Sentences with phrase «in feminist»

She has a background in feminist psychotherapy, and special interests and training in dreamwork and group work, and has studied Jungian approaches to dreams, and recently completed training in Embodied Dream Imagery with Jungian analyst Robert Bosnak.

As a therapist I am trained in and specialize in feminist therapy, trauma therapy and therapy with adolescents and their families.

The link between personal healing and giving to others who have suffered has been well established in feminist - informed therapies for many years, as witnessed in Lisa Goodman's work with small groups of depressed, low - income women who engage in collective social - change projects as a way to solidify and expand their personal healing.

Anna got her start in feminist organizing as a peer educator offering inclusive and comprehensive sexuality education.

Its innovative bottom - up approach, rooted in feminist perspectives, gives due prominence to the voices of those most affected by the global surrogacy chain, namely the surrogate mothers, donors, prospective parents and the children themselves.

Her interests have moved away from mediation towards her renewed involvement in feminist activism, she explains.

Whilst it is easy to get carried away in the feminist and common sense arguments against the burkini ban (and believe me I am guilty of doing just that), let's take a look at a few of the legal arguments against the ban: -

Based in New York since the 1960s, Fishman comments on her formative development and involvement in the feminist movement, in which she was an activist for gay rights: «Franz Kline and Willem de Kooning were big for me — Joan Mitchell too.

She attended Tyler School of Art and was an active participant in the feminist movement of the 1960s and 70s.

On Thursday, August 4th, from 6:30 — 8:30, the gallery is hosting an artist talk that will be moderated by guest speaker, Dr. Danya Glabou, who teaches cyborg feminism at Brooklyn Institute and specializes in feminist theory and science studies.

Eisenman's continual representation of women (both «butch» and «femme») and female love not only imbues the practice of figurative painting with an audaciously queer bent but also recasts art history in a feminist light.

Instead she discovered printmaking (but she also minored in feminist & gender studies).

Though she is feminist, Dingle has never been involved in feminist art groups and rejects the notion of all - female exhibitions.

A pioneer in feminist art, Miriam Schapiro, passed away at the age of 91.

Eileen Quinlan's (American, b. 1972) forays into abstract photography are grounded in feminist history and material culture.

«Let's connect in a feminist and cooperative way.»

Sylvia Sleigh (1910 - 2010) was a figure in the feminist art movement of the 1970s who is best known for turning portraiture and art history on its head as she reversed traditional sex roles in her paintings, casting her husband and their friends and associates as male nudes that recalled the female subjects often found in paintings by Titian or Ingres.

(Note: Although seen as an important female artist, Riley was too early for and uninvolved in the feminist art movement that emerged during the late 1960s.)

Her interest lies in feminist histories and female experiences and sees her use of fabric and surface manipulation as an explicitly feminist action.

Described as «phallus - addicted» by her peers in the 1970s, Renate Bertlmann's provocative art practice has historically made her the subject of criticism - despite her active participation in feminist discourse.

She has been an activist in the feminist art movement since 1970.

Chair by Allen Jones, 1969, which depicts a woman bent into the shape of furniture, was damaged in a feminist attack in 1986.

«There has been a recent shift in pop culture that has sparked a revived interest in the feminist movement and has encouraged the chants of girl power, body positivity, and self - love,» Lefevre's artist statement says.

Despite the cultural and geographic discrepancies, this selection will exhibit common threads and shared politics in feminist art practices across Western Europe, as well as exploring the different usages of the photographic medium.

The Womanhouse is one of a kind homage to the original project from 1972 that was a milestone in the feminist art.

From Bourgeois's formative struggle with the «father figures» of surrealism, including Andre Breton and Marcel Duchamp, to her galvanizing role in the feminist art movement of the 1970s, to her subsequent emergence as a leading voice in postmodernism, this book explores the artist's responses to war, dislocation, and motherhood, to the predicament of the «woman artist» and the politics of sexual and social liberation, as a dialogue with psychoanalysis.

The contributions also consider such specific works as Kelly's Interim (1984 — 1989), the subject of a special issue of October; Gloria Patri (1992), an installation conceived in response to the first Gulf War; The Ballad of Kastriot Rexhepi (2001), an extensive project including a 200 - foot narrative executed in the medium of compressed lint and the performance of a musical score by Michael Nyman; and two recent works, Love Songs (2005 - 2007), which explores the role of memory in feminist politics, and Mimus (2012), a triptych that parodies the House Un-American Activities Committee's 1962 investigation of the pacifist group, Women Strike for Peace.

(Note: Although seen as an important contemporary female artist, Frankenthaler was uninvolved in the feminist art movement that emerged in America during the late 1960s.)

Widely celebrated for her vibrant expressionist paintings and her leading role in feminist art, Joan Snyder, a 2007 MacArthur Fellow, has also made remarkable prints throughout her career.

It consists of a series of live performances by artists from Greece and abroad, as well as a special tribute to the artist Ana Mendieta (Cuba, 1948 — New York, 1985) who holds an emblematic position in the feminist history of art, which will run for the whole duration of the Biennale (SMCA, Moni Lazariston, 30 September 2017 — 14 January 2018).

Her early interest in the feminist aesthetics has shaped her later explorations of violence, shame, sexuality and, more recently, grief.

Rail: How do you think her work reflected the rise in feminist consciousness seen during her lifetime?

«I wasn't the least bit interested in feminist art, and I still am not,» she said.

Inspired by the flow of natural elements and the cycle of the seasons, she links this wild energy in her work to her engagement in feminist publishing and performance projects outside her studio.

GECHTOFF: I wasn't the least bit interested in feminist art and I still am not.

Twenty - seven boxes of tapes, posters, letters, embarrassing notes, to - do lists, and grandiose plans will be made available to researchers and preserved for all time in a feminist and queer context, alongside the archives of artists such as Yvonne Rainer, Robert Mapplethorpe, and Carolee Schneemann.

But, not only is this attempt to transcend the physical body in feminist art nothing new (Louise Bourgeois and Kiki Smith distorted the female body long before the artists in Sinister Feminism), none of these included works were particularly successful at it.

But, not only is this attempt to transcend the physical body in feminist art nothing new (Louise Bourgeois and Kiki Smith distorted the female body long before the artists in

With a glut of depictions of fractured and ambiguous bodies scattered around the gallery, it's clear Marshall, with Kramer, intended to launch a reconsideration of the body in feminist art.

Initially starting out as a writer her novella Sitt Marie Rose, 1978 has become a landmark in feminist literature.

Described as «phallus - addicted» by her peers in the «70s, Renate Bertlmann's provocative art practice has historically made her the subject of criticism — despite her active participation in feminist discourse.

Mayer was a prolific artist and writer who explored many media; she was well - known for her sculptures and installations, and her involvement in the feminist art movement.

The personally dangerous aspect of his performances chimes with many contemporaries working in feminist and body art, such as Marina AbramoviÄ ‡ or the Viennese Actionists.

Lynn Hershman Leeson is a key figure in the feminist art world and recognised for her innovative and ground - breaking work in terms of technology and art.

These early members were trailblazers in the feminist art movement and helped to push beyond the expectations of the art world at this time.

These masters are all male, of course, and Saville is steeped in feminist theory.

María Alejandrina Coates Maria Alejandrina Coates is a Uruguayan - born, Toronto - based curator and writer whose interests include art practices grounded in feminist, social, and collaborative frameworks.

This exhibition reconsidered the critical strategies of artists Lorna Brown, Margot Leigh Butler, Allyson Clay, Laiwan, Jin - me Yoon, and the collaborative groups Worksite and the Association for Noncommercial Culture in relation to shifts in feminist theory and practice during the 1980s.

Emma Sulkowicz will participate in a feminist group show at Kunstraum LLC called «7 Women 7 Sins.»

She was particularly interested in feminist activity and feminist theory, which she bonded and represented in shows at the New Museum.