after an experimental latest season Vulture Whoa, I hadn't heard about this (because I don't watch ESPN) but on Monday's they're reairing those Battle of the Network Stars specials that were so popular in the 70s and 80s - a precursor to modern shows like Dancing With the Stars only populated with less has - beens and more stars that were actually popular at that moment showing off their athleticism Empire pics from Denzel Washington as The Equalizer.

Over the past forty - plus years, the British filmmaker has put together one of the most diverse and innovative filmographies you can imagine — from her early experimental work, to her fourth - wall - breaking classic of gender fluidity, Orlando (1992), to the minimalist dance - romance The Tango Lesson (1997), in which she played herself, to the Cold War coming - of - age drama Ginger & Rosa (2012).

Now in his seventies, this master modern classical composer remains as driven as ever to crank out his experimental operas, symphonies, movie and dance scores and more.

October 11, 2017 • The Glaswegian quartet is one of the greater, and darkly pleasant, recent surprises in dance music, led by experimental musician Richard Youngs.

For the indie - rock set, Rocktagon is one of the more popular venues, featuring everything from chill, experimental rock to throbbing punk during the early hours and dance and disco later on in the night.

Harmonix (Dance Central, Rock Band) has made an effort to bring Disney's classic musically experimental film, Fantasia, to life in a sense with Kinect gameplay, set on a mission from Mickey's own magical mentor, Yen Sid, not to dance, but to compose songs, including Frozen's «Let It Go,» OneRepublic, Demi Lovato, Imagine Dragons and Cee Lo Green trDance Central, Rock Band) has made an effort to bring Disney's classic musically experimental film, Fantasia, to life in a sense with Kinect gameplay, set on a mission from Mickey's own magical mentor, Yen Sid, not to dance, but to compose songs, including Frozen's «Let It Go,» OneRepublic, Demi Lovato, Imagine Dragons and Cee Lo Green trdance, but to compose songs, including Frozen's «Let It Go,» OneRepublic, Demi Lovato, Imagine Dragons and Cee Lo Green tracks.

His involvement in the early 1960s with Judson Dance Theater, New York, an experimental collective that included dancers as well as visual artists, resulted in performances free of narrative, emphasizing instead the purity of movement — sometimes conventionally dance - like, but also mundane movements, allowing untrained performers to participate side by side with professional danDance Theater, New York, an experimental collective that included dancers as well as visual artists, resulted in performances free of narrative, emphasizing instead the purity of movement — sometimes conventionally dance - like, but also mundane movements, allowing untrained performers to participate side by side with professional dandance - like, but also mundane movements, allowing untrained performers to participate side by side with professional dancers.

Accident of Choice refers to the experimental nature inherent in all forms of expression — painting, sculpture, dance, film, drama.

I was looking at contemporary dance, experimental theatre and experimental music; Simone Forti and her collaboration with Terry Riley in the late 1970s.

She has worked across photography, film, and dance, but is best known for her experimental approach to painting, the medium in which she was trained, stretching its bounds and assumptions through conceptual and abstract works.

After making seven experimental feature films — «Lives of Performers» (1972) and «MURDER and murder» (1996), among others — she returned to dance in 2000 via a commission from the Baryshnikov Dance Foundation («After Many a Summer Dies the Swan&raqdance in 2000 via a commission from the Baryshnikov Dance Foundation («After Many a Summer Dies the Swan&raqDance Foundation («After Many a Summer Dies the Swan»).

After making seven experimental feature - length films — Lives of Performers, Privilege, and MURDER and murder, among others — she returned to dance in 2000 via a commission from the Baryshnikov Dance Foundation (After Many a Summer Dies the Sdance in 2000 via a commission from the Baryshnikov Dance Foundation (After Many a Summer Dies the SDance Foundation (After Many a Summer Dies the Swan).

CounterPointe is an annual performance series dedicated to presenting the latest experimental, innovative, risk - taking choreography that shows a depth of investment in ballet by women dance makers working with the pointe shoe.

Legendary artist and dancer Simone Forti (b. 1935) talks about her experimental dance practice in anticipation of Huddle, her performance on the High Line on Thursday, May 24.

The gallery will host new performance works by; The Baltimore Experimental Dance Collective, Erica Magrey and BFFAEAETDDUP for three different evenings in December.

Its 3 - dimensionality has been woven around experimental dance, and she has worked collaboratively with choreographers and dancers, most notably the Merce Cunningham Dance Company in both New York and Chidance, and she has worked collaboratively with choreographers and dancers, most notably the Merce Cunningham Dance Company in both New York and ChiDance Company in both New York and Chicago.

1991 14 th Street Dance Center / Emanu - el Midtown YM - YWHA Alternative Museum Karole Armitage / The Armitage Foundation Jeffrey Arsenault Artists Space Robert Ashley Bang on a Can Martha Bowers Sean Bronzell Trisha Brown / Trisha Brown Company The California E.A.R. Unit Bruce Checefsky Rick Cluchey / San Quentin Drama Workshop Coffee House Press Company Appels Composers» Forum Crossings Cunningham Dance Foundation Dancing in the Streets Dixon Place The Drawing Center Douglas Dunn & Dancers Exit Art Phill Niblock / Experimental Intermedia Foundation Molissa Fenley The Field Erin Fitzgerald Ain Gordon David Gordon / Pick Up Performance Company Harvestworks Martine Joste Jin Hi Kim & Joseph Celli The Kitchen Shelley Lee Dance Company David H. Macbride / GAGEEGO Maxine Moerman Meredith Monk / House Foundation for the Arts Ken Montgomery / Generator Movement Research New York Studio School of Drawing, Painting & Sculpture Bruce Odland The Orchestra of the S.E.M. Ensemble The Poetry Project Real Art Ways Roulette Michael Rush and Co. / New Haven Artists» Theater Mercy Sidbury Spencer / Colton (Amy Spencer & Richard Colton) Telluride Institute Donna Uchizono Urban Bush Women Volunteer Lawyers for the Arts Dan Wagoner Dance Foundation ZONE

1988 14 th Street Dance Center / Emanu - el Midtown YM - YWHA Artists Space Bang on a Can Composers» Forum Gyula Csapó Cunningham Dance Foundation Dance Theater Workshop Dancing in the Streets Danspace Project The Drawing Center En Garde Arts Grand Windows Amy Greenfield John Jesurun The Kitchen The Knitting Factory Robert Kovich Susan Marshall & Company Movement Research Phill Niblock / Experimental Intermedia Foundation Maria Nordman Performance Space 122 The Poetry Project Primary Performance Group PS 1 / Institute for Art and Urban Resources Real Art Ways Susan Rethorst Roulette Ellsworth Snyder / The First Unitarian Society Elizabeth Streb / Ringside Sun & Moon Press Telluride Institute David Tudor White Columns The Wooster Group Bill Young and Dancers

Created as an audio extension to The Electric Information Age Book by Jeffrey T. Schnapp and Adam Michaels, the LP was made in the spirit of the experimental 1967 The Medium is the Massage LP, the «first spoken arts record you can dance to» based on media theorist Marshall McLuhan's groundbreaking book of the same name.

CounterPointe is dedicated to presenting the latest experimental, innovative, risk - taking choreography that shows a depth of investment in ballet by women dance makers working with the pointe shoe, presented in collaboration with Norte Maar.

Kinkaleri works in dance, experimental theater, performances, installations, exhibitions and sound materials.

Informed by a shifted sociopolitical consciousness, Nengudi's earliest work synthesized feminism, African and Japanese dance, music, and religious rituals in experimental sculptures and performances.

British dancer and choreographer Siobhan Davies went the other way, studying art before moving into dance, and has done much to position her own company as a site of crossover — from exhibitions with Victoria Miro to art exhibitions and experimental collaborations with artists at her own company studios in South London.

He danced in the company of French experimental choreographers Jérôme Bel and Xavier Le Roy.

Her Dance Constructions and other performance pieces such as Huddle, Hangers, Accompaniment for LMY, Rollers, Slant Board, Censor, and Platforms are being enacted in the museum and in public spaces in Salzburg by students at the SEAD (Salzburg Experimental Academy of Dance) during the duration of the exhibition, which runs until September 11, 2014.

A leading figure in postmodern dance, Brown is well known for experimental works such as Walking on the Wall and Roof Piece, as well as her collaborations with Merce Cunningham, Robert Rauschenberg, John Cage and Donald Judd.

From 1909 to 1913 many experimental works in the search for this «pure art» had been created by a number of artists: Francis Picabia painted Caoutchouc, 1909, [20] The Spring, 1912, [21] Dances at the Spring [22] and The Procession, Seville, 1912; [23] Wassily Kandinsky painted Untitled (First Abstract Watercolor), 1910, [24] Improvisation 21A, the Impression series, and Picture with a Circle (1911); [25] František Kupka had painted the Orphist works, Discs of Newton (Study for Fugue in Two Colors), 1912 [26] and Amorpha, Fugue en deux couleurs (Fugue in Two Colors), 1912; Robert Delaunay painted a series entitled Simultaneous Windows and Formes Circulaires, Soleil n ° 2 (1912 — 13); [27] Léopold Survage created Colored Rhythm (Study for the film), 1913; [28] Piet Mondrian, painted Tableau No. 1 and Composition No. 11, 1913.

Trisha Brown, the experimental choreographer who helped bring dance into the art world and whose postmodern pieces altered the history of performance, died on March 18 in San Antonio, Texas, of a «lengthy illness,» the Trisha Brown Dance Company announced... Readdance into the art world and whose postmodern pieces altered the history of performance, died on March 18 in San Antonio, Texas, of a «lengthy illness,» the Trisha Brown Dance Company announced... ReadDance Company announced... Read More

Individually and in various groupings CMW Players have played almost everywhere in the D.C. area, including Source Festival, the Kennedy Center, Sonic Circuits Festival of Experimental Music, DC Jazz Festival, Goethe Institut, Capital Fringe Festival, the Freer Gallery, the Embassy of Indonesia, Dance Place, etc. https://soundcloud.com/boxwallastan/sets/creative-music-workshop/s-Zc9ua

HIGHLIGHTS: Art Exhibitions, Open Rehearsals, Dance, Music, Theater and more 5:30 — 6 p.m.: Limon Repertory, Dance Studio 128 (DS 128) 5:30 — 6:30 p.m.: Hip Hop, Dance Studio 128 (DS 128) 5:30 — 8 p.m.: Open Art Galleries — Beall Center for Art + Technology, Contemporary Art Center Gallery, Room Gallery, University Art Gallery Open Art Studios — Contemporary Art Center, 4th Floor; Arts, Culture and Technology Building, 2nd and 3rd Floor Music in Motion — Telepresence Studio, Contemporary Arts Center Room 1102 Arts Plaza Main Stage — Bare Bones Dance Theater, Improv Revolution (iRev), Uniting Voices, UCI Bluegrass Duo, B - Boys Anonymous Alumni Open Reception — Contemporary Arts Center Plaza Jason Jones Trio — Contemporary Arts Center Plaza 6:30 — 7:30 p.m.: «New Slate» Dance Rehearsal, Dance Studio 128 (DS 128) 6:30 — 8 p.m.: Parade Theater Rehearsal, Claire Trevor Theatre; Our Class Theater Rehearsal, PSTU 1110 (Studio 5) 7 — 8 p.m.: UCI Symphony Orchestra, Music and Media 220 Full Performance 7 — 9 p.m.: The Art of Performance in Irvine: Fallen Fruit, Experimental Media and Performance Lab (xMPL)

Sally Smart's most recent work The Choreography of Cutting is a series of projects re-framing early 20th century avant - garde dance movements and their performative multi-disciplinary practice in experimental visual art forms.

Initiated in 2004 with the help of artists Olivier Mosset and Steven Parrino, Cinema Zero is a concept of nomadic events mixing screenings (of early 20th century experimental films as well as contemporary works) with performance, painting, sculpture, dance or sound.

Visceral, intimate and immersive, The Lady in Red Converses with Diablo at Arts@Renaissance is an experimental play that seamlessly integrates music, dance, drama, storytelling, and video

She specializes in performance art and site specific art having gained her experience as Managing Director of Dansmakers Amsterdam, a production house and workplace for research and development of contemporary experimental dance by emerging choreographers and as Managing Director of theater collective Aardlek, which specializes in street arts and site specific theater starting from the realities of public space.

SOME pretty high - powered visual artists got involved in Trisha Brown's dance pieces in the Brooklyn Academy of Music's latest experimental dance series, conveniently titled «The Next Wave.»

Sehgal studied dance and political economics in Berlin and Essen, Germany, at the Folkwang Hochschule, before launching his dance career with French experimental choreographers Jérôme Bel and Xavier Le Roy.

With the ground - breaking performance ensemble at its core, ongoing initiatives like the Summer Leadership Institute (SLI), BOLD (Builders, Organizers & Leaders through Dance) and the developing Choreographic Center, UBW continues to affect the overall ecology of the arts by promoting artistic legacies; projecting the voices of the under - heard and people of color; bringing attention to and addressing issues of equity in the dance field and throughout the United States; and by providing platforms and serving as a conduit for culturally and socially relevant experimental art maDance) and the developing Choreographic Center, UBW continues to affect the overall ecology of the arts by promoting artistic legacies; projecting the voices of the under - heard and people of color; bringing attention to and addressing issues of equity in the dance field and throughout the United States; and by providing platforms and serving as a conduit for culturally and socially relevant experimental art madance field and throughout the United States; and by providing platforms and serving as a conduit for culturally and socially relevant experimental art makers.

Collaborations include working with Andrew Oesch and Ian Cozzens as the participatory art / building team Magic City Repairs, and dancing with Jazz Hand Job, an experimental dance troupe based in Providence.

She studied visual art and dance at California State University at Los Angeles and through a special graduate program traveled to Japan, a complex experience informed by Japanese post-WWII perceptions of America, ritual expectations of gender roles, and liberation found in traditional and experimental Japanese art - making approaches and techniques.

Emerging in the early 1960s world of experimental film, music, poetry, dance and Happenings, Carolee Schneemann's multimedia work addresses the interrelationship between postmodern issues and broader cultural concerns.

Currently based in NYC, where she works extensively with unseen histories, performance, experimental radio, dance films, including upcoming projects with the likes of Miguel Gutierrez, Cynthia Oliver, Same As Sister, and Leslie Cuyjet to name a few.

Alessandra Gomez is an independent curator from South Carolina specializing in contemporary art and experimental dance and performance.

Marianne is a Trustee of Fierce, a festival of performance, dance, live art and experimental theatre in Birmingham.

1 December — Charlotte Cotton, creative director of Media Space (a partnership between the National Media Museum and the Science Museum) 8 December — Kim Noble, one half of Perrier Award - winning, BAFTA - nominated experimental art - comedy duo Noble and Silver 15 December — Siobhan Davies, dancer and choreographer and recipient of the Laurence Olivier Award for outstanding achievement in dance.

A founding member of the experimental Judson Dance Theater in 1962, Brown branched off to establish her own New York - based company in 1970.

Emerging in the early 1960s world of experimental film, music, poetry, dance and Happenings, Carolee Schneemann's work is characterized by experiments in kinetic technologies, as well as research into archaic visual morphologies, pleasure wrested from suppressive taboos and the body of the artist depicted in dynamic relationship with the social body.

Recente tentoonstellingen waren o.a.: A Possibility of An Abstraction, Experimental Media and performing Arts Center, Troy, VS (2014); Le Mouvement: Performing in the City, 12th Swiss Sculpture Exhibition, Biel, Zwitserland (2014); CLEAR, Gagosian Gallery, Beverly Hills, VS (2014); A Possibility of an Abstraction: Square Dance, Holland Festival and Stedelijk Museum Amsterdam (2014); Man in the Holocene, MIT, List Visual Arts Center, Boston, VS (2013); Germaine Kruip: A Possibility of an Abstraction, The approach, Londen (2012); A possibility of an Abstraction: Circle Dance, Art Basel / Art Unlimited, (2012); In The Belly Of The Whale (ACT III), The Centro Cultural Montehermoso, Vitoria - Gasteiz, Spanje (201in the City, 12th Swiss Sculpture Exhibition, Biel, Zwitserland (2014); CLEAR, Gagosian Gallery, Beverly Hills, VS (2014); A Possibility of an Abstraction: Square Dance, Holland Festival and Stedelijk Museum Amsterdam (2014); Man in the Holocene, MIT, List Visual Arts Center, Boston, VS (2013); Germaine Kruip: A Possibility of an Abstraction, The approach, Londen (2012); A possibility of an Abstraction: Circle Dance, Art Basel / Art Unlimited, (2012); In The Belly Of The Whale (ACT III), The Centro Cultural Montehermoso, Vitoria - Gasteiz, Spanje (201in the Holocene, MIT, List Visual Arts Center, Boston, VS (2013); Germaine Kruip: A Possibility of an Abstraction, The approach, Londen (2012); A possibility of an Abstraction: Circle Dance, Art Basel / Art Unlimited, (2012); In The Belly Of The Whale (ACT III), The Centro Cultural Montehermoso, Vitoria - Gasteiz, Spanje (201In The Belly Of The Whale (ACT III), The Centro Cultural Montehermoso, Vitoria - Gasteiz, Spanje (2012)