Sentences with phrase «in film studies from»

He received a specialization in film studies from Michigan State University.

Rangel holds an M.A. in curatorial studies from the Center for Curatorial Studies at Bard College, an M.A. in media and communications studies from the Universidad Católica Andrés Bello in Caracas, and a B.A. in film studies from the International Film School at San Antonio de los Baños, Cuba.

Ms. Farrell has a Ph.D. in art history and a certificate in film studies from the Graduate Center of the City University of New York and a B.A. in art history from Smith College.

B.A. in film studies from Wesleyan University, 2006.

Born in Taipei, Taiwan and raised in Plano, Texas, Eugene received a BA in finance with honors and a minor in film studies from the University of Texas in 2013, where he graduated Summa Cum Laude.

Not exact matches

He graduated from American University with a BA in film and media arts and a minor in cinema studies.

Last year, women comprised a meager 7 percent of directors for the top 250 films, a two - point drop from 1998, according to the Center For the Study of Women in Television & Film.

The fourth child and younger son of media mogul Rupert Murdoch, James Murdoch went to Harvard to study film and history after graduating in 1991 from Horace Mann, an elite New York City private prep school.

After graduating from Syracuse University with a degree in English and a concentration in film studies, she returned to her Alma Mater for her Masters in Digital Communications from the S.I. Newhouse School of Public Communications.

He has a background of study in mass media and film from Clarion University of Pennsylvania and currently resides in NYC.

One example would be Aimee Dorr Leifer's essay entitled «Teaching with Television and Film,» (TTF) published in N. L. Gage's The Psychology of Teaching Methods, a widely read Yearbook of the National Society for the Study of Education.1 Even in this essay, however, Leifer reviews what has been learned from various psychological studies of television and film narratives, and the limited range of the studies limits the vision of narrative teaching that she puts forth.

These films were in stark contrast from Scorsese's work at the time, the character study of a live - at - home, celebrity - obsessed comedian with delusions of grandeur in King of Comedy and the «one crazy night in Soho» comedy After Hours — both of which met tepid results.

According to a study from the Center for the Study of Women in Television and Film, the number of women directing films may actually be declining, with the top 250 highest - grossing domestic films going from 7 percent in 2015 to 5 percent in 2016 being directed by wstudy from the Center for the Study of Women in Television and Film, the number of women directing films may actually be declining, with the top 250 highest - grossing domestic films going from 7 percent in 2015 to 5 percent in 2016 being directed by wStudy of Women in Television and Film, the number of women directing films may actually be declining, with the top 250 highest - grossing domestic films going from 7 percent in 2015 to 5 percent in 2016 being directed by women.

, the 2014 film from Spanish director Alberto Rodríguez which is still making the festival circuits here in the States, is a haunting combination of detective tale and truth - and - reconciliation case study.

Perhaps the most shocking statistic of the study was in the analysis of the speaking parts that appeared in 2014 studio films and live - action scripted TV shows from the 2014 — 15 season.

Co-owners Yamaguchi and Walker met while working at a sushi joint together in the early 2000s — she had moved from Japan to NOLA to study English, and he was in grad school for film.

As Babers installs the hurry - up spread offense he learned from Art Briles at Baylor this spring, Syracuse's players learn from film study in the meeting room and on - field repetition.

His research career has ranged widely, from the macroscopic study of alloys to the microscopic study of thin films such as those used in silicon chips.

Such personality - altering amnesia is far from reality, reports Sallie Baxendale, a neuropsychologist at the National Hospital for Neurology and Neurosurgery in London, in a first - ever study of amnesia in films.

Dr Jolle Jolles, lead author of the study, now based at the Max Planck Institute for Ornithology, said: «By filming the schooling fish from above and tracking the groups» movements in detail, we found that the randomly composed shoals showed profound differences in their collective behaviour that persisted across different ecological contexts.

The new study, published in the peer - reviewed journal Anthrozoös, analyzed two decades of English - speaking film trailers from the period 1993 - 2013 to understand the modern use of primate «actors» in the film industry.

In their study, the scientists from MIPT succeeded in growing an ultra-thin, tunnel - transparent film of this material on a silicon substrate, while maintaining the ferroelectric propertieIn their study, the scientists from MIPT succeeded in growing an ultra-thin, tunnel - transparent film of this material on a silicon substrate, while maintaining the ferroelectric propertiein growing an ultra-thin, tunnel - transparent film of this material on a silicon substrate, while maintaining the ferroelectric properties.

«We can deduce concrete clues from this study as to which point defects in which concentration to expect in the given composition of kesterite thin films», says Gurieva.

Back to the film... What I love about Forks Over Knives is, in addition to hearing from incredible doctors like Colin Campbell (author of The China Study) and Caldwell Esselstyn, is that the film tells inspiring stories of real people, from all walks of life, who've embraced a plant - based diet and have thus reversed chronic health conditions like heart disease, cancer, and diabetes.

Education: Bachelor's degree in comparative religion from Bucknell University with a minor in film / media studies.

Densely woven as its sensory tapestry is, «White Shadow» never feels studied or affected in the way that films from artists graduating to the medium sometimes can do: There's plenty of room here for observational, seemingly ad hoc asides.

A decent character study whose main strength lies in two great performances by Foster and Harrelson, who shine in a sad story that deals with the psychological consequences of a terrible job, but the film also suffers from some tiresome pacing and unnecessary scenes.

He graduated from Woodrow Wilson High School in 1999 and then made the short drive to Fort Worth to study theatre at Texas Christian University where Travis graduated in May 2003 with a BFA in Theater Performance.His first screen appearance was in the independent film The Anarchist Cookbook (2002).

Inspired by the resonant memoir from Carolyn Briggs (who also wrote the screenplay) the film is an exquisite study of one woman's internal struggle with the primary love relationships in her life.

According to a 2017 report from the Center for the Study of Women in Television and Film, women comprised 18 % of all directors, writers, producers, executive producers, editors, and cinematographers working on the top 250 domestic grossing films.

If I tell you this film is a study of one woman's torment, it might make «The Deep Blue Sea» sound unappealing, but it's riveting from beginning to end, because virtually at every moment, someone's entire life is in the balance.

For while it is technically a sequel, taking place in the same world as Scott's film and extending the narrative to thirty years later, Blade Runner 2049 at the same time wants to provide a sumptuously studied remake of Blade Runner, copying countless elements from it in order to evoke rich sense - memories of the original film.

Until suddenly he does, and the film shifts gears from a study of trauma into a more conventional (but still eerily effective) horror movie, with Josh (who looks more than a little like Glover in River's Edge) enthusiastically casting himself in the role of psycho killer, as if trying to live up to what he worries his best friend thinks he's become anyway.

This study examined film reviews for theatrical releases written in the top 100 U.S. daily newspapers (by circulation) from October 22, 2007 through December 25, 2007.

After making his mark in the early thirties with two very different films, the anarchic send - up of the bourgeoisie Boudu Saved from Drowning and the popular - front Gorky adaptation The Lower Depths, Renoir closed out the decade with two critical humanistic studies of French society that routinely turn up on lists of the greatest films ever made: Grand Illusion and The Rules of the Game (the former was celebrated in its time, but the latter was trashed by critics and audiences — until history provided vindication).

The day - and - a-half program, which took us from HBO headquarters in Bryant Park to Bloomberg Philanthropies on the upper east side, exposed creative investors to the world of independent storytelling through film presentations, case studies, panels, deep - dive roundtables, and artist spotlights.

Manglehorn is played by Al Pacino in the film that bears his character's name, the new character study from director David Gordon Green.

With more than 329,000 Chinese studying in the U.S. being the core demo for the film, we hyper - targeted colleges with high concentrations of students from China.

And so to act in the modelling scene, I studied and imitated Pathé films of models from the 50s.

In the film's dominant plotline, Cummings plays Julie, a scientist loosely based on Brizendine, who believes that by studying the brain she can conquer her own impulses and avoid messy complications like falling in love or having to choose what food to eat (she prefers to get her nutrients from a steady diet of SoylentIn the film's dominant plotline, Cummings plays Julie, a scientist loosely based on Brizendine, who believes that by studying the brain she can conquer her own impulses and avoid messy complications like falling in love or having to choose what food to eat (she prefers to get her nutrients from a steady diet of Soylentin love or having to choose what food to eat (she prefers to get her nutrients from a steady diet of Soylent).

The first new film in nearly three decades from Portuguese auteur Vitor Gonçalves is a rigorous, elegant study of emotional crisis

It may not be Wright's best film (that honor likely goes to Atonement) nor is it his most exciting (I'm a huge Hannah stan personally) and it's very far from his lower - tier material (The Soloist, Pan) but Darkest Hour sees the English auteur flexing his muscles in new and exciting ways, turning historical nonfiction into a calculated character study, an intoxicating courtroom drama and an electrifying thriller in its own right.

In addition, and unlike much English - language film scholarship even today (and certainly television studies), the book is far from Anglophone - or even Francophone - centric in its account of both cinema and criticism / theory's history, being at pains to emphasise the reality of new - century scholarly discourse as truly global in scopIn addition, and unlike much English - language film scholarship even today (and certainly television studies), the book is far from Anglophone - or even Francophone - centric in its account of both cinema and criticism / theory's history, being at pains to emphasise the reality of new - century scholarly discourse as truly global in scopin its account of both cinema and criticism / theory's history, being at pains to emphasise the reality of new - century scholarly discourse as truly global in scopin scope.

The 1954 monster - horror Creature from the Black Lagoon was a huge influence: in that film, an aquatic monster known as Gill - Man becomes fascinated with a female character called Kay, who's part of a scientific expedition whose aim it is to capture or kill the monster and study its breathing.

In a Lonely Place (Criterion, Blu - ray, DVD)(1950), directed by Nicholas Ray and starring Humphrey Bogart and Gloria Grahame in arguably the greatest performances of their careers, is film noir with no guns or gangsters or femme fatales or blackmail schemes, yet it is among the most devastating noir dramas you'll ever see: an ambiguous study of love torn apart from withiIn a Lonely Place (Criterion, Blu - ray, DVD)(1950), directed by Nicholas Ray and starring Humphrey Bogart and Gloria Grahame in arguably the greatest performances of their careers, is film noir with no guns or gangsters or femme fatales or blackmail schemes, yet it is among the most devastating noir dramas you'll ever see: an ambiguous study of love torn apart from withiin arguably the greatest performances of their careers, is film noir with no guns or gangsters or femme fatales or blackmail schemes, yet it is among the most devastating noir dramas you'll ever see: an ambiguous study of love torn apart from within.

Academy - award winning director William Friedkin discusses his early career — including making documentaries for David L. Wolper, working for Alfred Hitchcock and what he learned from studying his films, and directing his first movie Good Times (1967), starring Sonny and Cher; how his career path led to making The Exorcist, his initial reaction to reading the source material, the story's theme of Good versus Evil, and the role his own faith played in his approach to making the movie; the techniques he used to generate suspense and fear in the audience, his use of subliminal imagery, and his reasons for recently restoring deleted footage to the film.

Other highlights in this strand include: Miguel Gomes» mixes fantasy, documentary, docu - fiction, Brechtian pantomime and echoes of MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin this strand include: Miguel Gomes» mixes fantasy, documentary, docu - fiction, Brechtian pantomime and echoes of MGM musical in the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin the epic ARABIAN NIGHTS; the World Premiere of William Fairman and Max Gogarty's CHEMSEX, an unflinching, powerful documentary about the pleasures and perils associated with the «chemsex» scene that's far more than a sensationalist exposé; the European Premiere of CLOSET MONSTER, Stephen Dunn's remarkable debut feature about an artistic, sexually confused teen who has conversations with his pet hamster, voiced by Isabella Rossellini; THE ENDLESS RIVER a devasting new film set in small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin small - town South Africa from Oliver Hermanus, Diep Hoang Nguyen's beautiful debut, FLAPPING IN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth MosIN THE MIDDLE OF NOWHERE, a wry, weird socially probing take on the teen pregnancy scenario that focuses on a girl whose escape from village life to pursue an urban education has her frozen in mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin mid-flight; LUCIFER, Gust Van den Berghe's thrillingly cinematic tale of Lucifer as an angel who visits a Mexican village, filmed in «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin «Tondoscope» — a circular frame in the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin the centre of the screen; the European premiere of KOTHANODI a compelling, unsettling fairytale from India; veteran Algerian director Merzak Allouache's gritty and delicate portrait of a drug addicted petty thief in MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin MADAME COURAGE; Radu Muntean's excellent ONE FLOOR BELOW, which combines taut, low - key realism with incisive psychological and ethical insights in a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Mosin a drama centering on a man, his wife and a neighbor; and QUEEN OF EARTH, Alex Ross Perry's devilish study of mental breakdown and dysfunctional power dynamics between female best friends, starring Elisabeth Moss.

Coming from the world of hip hop, you'd expect Boots Riley to be somewhat of a novice with film in general but a not commonly known fun fact is that he studied film in San Fran before launching into his music career.

Being an English major, I studied Thomas Hardy's «Far From the Madding Crowd» several times and have seen film versions of it since, including Julie Christie's excellent take on the tale and the variation on it in «Tamara Drewe».

Documentary Showcase Presented by 500 Walnut: Comprising the best in documentary filmmaking, these compelling films feature everything from stirring character studies to fascinating looks at current global issues.