Chances are that Fox will be adapting that relationship, especially with an X-Force film on the horizon, and the two's first mutual enemy (at least
in film canon) would've been Kesy's unknown bad guy.
Not exact matches
Fans had issues with it too, and the second installment
in the trilogy, 2002's» Attack of the Clones,» won the dubious distinction of being the least commercially successful
film in the «Star Wars»
canon.
The movie took a lot of liberties with the plot, but it remained one of the more theologically informed supernatural
films in the Hollywood
canon, owing largely to its reliance on Catholic teaching.
Within DreamWorks» 21 -
film canon, I'd rank Megamind
in the upper portion, although the studio's output is so generally and reliably middling, that it's tough to establish a really clear range of high and low points.
In Basterds, however, Tarantino was engaged with an exhaustive canon of World War II movies, from Casablanca to Schindler's List, while the subject of Django Unchained — slavery in the American South — is one that has been conspicuously absent in Hollywood films in the century since D.W. Griffith's The Birth of a Natio
In Basterds, however, Tarantino was engaged with an exhaustive
canon of World War II movies, from Casablanca to Schindler's List, while the subject of Django Unchained — slavery
in the American South — is one that has been conspicuously absent in Hollywood films in the century since D.W. Griffith's The Birth of a Natio
in the American South — is one that has been conspicuously absent
in Hollywood films in the century since D.W. Griffith's The Birth of a Natio
in Hollywood
films in the century since D.W. Griffith's The Birth of a Natio
in the century since D.W. Griffith's The Birth of a Nation.
It interestingly comments on the
film's dichotomies, its relationship to Psycho, its place
in the De Palma
canon, and its use of shower scenes.
Working through an enormous
canon of cinematic influences
in a far more satisfying way than Carax's glib offering (Gomes» titular allusion to Murnau is no coincidence), Melbourne's resplendent Forum Theatre proved a fittingly grand venue for Gomes» expansive vision: this
film is a joy to watch.
At the end of the day, the
film aims at displaying the second chapter
in the new Spider - Man
canon by casting a web of multiple threats and thematic elements, but it ultimately fails to focus on any one thing.
A
film that failed to impress critics 30 years ago but which now seems eerily prescient
in its depiction of a futuristic police state beset by economic instability and the increasing toxicity of TV culture (Stephen King's source novel is set
in 2025, with screenwriter Steven E de Souza backdating the action to 2017), The Running Man is among the most thematically rich sci - fi offerings
in the Arnie
canon.
Despite these triumphs, Leonard's reputation mainly rests on the series of six musical
films he made with the singing team of Jeanette MacDonald and Nelson Eddy; Leonard directed all but two of their features, including Maytime (1937), long established as the uncontested favorite of the cycle.
In Leonard's late career, the properties he handled were somewhat less auspicious, though there is a surprise
in the hard - boiled melodrama The Bribe (1949), a respected
film noir that is the only
film of its kind
in Leonard's
canon of 161 known titles.
I guess
in many ways, my favorite
film of the whole Blue - Tongues»
film canon, is I've got a massive place
in my heart for The Square.
This
canon of
films will inspire many indie filmmakers and, hopefully, Hollywood to realize that our wealth is
in our history, that we have so very many stories yet to be told.
(Critic Raymond Durgnat once wrote that
in this
film «she blends a soft body with a butch suspicion and a childlike potentiality for devotion» — a description that clearly ties her to Seberg, MacNamara, and many other of her weird sisters
in the Preminger
canon.)
While waiting for this
film to enter its rightful place
in the
canon of great movies, buy it now and enjoy its distinctly up - to - date sensibility.
I will grant you that Sleeping Beauty is the most beautiful
film in the Disney
canon, but Hanz Zimmer's award winning score coupled with some fantastic direction makes «Lion King» the best.
Sharing the rather grim nihilism of his angriest late period
films, Deconstructing Harry and Celebrity, Anything Else is singular
in Allen's
canon for its almost total lack of charm or empathy.
Porco Rosso, another «
canon» classic from Studio Ghibli, somewhat bucks the trend of the majority of director Hayao Miyazaki's other
films,
in that it feature a male character as the main protagonist.
Just as Robert Downey Jr.'s Tony Stark was the «special guest»
in Spider - Man: Homecoming, essentially gluing that
film into the
canon, here you get three crossover names: a briefly glimpsed Scarlett Johansson as Black Widow, Benedict Cumberbatch's Doctor Strange, and the Hulk, within whose lumbering digitized mass somewhere lurks Mark Ruffalo.
The continued dominance of the latest entry to the Marvel
canon allowed it to become only the fourth
film ever to bring
in over $ 100 million
in its second weekend of release, this also makes it the fifth highest grossing title domestically
in the Marvel Cinematic Universe.
This
film is as quotable as any
in Allen's
canon.
This indie crime
film feels perfectly at home
in the
canon of mid-1990s indie crime cinema, and is a fantastic origin tale for one of our most remarkable filmmakers.
There aren't that many to choose from given every
film he's made holds an important place
in the
canon, but it appears that Lorenzo's Oil (1992) may have slipped a little out of the general consciousness recently.
Film historian Stephen Thrower offers a brief introduction for each
film,
in which he makes an argument for each
film's complexity and placement within the»70s horror
canon.
Not every actress makes her
film debut
in a Richard Linklater movie and becomes a stalwart of the Nora Ephron, Hal Hartley and Christopher Guest
canons, but Parker Posey isn't like most actresses.
All
in all, however, True Grit is exceptionally entertaining and is probably the first
in the Coen
canon that could almost be categorized as a family
film.
is exceptionally entertaining and is probably the first
in the Coen
canon that could almost be categorized as a family
film.
Or, perhaps, the ten
films in the catalog that
in fact do measure up, according to a variety of standards that may not all be one's own but that can still be acknowledged as rightly, if loosely, binding for us members of the community of
film lovers,
films that make up a
canon of common touchstones?
Though
in many of the Bond
films Moneypenny has been little more than M's secretary, it is actually
canon that she spent time
in the field.
The black
film canon; Relevance of «Weiner»; Executive pay higher when women are on boards; Fate of female - driven Wall Street movie; Nate Moore puts Marvel
in the black.
One of the more infamous decisions
in the Marvel
canon was the move to put «Hulk Dogs»
in the Ang Lee / Eric Bana
film.
It's not the first time Soderbergh has experimented with formats and platforms: 2002's «Full Frontal» was shot on a
Canon prosumer digital video camera, while 2005's «Bubble» was the first
film to be released simultaneously
in theaters and on VOD.
I may not have made such a bold statement had I not had the ridiculous historical perspective that my 1 Year, 100 Movies project has given me, but this
film feels like it fits
in this particular
canon pretty well.
The latest episode of Observations on
Film Art, an exclusive Criterion Channel program that explores elements of cinema as used by great auteurs, features professor Kristin Thompson highlighting one device that has earned the
film its permanent spot
in the cinematic
canon: Renoir's characteristically subtle yet elaborate staging.
Anger Management is an unapologetic starfuck and a flat
in - joke (Kurt Fuller, who played Werner Klemperer
in Auto Focus, is referred to as «Col. Klink»
in this
film) predicated on our familiarity with Sandler's
canon and our tolerance for toilet humour and obese cat gags.
Only die - hard series fans will find any of this distracting, as the
film works just as well as a standalone spy adventure as it does an entry
in Bond
canon, delivering most of the goods anyone might expect while also offering a handful of new twists to keep it from being just another entertaining - but - forgettable entry.
When it comes to a
film about the Hulk, fans want to see their favorite superhero wreaking havoc, not crying about his problems, and the fact that Lee so effortlessly ignores the character's official
canon (by allowing the Hulk to grow
in size the angrier he gets), certainly doesn't help his cause.
After the
film was released, Reese and Wernick did confirm that the scene was
in fact
canon, so Vanessa is safe and sound
in the X-Men universe.
David Bowie's contribution to fantastic cinema can not be underestimated, and the inclusion of a special program highlights the importance not only of his presence, but his
films in the western fantastic cinema
canon.
Maybe this explains the
film inexplicably rewriting its own
canon to insert the Transformers into history's most important moments
in giant, metal Forrest Gump - style.
The news comes
in after director of the Chris Hemsworth - starrer, Taika Waititi, said back
in July that the
film would be one of the shortest
in the Marvel
canon.
I really liked The Void, it's a fun
film that provides several solid scares
in a familiar feeling package, but different enough to make it a worthy addition to the
canon.
Aside from being another rote addition to the revenge -
film canon, John Stockwell's
In The Blood is also a supreme waste of Gina Carano's talent.
The idea of terrorism and rebellion from within an organization grounds the story
in a more realistic society than some of the other
films in the
canon have dealt with as themes.
There's a legacy sound to Burwell's
canon that triggers emotional recall: You can't imagine his music
in any other
film than the one it's
in.
The
film picks up after events of «The Rise of Cobra,» though it's not exactingly rigid
in its adherence to
canon, given the significant turnover
in cast.
, wherein Dindal makes statements about the
film's place
in the Disney
canon (apparently it's
in the tradition of «memorable characters, great storytelling, eye - popping visuals, and emotional music») that would be arrogant if they weren't merely delusional and the Barenaked Ladies jam out an impromptu rap - ballad that's superior to the song they recorded for the soundtrack.
$ 5 a Day, a father - son reconciliation road movie with he and Alessandro Nivola, isn't terrible, or worthy of inclusion
in that risible, latter category of Walken's
canon, but it is a
film that is illustrative of the difference between narrative charm and conflict.
Different sects of the Harry Potter fanbase hold up different
films in the soon - to - be concluded
canon of motion pictures as the pinnacle of adaptation from the page to the screen.
While it does not top Force Majeure, the
film is still
in the top tier of his wonderful
canon of
films.
Despite those shortcomings, Tom Holland perfectly embodies the character and Michael Keaton's Vulture is one of the universe's best villains, creating a great first
film for the friendly neighborhood Spider - Man
in the official MCU
canon.