Iconic conceptual works from the 1960s and 1970s are rendered
in graphite on paper with an extraordinary amount of attention.
Lewis presented works from three untitled ongoing series
in graphite on paper: nine collages of altered
Although trained as a painter at Southern Methodist University in Dallas, Texas, the artist works primarily in iron, steel, and concrete sculpture, employing casting as an integral part of his methodology, as well as delicate drawings
in graphite on paper.
Although trained as a painter at Southern Methodist University in Dallas, New York — based artist Lionel Maunz works primarily in iron, steel, and concrete sculpture, employing casting as an integral part of his methodology, as well as delicate drawings
in graphite on paper.
Over the past five years, Martí Cormand has been rendering iconic conceptual works from the 1960s, 1970s, and 1980s
in graphite on paper and with an extraordinary amount of attention.
Joe Biel renders precise figures
in graphite on paper, documenting» performers» in banal or bizarre situations.
Not exact matches
Sam works
in watercolors, gouache, color pencils and
graphite pencil
on board,
paper, slates and stone.
When you write or draw with a pencil, the
graphite (the «lead» of the pencil) slides off
in thin layers to leave a trail — the line
on the
paper.
When pencils deposit that
graphite on paper, the lattice is laid down
in thin sheets.
In a second paper in the current issue of the journal Nano Letters, Zewail and his colleagues described their visualization of the changes in a nanometer - thick graphite membrane on a longer time scale, up to a thousandth of a secon
In a second
paper in the current issue of the journal Nano Letters, Zewail and his colleagues described their visualization of the changes in a nanometer - thick graphite membrane on a longer time scale, up to a thousandth of a secon
in the current issue of the journal Nano Letters, Zewail and his colleagues described their visualization of the changes
in a nanometer - thick graphite membrane on a longer time scale, up to a thousandth of a secon
in a nanometer - thick
graphite membrane
on a longer time scale, up to a thousandth of a second.
You can also do it
in pencil first, or trace it
on with a
graphite paper, and then going over it if hand lettering isn't your jam.
Then place the printout faceup
on top of the
graphite paper, being sure to center it
on the plate, and tape two corners of both
papers in place so they don't move around.
Graphite on paper, 30 x 22.5
in.
Robert Longo Men Trapped
in Ice, 1979 Charcoal and
graphite on paper Triptych; each 60 x 40
in.
Her large - scale and labor - intensive works range
in size from 7 to 12 feet, and envelope the viewer
in expressive and analytic gestures made
in graphite, gouache, and conté crayon
on paper.
Flight Patterns II (
graphite on paper) «I really love working
in black and white,» says Torpedo Factory artist Rachel Kerwin.
Water - based paint, enamel,
graphite, newspaper, tissue
paper, and mirror
on canvas, 30 x 41
in.
Pierre — Paul Prud» hon, Psyche Carried Off by the Zephyrs, 1808 or later, black and white chalk over
graphite on faded blue wove
paper, with framing lines
in black chalk, 17 1/2 x 12
in., Minneapolis Institute of Art
Fakontech: Golden Structured City with Machine Plan Universe and Method Angle Main Triangle Planet and Crystal Code, 2013 Gouache, ink, colored pencil,
graphite, and pastel
on Fabriano Murillo
paper 27.5 x 39.5
in.
Daroim: Dusk Contraption Drawing with Magnetic Recording, and layered Indigo City Lust System, and Fragment Safety Dome with Above Ground Streamers and Nested Square Learning Center, 2013 Gouache, ink, colored pencil,
graphite, and pastel
on Fabriano Murillo
paper 39.5 x 27.5
in.
Brice Marden:
Graphite Drawings is the first
in - depth study of these seminal works
on paper.
Junillever: Universe Plan, with Transmission Machine Room and Alpha Magnetic Language, and Flourescent Simulation, 2013 Gouache, ink, colored pencil,
graphite, and pastel
on Fabriano Murillo
paper 27.5 x 39.5
in.
Ten works
on paper from 2010 are exhibited
in the second room of the gallery
in which Whitten experiments with dry pigment,
graphite and oil stick, and creates grid - like compositions by transferring the structure of objects, such as a radiator, directly onto
paper with a
graphite block.
Pietro Fancelli, Study for Orpheus and Eurydice (recto); A Bacchanal Procession (verso), circa 1800 — 10, pen and brown ink over
graphite on paper, 16 x 22 ⅛
in., Minneapolis Institute of Art
Pen and ink, fiber - tipped pen,
graphite pencil, rubbing, and colored pencil
on paper, 27 × 21
in.
The exhibition will include both the portraits and urban landscapes for which the artist is so well known and a new self - portrait
in graphite and pastel
on paper.
Alexandra Exter Construction for a Tragedy ca. 1925 Gouache, with
graphite and pen and black ink, over
graphite,
on paper prepared with a blue - gray ground Signed
in graphite at lower right, A. Exter.
A de Kooning drawing,
graphite, and other media
on paper, erased by Rauschenberg and mounted
in a gilded wood frame with label inscribed using a metal template
in blue ink
on paper by Jasper Johns, 25 1/4 × 22 3/4 × 1/2
in.
Graphite, oil stick, colored pencil
on paper, and carbon
paper in artist's frames, six (6) parts.
William - Adolphe Bouguereau, Study of Venus for «Apollo and the Muses
in Olympus» (ca. 1867),
graphite with touches of white chalk
on beige wove
paper, 46.8 x 30.5 cm.
It includes the following: a series of five etchings realised with master printer Gregory Burnet
in New York (Untitled, 2013), an ensemble of 16 works
on paper (Mind Breath Drawings,
graphite, 2012) and finally a mixed group of 11 drawings and paintings
on canvases (all untitled,
in graphite, acrylic and, except for three, ink, 2012).
Lauren Seiden's
graphite -
on -
paper reliefs — sheets of
paper scrunched, creased and carefully wrapped around the stretcher — look like they were carved
in marble and dusted with shimmering pigment.
In each work — a cut sheet from an artist's drawing pad mounted
on its cardboard backing — he employs gestures with paint,
graphite, line, or the shadow of the
paper on its cardboard ground that resonate with his expanded notion of drawing.
Martí Cormand, Formalizing their concept: Alighiero Boetti's «Alighiero e Boetti Self Portrait, 1977», 2013,
graphite on paper and oil
on paper (tape), diptych: 15.5 x 12.2
in.
Martí Cormand, Formalizing their concept: Marcel Broodthaers» «Casserole and Closed Mussels», 1964, 2012,
graphite on paper and oil
on paper (tape), triptych: 15.5 x 14.4
in.
Carbon
Paper,
Graphite on Wall, 70 × 60
in.
Her works
in oil
on panel,
graphite on mylar, mixed media
on paper and sewn canvas employ materials for their connotative properties as well as their experiential potential.
Titled (ART AS IDEA AS IDEA) no. 2, 2015,
Graphite on paper, 20 x 20
in
File name: 4952-018.jpg Anne Truitt Dutchman's Lane, 1961 © 1962
graphite on paper overall: 20.32 x 12.7 cm (8 x 5
in.)
Martí Cormand, Formalizing their concept: Antoino Caro's «Colombia», 2012,
graphite on paper and oil
on paper (tape), 15.5 x 13
in
Martí Cormand, Formalizing their concept: Joseph Kosuth's «One and Three Chairs», 1965, 2013, panel 1 of 3,
graphite on paper and oil
on paper (tape), 14 x 15.5
in., 29 x 36
in.
File name: 4952-016.jpg Anne Truitt Structures / Buildings, Easton, Maryland, 1961 © 1962
graphite on paper overall: 21.59 x 35.56 cm (8 1/2 x 14
in.)
Martí Cormand, Formalizing their concept: Luis Camnitzer's «Coca Cola Bottle Filled with Coca Cola Bottle», 2012, Panel 1,
graphite on paper and oil
on paper (tape), 11 x 8.5
in
Martí Cormand, Formalizing their concept: Joseph Kosuth's «One and Three Chairs», 1965, 2013,
graphite on paper and oil
on paper (tape), triptych: 14 x 15.5
in.
Focusing
on drawings by these masters, the exhibition will include pastels, watercolors, gouaches, and collages,
in addition to drawings done
in graphite, charcoal, and ink
on paper.
«Portfolio (Monograms 1 of 2)», 2008 portfolio with two drawings (ink,
graphite on paper), two polaroids, three colour prints (content installed
in the window of Antiquariat Buchholz)
Martí Cormand, Formalizing their concept: Antonio Caro's «Todo esta muy caro», 2012,
graphite on paper and oil
on paper, 15.5 x 13
in
File name: 4952-015.jpg Anne Truitt Working Drawing, 1962 acrylic and
graphite on paper overall: 27.94 x 61.91 cm (11 x 24 3/8
in.)
Martí Cormand, Formalizing their concept: Waltercio Caldas» «Velazquez», 2012,
graphite on paper and oil
on paper (tape), 15.5 x 13
in
The works
on paper range
in material from
graphite pencil and watercolor to india ink imprints, wax crayon, gouache, butterfly - wing collages, incised scratchboards, and paint with gum arabic.