Sentences with phrase «in graffiti culture»

Indie184, (born 1980) is a native New Yorker, has been active in the graffiti culture for over a decade and a half.

A small side room of the exhibition is devoted to a new VR piece by KATSU that is an «homage» to the Tenderloin area of San Francisco, a region «with deep roots in graffiti culture» that is slowly being sanitized and gentrified.

Not exact matches

With funding from the Austrian Ministry for Science and Research and the Culture Division of the City of Vienna, Norbert Siegl spent months studying the «gender - specific differences in frequency and thematic content» of the graffiti in the toilets at the University of Vienna.

by Jefferson Robbins The skeleton key to George Lucas's American Graffiti isn't in its setting — the cruising culture of exurban southern California, 1962, as witnessed by young participants with the»50s at their back and Vietnam ahead.

Creator George Lucas was the same guy who made 1973's «American Graffiti»: keenly attuned to car culture and nostalgia, in love with the horizon, a tinkerer with gears.

Including rap lyrics in a unit on poetry, or graffiti as a jumping off point to talk about the history of art establishes a bridge between youth culture and academic pursuits.

Graffiti is now a recognized contemporary art form, thanks in large part to the popularity of hip - hop and urban youth culture.

«With roots firmly planted in illustration, pop culture, comics, street art and graffiti, put quite simply the New Contemporary Art Movement is art for the people,» Thinkspace co-founder Andrew Hosner said.

Ranging from graffiti legends to the richest living artists in the world, these remarkable collaborations have varied from a mix of fine art paintings to photographs and comics and helped Supreme be at the forefront of incorporating art into street culture.

Like his late contemporaries Keith Haring and Jean - Michel Basquiat, Kenny Scharf has been a key figure in the translation of street - art culture from the walls and train yards of New York City to the fine - art galleries of Chelsea, applying the graffiti burner's tools of trade (spray paint, acrylic, scrawled words) to canvases.

Taking up the iconography and subject matter inherent to Western culture and making use of crude painting techniques blended with the vandalistic language of graffiti, Lister appropriates and reformats codes and languages in order to create a new proposal of grotesque contours brimming with creative energy.

JP: When I went to SCAD to study painting, I had been seriously engaged in style - writing culture, having been a writer (what people call a «graffiti artist», a term I always thought was so strange) for years.

The exhibition will feature paintings, mixed media sculptures, and interactive installations by 50 of the most dynamic artists and will emphasize Los Angeles's role in the evolution of graffiti and street art, with special sections dedicated to seminal local movements such as cholo graffiti and Dogtown skateboard culture.

This groundbreaking show was one of the very earliest to bring graffiti into an established art gallery, and has attained legendary status in the history of Bristol's street art and music culture.

A participant in the graffiti scene since his mid-teens, he is also known by his tag name REAS and has had an enormous effect on people of his generation around the world as a symbol of the driving force behind the underground culture of the time.

Born in San Antonio, Texas, Curry studied in Chicago and in Los Angeles where he still resides.Known Primarily for his large, flashy sculptures made of painted wood and aluminum, Curry's work is a puzzling exploration of popular culture as well as consumerism, and it features a rather dense range of aesthetic references — from graffiti and comics to Cubism and Pop Art.

In his early work he used art forms typical for the punk culture, such as graffiti and protests, challenging important social issues.

Coming up in the Bay Area pre-Dot com boom, McCarthy alongside Chris Johanson, Margaret Kilgallen, Ruby Neri, and Barry McGee embody the urban street and graffiti culture with its rustic aesthetic.

With diverse influences from graffiti, street culture, and outsider art, she has produced commercial and non-commercial work in various media.

Expanding upon Murakami and Juxtapoz magazine's interest in flattening high and low cultures, this exhibition includes work by artists whose practice has been shaped by a variety of sub-cultures including skate, surf, graffiti, street art, comics, design, illustration, painting, and digital and traditional arts.

-- Nikolay Oleynikov, Tsaplya Olga Egorova, Dmitry Vilensky, and others Claire Fontaine (fictional conceptual artist)-- A Paris - based collective including Fulvia Carnevale and James Thornhill CPLY — William N. Copley Diane Pruis (pseudonymous Los Angeles gallerist)-- Untitled gallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist by white artist Joe Scanlan Dr. Lakra (Mexican artist inspired by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The male pseudonym that the Abstract Expressionist painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group of feminist artists who made critical agit - prop work exposing the gender biases in the art world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain of «Dallas» but the still - incognito street artist of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Iggraffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Iggraffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and IgGraffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group of «culture - jamming» media interventionists led by Jacques Servin and Igor Vamos

Juxtapoz x Superflat was conceived by the renowned Japanese artist Takashi Murakami and co-curated with Evan Pricco, Editor - in - Chief of Juxtapoz Art & Culture, a legendary San Francisco - based magazine committed to contemporary art, design, fashion and graffiti.

They are interested in pieces ranging from the area's graffiti culture to a wide array of vibrant pop art influences.

In 2011 his work is featured in DEFINITION: The Art and Design of Hip Hop, an anthology chronicling the impact of hip - hop on visual culture, written by well - known graffiti artist and designer Cey Adams, 5 Cities / 41 Artists: Artadia O8 / 09, Artadia: The Fund for Art and Dialogue by Franklin et al Sirmans, NOPLACENESS: Art in a Post-Urban Landscape, as well as In the Eye of the Muses: Selections from the Clark Atlanta University Art Collection in 201In 2011 his work is featured in DEFINITION: The Art and Design of Hip Hop, an anthology chronicling the impact of hip - hop on visual culture, written by well - known graffiti artist and designer Cey Adams, 5 Cities / 41 Artists: Artadia O8 / 09, Artadia: The Fund for Art and Dialogue by Franklin et al Sirmans, NOPLACENESS: Art in a Post-Urban Landscape, as well as In the Eye of the Muses: Selections from the Clark Atlanta University Art Collection in 201in DEFINITION: The Art and Design of Hip Hop, an anthology chronicling the impact of hip - hop on visual culture, written by well - known graffiti artist and designer Cey Adams, 5 Cities / 41 Artists: Artadia O8 / 09, Artadia: The Fund for Art and Dialogue by Franklin et al Sirmans, NOPLACENESS: Art in a Post-Urban Landscape, as well as In the Eye of the Muses: Selections from the Clark Atlanta University Art Collection in 201in a Post-Urban Landscape, as well as In the Eye of the Muses: Selections from the Clark Atlanta University Art Collection in 201In the Eye of the Muses: Selections from the Clark Atlanta University Art Collection in 201in 2012.

Public outcry over the recent loss of the 5Pointz graffiti museum brought attention to the importance of arts and culture in this community.

He often merges the codes of street culture (stickers, graffiti) with the codes of high traditional art (the round canvas: the tondo) in works expressing a loss of any fixed definition.

In the episode she talks about the Peace Corps, traveling across Asia, publishing books, and documenting graffiti culture and street art.

In addition to the graffiti presentation there will Iranian hip hop music and short films about graffiti culture in IraIn addition to the graffiti presentation there will Iranian hip hop music and short films about graffiti culture in Irain Iran.

b. 1979, Las Vegas, Nevada / Lives and works in Brooklyn, New York Nate Lowman's neo-appropriationist approach to sculpture and installation combines anthropological remains such as news media, graffiti, and bumper stickers to generate a double - edged critique of American culture.

An important figure in the development of hip hop and graffiti New York, Doze is a cornerstone to our culture.

In the beginning of his career, Halwani was influenced by hip hop culture and the Western graffiti scene.

Additionally, his work has been featured in several texts including DEFINITION: The Art and Design of Hip Hop, an anthology chronicling the impact of hip - hop on visual culture, written by famed graffiti artist and designer Cey Adams; 5 Cities / 41 Artists: Artadia O8 / 09, published by ARTADIA in 2011; NOPLACENESS: Art in a Post-Urban Landscape, published by Possible Futures in 2011; and In the Eye of the Muses: Selections from the Clark Atlanta University Art Collection, Clark Atlanta University, 201in several texts including DEFINITION: The Art and Design of Hip Hop, an anthology chronicling the impact of hip - hop on visual culture, written by famed graffiti artist and designer Cey Adams; 5 Cities / 41 Artists: Artadia O8 / 09, published by ARTADIA in 2011; NOPLACENESS: Art in a Post-Urban Landscape, published by Possible Futures in 2011; and In the Eye of the Muses: Selections from the Clark Atlanta University Art Collection, Clark Atlanta University, 201in 2011; NOPLACENESS: Art in a Post-Urban Landscape, published by Possible Futures in 2011; and In the Eye of the Muses: Selections from the Clark Atlanta University Art Collection, Clark Atlanta University, 201in a Post-Urban Landscape, published by Possible Futures in 2011; and In the Eye of the Muses: Selections from the Clark Atlanta University Art Collection, Clark Atlanta University, 201in 2011; and In the Eye of the Muses: Selections from the Clark Atlanta University Art Collection, Clark Atlanta University, 201In the Eye of the Muses: Selections from the Clark Atlanta University Art Collection, Clark Atlanta University, 2012.

Born and raised south of San Francisco, Norling hails from a recent generation of artists raised on the fun and gun ethos of graffiti and the mark - making of urban street culture; from stickers to wheat - pasted posters, it is from this street aesthetic; one that is in dialogue with Norling's teacher Raymond Saunders, as well as younger artists such as Barry McGee and the late Margaret Kilgallen, that Norling's paintings, sculptures and installations derive much of their impact.

As one of the most exciting and popular artistic spaces in Berlin dedicated to the cultures of street art, graffiti, photography and contemporary art, Urban Spree is home to many artists working in these fields.

-LSB-...] Parisian based artist JonOne was raised in New York, and thus has experienced and been a part of two of the most prolific graffiti cultures in the world.

Both artists have roots in the graffiti and street art culture of Holland.

This metamorphosis done from series that overlapped in time, with contributions from Kitsch, from graffiti, with evocations from Pop and employing popular culture colours, led him to some sort of baroque from which he later escaped when he worked on monumental scale works, to which polished, rusted or burnt steel gave a much more austere aspect.

While this exhibition takes its starting point from hip hop, it branches out to include artists who use pop culture, graffiti, fashion and other signifiers of urban life in combination with more traditional forms of Aboriginal identity.

The artist was raised in Harlem during the heyday of graffiti art and hip - hop culture.

A famous Belgian artist and musician who have been painting since» 89, Pablo «Sozyone» Gonzales has lived through a decade saturated in culture: the break - dancing of the 80s, the graffiti of the 90s, the gallery crawl of the 00s.

Above and beyond the growing interest in Progressive Graffiti is the expanding interest in the over-all culture as well during the first two decades of the new millennium.

Despite the loss of separation and individuality of the two different subcultures during the machinations of the commodification of Culture, this particular Graffuturist group exhibition, as well as the previous two, are significant steps in acknowledging the sub-subculture of Progressive Graffiti, and then defining and maintaining an understanding of it within Graffiti culture and mass CCulture, this particular Graffuturist group exhibition, as well as the previous two, are significant steps in acknowledging the sub-subculture of Progressive Graffiti, and then defining and maintaining an understanding of it within Graffiti culture and mass Cculture and mass CultureCulture.

Elements from the contemporary pop art and graffiti culture can also be seen in her works.

Fujita blends Eastern techniques (anime, partitioned screens, ukiyo - e), and elements (geishas, warriors, demons), with Western, urban imagery (Latino graffiti, U.S. pop culture imagery) in a way that is stunning and vibrant, yet harmonious.

Klughaus showcases a diverse roster of talented artists with roots in graffiti and street culture including JURNE, Seb GOREY, RIME, Aaron OBLVN, Martha Cooper, Jesse Edwards, Tom Gould, and Ricky Powell.

In its formal treatment, takes on the appearance of a futuristic color fields abstract expressionism where traditional painting has been replaced by spray, which reminds us of the technique used in painting street graffiti, positioning the workpiece between the high and low culturIn its formal treatment, takes on the appearance of a futuristic color fields abstract expressionism where traditional painting has been replaced by spray, which reminds us of the technique used in painting street graffiti, positioning the workpiece between the high and low culturin painting street graffiti, positioning the workpiece between the high and low culture.

Although he had a number of successes — most notably the popular 2011 «Art in the Streets» graffiti exhibition in which he emphasized the symbiosis between art and pop culture — his tenure was overshadowed by his failings.

Nowadays their unrivaled mixture of aesthetic elements brings to life a free - spirited visual vocabulary that transcends graffiti while remaining firmly rooted in the culture of street art.

Conceptually can be similar to the urban culture or to the graffiti's street style and the cut - up in advertisement.

Ferran Garcia Sevilla presents 42 paintings in the artist's characteristically eclectic style, which draws on influences as diverse as his travels in the Middle East, philosophy, Eastern cultures, comic books and urban graffiti.