Sentences with phrase «in global art history»

Taken as a whole, this ambitious exhibition catalogue encapsulates the energy, heart, and «dissonance of styles» — in the words of Schjeldahl — embodied by this fascinating and fecund moment in global art history.

Her curatorial work focuses on artistic production from the neo avant - garde until today, particularly rooted in global art histories, the intersections of sound and performance with traditional media, and the function of contemporary art within encyclopedic museums.

Not exact matches

Education in New York: Art Students League of New York • Bard College Conservatory of Music • Capital Region Independent Schools Association • New York State Education Department • Global History and Geography Regents Exam • Mathematics education in New York • New Visions for Public Schools • United Nations International School • White Plains Public Schools

Electronic Arts and FIFA to Bring eSports to Millions Through the EA SPORTS FIFA 18 Global Series on the Road to the FIFA eWorld Cup 2018 The Largest Competition in FIFA History Will Exponentially Expand the Global Audience With Accessible Competition and Features Top - Flight Football Leagues and Clubs 10/27/2017 - Electronic Arts

In addition, students gain global and cultural competency when they are exposed to people who are different than they are, and to the art, music, history and culture of other nations, races and peoples.

Literature, Installation Art, and Films on Partition A Visual History of the India - Pakistan Partition by Aanchal Malhorti Short stories by Saadat Hasan Manto Earth, film by Deepa Mehta Cracking India, a novel by Bapsi Sidhwa (the film Earth was based on this) Midnight's Children by Salman Rushdie «The Seer of Pakistan,» essay on Manto in The New Yorker by Ali Sethi 1947 Archive, A global movement to collect and preserve witness accounts of Partition Indian Summer by Alex von Tunzelmann Indian Summers, a British TV drama series, various writers Train to Pakistan by Khushwant Singh Tamas, a movie by Govind Nihalani.

Recent exhibitions include «Construire, Déconstruire, Reconstruire: Le Corps Utopique,» a solo show at the Musée d'Art Moderne de la Ville de Paris, Documenta 13 in Kassel, Germany, «Performing Histories (1)» at MoMA, New York, «10 ans du Projet pour l'Art Contemporain,» Centre Pompidou, Paris, the 4th Moscow Biennial, Moscow, «The Global Contemporary Art World after 1989,» ZKM, Karlsruhe, Germany, and «Contested Terrains,» Tate Modern, London.

DAVID ADJAYE, «Making Place: The Architecture of David Adjaye» @ The Art Institute of Chicago Chicago «Making Place» is the first comprehensive museum survey of global architect David Adjaye «s portfolio of more than 50 built projects, which includes the forthcoming National Museum of African American History and Culture on the National Mall in Washington, D.C.. His approach to design is unique: «Rather than advancing a signature architectural style, Adjaye's structures address local concerns and conditions through both a historical understanding of context and a global understanding of modernism.»

And in a nod to Venice's place in history as an international crossroads of global trade, Prada is said to be importing art and antiques on loan from far - flung institutions — juxtaposing, say, a Jeff Koons sculpture with china and ceramics from Saint Petersburg's Hermitage Museum.

The University of Iowa's MA program in Art History, which is closely affiliated with the school's highly ranked art school, is intended to give students a broad, comprehensive grounding in the global history of aArt History, which is closely affiliated with the school's highly ranked art school, is intended to give students a broad, comprehensive grounding in the global history History, which is closely affiliated with the school's highly ranked art school, is intended to give students a broad, comprehensive grounding in the global history of aart school, is intended to give students a broad, comprehensive grounding in the global history history of artart.

To the end of my days I will curse myself for missing this epochal exhibition at the Haus der Kunst in Munich, which offered a true global history of art from 1945 to 1965.

Ludwig has an MA in Global Arts from Goldsmiths University of London and a BA in Art with a concentration in Art History from Colby College.

Shaheen Merali is a curator and writer, based in London, who explores the intersection of art, cultural identity and global histories in his work.

2015 100 + Degrees in the Shade, A Survey of South Florida, Miami, FL Global Positioning Systems: Uses of History, Perez Art Museum, Miami, FL Self Proliferation, Girls Club Collection, Ft. Lauderdale, FL Wild Noise, El Museo Nacional de Bellas Artes, Havana, Cuba

2015 100 + Degrees in the Shade, A Survey of South Florida, Miami, FL Global Positioning Systems: Uses of History, Perez Art Museum Miami, Miami, FL From Within and Without: The History of Haitian Photography, NSU Art Museum, Fort Lauderdale, FL DCG Summer Show, David Castillo Gallery, Miami Beach, FL

Significant as these two works are, both within Oiticica's oeuvre and in terms of their impact on the trajectories of Brazilian culture and global art history, they comprise only one element of the Whitney's retrospective, which takes an expansive view of the impressively diverse work Oiticica produced in just two and a half decades from the mid 1950s until 1980.

The second installment in Afterall's Exhibition Histories series, Making Art Global, Part 1 focuses on the third Havana Biennial, which took place in 1989.

Signals: If You Like I Shall Grow is the first exhibition to reunite the works of Signals London's three founding artists, David Medalla, Gustav Metzger, and Marcello Salvadori, while also tracing the global impact resulting from the confluence of interests generated at that specific point in art history.

It presents a narrative that explores the resonances between Indonesia and the world and offers a reading of Indonesian art history in dialogue with global art history.

Continental Shift - Artists from the African continent in Europe, Bonnefantenmuseum, Maastricht, The Netherlands Intelligence: New British Art 2000, Tate Britain, London South Meets West, Accra, Ghana and Kunsthalle, Bern, Switzerland 1999 From where - To here, Art from London, Konsthallen Göteborg, Sweden Kunstwelten im Dialog, Museum Ludwig, Cologne Missing Link, Museum of Arts, Bern, Switzerland Heaven, Kunsthalle Düsseldorf, Germany; Tate Gallery, Liverpool Mirror's Edge, Bild Museet, Umeå, Sweden; toured to Vancouver Art Gallery, Canada; Castello di Rivoli, Torino, Italy; Tramway, Glasgow; Charlottenborg, Copenhagen, Denmark Citibank Private Bank Photography Prize, Photographers» Gallery, London In the Midst of Things, Bournville Village, Birmingham Secret Victorians, Arts Council Touring Exhibition, Ikon Gallery, Birmingham; Firstsite, Colchester; Arnolfini, Bristol; Middlesborough Art Gallery; Museum and Art Gallery, Brighton; Armand Hammer Museum, Los Angeles, USA Sensation, Brooklyn Museum of Art, New York, NY, USA 1998 Cinco Continentes y una Ciudad, Museo de la Ciudad de México, México D.F. Personal Effects; Sculpture & Belongings, Spacex Gallery, Exeter; toured to Angel Row Gallery, Nottingham Ethno - antics, Nordic Museum, Stockholm, Sweden Crossings, National Gallery of Canada, Ottawa, Canada Liberating Tradition, Bard Center for Curatorial Studies, New York, NY, USA Transatlantico, Centro Atlantico de Arte Moderno, Canary Islands, Spain Beyond Mere Likeness: Portraits from Africa and the African Diaspora, Duke University Museum of Art, Durham, North Carolina, NC, USA Global Vision; New Art from the»90s, Deste Foundation, Athens, Greece 1997 Sensation: Young British Art from the Saatchi Collection, Royal Academy of Arts, London; toured to the National Gallery of Berlin, Germany and the Brooklyn Museum of Art, New York, NY, USA Portable Personal Histories Museum, Ikon Gallery, Birmingham Trade Routes: History and Geography, 2nd Johannesburg Biennale, South Africa Transforming the Crown: African, Asian and Caribbean Artists in Britain, 1966 - 1996, Caribbean Cultural Center / African Diaspora Institute, New York, NY; Studio Museum, Harlem, NY; the Bronx Museum of the Arts, New York, NY, USA Pictura Britannica, Museum of Contemporary Art, Sydney, Australia; toured to the Art Gallery of South Australia, Adelaide and the City gallery, Wellington, New Zealand What, Trinity Buoy Wharf, London 1996 Pledge Allegiance to A Flain Europe, Bonnefantenmuseum, Maastricht, The Netherlands Intelligence: New British Art 2000, Tate Britain, London South Meets West, Accra, Ghana and Kunsthalle, Bern, Switzerland 1999 From where - To here, Art from London, Konsthallen Göteborg, Sweden Kunstwelten im Dialog, Museum Ludwig, Cologne Missing Link, Museum of Arts, Bern, Switzerland Heaven, Kunsthalle Düsseldorf, Germany; Tate Gallery, Liverpool Mirror's Edge, Bild Museet, Umeå, Sweden; toured to Vancouver Art Gallery, Canada; Castello di Rivoli, Torino, Italy; Tramway, Glasgow; Charlottenborg, Copenhagen, Denmark Citibank Private Bank Photography Prize, Photographers» Gallery, London In the Midst of Things, Bournville Village, Birmingham Secret Victorians, Arts Council Touring Exhibition, Ikon Gallery, Birmingham; Firstsite, Colchester; Arnolfini, Bristol; Middlesborough Art Gallery; Museum and Art Gallery, Brighton; Armand Hammer Museum, Los Angeles, USA Sensation, Brooklyn Museum of Art, New York, NY, USA 1998 Cinco Continentes y una Ciudad, Museo de la Ciudad de México, México D.F. Personal Effects; Sculpture & Belongings, Spacex Gallery, Exeter; toured to Angel Row Gallery, Nottingham Ethno - antics, Nordic Museum, Stockholm, Sweden Crossings, National Gallery of Canada, Ottawa, Canada Liberating Tradition, Bard Center for Curatorial Studies, New York, NY, USA Transatlantico, Centro Atlantico de Arte Moderno, Canary Islands, Spain Beyond Mere Likeness: Portraits from Africa and the African Diaspora, Duke University Museum of Art, Durham, North Carolina, NC, USA Global Vision; New Art from the»90s, Deste Foundation, Athens, Greece 1997 Sensation: Young British Art from the Saatchi Collection, Royal Academy of Arts, London; toured to the National Gallery of Berlin, Germany and the Brooklyn Museum of Art, New York, NY, USA Portable Personal Histories Museum, Ikon Gallery, Birmingham Trade Routes: History and Geography, 2nd Johannesburg Biennale, South Africa Transforming the Crown: African, Asian and Caribbean Artists in Britain, 1966 - 1996, Caribbean Cultural Center / African Diaspora Institute, New York, NY; Studio Museum, Harlem, NY; the Bronx Museum of the Arts, New York, NY, USA Pictura Britannica, Museum of Contemporary Art, Sydney, Australia; toured to the Art Gallery of South Australia, Adelaide and the City gallery, Wellington, New Zealand What, Trinity Buoy Wharf, London 1996 Pledge Allegiance to A FlaIn the Midst of Things, Bournville Village, Birmingham Secret Victorians, Arts Council Touring Exhibition, Ikon Gallery, Birmingham; Firstsite, Colchester; Arnolfini, Bristol; Middlesborough Art Gallery; Museum and Art Gallery, Brighton; Armand Hammer Museum, Los Angeles, USA Sensation, Brooklyn Museum of Art, New York, NY, USA 1998 Cinco Continentes y una Ciudad, Museo de la Ciudad de México, México D.F. Personal Effects; Sculpture & Belongings, Spacex Gallery, Exeter; toured to Angel Row Gallery, Nottingham Ethno - antics, Nordic Museum, Stockholm, Sweden Crossings, National Gallery of Canada, Ottawa, Canada Liberating Tradition, Bard Center for Curatorial Studies, New York, NY, USA Transatlantico, Centro Atlantico de Arte Moderno, Canary Islands, Spain Beyond Mere Likeness: Portraits from Africa and the African Diaspora, Duke University Museum of Art, Durham, North Carolina, NC, USA Global Vision; New Art from the»90s, Deste Foundation, Athens, Greece 1997 Sensation: Young British Art from the Saatchi Collection, Royal Academy of Arts, London; toured to the National Gallery of Berlin, Germany and the Brooklyn Museum of Art, New York, NY, USA Portable Personal Histories Museum, Ikon Gallery, Birmingham Trade Routes: History and Geography, 2nd Johannesburg Biennale, South Africa Transforming the Crown: African, Asian and Caribbean Artists in Britain, 1966 - 1996, Caribbean Cultural Center / African Diaspora Institute, New York, NY; Studio Museum, Harlem, NY; the Bronx Museum of the Arts, New York, NY, USA Pictura Britannica, Museum of Contemporary Art, Sydney, Australia; toured to the Art Gallery of South Australia, Adelaide and the City gallery, Wellington, New Zealand What, Trinity Buoy Wharf, London 1996 Pledge Allegiance to A Flain Britain, 1966 - 1996, Caribbean Cultural Center / African Diaspora Institute, New York, NY; Studio Museum, Harlem, NY; the Bronx Museum of the Arts, New York, NY, USA Pictura Britannica, Museum of Contemporary Art, Sydney, Australia; toured to the Art Gallery of South Australia, Adelaide and the City gallery, Wellington, New Zealand What, Trinity Buoy Wharf, London 1996 Pledge Allegiance to A Flag?

Posthumously his works were shown in 1999 in an important exhibition held at the Queens Museum, New York entitled Global Conceptualism: Points of Origin, 1950s — 1980s and in 2009/10 at Centre Pompidou, Paris, in the group show The Promises of the Past: A Discontinuous History of Art in Former Eastern Europe.

Smith is firmly entrenched in Texas Art History — she was recently included in the following publications: Global Corporate Collections (2015), Texas Abstract (2014), The State of the Art: Contemporary Artists in Texas (2012), and Texas Artists Today (2010).

Drawing on global weaving traditions as well as the history of painting and sculpture, graphic design, and architecture, American artist Sheila Hicks has redefined the role of fibre in art and influenced a generation of contemporary artists with her interdisciplinary visual language.

To Future Women uses the platform of art to historicize one of the largest networked protests in global history while creating a time capsule for the next generation of women.

The 46 color images featured in THE EYE IS A DOOR connect such diverse topics as geology, biology, astronomy, anthropology, engineering, architecture, history, literary studies, global studies, studio art, and landscape studies.

The exhibition examines the history of the artist - orchestrated meal, assessing its roots in early - twentieth century European avant - garde art, its development over the past decades within Western art, and its current global ubiquity.

It also references the artist's own performative practice in relation to situated, embodied histories, the intermingling of the local and the global, art both as possibility for insight and mass industry and ways to complicate its future.

Part art and part history, these letters will be archived for twenty years by participating national cultural institutions in Washington DC and re-exhibited on 21st January, 2037, historicizing one of the largest networked protests in global history while creating a time capsule for the next generation of women.

The news comes just a day after LACMA announced that collectors Gérard and Dora Cognié will give the museum its largest gift of contemporary Chinese and global ink - related art in the museum's history, burnishing its position as a global player with a large collection Asian art.

In customary fashion, the Global Art Forum convened the most compelling minds from across and above planet Earth to tell untold histories and share speculative stories.

Recent exhibitions and exhibition series have focussed on art and the history of art education, as well as processes of history telling and commemoration in a global context and interrelations between art and media technologies.

Related programming includes India and the World: A History in Nine Stories, in which Naman Ahuja, curator of Indian art at Jawaharla Nehru University, discusses his recent exhibition India and the World, a presentation of extraordinary masterpieces that situates Indian history in a global cHistory in Nine Stories, in which Naman Ahuja, curator of Indian art at Jawaharla Nehru University, discusses his recent exhibition India and the World, a presentation of extraordinary masterpieces that situates Indian history in a global chistory in a global context.

«This canonical essay precipitated a paradigm shift within the discipline of art history,» Reilly states in her preface to Women Artists: The Linda Nochlin Reader (2015), «and as such her name became inseparable from the phrase, «feminist art,» on a global scale.»

In celebration of the DMA's upcoming exhibition Between Action and the Unknown: The Art of Kazuo Shiraga and Sadamasa Motonaga, join Ming Tiampo, leading Gutai expert and Associate Professor at Carleton University, Ottawa, for a discussion on the art and life of Shiraga and Motonaga in the context of global art history and the current art market witIn celebration of the DMA's upcoming exhibition Between Action and the Unknown: The Art of Kazuo Shiraga and Sadamasa Motonaga, join Ming Tiampo, leading Gutai expert and Associate Professor at Carleton University, Ottawa, for a discussion on the art and life of Shiraga and Motonaga in the context of global art history and the current art market wiArt of Kazuo Shiraga and Sadamasa Motonaga, join Ming Tiampo, leading Gutai expert and Associate Professor at Carleton University, Ottawa, for a discussion on the art and life of Shiraga and Motonaga in the context of global art history and the current art market wiart and life of Shiraga and Motonaga in the context of global art history and the current art market witin the context of global art history and the current art market wiart history and the current art market wiart market with:

Both exhibitions help fill gaps in the lost era of early Chinese modern art, overrun first by history and politics, later by the spectacle of global Chinese contemporary art.)

Was it a global shift in the art world or was it the re-emergence of African history that sparked this?

Shortlisted for the Turner Prize in 1994, Doig came to global prominence in the mid-2000s when his mysterious, richly layered, figurative paintings, with their multifarious references to art history and popular culture, began to command astounding prices.

First year students focus specifically on exhibitions — their history, form and design — alongside courses in contemporary and global art history, theory and criticism, and primary engagements with artists and designers.

The gallery's primary mission is to support Chinese contemporary art in China, and to preserve it within the context of a global art history.

Each fall and spring semester, I accompany my upper division art history students from Westminster College to the Utah Museum of Fine Arts so they have the experience of viewing global art in person, resulting in a research paper.

According to UBS chief investment officer Mike Ryan, «an obvious appetite for art right now, especially in the ultra high net worth space,» has combined with a near - unprecedented eight - year expansion in global equity markets (currently the third - longest in history), providing the liquidity to feed that appetite.

★ «Taiping Tianguo»: A History of Possible Encounters: Ai Weiwei, Frog King Kwok, Tehching Hsieh, and Martin Wong in New York» (closes on Saturday) New York is network city, and this invaluable nugget of an art historical show uncovers hitherto unexplored local links among four artists of Chinese descent in the 1970s and»80s, before most of them had developed significant reputations and long before contemporary Chinese art had become global news.

The technology updates made possible through the grant will allow MOCA GA to continue to grow as an online platform, bringing increased global visibility to the talented artists working in our state as well as the art history of the past.

Southern Accent: Seeking the American South in Contemporary Art was a beautiful example of what we do best: organize a groundbreaking contemporary exhibition, publish an accompanying scholarly catalogue, attract diverse audiences with exciting programs, teach a new chapter of art history, feature global artists of color, and invite meaningful dialogue and debaArt was a beautiful example of what we do best: organize a groundbreaking contemporary exhibition, publish an accompanying scholarly catalogue, attract diverse audiences with exciting programs, teach a new chapter of art history, feature global artists of color, and invite meaningful dialogue and debaart history, feature global artists of color, and invite meaningful dialogue and debate.

In one of those useful coincidences of the New York art scene, two current exhibitions discuss global commerce and history, labor and money through one peculiar entry point: sugar.

Since emerging from the Glasgow art scene in the early 1990s, Simon Starling (British, b. 1967) has established himself as one of the leading artists of his generation, working in a wide variety of media (film, installation, photography) to interrogate the histories of art and design, scientific discoveries, and global economic and ecological issues, among other subjects.

Okwui Enwezor is director of Haus der Kunst, Munich, and Global Distinguished Professor in the Department of Art History at New York University.

SCOPE is one of the largest and most global art fairs in the world, with more than a decade long history and over 65 art fairs held in Miami Beach, Basel, New York and London, over million visitors and more than $ 800 million in sales.

Moshiri is a global artist who finds unique ways to tie disparate parts of art history together in compelling, multi-faceted works.

Other group exhibitions include Permission to be Global: Latin American Art from the Ella Fontanals - Cisneros Collection, Museum of Fine Arts, Boston (2014); Seduções: Valeska Soares, Cildo Meireles, Ernesto Neto, Daros Collection, Zurich (2006); Puro Teatro, Museo Rufino Tamayo, Mexico City (2002); Virgin Territory: Women, Gender, and History in Contemporary Brazilian Art, National Museum of Women in the Arts, Washington, DC (2001); and Ultra Baroque: Aspects of Post Latin American Art, Museum of Contemporary Art, San Diego (traveled)(2000 — 03).