Sentences with phrase «in gallery environments»

What was the response of the local audience, many of who were probably experiencing your work in a gallery environment for the first time?

designed to fit in any gallery environment.

In fact, the current exhibition at PACE features a couple of portraits created in two different size grids: a familiar visual for anyone familiar with photo editing software, but an unexpected one in a gallery environment.

Having returned to South Africa she has reclaimed her position on the streets and in the gallery environment.

In that role, teens gain proficiency in management, communication, public speaking, organization, planning and decision making as well as the opportunity to build a portfolio and exhibit in a gallery environment.

On the occasion of the project Volume Dissolves Into Atmosphere, Central Saint Martins MA Culture, Criticism and Curation students host a discussion into the relationship between sound and space and their coexistence in the gallery environment.

Displayed on large surface areas, the spectrograms form a landscape in the gallery environment, representing the various global locations and times of day in which Bernie Krause made the original recordings.

The show is both a collection of paintings and a calculated installation that takes everything in the gallery environment into account.

From painters who fill their canvases with colours, shapes and abstract forms, to artists who attack their art with vigorous brush strokes and expressive colours; abstract expressionism is now welcomed in the gallery environment and regularly produced in the art world, but how does it connect to street art and graffiti?

Not exact matches

In other words, you and your co-workers build your own avatars, then gather to have on - screen meetings in private conference rooms, art galleries, auditoriums — whatever virtual environment feels righIn other words, you and your co-workers build your own avatars, then gather to have on - screen meetings in private conference rooms, art galleries, auditoriums — whatever virtual environment feels righin private conference rooms, art galleries, auditoriums — whatever virtual environment feels right.

I made my first visit to the Alberta Legislature visitors gallery in 2 years to watch Environment and Parks Minister Shannon Phillips deliver her maiden speech as the MLA for Lethbridge - West.

In a similar way, the Wine Gallery aims to bring to life South Africa's 350 - year old heritage of winemaking, providing an environment for tasting and learning about local wines as intriguing and inspiring as the wine itself.

The Gates South Beach is part of The Gates Gallery of Hotels, a collection of distinct hotels offering all - encompassing getaways for guests that reflect local hospitality in uniquely curated environments with locations in Key West, Barcelona, and San Francisco (coming soon).

Members of CM are offered all the traditional features of a dating site - like photo galleries, chat rooms, message boards, and private mailboxes - in a welcoming environment with users who share their values.

But this game seriously lacks in the brains department with its poor plot, its shooting gallery gameplay and horrible looking environments.

The museum and gallery, based in Newcastle upon Tyne, launched the campaign to raise # 7000 to fund a range of fully accessible events and experiences that will allow children and young people with special educational needs and disabilities to step into their favourite stories in an inclusive and sensory environment.

The prototype ruggedized Android Tablet from Mobile Tout Terrain shown in the video below and in the gallery here is not certified for the sort of environment we're seeing in north - east Japan right now but it's certainly more rugged than your average tablet or ultra-mobile PC (UMPC.)

She also spent three years in the Canberra Press Gallery covering immigration, education, the environment and water.

These amazing creatures are the cornerstone of this enchanting gallery and a keystone species in the natural world — meaning their health is a good indicator of the health of their environment.

The interpretive gallery features aquaria, a fun - filled habitat display, and information on challenges to salmon survival in freshwater and ocean environments.

The gallery below showcases Lara Croft within a multitude of dangerous situations and environments, from exploring an old and ominous ruin to combating against strong water currents in the midst of a fearful town flood.

Opening: Rachel Lee Hovnanian at Leila Heller Gallery The first of a three - part exhibition by Rachel Lee Hovnanian titled «The Women's Trilogy Project, NDD Immersion Room» is a large - scale immersive environment in which gallery - goers must trade in their phones for a lantern toGallery The first of a three - part exhibition by Rachel Lee Hovnanian titled «The Women's Trilogy Project, NDD Immersion Room» is a large - scale immersive environment in which gallery - goers must trade in their phones for a lantern togallery - goers must trade in their phones for a lantern to enter.

Galleries and publishers alike prefer digital portfolios or a link to an artist's website be submitted rather than organic materials that may be lost in the busy shuffle of a gallery or office environment.

Firmly ensconced in each of these environments, Harris intertwined them all — in cities across the country and abroad, in venues ranging from art galleries to night clubs.

In «Remote,» Greenberger Rafferty's second solo project at Rachel Uffner Gallery, the artist combines her sculptural setups into a full - fledged environment.

Constructed within the gallery's architecture, SA MI 75 DZ NY 12 (2012) was the first «infinity environment» ever shown by the artist in New York.

In March 1958, Kaprow took over the whole gallery with his Untitled Environment, an installation where he hung translucent strips of plastic and rayon from the ceiling.

«David has fostered a culture in the gallery that spreads to the artists showing there that I feel creates an environment that results in one's best shows.»

Her annual Signal Culture residencies began in 2014 and continue in 2018 The artist's single - channel video works and multi-media installations have been exhibited throughout the USA, Europe, Australia, and Japan, including MOMA, PS1, The Whitney Museum Art, The Kitchen, Postmasters and New Math Gallery, The Bronx Museum for the Arts in NY, MOCA / GA, the Fay Gold Gallery, and The Atlanta Contemporary Art Center where she mounted a large - scale interactive installation environment, «A Thousand Plateaus» in 2001.

In March 2014, the gallery reopened in an expanded bi-level space at 170 Suffolk Street, allowing our artists the opportunity to evolve their practices to a larger scale while working in a more flexible environment, and for the gallery to host a greater number of organized shows, curated both in - house and by guest curatorIn March 2014, the gallery reopened in an expanded bi-level space at 170 Suffolk Street, allowing our artists the opportunity to evolve their practices to a larger scale while working in a more flexible environment, and for the gallery to host a greater number of organized shows, curated both in - house and by guest curatorin an expanded bi-level space at 170 Suffolk Street, allowing our artists the opportunity to evolve their practices to a larger scale while working in a more flexible environment, and for the gallery to host a greater number of organized shows, curated both in - house and by guest curatorin a more flexible environment, and for the gallery to host a greater number of organized shows, curated both in - house and by guest curatorin - house and by guest curators.

A small survey at George Adams Gallery in New York last spring, Joan Brown: Major Paintings from the 50s, 60s, and 70s, gave shape to Brown's enthusiastic reception of Bischoff's example, showing how she searched her immediate environment for things to paint.

Heejin No, Director of Skipwiths said, «As a young gallery, we're delighted to have had the opportunity to exhibit with START in such a beautiful environment as the Saatchi Ggallery, we're delighted to have had the opportunity to exhibit with START in such a beautiful environment as the Saatchi GalleryGallery.

In his third solo show at Haines Gallery, Chiara continues his exploration of the Bay Areas natural and built environments.

These are bite - sized videos encapsulating the unique environments of each of the galleries, the cities in which they inhabit and their respective ar...

While McKee declined to adapt to the hypertrophy of the 21st - century art market, Hauser & Wirth — a sprawling enterprise with branches in Zurich, Los Angeles, London, and Somerset, England, as well as New York — is among the alpha galleries of the new environment, alongside Gagosian, David Zwirner, and others.

2016 — Bohrer, Ashley, The Commodified Built Environment, Red Wedge, August 2015 — Derrick, Andy, Friday Feature, Matthew Woodward, ArtSquare, December Hartigan, Phillip, Seeing the Art For the Trees, Hyperallergic, August Daignault, Kristina, With Matthew Woodward, Inside the Artists» Kitchen, May 2014 — Hartigan, Phillip A, Expo Chicago Fails to Inspire, Hyperallergic, October, Obaro, Tomi, What I'm Doing This Weekend, Matthew Woodward, Chicago Magazine, October Juarez, Frank Art365, Matthew Woodward, May Hildwine, Jeriah, Matthew Woodward, Review, ArtPulse Magazine, April 2013 — Hall, Sarah Elise, Art - Rated, Matthew Woodward, Interview, November Klein, Paul, Art Letter, The Huffington Post, October Sherman, Whitney, Playing With Sketches, Rockport Publishing, October 2012 — Meuller, Rachel, Meticulous Chaos, Be Nice Art Friends, July Taskaporan, Erol, Matthew Woodward, Interview, Neo Collective, July Gumbs, Melissa, View From the Birth Day at the Chicago Cultural Center, Examiner, July Amir, Matthew Woodward's Decaying Drawings, Beautiful / Decay, May Dluzen, Robin, Catalogs of Anonymous Forms, Chicago Art Magazine, April Debat, Don, Unveiling the Unique, Chicago Sun Times, March Mutts, Lost at E Minor, New Art, January 2011 — Vora, Manish, Iconomancy: The Magic of Art, Art Log, November Pocaro, Alan, Keeping Your Balance in the Windy City, Art Critical, October Hausslein, Allison, Fanmail, Dailyserving, November Marszalek, Norbert, One Question, Neotericart, October New American Paintings, Number 95, Midwest Edition, June Cook, Greg, Contained at BCA, The New England Journal of Aesthetic Research, April James, Damian, More Than a Whisper in the Ear, Bad at Sports, January 2010 — Blau, Lilly, Love and Real Estate, The Huffington Post, November Himebauch, Adam, Matthew Woodward, Veoba Magazine, November Pitts, Johnathan, Look What They Found, Baltimore Sun, July Duquette, Laura, Featured Artist, Artery Magazine, May Duquette, Laura, How WNY Has Influenced His Work, Buffalo Rising Magazine, May Pocaro, Alan, Selections From the INDA 5, Aeqai, April Franz, Jason, International Drawing Annual 5, Manifest Gallery, March Solamo Tony, Barrington Hills Courier - Review, January Barber, John, Medium Magazine, Outside Infinity, February Avedesian, Alexi, Vellum Magazine, Spirits, January 2009 — Reed, Marliana, Invisible City Magazine, Issue 6, November Lacy, Rebecca, MuseMemo Magazine, Hauntingly Beautiful, October Abram, A, Spillspace Magazine, All the Wild Horses, September Kohn, Iliana, Lost At E Minor Magazine, Issue 244, 245, August Tremblay, Brenda, Finger - Lakes Explores Connections, Mysteries, WXXI, P.R, August Low, Stuart, Drawing Together Man and Nature, Democrat and Chronicle, August Wheeler, Dan, Upstate Artists Exhibit in Exclusive MAG Show, MPN Now, July Rafferty, Rebecca, The Elephant in the Room, City Newspaper, July 2008 — O'Sullivan, Michael, Modern or Retro?

Their influence also includes semi-fictional recreations of an artist's private environment in the space of a gallery, such as Friedrich Kunath at Andrea Rosen, Rirkrit Tiravanija dishing out curry (yes, yet again) at David Zwirner, or a cordoned - off memorial there to Jason Rhoades's living room soon after.

The faded surface of «Corrupt Diptych» is haunting, like the distinct sensation of déjà vu, the dirt and gravel is metaphorical not material, moving this artwork away from hyphenated arts (art - and - environment) towards something more mysterious with its abstract lines that race past the corner of the gallery's gyprock wall; themes of time and movement that have more in common with land art than abstract painting.

These Hands Are Models presents sculptural forms as considerations of quantification and sculptural duration, measurement and the totem, in an unraveling dialogue within the gallery environment.

Other exhibits currently on view at the Brooklyn Museum are Chicago in L.A., Judy Chicago's early works, and Brooklyn - based artist Swoon's Submerged Motherland, a site - specific installation in the museum's rotunda gallery engages climate change and transforms the space into an artistically constructed fantastical environment.

In a similar vein, he has also created room - sized installations he calls «environments», which involve placing a number of his works strategically about a gallery.

Engaging and surreal, walking into what feels like such a private space in one of the most public environments in the art world, this stand has more detail than most artworks — worth a visit of its own, it would be worth the gallery creating this installation around the world.

The 1100 - square - meter lower - level gallery in the new wing will be transformed into an immersive environment of monumental operatic videos, collages and drawings.

Since Ritchie exhibited The Universal Adversary at Andrea Rosen Gallery in 2006, his process of synthesizing and expressing complex systems and cosmologies to create new forms and explore new myths has increasingly expanded across disciplines and into collaborative projects with physicists, composers, writers, actors, architects and engineers, aimed at developing a group of visual and performance environments that can theoretically sustain not one, but every possible representation of the universe.

Known for his finger - crocheted environments that grace gallery spaces and architectural interiors, Neto presents new sculptures and wall - mounted works in an expansive installation that will veil the gallery's two - floor space.

Becca Pelly - Fry, Griffin Gallery Director and curator, comments «this award is a fantastic opportunity for a talented artist to work next to and alongside our innovation and development lab, create work in a supportive environment and engage with a network of artists, curators and arts professionals.

One wonders if Weber and Stritzler - Levine realised just how far off the map they would go when independent institutional curator José Roca, a native of Colombia who now lives in Bogotá, agreed to take on the project.1 Inspired by a show of Andean chuspas — bags made from coca leaves — that would run simultaneously in the BGC Focus Gallery, Roca envisioned immersive environments in which the paradoxes, polarities and points of contact between diverse artistic practices are explored through the tropes of the river and weaving.2 The works themselves provide their own context as they interact with each other and viewers, who are given a minimalist illustrated pamphlet as their only guide to what they will encounter in the gallery Gallery, Roca envisioned immersive environments in which the paradoxes, polarities and points of contact between diverse artistic practices are explored through the tropes of the river and weaving.2 The works themselves provide their own context as they interact with each other and viewers, who are given a minimalist illustrated pamphlet as their only guide to what they will encounter in the gallery gallery spaces.

In addition to a much - talked - about show at her New York gallery, ZieherSmith, Rossin has exhibited her virtual environments and paintings at art fairs in Miami, New York, and Seattle, as well as in group exhibitions at museums in Shanghai, Helsinki, and PittsburgIn addition to a much - talked - about show at her New York gallery, ZieherSmith, Rossin has exhibited her virtual environments and paintings at art fairs in Miami, New York, and Seattle, as well as in group exhibitions at museums in Shanghai, Helsinki, and Pittsburgin Miami, New York, and Seattle, as well as in group exhibitions at museums in Shanghai, Helsinki, and Pittsburgin group exhibitions at museums in Shanghai, Helsinki, and Pittsburgin Shanghai, Helsinki, and Pittsburgh.

YARD was first realised by the American artist Allan Kaprow (1927 - 2006) in 1961 in the open - air sculpture garden behind the Martha Jackson Gallery in New York as part of the group exhibition Environments, Situations, Spaces.

For this conversation, Yiadom - Boakye and Gioni will discuss her distinct oeuvre — including the seventeen new works she debuts in this exhibition, within a painted environment she specially conceived for the Fourth Floor Gallery.