Sentences with phrase «in films of all scales»

Naturally, in a film of this scale, there's going to be some carnage in the form of some intense fight sequences, and it turns out the final fight scene in the film, which will take place in Wakanda, was 25 pages long.

Not exact matches

Tull, who will remain chairman and chief executive officer of Legendary, has been seeking to expand in Asia with Legendary East and in 2013 signed an agreement with China Film Co. to jointly produce large - scale films for global audiences, such as «The Great Wall,» which will star Matt Damon.

The company began commercial - scale production of copper indium gallium diselenide (CIGS) thin - film solar PV modules in late 2012, at a time when most thin film companies were being wiped out by low - cost crystalline silicon.

Filmed entirely on location in Morocco on a relatively modest budget of $ 20m, major challenges included filming large - scale battle sequences using a stunt team, and recreating the fall of Jericho with powerful explosives.

Moviegoers are finally about to get a break from all of the big - budget summer blockbusters and superhero action movies, as studios move away from large - scale spectacles in favor of award - season prestige films.

The addition of a pilot - scale, nine - layer blown film line at DuPont Packaging & Industrial Polymers» application development laboratory in Wilmington expands its ability to help packaging customers bring innovation to market quickly and cost effectively.

Mercer: The launch of the new film was of significant size and scale over a five - month period, completing in January 2017.

The film talks about how the issue of modern slavery was first uncovered by the Sunday Times reporter George Arbuthnott, whose investigative journalism showed the true scale of the problem in Britain today.

What we see is a film laid down by the bacterial decomposition of different pigments in the scales, skin, feathers, and internal organs of the animal.

While a number of ferroelectric materials are known to science and are already used in different applications, their crystal structure does not allow them to be scaled down to a small enough, ultra-thin film for use in miniaturized devices.

The future of data storage is likely to be found in nanometer scale, stable magnetic whirls called skyrmions, which behave like particles in magnetic thin films.

Now, a research team at the Department of Electrical and Electronic Information Engineering at Toyohashi University of Technology has developed a wafer - level packaging technique to integrate a silicon large - scale integration (LSI) chip in a very thin film of a thickness 10 μm.

By the end of 2012, 35 mm film in movie theaters is expected to decline to 37 percent on a global scale, which is a dramatic decline from 68 percent of global cinema screens in 2010.

We intend that this space will include not only objects, pieces of engineering, documents and images, but also large - scale projections of archive films; the stories of Jodrell Bank's role in the space race and discoveries out in space.

The book revisits the stepwise journey through nature's scales that has long served as a hook in scientific exposition — it was notably employed in Robert Hooke's 1665 best - seller Micrographia and in the acclaimed 1977 short film Powers of Ten.

Click here to visit our Physics Connect profile Hiden's quadrupole mass spectrometers provide vacuum, plasma and surface analysis in nanotechnology applications, including SIMS depth profiling of nanometre scale thin film structures, plasma characterisation for enhancement of device etch processes, and vacuum diagnostics / temperature programmed desorption analysers in UHV scanning tunnelling microscopes.

They had a smaller scale structure of the hotel which was used in the Garris version down there, the walls filled with memorabilia showcasing the many films shot there.

Now, while most of these films look grand in scale, emotional to the core in the dramatic department, and visually awesome... if you think about it, they're all kind of doing the same thing.

There are inept thugs, a fake ruby, races through sewer lines that are marvels of invention, an outsize family that is far more stable that their precariously rocking house, and a smackdown of the French in the person of LeFrog (Jean Reno with a most apt, world - weary vocalization) that is one of the high points of a film that already scales the empyrean realms of humor.

Another factor is that the trailers and other advertisements leading up to the release of the film already show you the climaxes of the best scenes, from the aforementioned traffic jam, the zombie horde working in unison to scale a great wall, as well as jumping onto helicopters that foolishly get too close.

By all accounts, Quentin Tarantino's Django Unchained is a massive film in both scope and scale, boasting a large ensemble cast, a story that spans years, and a mix of locations and climates.

In tackling Louie's story (which sees him transition from Olympian to soldier to castaway to POW to war hero), she takes on a production of monumental scale, filmed in multiple countries and in vast expanses of the open, pitiless Pacific, but her willingness to go big is less impressive than her unwillingness to go gentlIn tackling Louie's story (which sees him transition from Olympian to soldier to castaway to POW to war hero), she takes on a production of monumental scale, filmed in multiple countries and in vast expanses of the open, pitiless Pacific, but her willingness to go big is less impressive than her unwillingness to go gentlin multiple countries and in vast expanses of the open, pitiless Pacific, but her willingness to go big is less impressive than her unwillingness to go gentlin vast expanses of the open, pitiless Pacific, but her willingness to go big is less impressive than her unwillingness to go gentle.

On top of that, there is something very realistic about low - budget films that do exactly that, because it feels more grounded in reality, instead of overblown on a large scale.

I think Mission: Impossible - Ghost Protocol is the most consistently entertaining, most laser - focused entry in the series so far, and while I would argue that it is very much a sequel to the third film and not just a disconnected piece of a flexible franchise, it is also a great rollicking self - contained spy movie adventure on a grand scale, and it's preposterous fun.

A full - scale re-imagining of Universal Pictures» seminal 1932 film, The Mummy is a rousing, suspenseful and horrifying epic about an expedition of treasure - seeking explorers in the Sahara Desert in...

3 / 4Sammy Davis, Jr.: I've Got ta Be Me is the first major film documentary to examine Davis» vast talent and his journey for identity through the shifting tides of civil rights and racial progress during 20th - century America.Sammy Davis, Jr. had the kind of career that was indisputably legendary, so vast and multi-faceted that it was dizzying in its scope and scale.

Shaun isn't special ops, or a trained survivalist, or a superhero bitten by a radioactive spider, and in a way, one doesn't ever truly worry for her safety (she impressively scales a stone wall and a fance, while running around barefoot for a good chunk of the film without stubbing her toe, too).

«The Neon Demon» was a beautiful entirely extremely disturbing thriller, totally hardcore, and the role of Elle Fanning was outstanding, Nicolas Winding Refn did an acceptable job, but from start was exciting until the middle of the I felt intermittent film, sometimes the pace increases and other decreases, but ended in the most disturbing way possible, certainly a hardcore film, a half scale.

On a scale of one to a hundred (one featuring no babies at all, and a hundred featuring all the babies in all of existence) this film could still only be classified as «babies».

It's a minor film but that's part of the charm, the lack of bombast and epic scale in a genre that keeps trying to top itself.

While the cast of characters all remain in touch with their deep - rooted feelings of survival and promise, when a film is full of unlikable and hard - pressed figures, it's difficult to scale your own investment into their well - being.

ThreeZero teased the new 1/6 scale Myers figure earlier today on their Facebook page, revealing a tight first look in a killer recreation of the 1995 film's original theatrical poster.

While we're no stranger to the idea of shock deaths in movies and TV series — our favorite characters being killed off gives fans something to talk about — the sheer scale of what happens at the end of Infinity War, and the Russo brothers decision to leave the ball in Thanos» court, is unprecedented when it comes to a film franchise of this scale.

Usually a delay of six months would be a very bad sign for a film of this scale, but Warners are choosing to release the film in a period we've come to know as «awards season,» and that can only be a good thing.

Most recently Rønning and Sandberg served as executive producers and directed the first two episodes of Netflix's big - scale mini-series «Marco Polo,» which they filmed on exotic locations in Malaysia, Kazakhstan and Venice.

Written and directed by master filmmaker Jia Zhangke (The World, Still Life), «one of the best and most important directors in the world» (Richard Brody, The New Yorker), this daring, poetic and grand - scale film focuses on four characters, each living in different provinces, who are driven to violent ends.

The principal artists in the film had not worked on any production of this scale before.

Though realized on a more modest scale than other Aardman features, the film is still an absolute delight in terms of set and character design, with sophisticated blink - and - you'll - miss - it detailing to counterbalance the franchise's cruder visual trademarks.

After fellow Koreans Kim Ji - Woon and Park Chan - Wook launched their English language debut films (The Last Stand and Stoker, respectively) the most nuanced of the trio of directorial superstars, Bong Joon - Ho is delivering the largest in scale, the nuclear - winter bound science fiction flick, Snowpiercer.

«A street - racing blockbuster about traffic cops» is one of the more endearing action - film premises in recent memory, and in terms of conceptual scale alone it seems a refreshing rejoinder to the genre's rather exhausting penchant for maximalism.

Director John Crowley (Boy A, Intermission) does a very fine job with a good troupe of thespians, and while the film lacks a huge budget for large - scale action scenes, the more grounded developments definitely work in its favor in keeping a tenuous believability in what is mostly a story built on creative fantasy.

And in the face of alien autopsies and bald - faced rip - offs of Aliens, Battle: Los Angeles takes itself far too seriously — as if this were the first film to contemplate the grand - scale destruction of L.A..

Chadha, whose last film The Viceroy's House tackled the tragic causes and epic scale of the partition of India, said she hopes Blinded by the Light will, by contrast, mix a little of the quirky British humour of some of her earlier films, such as Bhaji on the Beach (1993) and Angus, Thongs and Perfect Snogging (2008) with the lively energy of 1980s high - school movies written by John Hughes such as Pretty in Pink and The Breakfast Club.

Though much of the action remains confined to the inner sanctum of Franco's home, the biblical implications of the film dictate that they must eventually be taken out of their comfort zone, and thanks to their reasonably sized budget, they have enough to clout to develop some eye - popping special effects, and although it intends to satirise the current trend for apoca - blockbusters, it does its level best to match them in terms of scale.

is misleading because while draped in Darius Khondji's luxuriant, golden - hued cinematography like the silks of Lady Liberty's gown, and decked in loving period costume and detail, the film is really a small - scale human drama in which those Gray staples, a love triangle and a love / hate brother-esque relationship, play out beat by minutely observed beat.

More importantly than anything, it cuts close to the bone, with much of the film feeling like Gilliam confronting his own mortality: «for all the film's flaws, it feels like a very personal and moving piece of work as Qohen moves towards some kind of acceptance that his time on Earth will be brief in the grand scale of things... it's not so much a film about a search for a meaning, as an embrace of meaningless, and it's fascinating in that respect.»

But in Abduction these «leaps of faith» occur so often, and on such a noticeable scale that they severely detract from any engagement with the film, ultimately becoming its greatest letdown.

While it is unfair to put the burden on fans and the public to protest this film, and let's be real that just isn't going to happen on a wide scale, I can not in good conscience see a film who cast someone so antithetical to the premise of the series.

DEADLINE — Hard to imagine there will be a hotter film package unveiled at Cannes next week than 355, a large - scale espionage film that Simon Kinberg will direct with an all - star international spy cast of Jessica Chastain, Marion Cotillard, Penelope Cruz, Fan Bingbing and Lupita Nyong» o. They'll play international agents in a grounded, edgy action thriller that aims to alter a male - dominated genre with a true female ensemble, in the style of spy franchises The Bourne Identity, Mission: Impossible and James Bond.

The film suggests a contemporary vision, equal in weight and scale to George Romero's Dawn of the Dead.