Featured most prominently is the score, which is one of the more memorable scores
in horror film history.
Evil Dead remains one of the most - loved franchises
in horror film history.
Not exact matches
I love good music & enjoy going to see live bands & going to festivals I also enjoy art & urban exploring just to learn the
history of a place but that comes about from watching to meany booth brothers documentaries of the unknown I also enjoy
horror films And Dumfries is
in Scotland
One of the few last successful
horror franchises
in modern
history would have to be the Paranormal Activity flicks where it goes to show, that a
film that makes noises
in another room can scare the living hell out of millions of people.
With its cleaver - wielding dwarf and a sex scene that raised questions over whether it was real, Nicolas Roeg's atmospheric
horror film Don't Look Now earned its place
in cinematic
history.
M. Night created one of the best
horror films in the
history of cinema
in 1999 with The Sixth Sense but he also created The Happening.
March 1, 2013 will mark a great day
in horror history with Park Chan - wook's (Oldboy, Thirst) english - language
film debut about the nasty Stoker family.
The early 1970s to the late 1980s was a unique moment
in Australian cinema
history; a time when censorship was reigned
in and home - grown production flourished, resulting
in a flurry of exploitation
films — sex comedies,
horror movies and action thrillers — that pushed buttons and boundaries, trampled over taste and decency, but also offered artistry within their escapism, giving audiences sights and sounds unlike anything they had seen
in Australia before.
John Carpenter created one of the best
horror films in history in 1978 and it has been used as the basis and inspiration for many projects.
This year has all around been an INCREDIBLE year for the
horror genre, with
films such as Split, Get Out and IT making it one of the best (and most profitable) years
in the genre's entire
history.
Horror films occupy a long and enthralling place
in cinematic
history, and Diego Carrera has put together an excellent video showcasing the
films that have scared us for over 120 years.
Kramer's screenplay reveals facets of a genuinely important personal experience with real
horror, and Murphy's
film captures a suffocating dread at the sudden merging of sex and death at a cruel moment
in history — complete with a climactic romantic gesture that finally, heartbreakingly, insists love matters most.
Not only does it star one of the most twisted serial killers
in cinematic
history, Mike Myers, it also happens to be directed by John Carpenter, one of the legends of
horror films back
in the 70s.
With an iconic score by legendary composer Bernard Herrmann, this
film cemented Alfred Hitchcock's place
in history as a Master of
Horror.
With an initial trailer that made it look like nothing but a generic
horror film (until a second trailer spoiled a little too much), this
film just seemed like another tired entry
in the long
history of
films about promiscuous and dimwitted teens just waiting to meet their gruesome end.
Granted, it's a bit too long and deeply convoluted, but the 2006
film is also one of the most nightmarish and gorgeously shot
horror films in recent
history.
In it, the cast and crew talk about the movie as if it's a great revolution in the history of horror films, which isn't even a little tru
In it, the cast and crew talk about the movie as if it's a great revolution
in the history of horror films, which isn't even a little tru
in the
history of
horror films, which isn't even a little true.
Starring Hemlock Grove's Kaniehtiio Horn — a First Nations Mohawk who grew up on the Kahnawake Reserve — as a Mohawk woman driven to violence by soldiers» assault on her family and her ancestral home
in early 19th - century New York, the
film engages with the
horrors of American
history in an uncommonly blunt way, using them to tell a tale of supernaturally tinged revenge.
Given how many of Poe's «
horror» mysteries have remained iconic staples of literary
history, it's shocking how quickly the
film glosses over the few kill sequences that are included
in The Raven.
But perhaps most remarkable was the fact that it nabbed a Best Picture slot: Depending on how flexible you are
in defining «
horror,» Get Out is just the fifth (or sixth) fright
film in the ceremony's
history to ever receive that honor.
Layers of real life and movie
history combine cleverly
in this postmodern
horror film, which just might be too knowing for its own good.
People were also upset that the
horror / comedy wasn't nominated for Best Original Screenplay, especially given that Get Out is the highest grossing debut
film based on an original screenplay
in history.
This touching tale that riffs on classic
horror history is easily Tim Burton's best
film in over a decade, and Martin Landau's science monologues as Mr. Rzykruski made me want to stand up and cheer.
«THE S FROM HELL is a short documentary - cum -
horror film about the scariest corporate symbol
in history — The 1964 Screen Gems logo, aka «The S From Hell.»
With its stunning visual style, sly subversion science - fiction and
horror genre conventions and one of the most terrifying and memorable monsters
in screen
history, «Alien» became an instant
film classic from the moment it burst forth — literally —
in the summer of 1979.
Horror fans from all over the world have rallied to support the Gothic chiller, earning the
film a place
in Kickstarter
history as the UK's most funded narrative
film ever.
Not as commendable were the slick but forgettable Leatherface, the first disappointment by French filmmaking duo Alexandre Bustillo and Julien Maury; the Spierig Brothers» Jigsaw, part 8 of the exhausted Saw series; the dull Amityville: The Awakening by Franck Khalfoun, usually a respectable genre director, who does still add his share of clever touches (and meta moments, like when a group of teenagers watch the original Amityville
Horror in the «real» Amityville haunted house, into which one's family has just moved); Open Water 3: Cage Dive, whose shark - franchise designation was tacked on as an afterthought, not that it helped to draw
in audiences (
in an anemic year for great whites, 47 Meters Down takes the prize for the best shark
film); Jeepers Creepers 3, a super-limited release — surely
in part because of director Victor Salva's
history as a convicted child molester — which just a tiny bit later would probably have been shelved permanently
in light of the slew of reprehensible - male - behavior outings
in recent months.
By most definitions, Jaws is more a suspense thriller than a
horror film, but it gave us one of the most heart - stopping, breath - holding, unnerving musical ideas
in the
history of cinema.
I had a lot of faith
in Wan's abilities, but
history says that two successful
films in one year are very unlikely, especially if both of the movies are from the
horror genre.
Earlier this month, the actress made her feature -
film debut
in Get Out, Jordan Peele's
horror film which has earned critical acclaim, made box - office
history, and inspired moviegoers to return to theaters for second and third viewings.
2014 was a banner year for female - driven
horror, and arguably the first time
in history when the year's best
horror film was directed by a woman.
The Los Angeles - based artist Matt Greene is becoming known for his ethereal landscapes of fleshy fungi and bushy bombshells, paintings that explore his favorite shelves
in the library: vintage pornography, fairy tales, horticulture,
horror films, nineteenth - century Symbolist art, and, of course, the
history of Modernism.