Sentences with phrase «in feminist performance»

Proposal for an Exhibition «CARE» (1969) was a major intervention in feminist performance practices and public art.

I was in a feminist performance art collective and they said I was funny and told hilarious stories and that I should do stand - up at the next performance.

Not exact matches

The conservative campaign — energised by such high - profile incidents as the arrest and imprisonment of the Pussy Riot punk rock feminists for their performance of an anti-Putin stunt in Moscow's Cathedral of Christ the Saviour — succeeded in keeping Putin's core support mobilised and, crucially, it reconnected Putin with conservatively - inclined citizens who had threatened to join with the opposition.

Monitor film critic Peter Rainer praised Streep's performance as Post publisher Katharine Graham, writing, «In inexorable increments, she transforms what might have been just another feminist standard - bearer into something far more complex.

Manana's decision to buck the religious expectations of women in her community gives «My Happy Family» an enlightening feminist streak, which owes much to its central performance.

She gave one of the best performances I've ever seen in 2003's Monster and I think she was deserving of nominations for work as varied as a one - armed post-apocalyptic feminist warrior.

Eilis's journey from a shy, provincial gal to a secure woman, one who would fit in well with today's feminist model, is captured slowly, convincingly, and with a sustained beauty of classic delivery in a film that evokes emotions from sadness to ecstasy and highlights an Oscar - worthy performance from Ms. Ronan.

Seeing a lucrative opportunity in challenging King to a one - off, winner - take - all, televised exhibition match, Riggs» public performance as a «male chauvinist pig» (putting the «show back into chauvinism») made it difficult, if not impossible, for King to reject Riggs offer without compromising her public persona as a women's rights advocate and a feminist icon.

Besides Downey's soulful, mercurial, performance, there's Gwyneth Paltrow as his faithful girl Friday, Pepper Potts — not the most inspiring of feminist role models, but Paltrow plays it straight and smart, and looks sensational in red hair and little black dresses.

In the end, I had to take to the internet, soaking in any feminist movie that had great women performances within (thank you Adam Mulgrew for giving me a concise breakdown via Twitter), binging so many movies in the space of the weeIn the end, I had to take to the internet, soaking in any feminist movie that had great women performances within (thank you Adam Mulgrew for giving me a concise breakdown via Twitter), binging so many movies in the space of the weein any feminist movie that had great women performances within (thank you Adam Mulgrew for giving me a concise breakdown via Twitter), binging so many movies in the space of the weein the space of the week.

And Melissa McCarthy's performance in Spy — Along with Rose Byrne's — set the feminist bar high.

Basic Instinct was championed by feminist critic Camille Paglia, who argued that it features «one of the great performances by a woman in screen history.»

Now Alicia Vikander, who gained praise among critics and feminists alike for her thought - provoking performance in «Ex Machina,» is set to put her spin on Lara Croft.

(PJ Norman courtesy Sundance Institute) The Brooklyn feminist performance artist Narcissister will star in her film / stage work Organ Player, which will be presented in the New Frontier Films and Performances program of the 2018 Sundance Film Festival.

(PJ Norman courtesy Sundance Institute) The Brooklyn feminist performance artist Narcissister will star in her film / stage...

Martha Wilson (Fellow in Performance / Multidisciplinary «01) is a pioneering feminist artist and art space director, who over the past four decades created innovative photographic and video works that explore her female subjectivity.

Referencing past precedents of feminist art, installation, performance, and ideology, the artworks in the show present an expanded visual language that has resulted from a more inclusive art world, shaped in part by the social movements of the 1970's, thereby paying homage to a generation who has paved the way for contemporary female expression.

Jonas emerged as a key figure in the performance art and feminist movements of the 60s and the year 1979 saw Jonas» UK debut at the Whitechapel Gallery.

These works represent examples of the first experiments in video art and include conceptual and feminist performances recorded on video, experiments with the video signal, and «guerilla» documentaries representing a counter-cultural view of the historical events of the 1960s.

Her current research addresses the confluence of queer, feminist and performance in the visual arts - including a forthcoming book entitled In Between Subjects: A Critical Genealogy of Queer Performance, and a retrospective on the work and career of Ron Athey, entitled Queer Communion: Ron Athey and the Extreme Body (2020 and performance in the visual arts - including a forthcoming book entitled In Between Subjects: A Critical Genealogy of Queer Performance, and a retrospective on the work and career of Ron Athey, entitled Queer Communion: Ron Athey and the Extreme Body (2020 and followingin the visual arts - including a forthcoming book entitled In Between Subjects: A Critical Genealogy of Queer Performance, and a retrospective on the work and career of Ron Athey, entitled Queer Communion: Ron Athey and the Extreme Body (2020 and followingIn Between Subjects: A Critical Genealogy of Queer Performance, and a retrospective on the work and career of Ron Athey, entitled Queer Communion: Ron Athey and the Extreme Body (2020 and Performance, and a retrospective on the work and career of Ron Athey, entitled Queer Communion: Ron Athey and the Extreme Body (2020 and following).

Taking as its title and starting point a statement by the pioneering British feminist artist Jo Spence, the exhibition focuses on major performance art made by women artists in the UK during the 1970s.

Be sure not to miss booths by Benrubi Gallery from New York, a leading gallery with a focus on 20th Century and contemporary photographs; Blindspot Gallery from Hong Kong, a gallery with a primary focus on contemporary image - based works; Bryce Wolkowitz Gallery from New York, a gallery with a major commitment to representing new media artists who are exploring the intersection of arts and technology; Dittrich & SCHLECHTRIEM & V1 from Berlin, a gallery representing emerging, mid-career and established artists from around the world; Fraenkel Gallery from San Francisco exploring photography and its relation to other arts; Gagosian Gallery from New York, Hong Kong, Beverly Hills, Athens and Rome; Hamiltons Gallery from London, one of the world's foremost galleries of photography; Galerie Lelong from Paris focusing on an international contemporary art and representing artists and estates from the United States, South America, Europe, and the Asia - Pacific Region; Magda Danysz from Paris, Shanghai and London dedicated to promoting and supporting emerging artists and favouring a larger access to contemporary art on an international level; Mai 36 from Zurich focusing on trading and presenting international contemporary art; Pace Prints / Mac Gill, a publisher of fine art prints and artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising in post-war and contemporary art with an interest in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among others.

It houses the documentation of their public performance work organized under Adriadne: A Social Art Network, which occurred between 1977 - 82 during a seminal moment in the international feminist movement.

In performance, Carolee Schneemann once pulled a feminist tract out of her naked vagina during menstruation, and then she read it aloud.

2010En el Barrio de Gavin Black through evas arche un der feminist in the back room of Gavin Brown Enterprise; curated by Pati Hertling, New York, NY In the Company of; Housatonic Museum, curated by Terri Smith, Bridgeport, CT The Pursuer; Greene Naftali Gallery, New York, NY Greater New York Cinema Program; PS1, Long Island City, NY Beside Himself; curated by Terri Smith, Ditch Projects, Springfield, OR Hardcorps: Movement Research Festival 2010; Center for Performance Research, Brooklyn, NY Alphabet Soup; The Creative Alliance, Baltimore, MD A Failed Entertainment: Selections from the Filmography of James O. Incandenza; The Leroy Neiman Gallery at Columbia University, New York, in the back room of Gavin Brown Enterprise; curated by Pati Hertling, New York, NY In the Company of; Housatonic Museum, curated by Terri Smith, Bridgeport, CT The Pursuer; Greene Naftali Gallery, New York, NY Greater New York Cinema Program; PS1, Long Island City, NY Beside Himself; curated by Terri Smith, Ditch Projects, Springfield, OR Hardcorps: Movement Research Festival 2010; Center for Performance Research, Brooklyn, NY Alphabet Soup; The Creative Alliance, Baltimore, MD A Failed Entertainment: Selections from the Filmography of James O. Incandenza; The Leroy Neiman Gallery at Columbia University, New York, In the Company of; Housatonic Museum, curated by Terri Smith, Bridgeport, CT The Pursuer; Greene Naftali Gallery, New York, NY Greater New York Cinema Program; PS1, Long Island City, NY Beside Himself; curated by Terri Smith, Ditch Projects, Springfield, OR Hardcorps: Movement Research Festival 2010; Center for Performance Research, Brooklyn, NY Alphabet Soup; The Creative Alliance, Baltimore, MD A Failed Entertainment: Selections from the Filmography of James O. Incandenza; The Leroy Neiman Gallery at Columbia University, New York, NY

Through a series of scripted body positions, Street slowly imprints quasi-photographic imagery into pools of wet acrylic paint on canvas, her body wrapped in hosiery, an indexical gesture that recalls feminist performances of the 60 ′ s and 70 ′ s.

Joan Jonas lives and works between New York and Cape Breton, U.S. and emerged as a key figure in the performance art and feminist movements of the 60s.

The later sections of the show frame the intersection of feminism and painting in easel paintings, large - scale works and performances by feminist artists in the 1970s and early 90s.

The texts considerGilmore's contemporary reassessment of both hardcore and feminist performance practices that emerged in the 1960s and 70s, which explored physical limits and social norms, often through exposure and endurance.

The show will span five decades, from her work as a pioneer of feminist performance to a practitioner of public art, in which Ukeles invites us to reconsider indispensable urban systems and the workers who maintain them.

Support for travel to Iceland to film the artists moving in extreme landscapes for a new video / performance piece involving the feminist reworking of the «man alone» trope.

Preciado's research interests include contemporary art and post-1960s conceptualist vanguards such as feminist art and performance art, with a special focus on Latin American art and its diaspora in the United States.

In many ways, Tseng's impulses were in lock - step with his feminist contemporaries in the Pictures Generation, such as Cindy Sherman or Louise Lawler, but his works also stand out for their spontaneity and rootedness in action and performancIn many ways, Tseng's impulses were in lock - step with his feminist contemporaries in the Pictures Generation, such as Cindy Sherman or Louise Lawler, but his works also stand out for their spontaneity and rootedness in action and performancin lock - step with his feminist contemporaries in the Pictures Generation, such as Cindy Sherman or Louise Lawler, but his works also stand out for their spontaneity and rootedness in action and performancin the Pictures Generation, such as Cindy Sherman or Louise Lawler, but his works also stand out for their spontaneity and rootedness in action and performancin action and performance.

Using her body, its breathing, touching, shaping and transitioning to explore space and time, her practice engages in decolonial and feminist explorations of the present through performance, installation, video and sound.

This presentation is made possible in part with public funds from the New York State Council for the Arts» Electronic Media and Film Presentation Funds grant program, administered by The ARTS Council of the Southern Finger Lakes and Women and Performance: a journal of feminist theory.

Considered one of the first feminist works in Israel, the performance was videotaped, and the documentation was presented in Gideon Ofrat's seminal performance exhibition, Perforamnce 76, at the Artist's House in Tel Aviv.

A pioneer of feminist art, Carolee Schneemann's work in performance, video, photography, and painting helped to define the human body as a locus for artistic production — as a medium, a surface, and a confrontational aesthetic site.

[33] Maria Troy, «I Say I Am: Women's Performance Video from the 1970s,» also the title to a collection of «early feminist tapes» curated by Troy as Associate Curator of Media at the Wexner Center in Columbus, Ohio.

The performance began with a provocation called BANGED * and outlines the story of an artist's experience shifting from activism to ethnography in a space of extreme hostility toward women and particularly feminists.

-- Nikolay Oleynikov, Tsaplya Olga Egorova, Dmitry Vilensky, and others Claire Fontaine (fictional conceptual artist)-- A Paris - based collective including Fulvia Carnevale and James Thornhill CPLY — William N. Copley Diane Pruis (pseudonymous Los Angeles gallerist)-- Untitled gallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist by white artist Joe Scanlan Dr. Lakra (Mexican artist inspired by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The male pseudonym that the Abstract Expressionist painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group of feminist artists who made critical agit - prop work exposing the gender biases in the art world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain of «Dallas» but the still - incognito street artist of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Igor Vamos

Laura Castagnini is an Australian curator and writer interested in the performance of feminist, queer and decolonial histories.

CAROLEE SCHNEEMANN: KINETIC PAINTING Beginning with the paintings she made in the early 1950s, Ms. Schneemann's first American retrospective will trace the development of her boldly personal and emphatically feminist performance and video work.

With an abundance of color reproductions and critical commentary, Hannah Wilke: Gestures offers a fresh assessment of a pioneer in sculpture, feminist art and performance.

They range from postwar experiments with darkroom processes, such as photograms and photomontages; to 1970s feminist performances conceived for the camera; to political and documentary engagements with themes of labor history and globalization in the 1980s; to post-appropriative forms of archival and historical reconstitution since 2000.

In addition to Burn's prolific sculptural and video work, the self - proclaimed «compulsive collaborator» co-founded W.A.G.E. (Working Artists and the Greater Economy), an important advocacy group for fair economic practices in the arts, co-founded Randy, an annual trans - feminist art magazine, and is a member of LTTR, a feminist genderqueer artist collective with an annual journal, performance series, and screeningIn addition to Burn's prolific sculptural and video work, the self - proclaimed «compulsive collaborator» co-founded W.A.G.E. (Working Artists and the Greater Economy), an important advocacy group for fair economic practices in the arts, co-founded Randy, an annual trans - feminist art magazine, and is a member of LTTR, a feminist genderqueer artist collective with an annual journal, performance series, and screeningin the arts, co-founded Randy, an annual trans - feminist art magazine, and is a member of LTTR, a feminist genderqueer artist collective with an annual journal, performance series, and screenings.

I also included pieces by a few much older artists who made specifically feminist work in the 1970s: Alice Neel's portraits of Linda Nochlin and other figures from the movement, and a number of Louise Bourgeois» installation and performance works.

With mediums ranging from painting and sculpture to video and performance, the exhibition will highlight the many ways Latin American and Latina women artists have continued to explore female sensibility with links to feminist activism in the face of harsh political and social conditions.

A fearless pioneer whose performances were fueled by feminist indignation of the vulnerable position of women in American society, her work has been a harbinger of experiments in social practice, new media, interactive and net - based art decades before technology and digital culture would re-shape our experience of reality.

A leading light of the French feminist movement in art during the 1970s, Yalter built her reputation on a series of works (chiefly in the form of drawings, videos, photographic collages and performances) exploring the role of women in society and the plight of migrants and refugees.

In an Instagram post, Sulkowicz rebuked feminist and social critic Camille Paglia for publicly calling Mattress Performance (Carry That Weight) «a «masochistic exercise» in which I neither «evolve» nor «move - on.»&raquIn an Instagram post, Sulkowicz rebuked feminist and social critic Camille Paglia for publicly calling Mattress Performance (Carry That Weight) «a «masochistic exercise» in which I neither «evolve» nor «move - on.»&raquin which I neither «evolve» nor «move - on.»»