Sentences with phrase «in facture»

However different in their facture and intent, both the early and late paintings demand the viewer's physical presence to fully experience them.

The paintings in Beauchene's show seem virtually identical at first ---- an impression that is aided by their tight linear installation on a single wall ---- but one quickly begins to notice all manner of difference in their facture and details.

The paintings in Beauchene's show seem virtually identical at first — an impression that is aided by their tight linear installation on a single wall — but one quickly begins to notice all manner of difference in their facture and details.

Hoyland's earlier paintings of 1960, 1961 and early 1962 are very near Miss Riley in spirit, if not in facture or restraint.

Hildebrandt's paintings are complex, both in their facture and meaning.

Smurfit Kappa is to invest in its Facture Paper Mill in France in a bid to meet the growing demand for kraftliner grades in Europe.

Smurfit Kappa continues to invest in its Facture Paper Mill to meet the growing demand for kraftliner grades in Europe (more)

Not exact matches

Headquarters: Niagara Falls, So in 2005, he founded The Ice House Winery — Ontario, Canada Employees: 40 (at peak) a refurbished peach packing plant that now manuProduct: Icewine factures icewine in Niagara - on - the - Lake, Jamie Macfarlane, owner: «Icewine is a concentrate, so it creOntario, Canada.

When hydraulic fracturing or «fracking» to access unconventional oil and gas reserves was a hot topic in the fossil fuel industry, Ryerson was tapped to lead a team to develop GEOS — a dynamic computational rock mechanics and hydrologic tool — that can model facture propagation, resulting seismic signals and pressure - driven fluid flow through a rock mass.

Examples in this category include modified cellulose, in which the hydroxyl groups on the glucose residues have been substituted to varying degrees with alkyl groups such as methyl and propyl; fructooligosaccharides manu - factured from sucrose; and polydextrose synthesized from glucose.

Recurrent throughout 8 Painters are stylings on past painterly marks and movements, not so much placed in quotations as absorbed into a work's facture... It's a hopeful sign that the artists in [the show] demonstrate a critical distillation of influences that inform their particular sensibilities, philosophical outlooks, and relationship to materials — not making any great claims, just proceeding in a personally deliberate way.»

There's no evidence of facture; the paint, you think, has soaked seamlessly into the linen support; these must be riffs on Color Field Painting, sans the bright colors, late iterations of stripe paintings in the mode of Kenneth Noland and Gene Davis.

He does not vary and he does not experiment, but in no way does this impede his facture.

Christopher Bedford writes that «Many of the most challenging painters working today — Dana Schutz, Daniel Dove, Lisa Sanditz, and Tom McGrath, for example — are disparately engaged with one central (albeit multifaceted) question: What is at stake in negating intelligible mimetic imagery with passages of pure facture and, inversely, in undermining the autonomy of materials and process with overt images?

There is Frank Stella's workaday application of paint in stripes of a regular modulated width, avoiding expressionistic facture.

The affect reeks with a kind of abdominal essence, a respite from the normative facture found in earlier paintings.

Since the New York School were primarily abstract painters, there is no direct address to the subject of drink in their works, although the urgency of brushstroke and facture often seem to be invoking an internal drama of intoxication, disinhibition and released authenticity.

It is not known if Untitled [glossy black painting] was produced as part of the first or second campaign.8 But the work's facture resembles that seen in paintings associated with the first group, such as the Whitney Museum of American Art's Untitled [glossy black four - panel painting](fig. 4), and it explores the ambiguities of «monochrome» in ways that seem more closely tied to the abstract expressionist project than to the later paintings» concern with the degradation of materials, an interest often linked to Rauschenberg's 1953 visit to Alberto Burri's (1915 — 1995) studio in Rome.9

For me, it is fascinating to study Pousette - Dart's facture in correlation to digital aesthetics at the dawn of the computer age.»

Fat paintsticks, rough canvas, and a limited palette interact in an eccentric facture that resembles gravestone rubbing.

When coated with paint, the cheaply produced newsprint buckled, creased, and roiled in unpredictable ways, effecting a highly variegated, slightly shimmering surface that caught the shifting light and shadows of its environs and produced an elegant study in the interrelated categories of «structure, texture, and facture» 8 emphasized by Albers.

Verbalized or not, our art resides in the many decisions informing the manufacture of artifacts of some kind, for which tectonics and facture must speak to some clear purpose.

Wood # 4emits surprising power: despite its small size, repetitive composition, and understated facture, it embodies her pursuit of exhaltation and ecstasy, expressive qualities she admired in Jackson Pollock's huge dripped canvases.

In 1985 Richter said that he was ready to «try out my abstract works in printmaking but in a more conventional manner... etching and all that,» but it did not happen.12 Instead he continued to cycle between mechanical reproduction (with increasingly refined production values) and haptic hand - facturIn 1985 Richter said that he was ready to «try out my abstract works in printmaking but in a more conventional manner... etching and all that,» but it did not happen.12 Instead he continued to cycle between mechanical reproduction (with increasingly refined production values) and haptic hand - facturin printmaking but in a more conventional manner... etching and all that,» but it did not happen.12 Instead he continued to cycle between mechanical reproduction (with increasingly refined production values) and haptic hand - facturin a more conventional manner... etching and all that,» but it did not happen.12 Instead he continued to cycle between mechanical reproduction (with increasingly refined production values) and haptic hand - facture.

Förg grounded US modernist forms in the stubborn sensuality of a materialistic facture.

Whereas in previous paintings she featured lavishly - painted structural elements of defunct worlds, in her new work Gualdoni sheds the nostalgic architectural references and authoritative facture to find meaning in the process itself.

Where many artists of the Finish Fetish school eschewed the material facture of their works, DeLap has almost always chosen to construct his work himself, meticulously producing freestanding sculptures in aluminum, fiberglass, lacquer, Plexiglas, resin and molded plastics and fabrics.

2011Out of Focus Photography, Saatchi Gallery, London, UK (catalogue) Second Nature: Abstract Photography Then and Now, deCordova Sculpture Park and Museum, Lincoln, MA «Render: New Construction in Video Art», California Museum of Photography, University of California, Riverside, CA The Only Rule is Work, Galerie Waalkens, Finsterwolde, Holland Painters Painting, Atlanta Contemporary Art Center, GA Eslov Wide Shut Part II, Mallorca Landings, Mallorca, Spain Movable Facture, Vivo Media Arts Centre, Vancouver, B.C., Canada (catalogue) A Useful Looking Useless Object, Sierra Metro, Edinburgh, Scotland Sound + Vision: Crossroads, Plug - In, ICA, Winnipeg, Canada Effects & Affects: The Alphabet, Fumetto Festival, Lucerne, Switzerland You Killed the Underground Film or the Real Meaning of Kunst bleibt... bleibt... & The Sisters, (Group show with Bettina Koester, Wilhelm Hein and Jennifer West), Lost Property, Amsterdam Update no. 2, White Columns, New York (catalogue) Another Kind of Vapor, White Flag Project, St. Louis, MO Contour 2011, 5th Biennial of the Moving Image, Mechelen, Belgium Adult Contemporary, Kavi Gupta, Berlin How Soon Now, Rubell Family Collection, Miami, FL (catalogue) California Dreamin, Arte Portugal Biennial, Lisbon, Portugal Home Show Revisited, Contemporary Arts Forum, Santa Barbara, CA (catalogue) Abstract Moving Image, Taka Ishii Gallery, Tokyo, Japan One Person's Materialism is Another Person's Romanticism, Remap 3, Athens Greein Video Art», California Museum of Photography, University of California, Riverside, CA The Only Rule is Work, Galerie Waalkens, Finsterwolde, Holland Painters Painting, Atlanta Contemporary Art Center, GA Eslov Wide Shut Part II, Mallorca Landings, Mallorca, Spain Movable Facture, Vivo Media Arts Centre, Vancouver, B.C., Canada (catalogue) A Useful Looking Useless Object, Sierra Metro, Edinburgh, Scotland Sound + Vision: Crossroads, Plug - In, ICA, Winnipeg, Canada Effects & Affects: The Alphabet, Fumetto Festival, Lucerne, Switzerland You Killed the Underground Film or the Real Meaning of Kunst bleibt... bleibt... & The Sisters, (Group show with Bettina Koester, Wilhelm Hein and Jennifer West), Lost Property, Amsterdam Update no. 2, White Columns, New York (catalogue) Another Kind of Vapor, White Flag Project, St. Louis, MO Contour 2011, 5th Biennial of the Moving Image, Mechelen, Belgium Adult Contemporary, Kavi Gupta, Berlin How Soon Now, Rubell Family Collection, Miami, FL (catalogue) California Dreamin, Arte Portugal Biennial, Lisbon, Portugal Home Show Revisited, Contemporary Arts Forum, Santa Barbara, CA (catalogue) Abstract Moving Image, Taka Ishii Gallery, Tokyo, Japan One Person's Materialism is Another Person's Romanticism, Remap 3, Athens GreeIn, ICA, Winnipeg, Canada Effects & Affects: The Alphabet, Fumetto Festival, Lucerne, Switzerland You Killed the Underground Film or the Real Meaning of Kunst bleibt... bleibt... & The Sisters, (Group show with Bettina Koester, Wilhelm Hein and Jennifer West), Lost Property, Amsterdam Update no. 2, White Columns, New York (catalogue) Another Kind of Vapor, White Flag Project, St. Louis, MO Contour 2011, 5th Biennial of the Moving Image, Mechelen, Belgium Adult Contemporary, Kavi Gupta, Berlin How Soon Now, Rubell Family Collection, Miami, FL (catalogue) California Dreamin, Arte Portugal Biennial, Lisbon, Portugal Home Show Revisited, Contemporary Arts Forum, Santa Barbara, CA (catalogue) Abstract Moving Image, Taka Ishii Gallery, Tokyo, Japan One Person's Materialism is Another Person's Romanticism, Remap 3, Athens Greece

In the NY Sun David Cohen writes that the real enigma of Murphy's treatment of the perceived world is that she is «neither hyperrealistic nor impressionistic, nor is she so remote from her own facture as to achieve — or seem to want to achieve — total verisimilitude.

Projects in progress include solo presentations of work by Erwin Redl, Tobias Putrih and MOS, Katy Moran, Joel Morrison, Nathalie Djurberg, and Paul Sietsema, as well as a Facture and Fidelity: Painting, 1945 - 2013, co-organized with Katy Siegel, which will open at the Wexner Center in 2013.

Her recent projects include Suddenly, There: Discovery of the Find at Garis & Hahn in New York, Break / Step at Radiator Gallery in Long Island City, and Facture at AIRPLANE in Brooklyn, among others.

With their restrained facture and emphasis on commonplace subjects, these works offered an alternative to the visual and critical rhetoric of Abstract Expressionism, the dominant mode of painting in the 1950s.

[2] Stories, when they appear, are thin, not in that they are poorly made but because their facture is visible.

Despite their robust physicality, the absence of traditional gesture, and the sheer uniqueness of their facture, these works can be discussed in terms of process inasmuch as the studio is today more than ever a mediated site that informs the reception of painting.

Recurrent throughout 8 Painters are stylings on past painterly marks and movements, not so much placed in quotations as absorbed into a work's facture.

Here's what they will tell us: for abstract painting look elsewhere (narrative rules in this biennial); fashion — meets — art doesn't rate; LA, a city whose artistic vitality the curators see as ascendant, does; slipshod facture's out; the real world's not, just unwelcome in unmediated, text — based versions; performance figures in the planning; and film and video will «be selected from the point of view of two curators of contemporary art.»

«Combining a handmade aesthetic with a range of materials, the works in «Facture» manipulate spatial perception and challenge the distinctions between sculpture, painting, photography, and video.

As the latter continue to expand both in terms of facture (higher - quality CGI, filming via drones) and how they're nested in the expansive installations he produces with Lizzie Fitch, Trecartin is branching out in other directions: this year, he cocurated the New Museum's Triennial, Surround Audience, which unsurprisingly was filled with artists negotiating the ravages of the digital age.

The choice is dictated to some extent by the fact that Newman worked at times with extreme formats — canvas widths fluctuating between 18 feet and 1 1/2 inches — which defy appropriate reproduction, particularly in this medium, as does the subtlety of the facture of his paintings.

A large footed bowl from 1881, for example, features a pair of lively crabs entangled near its lip, their delicate modeling in contrast to the brutish facture of the bowl and the splash of greenish - black glaze over its otherwise unglazed surface.

They tell a story, and they do it with lots of the sort of stuff painters hanker after nowadays — facture, washy brushmarks, pentimenti, painterly quiddity, etc., all wrapped up in a bold and semi-abstract style.

You mentioned Sean Scully as somebody whose work interested you... your works are highly finished yet the facture is evidenced in a reductive way.

Her large canvases incorporate drawn elements — linear gesture, repetitive line, intimations of depth — but in a distinctly painterly manner, with great sensitivity to facture and tonality.

In her mark - making, the lush facture of her work can be related to vanguard practitioners of 80s abstraction such as Bill Jensen, David Reed and Mary Heilmann.

In November his work can be seen in the group exhibition, Form and Facture curated by Karen Levitov for the Paul W. Zuccaire Gallery at Stony Brook University and in 2015 Behnke will present his second one person show at Kathryn Markel Fine ArtIn November his work can be seen in the group exhibition, Form and Facture curated by Karen Levitov for the Paul W. Zuccaire Gallery at Stony Brook University and in 2015 Behnke will present his second one person show at Kathryn Markel Fine Artin the group exhibition, Form and Facture curated by Karen Levitov for the Paul W. Zuccaire Gallery at Stony Brook University and in 2015 Behnke will present his second one person show at Kathryn Markel Fine Artin 2015 Behnke will present his second one person show at Kathryn Markel Fine Arts.

The two dimensional paintings, usually on plywood, look like they were factured on the horizontal, either on the floor or on a table, and the images, in so far as they are images at all, look less composed than arrived at through operational processes.

Last year also saw a blockbuster - sized deal in what had, to date, been a niche product — manu - factured housing.