Sentences with phrase «in filming portraits»

Marc Brodzik (Pew Fellow, 2009) is a visual artist and documentary filmmaker interested in filming portraits of the common man.

In this film portrait featured on October 27th, the artist discusses his years spent in London, but also his vision as a photographer.

Not exact matches

On Sunday night, Citizenfour, a film about Edward Snowden holed up in a Hong Kong hotel room revealing the global spying programs run by the U.S. National Security Agency, won the Oscar for best documentary for its chilling portrait of technology and surveillance.

In this obscure indie film, two little read - comic books come together in a subtle, dialogue - heavy character study that plays out like a slow - burning portrait of good and evil in the modern worlIn this obscure indie film, two little read - comic books come together in a subtle, dialogue - heavy character study that plays out like a slow - burning portrait of good and evil in the modern worlin a subtle, dialogue - heavy character study that plays out like a slow - burning portrait of good and evil in the modern worlin the modern world.

AFSA, in conjunction with ORICoop are proud to present the heartfelt film: Look & See: A Portrait of Wendell Berry.

It's just a shame it was filmed in portrait...

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All of the portraits taken will be included in the feature film.

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An astonishing portrait of decadent Imperial Austria that's one of the greatest of all silent films, even in its butchered extant version.

Morris's approach in his portrait films is deadpan, sardonic, wondering.

The film does not give us a flattering portrait of the man, although most of that can be placed squarely in the hands of Saeed himself.

Cooper and his director of photography Masanobu Takayanagi (who also worked on the filmmaker's last two movies) paint a visually striking but harsh and brutal portrait of the scenery here, placing an emphasis on long shots of desolate landscapes and closeups of human anguish in order to create the film's dismal mood.

Since «Law Abiding Citizen» turns out to be «Clyde: Portrait of a Serial Killer (or «Clean Shaven Death Wish), in which the daddy - turned - vigilante (played by Gerald Butler) starts killing, not NYC lowlifes like a Scottish Charles Bronson, but innocent people, ala Henry (Michael Rooker) in the 1989 John McNaughton film, brutality needs to match brutality, because the cause and effect of the carnage needs to be better proportioned.

Its plotting is often a tad too plodding, but with the charismatic Mortensen exuding understated internal crisis (in a French - and Arabic - speaking role), Oelhoffen's film proves a compelling portrait of individuals striving to cope with, and at least somewhat overcome, cultural dislocation.

Screen Daily's Lisa Nesselson thinks the film offers an «incredibly frank and involving immersive portrait impressively anchored by an in - every - frame performance from Félix Maritaud.

This film is a beautiful portrait of humanity in our time through a woman with either destructive naivety or serious mental illness.

Like the (far superior) recent Russian film «Elena,» Child's Pose paints a compelling portrait of post-Soviet capitalism in all its uncorked appetites, its brash cronyism and graft, its pretensions, its clueless philistinism.

There is indeed a certain immersion value even within the film's style, subtle though it may be, and when it comes to substance, no matter how thinly or formulaically it goes handled, it carries a potential that is reflected in the film carrying wit and dramatic elements as a portrait on man's interactions with his environment and his peers, anchored by memorable characters who are themselves anchored by memorable performances.

The authentic feeling for the First Amendment and constitutional rights is expressed in a film that, first of all, also offers a highly idealized portrait of its central characters.

That happens in the first of the film's three chapters, and Akin's portrait of the immediate aftermath of the tragedy is strong as he films Katja in the shadows of her family home, broken and suffering.

Covering a transformative year in Hendrix's life from 1966 - 67, in which he went from a New York City backing musician to making his mark in London's music scene up until his Monterey Pop triumph, the film presents an intimate portrait of the sensitive young musician on the verge of becoming a rock legend.

Kiki is an update of sorts on Jennie Livingston's Paris Is Burning, a canonical portrait of New York ball culture in the 1980s that endures, though not without complications, as an essential investigation of queerness, race, class, and stardom — and a work that noticeably goes unmentioned in Jordenö's film.

In 2006, she enjoyed two great successes, being cast in the series Men in Trees, as well as in the experimental film Fur: An Imaginary Portrait of Diane ArbuIn 2006, she enjoyed two great successes, being cast in the series Men in Trees, as well as in the experimental film Fur: An Imaginary Portrait of Diane Arbuin the series Men in Trees, as well as in the experimental film Fur: An Imaginary Portrait of Diane Arbuin Trees, as well as in the experimental film Fur: An Imaginary Portrait of Diane Arbuin the experimental film Fur: An Imaginary Portrait of Diane Arbus.

Ending well before 9/11, the film may offer a quaint enough portrait of politics as usual at the turn of the new century, though one that hardly seems helpful in the face of the world's new realities.

As David, the son of Korean immigrants, navigates his nascent desire, the film rests not on eroticism per se, but on the connective tissue it weaves among sexual and other identities: Spa Night recombines elements of the emigrant saga and the coming - of - age story into a searching, fresh - faced portrait, highlighting in the process the genres» keen correspondences.

The portrait of Lincoln that Spielberg presents — in a film that often plays like a tense, high - spirited political thriller as influence is peddled behind the scenes and votes come down to the wire — will no doubt surprise viewers raised on a more staid version of the Great Man.

In the end, what emerges is a funny, honest, and incisive portrait of a truly one - of - a-kind artist, and an exhilarating behind - the - scenes look at the last 50 years of the film industry through the eyes of someone who has truly seen it all.

Saoirse Ronan, a cast member in the film «Byzantium,» poses for a portrait.

Although it shares many similarities with the first film adaptation of the novel directed by Kon Ichikawa in 1959, Tsukamoto chose to bring some of his more traditional genre film experience to the project in order to create a more vivid portrait of the horror and obscenity of war.

The resulting film is a vibrant, unsympathetic portrait of a man whose work continues to evolve how humans connect with each other whether or not he ever mastered that skill in his own life.

2016 NEW YORK FILM FESTIVAL: Clever and beautifully endearing, Mike Mills «beautiful portrait of five people in the late 1970s is one of the year's most glamorous efforts.

Gemma Arterton, a cast member in the film «Byzantium,» poses for a portrait.

Jennifer Lawrence, a cast member in the film «Silver Linings Playbook,» poses for a portrait.

Last night they stepped out again in support of Stanley Tucci's new film, Final Portrait.

As the first film shot in Atikamekw, a dialect of the Algonquian Cree language, it is an engaging portrait of a young man who finds himself in an awful situation, one in which he's forced to come to terms with his actions.

Following the exploits of the Paris police department's «child protection unit,» Polisse (which screened early on) helped to establish this year's Croisette - spanning theme of children in peril, which could be found to varying extents in fellow Competition entries Michael (kidnapping and pedophilia), Lynne Ramsay's We Need to Talk About Kevin (teenage sociopathy), Aki Kaurismäki's universally admired Le Havre (illegal immigration), and the Dardenne Brothers» Grand Jury Prize co-winner The Kid with a Bike (child abandonment); in the Directors» Fortnight entry Play (bullying); and in just about every film at the 50th - anniversary edition of the Critics» Week, from French actress - director Valérie Donzelli's opening - night Declaration of War (pediatric cancer) to Israeli actress - director Hagar Ben Asher's The Slut (pedophilia again), the fact - based 17 Girls (teen pregnancy), and the profoundly disturbing Snowtown, which recalled Henry: Portrait of a Serial Killer in its verité sketch of Australian serial killer John Bunting, who lured local youths into aiding and abetting his violent crimes throughout the Nineties.

What follows is an extraordinary setup for the middle action of À nos amours, a shrapnel - soft portrait of a teenager (Sandrine Bonnaire, in her film debut) whose sexual awakening coincides with her father leaving the home.

Widely considered one of the greatest young American writers, expect an insightful portrait of Wallace in this moving film.

Also as a super cool bonus, only available with this book, there is a special fold - out replica of the portrait of the Master of Lake - town, played by Stephen Fry in the film.

Jafar Panahi's self - portrait of a muzzled artist banned from making films and awaiting his prison term for anti-government propaganda was tellingly smuggled out of his apartment and beyond Iran on a flash drive embedded in a cake.

Bill Murray, a cast member in the film «Hyde Park on Hudson,» poses for a portrait.

Given the time frame — just a decade or two before Europe is engulfed in nearly a quarter century of turmoil — the film becomes an elegy of sorts: a secular memento mori, an after - the - fact portrait of loss and mortality.

He cast her in several of his films during this era, including Weekend and the behind - the - scenes Rolling Stones portrait Sympathy for the Devil.

Corsicato compiles footage taken from around Schnabel's home, recent interviews conducted with family and friends, and an assortment of photographs and film clips spanning the artist / director's life in an effort to, if one trusts this documentary's title, provide an intimate portrait of Schnabel's psychology as it was generated from the unusual circumstances of his youth.

The film is a frustrating, but brilliant portrait of a man that doesn't see the good in people.

There's sweetness and sadness in a film that makes hearts soar with its Bowie - set dance through the New York streets, and invites ample cringing in its protagonist's awkward encounters, but mostly there's recognition of the authenticity of its immaculately - shot quarter - life crisis portrait.

What emerges in this multi-layered film is a portrait of how an antiquated system is unable to contain the tides of change.

Actress Noël Wells from the film «The Incredible Jessica James» poses for a portrait at the 2017 Sundance Film Festival Getty Images Portrait Studio presented by DIRECTV on January 21, 2017 in Park Citportrait at the 2017 Sundance Film Festival Getty Images Portrait Studio presented by DIRECTV on January 21, 2017 in Park CitPortrait Studio presented by DIRECTV on January 21, 2017 in Park City, Utah.

This is Robert Bresson in an interview with Paul Schrader in Paris in 1976 during a production hiatus on his penultimate film, The Devil, Probably (1977), a staggering portrait of eco-hysteria.