Sentences with phrase «in film journalism»

Sharing my personal experience of handling the Coffee and Cigarettes director Jim Jarmusch at the original Alamo Drafthouse (on Colorado) during SXSW Film Festival 2004 was truly a defining moment in my career in film journalism.

The AWFJ also presents unique awards categories that reflect the organization's mission to celebrate women in filmmaking, as well as the perspective of women in film journalism.

The AWFJ also presents two award categories that reflect the organization's mission to celebrate women in filmmaking, as well as the perspective of women in film journalism.

Not exact matches

Ultimately, journalists and audiences must come to some kind of agreement on what is acceptable in the new world of immersive and VR journalism, and determine what kinds of film - making behavior are too manipulative.

But both films showed how mundane, and even boring, much of investigative journalism is: your inquiries lead nowhere; doors are slammed in your face; you make endless phone calls; and you have to choke down all that lousy coffee.

(Indeed, ESPNW is doing some of the most interesting and important work in sports journalism right now: look no further than its recent profile of Christy Mack, an adult film star who was brutally assaulted by her boyfriend, a mixed martial arts fighter.)

PROVIDING more than 100 of Perth's young journalism and film and television students with a break in their chosen vocations has been the highlight of Russell Goodrick's career with his production company, MRG International.The company, which produc...

Actor and writer Bob Odenkirk speaks to CNBC's Carl Quintanilla about his role in the new film «The Post» as the country's current conversation on journalism swirls.

As has been widely reported in the halls of celebrity journalism, at one point during the filming of Blade Runner 2049, American hero Harrison Ford accidentally decked Canadian hero Ryan Gosling right in the kisser.

Unsurprisingly, movies about journalism can often strike a dishonest chord with some viewers, mainly ones who have a natural distaste in films that almost deify the media, even when there's a fair share of evenhandedness.

After earning her B. A. in Broadcast Journalism from the University of Southern California, Erin began her career in marketing where she served clients in a wide variety of industries from film and television entertainment to aviation.

In a similar fashion I recently showed a large group of journalism students the film Frost / Nixon and they all admitted to having formed a favourable impression of Nixon after watching it.

The film talks about how the issue of modern slavery was first uncovered by the Sunday Times reporter George Arbuthnott, whose investigative journalism showed the true scale of the problem in Britain today.

Rather than going to film school I did a PhD at a university where I could also dabble in student journalism.

I actually started in journalism and switched to film and TV production.

It's a film about newspapers — one in particular, The Washington Post, and how real journalism used to be done.

Over the past few years, we've seen many strong non-fiction films that are either one or the other: The you - are - there doc Restrepo and its sequel, Korengal, are like visual journalism, embedded in a disputed valley in Afghanistan; and a number of other non-fiction films, from These Birds Walk to 12 O» Clock Boys, have an ecstatic beauty that evoke the term «Malick-esque.»

Filmed in 12 countries across six continents, Word Travels reveals the unseen truth of professional travel journalism the truth behind the byline.

This film noir from director Billy Wilder tells the tale of a former big shot reporter, Chuck Tatum (Kirk Douglas), heading to Albuquerque for one last chance in the journalism game.

Spielberg widened the film's focus to encompass the story's other angles — Ellsberg's evolution, the Washington elite's lies about the war, and the tick - tock of daily - deadline journalism — but the rise of Mrs. Graham, in an era when the word Ms. hadn't yet been popularized and the concept of gender equality wasn't paid so much as lip service, remains a central theme.

Born in 1971 in Washington, D.C., Hall earned a degree in journalism from N.Y.U. before embarking on a film career.

I didn't go to film school and I don't have a degree in journalism or broadcasting.

Though it may not be a perfect film, Truth is a powerful piece of work that clearly feels important, certainly for those in or aspiring to be in the field of journalism today.

Inspired by the life of Pulitzer prize - winning journalist Gary Webb (Jeremy Renner) and his «Dark Alliance» exposé on the explosion of crack cocaine in the United States (which inevitably ruined his career), the film draws attention to the power and reach of fourth and fifth estate journalism and to the subjective objectivism of its gatekeepers.

Truth succeeds in creating a riveting atmosphere that makes the audience a part of the investigative process of journalism, effectively carrying us over a series of triumphs and downfalls inherent in the field, and this procedural look at reporting and its intrinsic risks is undoubtedly the strongest quality of the film.

Founded in 1997, the Online Film Critics Society is the largest and oldest organization of its kind, and a key catalyst in the expansion of Internet - based film journalism.

Maren began her journalism career writing freelance film reviews at the Grand Forks Herald in Grand Forks, N.D..

Ebertfest was founded in 1999 by the late Roger Ebert, a University of Illinois Journalism graduate and Pulitzer Prize award - winning Chicago film critic.

If you're in Beijing over the next few years and do film journalism, get in touch!

She got her chance at the University Of Iowa, where she double - majored in journalism and film, started freelancing reviews to the university's newspaper, and wound up running its Arts & Entertainment section while giving herself a crash course in cinema via VHS and Roger Ebert's Movie Home Companion.

It won't break any records, but film buffs are interested in seeing what all the buzz is about, and the journalism drama has now made $ 12.3 million domestically.

A crackling entertainment made with precision and political purpose, «The Post» examines a crucial moment in American journalism, although the film clearly invites viewers to see the material's gripping contemporary relevance.

And that's great, because Hollywood has produced good films on journalism in the past.

Resident film encyclopaedia, he naturally slipped into film journalism, though has interest in writing and making them himself one day.

Like so many films consumed with the minutiae of daily journalism, «Spotlight» is a magnificently nerdy process movie — a tour de force of filing - cabinet cinema, made with absolute assurance that we'll be held by scene after scene of people talking, taking notes, following tips, hounding sources, poring over records, filling out spreadsheets, and having one door after another slammed in their faces.

When the Spotlight investigation is temporarily halted in the wake of 9/11, we're reminded that the film is also a period piece, set during a time when print journalism had not yet entered its death throes.

The nominations for the 27th GLAAD (Gay and Lesbian Association Against Defamation) Media Awards in 31 categories covering all areas of media (including Film, Television, Journalism) have chosen Carol, The Danish Girl, Dope, Freeheld and Grandma as their top films in wide release for 2015.

The BarbieWorld casino in Las Vegas, the TV show of obituaries called «Finales,» the helicopter journalism on the Chopper Channel, Adam Sandler's remake of the art - house film...

This is in part because when arts journalism is the topic of discussion today, it's often being discussed in terms of who is doing it (too many cis white knuckle - draggers like yours truly), or if indeed criticism — for our purposes, film criticism — matters anymore at all.

At a time when the British press is haranguing about an injunction into a celebrity threesome, we can take heart in the fact that Laura Poitras» latest film shows the vital role that journalism still plays in shaping the narrative around major world events.

Yes, film criticism is subjective, and in the interest of good journalism, I must report that many critics I respect are entertained by this movie, and I even believe that Perry will have a successful directing career.

To which we can add the greatly in creased numbers of people who read and care about serious film journalism, as provided in Premiere and many other magazines and local newspapers.

The most inventive aspect of the film, aside from a lovely, daffy romantic duet between hypernerds played by Steve Carell and Kristen Wiig, are the promotional tie - ins with which we've been inundated — Ron hawking Dodge Durango trucks, accepting journalism school awards, etc..

Receiving a B.A. in Cinema and Photography at Southern Illinois University in Carbondale with a minor in journalism, he also served as director of the Student Programming Council's film schedule his senior year.

In many ways, though, it's the antithesis of that earlier film, which concentrated on newbie reporters and the excruciatingly tedious grunt work of investigative journalism.

One of its two screenwriters, Josh Singer, also a writer for «Spotlight,» notes in an interview that while the new film's «three main themes are journalism, feminism and moral leadership,» the movie puts a business focus on the company.

Still, the heroism on display in «City of Ghosts» is unforgettable, and the film remains an ever - essential reminder of the high costs and vital necessity of journalism in this — or any — fight against evil.

John's interest in the arts extends beyond film and he served on the board of directors of The National Arts Journalism Program, where he was a fellow in the mid-1990s.

FILM SITES ON THE INTERNET By Mark Olsen Trouble in cyberland: a few thoughts on the new frontier of film journalFILM SITES ON THE INTERNET By Mark Olsen Trouble in cyberland: a few thoughts on the new frontier of film journalfilm journalism.

This is a film in which acknowledging error is treated as some terrible surrender and betrayal of trust; in actual journalism, it's considered a moral obligation — one that, sadly, most people in the field have had some experience with, in one capacity or another.