Not exact matches
Several states offer tax
credits to television and
film production companies that make a television series or
feature film in that state.
You don't have to get far into most
feature films to see some impact of money and wealth, but some movies put money front and center as the main
feature, almost warranting its own mention as a character
in the
credits.
Grier's
feature film credits include HOLY SMOKE,
IN TOO DEEP, SNOW DAY, and the animation feature SCOOBY DOO III: THE CURSE OF CLEOPATRA, in which she was the voice of Cleopatra, and BACK IN THE DAY starring Ving Rhames, Joe Morton, and Ja Rul
IN TOO DEEP, SNOW DAY, and the animation
feature SCOOBY DOO III: THE CURSE OF CLEOPATRA,
in which she was the voice of Cleopatra, and BACK IN THE DAY starring Ving Rhames, Joe Morton, and Ja Rul
in which she was the voice of Cleopatra, and BACK
IN THE DAY starring Ving Rhames, Joe Morton, and Ja Rul
IN THE DAY starring Ving Rhames, Joe Morton, and Ja Rule.
Some of Gilchrist's
film credits include the title role of Peck
in the
feature film JUST PECK opposite Marcia Cross as well as THE ROCKER, THE EGG FACTORY, and DEAD SILENCE.
Outside of his Nightmare appearances, Englund's most significant
credits were his one - shot directorial stint on the theatrical
feature 976 - EVIL (1988); his characterization of the title role
in a medium - budget
film adaptation of Phantom of the Opera (1989); and his hosting chores on the Craven - produced TV anthology Nightmare Café (1992).
His first
film appearance occurred
in 1983,
in Max Dugan Returns, with a scene
featuring Sutherland alongside his father Donald Sutherland.The 1980s brought the beginning of what would become Kiefer Sutherland's lengthy list of
film credits.
Produced under the title Papi Chulo, Chasing Papi was the first
feature film from director Linda Mendoza after an extensive resume of
credits in television comedy.
Additional highlights of his previous
film credits include HERCULES, CUBAN FURY, JACK AND THE GIANT SLAYER, SNOW WHITE AND THE HUNTSMAN, starring
in, and co-producing, the motion picture 44 INCH CHEST, Woody Allen's SCOOP, and voice over acting
in the highly - acclaimed animated
features, CORALINE, SHREK THE THIRD, KUNG FU PANDA, and THE GOLDEN COMPASS.
Directed by Tristram Shapeero, making his
feature film debut after a lengthy career
in television (with
credits including Absolutely Fabulous, Peep Show, Community, and Parks and Recreation), A Merry Friggin» Christmas also stars Lauren Graham, Oliver Platt, Tim Heidecker, and Wendi McLendon - Covey.
Tilly's other
feature film credits include Bound, The Getaway, Made
in America, The Fabulous Baker Boys, Let It Ride and Shadow of the Wolf.
Irons adds the
credit of executive producer and
featured actor
in TRASHED, a Blenheim Production
feature documentary directed by Candida Brady, which received a special screening at the 2012 Cannes
film festival.
LeBlanc's
feature film credits include CHARLIE»S ANGELS, and its sequel, CHARLIE»S ANGELS: FULL THROTTLE with Drew Barrymore, Cameron Diaz, and Lucy Liu, directed by McG; LOST
IN SPACE, based on the classic television show that was originally produced by Irwin Allen, ALL THE QUEEN»S MEN AND LOVESICK, co-starring Chevy Chase.
Tilly's other
feature film credits include Bound, The Getaway, Made inJennifer received an Academy Award ® nomination and an American Comedy Award nomination for Best Supporting Actress for her role as Olive
in Bullets Over Broadway.
The
film features some of the earliest screen appearances of Emmy - nominated sitcom veteran Ed O'Neill («Married... With Children», «Modern Family»), playing a mercenary reluctant to go on the mission, and a young Jim Broadbent, who is lowly
credited but instantly recognizable
in a brief background role.
In this modern era, the Coen Brothers are often credited as the life support system for classic noir, but the Coens appear to have serious competition in the form of Australian filmmaker and stuntman Nash Edgerton, whose feature debut, The Square, is a brilliantly twisty, gritty contemporary film noi
In this modern era, the Coen Brothers are often
credited as the life support system for classic noir, but the Coens appear to have serious competition
in the form of Australian filmmaker and stuntman Nash Edgerton, whose feature debut, The Square, is a brilliantly twisty, gritty contemporary film noi
in the form of Australian filmmaker and stuntman Nash Edgerton, whose
feature debut, The Square, is a brilliantly twisty, gritty contemporary
film noir.
Iannotta doesn't have a
feature film to his name yet, but he's got a
credit that isn't just handed to any man or woman with a movie camera — his documentary short, My Big Red Purse, was selected to play at last month's South by Southwest
Film Festival, beating out hundreds of competitors
in the process.
The director: Markus Schleinzer (Austria) The talent: An actor and accomplished casting director — whose
credits in the latter field include several
films by his compatriots Michael Haneke and Jessica Hausner — 39 year - old Schleinzer has cast his debut
feature as writer - director with several actors he previously tapped for other directors»
films.
The fun music video for Eels» catchy (but profane) end
credits song «Mr. E's Beautiful Blues» (3:53)
features most of the principal cast interacting with the band (and mouthing along)
in scenarios inspired by the
film.
With more than 100
film and television
credits, Rubin has cast such
features as the upcoming Warren Beatty
film «Rules Don't Apply,» «Trumbo,» «Wild,» «Lars and the Real Girl,» «Hairspray,» «The Talented Mr. Ripley,» «Men
in Black,» «Romeo + Juliet,» «The English Patient» and «Four Weddings and a Funeral.»
An accomplished editor
in her own right whose credits including Fifty Shades of Grey, Salmon Fishing In The Yemen and Seven Psychopaths, she has recently started to direct music videos for the likes of John Grant and Goldfrapp ahead of making her first feature fil
in her own right whose
credits including Fifty Shades of Grey, Salmon Fishing
In The Yemen and Seven Psychopaths, she has recently started to direct music videos for the likes of John Grant and Goldfrapp ahead of making her first feature fil
In The Yemen and Seven Psychopaths, she has recently started to direct music videos for the likes of John Grant and Goldfrapp ahead of making her first
feature film.
One of the
film's most interesting creative choices is the decision to
feature portraits of crew members alongside their names
in the closing
credits.
It's to the
credit of Lincoln's filmmakers that
in the relatively short running time of a
feature film, we genuinely get a similar sense of the ways
in which history is actually written.
BEST: The closing
credits were played over a soundtrack of Public Enemy's «Fight the Power,» which was
featured in the 1989 Spike Lee
film «Do the Right Thing.»
THR brings word that Ant - Man director Peyton Reed is
in talks with Marvel Studios to return for the 2018 sequel Ant - Man and the Wasp, which will
feature Evangeline Lilly «s Hope van Dyne / Wasp
in an expanded role (as teased
in the end
credits of the first
film).
A bizarre prologue to the piece, a nineteenth - century urban legend spoken
in Yiddish, might encourage the main
feature to be seen as a parable but returning to that end
credit disclaimer, A Serious Man is the Coens» least serious
film for a long time.
The
film's cast includes the great Brad Dourif, who will once again voice the possessed doll Chucky, as well as some other returning characters, including Dourif's daughter Fiona, who is reprising her Curse role of Nica Pierce, and fellow franchise veterans Alex Vincent, who starred as Andy
in the first two Child's Play movies and had a surprise cameo
in an after -
credits scene
in Curse, and Jennifer Tilly, who voiced Chucky's soulmate Tiffany
in Bride of Chucky and Seed of Chucky and was also
featured breifly
in Curse.
Once the 2000s got underway, he started to get major
credits in the
feature world, with 2nd unit DoP
credits on «28 Days Later,» «Harry Brown» and «Pride & Prejudice,» as well as working on all three of Lynne Ramsay's
films, serving as second unit DoP on «We Need To Talk About Kevin» (he also lensed a Doves music video for the director, a classmate at the NFTS).
The
film is also Anderson's first
feature with no
credited cinematographer, as the filmmaker worked with a crew of camera technicians he has collaborated with before
in a new way.
There is also a new
feature length commentary with Adrienne Barbeau, who played Maggie, discussing her memories of the
film with director of photography Dean Cundey, who
credits Carpenter's vision for being so ahead of its time
in even attempting to create a (seemingly large) whole different world on the tiny budget of an independent
film.
Now, LeBlanc picks up his first
feature film credit since 2003, when he reprised the role of Jason Gibbons
in Charlie's Angels: Full Throttle.
Among his long list of
feature credits are The Pillow Book, Velvet Goldmine, Young Adam, Big Fish, I Love You Philip Morris, Salmon Fishing
In The Yemen and Moulin Rouge (scoring Golden Globe nominations for the latter two
films).
[UPDATE: Commenter Aspect Ratio reassures the pop - phobic that only Avril Lavigne's contribution will
feature in -
film (and over
credits).
Viggo Mortensen, «Captain Fantastic» Although his first official on - screen
credit was the 1985
feature film «Witness,» this Danish - American nominee technically first appeared
in Woody Allen's «The Purple Rose of Cairo» — a movie from which he was subsequently cut.
* Eighteen producer
credits on Legends of Oz: Dorothy's Return, an animated
film featuring the voiceovers of Dan Aykroyd, Lea Michele and others
in which Dorothy Gale of Kansas decides to return to Oz
in order to help her friends.
The
film marks the unlikely
feature directorial debut of Michael Rapaport, a veteran actor whose juiciest
credits came
in Tribe's one successful decade and include Beautiful Girls, Cop Land, Deep Blue Sea, and a recurring role on «Friends.»
Sikes Yorkin's
feature film credits include co-starring roles
in the comedies Arthur 2 On The Rocks, with Dudley Moore; That's Life, with Jack Lemmon; Love Hurts, with Jeff Daniels; Possums, with Mac Davis; and Going Shopping, directed by Henry Jaglom.
A summer movie event that has literally been a decade
in the making, Avengers: Infinity War is the new capstone of Marvel Studios» ambitious master plan to bring the majority of their comic book heroes to cinematic life — not
in separate, stand - alone
films, but rather
in an intricate web of interlocking narratives, each of which
features various plot points and isolated moments (some buried within or after the closing
credits) that have laid the groundwork for the events depicted here.
A master of the stage (he
featured opposite Lauren Bacall
in Sweet Bird of Youth for the Sydney Theatre Company) and a constant presence on local television (27 small - screen
credits, including «Prime Minister John Gorton»
in the landmark mini-series, Vietnam), Cassell was a cherished cast member
in many of the great
films of the industry's boom decades.
That speaks to the
film's charms, for which I believe director Miguel Arteta (Youth
in Revolt, The Good Girl) deserves as much
credit for as
feature debut - making writer Phil Johnston.
This time round his alter - ego Wade Wilson finds himself on the cusp of parenthood, only to have the chance tragically wrenched away during the
film's unexpected opening scenes (a surprise neatly reflected
in the James Bond - style titles sequence
featuring credits such as: «Written By: the real villains of this
film» and «Starring: someone who clearly doesn't like sharing the limelight»).
In addition to Super Troopers and Super Troopers 2, Chandrasekhar's
credits include the
feature films Puddle Cruiser, Club Dread, The Dukes of Hazzard, Beerfest and The Babymakers; the movies for television Held Up and Schooled; the pilots for the series The Rebels and Really; and episodes of the series Undeclared, Arrested Development, Chuck, Psych, Community, Royal Pains, The Goldbergs and New Girl.
Although a great deal of Ellroy's novel had to be pared down
in order to accommodate a
feature length
film,
credit the screenwriting team of Brian Helgeland (Conspiracy Theory, The Postman) and Curtis Hanson (The Bedroom Window, The Silent Partner) for being able to tie up all of the loose ends of the original story and make it not only easy to understand, but also to deliver a powerhouse
film in the process.
A number of bonus
features from Spider - Man 2's original DVD are not included here: another Spidey Sense graphic subtitle trivia track, Train's «Ordinary» music video, four making - of webisodes, the 15 - minute «Interwoven: The Women of Spider - Man», «Enter the Web» (multi-angle B - roll from the
filming of four sequences), a gallery of Alex Ross» paintings of scenes from the original
film used
in the opening
credits, a trailer for and making - of featurette on Activision's Spider - Man 2 video game, and, least importantly, DVD - ROM content supposedly consisting of weblinks and an S - M 3 countdown which I couldn't even get to work (trying to use InterActual these days is a disaster).
It's no coincidence that this
film features the same screenwriter, Kevin Williamson (Scream 2, The Faculty), who has been given far too much
credit for doing an adequate job
in Scream, but he shows he's vastly overrated with this tired, derivative
film.
Mario Bava's first
credited feature film as director has appeared
in various complicated guises since its release 47 years ago
in Italy — the original Director's Cut
in Italian, the Director's Cut with an English dub track prepared by the Italian producers and released only
in Europe, and the AIP re-edit, which had the U.S. distributor cutting it down for faster pacing, re-dubbing the dialogue with its own stable of voice actors, and replacing Roberto Nicolosi's original score with a more punchy, aggressive version by AIP's all -
in - one music department, Les Baxter.
Four pages of Music
Credits identify the songs
featured in the
film and list URLs and books of relevance to the musicians.
Fogelman's early
feature credits were for writing family
films like Bolt, Tangled, and Cars 2, but he broke out
in a big way with 2011's Crazy, Stupid, Love.
Although it's sounds depressing, Lonergan fills it with a lot of dry humour and the entire cast are excellent; Kyle Chandler only
features in flashbacks but he brings a really strong paternal presence and, despite appearing high
in the
film credits, Michelle Williams actually
features very little.
Mostly known as a character actor and supporting player, he first appeared on television
in 1954 and made his
feature film debut
in 1957, going on to more than 200 screen
credits.
These letters form the basis of «Trumbo,» a documentary about the writer's life based on the play «Trumbo» by his son Christopher and
featuring powerful staged readings of the letters by such performers as Brian Dennehy, Paul Giamatti, Nathan Lane, Liam Neeson, David Strathairn, and Michael Douglas — whose father, Kirk, interviewed
in the
film, helped break the blacklist
in 1960 by insisting that Trumbo be
credited as the screenwriter for «Spartacus.»