Sentences with phrase «in fields of abstraction»

Umbach's abstract paintings reveal his classical training in the juxtaposition of people or objects rendered in realism in fields of abstraction of both color and texture.

The pattern seen is reminiscent of Arab - Islamic Art that has developed throughout history in the field of abstraction as religion forbade the representation of the human figure.

With never - ending energy and enthusiasm, the artist continued to experiment in the field of abstraction, and the Abstract paintings dominated his practice until 1987.

Despite their virtual invisibility in the field of abstraction, black artists have engaged in this tradition for over six decades.

In light of recent controversies over the use or absence of Black bodies in relation to abstract painting (most notably the controversy of the Dana Schutz painting at New York's Whitney museum), and the ahistorical suspicion of abstraction as a form of practice that manifest in some of the discourse, it is important that Black artists» role as innovators in the field of abstraction is given due significance here through the works of Whitten, Bowling, and others.

While the artists» works all begin in the field of abstraction, each branches out to take the viewer on a unique and personal experience unlike the next.

Her work evolved in response to this new environment of bold creative experimentation, particularly in the field of abstraction, and began drawing the attention of other artists, critics and curators.

Frank Bowling: Metropolitanblooms focuses on a key moment in career of an artist now widely recognised as one of the masters in the field of abstraction in the second half of the 20th century.

Her quest as an artist resides in the field of abstraction.

Not exact matches

Elements of high abstraction in the antecedent field apply to many events in that duration, but also to events in previous and subsequent durations.

Those elements, in order of increasing abstraction, are: individuals, groups, institutions, concepts, and fields.1

In history, the field of «null» abstraction is the multiplicity of subjective interactions with indefinite spatial and temporal dimensions (i.e., the «experience of becoming»).

This is in a way the experience of the shepherds of the field, who are terrified at the realization that God is real, and his actions will not only change the course of history (as an abstraction), but their history.

However, in some abstraction (that is, in the appearance) there is a separation of these particles, because the field in between is weak and may be neglected.

Those who labor with intellectual abstractions often benefit most from leisure - time activity in the field of arts and crafts.

What is happening in one part of a field can not be understood in abstraction from the field as a whole.

Although firmly rooted in color - field abstraction, Jones» paintings consistently register as «pictures» - their spatial organization hints at a window space of varying depths even while the physicality of the paint asserts the surface.

Some of the new styles and movements that appeared in the early 1960s as responses to abstract expressionism were called: Washington Color School, Hard - edge painting, Geometric abstraction, Minimalism, and Color Field.

In my work of 1967 - 1968 using colored lines across thick, rolled colored fields, and painterly abstractions with allusions to nature I articulated where I thought advanced painting should go.

Amongst our favorite artworks being exhibited here are Marc Dennis» realistic still - life painting of luscious flowers at Dallas» Cris Worley Fine Arts, Francis Upritchard's gesturing bronze figure at London «s Kate MacGarry, Jason Middlebrook's geometric abstraction on an elm plank at New York «s Ameringer McEnery Yohe, Luis Gispert's abstraction made by embedding gold chains in a field of black stones at Palma de Mallorca's Lundgren Gallery, and Klara Kristalova's ceramic sculpture of animals in a tub at Lehmann Maupin, with galleries in New York and Hong Kong.

Rendered in grisaille with the feathered brushwork synonymous with Richter's blurred painterly idiom, Italienische Landschaft dissolves before our eyes into a flat field of subtle grey striations, pushing the figurative into the realm of abstraction.

Angelina Gualdoni's works on canvas take patterns, interiors and abstraction as their main focus, locating the rhythm of the everyday sublime in the language of color field painting.

During the late 1950s and early 1960s Frank Stella was a significant figure in the emergence of Minimalism, Post-Painterly Abstraction and Color Field painting.

Color field painters efface the individual mark in favor of large, flat, stained and soaked areas of color, considered to be the essential nature of visual abstraction along with the actual shape of the canvas, which Frank Stella in particular achieved in unusual ways with combinations of curved and straight edges.

Associated with movements as diverse as Abstract Expressionism, Color Field painting, Minimalism, Op art, and Postmodernism, the artists featured in Rothko to Richter were at the forefront of debates about the changing priorities and imperatives of painting after World War II, each seeking to redefine abstraction for new social and cultural milieus.

With a career spanning over six decades, this film presents Mason as a shy yet innovative figure in American art, a pioneer in the field of lyrical abstraction, and a master of the so - called «poetry of color».

In St. Augustine, I painted an asymmetrical, emotionally intense, abstraction that combined several styles and expressions in one picture; hard edge borders, hard edge lines, stacks of painterly brushed smears, on a deep red fielIn St. Augustine, I painted an asymmetrical, emotionally intense, abstraction that combined several styles and expressions in one picture; hard edge borders, hard edge lines, stacks of painterly brushed smears, on a deep red fielin one picture; hard edge borders, hard edge lines, stacks of painterly brushed smears, on a deep red field.

[27][28] When in 1967 he returned to abstraction his works were parallel to movements like the Color Field movement and Lyrical Abstraction but he remained independeabstraction his works were parallel to movements like the Color Field movement and Lyrical Abstraction but he remained independeAbstraction but he remained independent of both.

During the later phases of Color Field painting; as reflections of the zeitgeist of the late 1960s (in which everything began to hang loose) and the angst of the age (with all of the uncertainties of the time) merged with the gestalt of Post-Painterly Abstraction, producing Lyrical Abstraction which combined precision of the Color Field idiom with the malerische of the Abstract Expressionists.

The green field in Baseball is manicured down to abstraction, the crowd a sea of tiny dots, as though painted by an extremely diligent child; the glowing depiction of sports is arresting — even off - putting — in a New York gallery.

He «explores abstraction and gesture in the artistic fields of painting and fashion.»

Events Programme A programme of talks and performances expand on the themes of the exhibition, from an introduction to geometric abstract art by Whitechapel Gallery director and exhibition co-curator Iwona Blazwick (27 Feb, 3 pm) to a major two - day symposium on abstraction and society bringing together experts in the field including Doug Ashford, Tanya Barson and Briony Fer (Fri 13 & Sat 14 Mar, 11.30 am — 6 pm).

[33] Lyrical Abstraction, Conceptual Art, Postminimalism, Earth Art, Video, Performance art, Installation art, along with the continuation of Fluxus, Abstract Expressionism, Color Field Painting, Hard - edge painting, Minimal Art, Op art, Pop Art, Photorealism and New Realism extended the boundaries of Contemporary Art in the mid-1960s through the 1970s.

Abstraction survives in Ross Bleckner's disco glow, Alan Uglow's tape - like disruptions of a color field, and Peter Schuyff's version of Op Art that trades sensual overflow for an illusion that will not go away.

1972 Abstract Paintings in the 70's: A Selection, Museum of Fine Art, Boston, MA Masters of the 1960's, Edmonton Art Gallery, Winnipeg, Canada Color Field Painting to Post Color Field Abstraction, Nelson - Atkins Museum of Art, Kansas City, MO Post 1945 Paintings, Norton Simon Museum, Pasadena, CA Giant Paintings; Monuments and Murals, Knoedler & Co., New York, NY

I view it as an artwork less to do with the ideas evident in modernist abstraction, even though the deconstructed language of democracy and freedom (Neoplasticism) and a meditative and immersive void (Color Field Painting) hovers on the surface.

In the under - recognized field of Latin American geometric abstraction, it is important to note Sanín's contributions creating artwork reflective of the political, economic, and social realities in Latin American historIn the under - recognized field of Latin American geometric abstraction, it is important to note Sanín's contributions creating artwork reflective of the political, economic, and social realities in Latin American historin Latin American history.

In 2014 they set up two exhibition spaces, Art House in Santa Fe and Orange Door in Chicago, where they display the four distinct areas of their collection: Spanish Colonial, Japanese Bamboo, Post-War Painting and Sculpture (notably color field and hard - edge abstraction), and Digital and Electronic Art, which is the focus of this articlIn 2014 they set up two exhibition spaces, Art House in Santa Fe and Orange Door in Chicago, where they display the four distinct areas of their collection: Spanish Colonial, Japanese Bamboo, Post-War Painting and Sculpture (notably color field and hard - edge abstraction), and Digital and Electronic Art, which is the focus of this articlin Santa Fe and Orange Door in Chicago, where they display the four distinct areas of their collection: Spanish Colonial, Japanese Bamboo, Post-War Painting and Sculpture (notably color field and hard - edge abstraction), and Digital and Electronic Art, which is the focus of this articlin Chicago, where they display the four distinct areas of their collection: Spanish Colonial, Japanese Bamboo, Post-War Painting and Sculpture (notably color field and hard - edge abstraction), and Digital and Electronic Art, which is the focus of this article.

Enveloping the background completely in «Last Piece» (1958), the expanses of grey field suggest erasure — an obliteration of the artist's previous association to pure abstraction.

At Theodore: Art, Eric Brown, in «Punctuate,» examines the tension of figure and ground in paintings that are fun and funny — caprices of 1960s Color Field art. 7 At David & Schweitzer, the esteemed Brenda Goodman finds expression in the working and reworking of her materials, with etched - over abstractions that read as psychological portraiture.8

Most notably, the DMA has become a major player in the field of contemporary art, as evidenced by the November acquisition of Leaf (1970), a major «Drape» painting by Sam Gilliam, a figure in postwar American abstraction.

One could see Mondrian's plus and minus signage as conflating shadow and line into a sign language of oppositions between field and ground, representation and abstraction, in a broken «analytic» grid that derives its formal language from academic drawing.

Melinda Zox is the daughter of renowned American lyrical abstraction painter Larry Zox (1936 - 2006), who played an essential role in the Color Field movement of the 1960s and 1970s.

Confronting the Canvas: Women of Abstraction does not attempt to rewrite history, but instead it identifies and gives prominence to emerging and mid-career women working in the field of gestural abstracAbstraction does not attempt to rewrite history, but instead it identifies and gives prominence to emerging and mid-career women working in the field of gestural abstractionabstraction today.

This documentary explores a critical decade in American life, when an explosion of artistic energy produced Pop art, Minimalism, Color - field painting, and hard - edged abstraction.

As one of the most significant proponents in the reconciliation of gestural and field painting, figuration and abstraction, he was a solitary figure, «moving vertically», unencumbered by the responsibilities and pressures that others often felt as they worked in his shadow.»

Tellingly, Mason is known for her color field abstractions; it would appear that in these portraits of her fellow artists, Marcus captured not only their likenesses, but also something of their artistic identities.

In Washington, Gilliam befriended Thomas Downing and became part of the Washington Color School, moving away from his earlier style of dark figural abstraction towards the production of large works with fields of flatly applied color.

2005 Flashback: Revisiting the Art of the 80s, Kunstmuseum, Basel (catalogue) Extreme Abstraction, Albright - Knox Art Gallery, Buffalo, New York (catalogue) 25 Years: Selected Solo Exhibitions 1979 — 2004, Part 1, Baumgartner Gallery, New York The Shape of Colour: Excursions in Colour Field Art 1950 — 2005, Art Gallery of Ontario, Toronto (catalogue) Drawings: 1945 — Now, Russell Bowman Art Advisory, Chicago Picturing America: Selections from the Whitney Museum of American Art, Nagasaki Prefectural Museum, Nagasaki (catalogue); travelled to Fuchu City Museum of Art, Fuchu, Japan; 21st Century Museum of Contemporary Art, Kanazawa, Japan; Kitakyushu Municipal Museum of Art, Kitakyushu, Japan; Koriyama City Museum, Koriyama, Japan Logical Conclusions: 40 Years of Rule - Based Art, Pace Wildenstein, New York (catalogue) Universal Medium, McClain Gallery, Houston Another Look at the Collection, Fundació La Caixa, Sala de Exposiciones del Mercado del Este, Santander, Spain A View from 1988 Up to Now, Proje4L Elgiz Museum of Contemporary Art, Istanbul Contemporary Voice: The Contemporary American Art from Misumi Collection, Tottori Prefectural Museum, Japan (catalogue) We Can Do It!

In the crowded field of postwar abstraction, Robert Natkin's lifetime exploration of color and light set him apart.