Sentences with phrase «in identity construction»

This paper elucidates the importance of... participation in work as an essential ingredient in the promotion of occupational justice, in identity construction and in the process of recovery for persons with psychiatric disability.

The fact that consumption as opposed to production assumed a central role in identity construction and ensuring respectability, contributed significantly to the loss of the respectable status created / earned through being a worker during the pre-1980s.

Not exact matches

Milbank's intelligent and theologically informed analysis of what we mean by «the Other» gives us the resources to undo from within the work of the deconstructionists» those postmodern philosophers and critics who hunt down and denounce any construction of identity forged in opposition to others, and yet who depend on those wicked «other - using» others to forge their own identities.

I've been in full time ministry, got fired, struggled for decades with my self - identity as a construction worker to raise a family, and ended up joining a Church where I had a snowball's chance in hell of getting ordained but still held out hope, but it has never happened after 14 years now.

The point being asserted has to do with the tendency in contemporary Hindu nationalism through the various units of the Sangh Parivad (the Bharatiya Janata Party [BJP], the Rashtriya Swayamsevak Sangh [RSS], the Vishwa Hindu Parishad [VHP], Bajrang Dal [BD] and the Shiv Sena party [SS]-RRB- to further the process of taming all heterogeneous and plural forms to fit into the unitary construction of a religiously synthesized India, while defining the core of this disciplined pan-Indian identity in Hindu (specifically Brahmanic) terms.

What I want to stress is the tendency in nationalism to tame all heterogeneous and plural forms so they fit into the unitary construction of a religiously - synthesized India, and how the core of this disciplined pan-Indian identity is defined in Hindu (specifically Brahminic) terms.

Plenary freedom for identity construction is, in the end, an empty freedom.

The answer then is that the identity of a line consists in an unbroken continuity of points, but that none of its properties is determined until certain of its points are actually fixed, e.g., by specifying numbers or laying down certain conditions for a geometrical construction.

Being only a social construction, sexual identity no longer in any way determines the psychic constitution of the individual.

Its principals — Cody Hudson, Jon Martin, Robert McAdams and Peter Toalson — have collective decades of involvement in the fields of art, construction, design, event production, identity, marketing, music, and woodworking.

Once capitalization of the restaurant is formalized, The Greene Turtle will assist you in developing construction plans that adhere to our unique brand identity.

On the contrary, regional identities in the North of England could be mobilised as part of an inclusive political project that seeks to nurture shared civic and democratic values and bonds — a plan that «speaks to the people» and aims at actively involve them in the construction of a better future for their region.

Georgia's foundering attempts at democracy and construction of a national identity have, in part, been beleaguered by this rejection, as have those of many of the new states on Europe's periphery.

In her work, Katharine examines discursive representations of the military — and «Support the Troops» discourses in particular — in relation to the formation of collective identity and the construction and conduct of force - related aspects of foreign and military policIn her work, Katharine examines discursive representations of the military — and «Support the Troops» discourses in particular — in relation to the formation of collective identity and the construction and conduct of force - related aspects of foreign and military policin particular — in relation to the formation of collective identity and the construction and conduct of force - related aspects of foreign and military policin relation to the formation of collective identity and the construction and conduct of force - related aspects of foreign and military policy.

Outside of school of - school, their gender identities are always in conversation as they simultaneously question its construction, deconstruction, and reconstruction.

Her genius was in the construction of a public identity of partial affiliation — a university - based historian who never wrote an academic dissertation, a former government official whose career in public service lasted less than two years, an overseer of the national testing program with no particular expertise in testing, and a champion of public school teachers who has never taught in a public school.

Utilizing poststructural theories of language, identity, and power (Bourdieu, 1991; Norton, 1997, 2013; Weedon, 1997) in connection with the theoretical and methodological framework of Critical Discourse Analysis (Fairclough, 1992; 2015), my dissertation centers on the ways in which English, and its socio - historical link to power within South African education, influences these women's (re) constructions of identity.

Schooling and the Construction of Identity Among Minority Students in Spain and the United States

All the characters in Wonder guide readers to think about identity construction as it plays out at the intersections of biology, society, emotions, and cognition — a link to the «Individual Development and Identity»identity construction as it plays out at the intersections of biology, society, emotions, and cognition — a link to the «Individual Development and Identity»Identity» strand.

In his talk last night, the author argued that these three complex stories are representative of America's story, where the construction of race and racial identity is anything but clear - cut.

This is the first work in a second generation of his celebrated Wind Sculpture series and continues Shonibare's ongoing examination of the construction of cultural identity through the lens of colonialism.

For over a decade, Helen Johnson (b. 1979, Melbourne, Australia) has used painting as a tool to investigate issues around the legacy of colonialism, the construction of national identity, personal history, and contemporary politics in her native Australia.

Johnson explores the physicality of his materials to investigate the construction of identity, both visually and conceptually, in a practice that is steeped in individual experience while invoking shared cultural references.

He is currently completing A Distant Echo, a feature length film shot on 35 mm in various Californian deserts that explores themes of identity, culture and the construction of history in collaboration with musician Tom Challenger.

Her work is conceptually organized around the construction of image, language, narrative, and space, and she has often probed individual identity and the boundaries of the subject in relation to the external world.

She is interested in the construction of identity and the relationship between human beings and other species.

Norwegian photographer Anja Niemi stages, shoots and performs in atmospheric solo scenes that interrogate the social construction of female identity.

Her work animates the consequences of our colonial history and the construction of identity politics: in a divided Britain, will we listen?

In complying with the instructions for making the perfect home, she contemplated the construction of an identity from scratch.

Exploring the role of craft and war in the construction of national identity, Smith's works are often sites of interaction, which provide a context for expression and dialogue among audiences about American history.

Building on a growing interest in reassessing the role of the Black Arts Movement in the construction of contemporary ideas around race, national identity, gender and aesthetics, the conference asserts the continued and dynamic presence of the «Critical Decade».

Her multi-disciplinary practice often incorporates performance, sound, and sculpture and questions the fixed nature of identity by placing institutionalized constructions of difference in contrast with collective memory and personal histories.

A distinctive feature in her work is her ongoing concern with the construction of personal identity.

In Identity Unknown, Donna Seaman brings to life seven forgotten female artists, among the best of their day: Gertrude Abercrombie, with her dark, surreal paintings and friendships with Dizzy Gillespie and Sonny Rollins; Bay Area self - portraitist Joan Brown; Ree Morton, with her witty, oddly beautiful constructions; Loïs Mailou Jones of the Harlem Renaissance; Lenore Tawney, who combined weaving and sculpture when art and craft were considered mutually exclusive; Christina Ramberg, whose unsettling works drew on pop culture and advertising; and Louise Nevelson, an art - world superstar in her heyday but omitted from recent surveys of her erIn Identity Unknown, Donna Seaman brings to life seven forgotten female artists, among the best of their day: Gertrude Abercrombie, with her dark, surreal paintings and friendships with Dizzy Gillespie and Sonny Rollins; Bay Area self - portraitist Joan Brown; Ree Morton, with her witty, oddly beautiful constructions; Loïs Mailou Jones of the Harlem Renaissance; Lenore Tawney, who combined weaving and sculpture when art and craft were considered mutually exclusive; Christina Ramberg, whose unsettling works drew on pop culture and advertising; and Louise Nevelson, an art - world superstar in her heyday but omitted from recent surveys of her erin her heyday but omitted from recent surveys of her era.

The focus of the exhibition lies on Hershman Leeson's continuous engagement with identity, gender construction, sexual self - determination, and her progression of these ideas in close exchange with advances in technology, and science.

While Glenn Ligon focuses on the construction of «blackness» and «queerness» in his photographic rethinking of Robert Mapplethorpe's erotic images, Iñigo Manglano - Ovalle explores the notion of identity through the processes of genetic mapping in his DNA photographs.

Hershman Leeson's major themes are the construction of identity, surveillance and control, and life in the age of genetic engineering.

Over and over again in the catalog, we read about Ligon's love for painting — de Kooning's Pirate (Untitled II)(1981) is a favorite, apparently — and how he, um, «opened up the semantic rules of identity and linguistic constructions between object - text and image - sign relations through the use of photography and text based on the appropriation of language, sign, text, and speech as material for his painting practice.»

A seminal cyberfeminist thinker, Hershman Leeson's experimentation in new media and net - art considers surveillance, censorship, online - identity construction, and society's relationship to technology at large — since the Sixties.

Working in painting, sculpture, photography, film, and performance, Shonibare's work examines race, class and the construction of cultural identity.

Her work includes installation and performance in which she investigates constructions of identity in western nineteenth and twentieth century, and their outcomes and parallels in the present day.

Each artist in this show explores through their medium the construction of an environment or space and its identity, be it man made or natural.

Her work frames «landscape» as a flexible, discursive field; also, as an operative force in the construction of identity as well as a negotiable entity, affected by time and trauma.

Johnson investigates the construction of identity in a practice that is steeped in individual experience while invoking shared cultural references.

In her first solo museum exhibition, Oakland - born artist Sadie Barnette maps identity construction and personal mythology through the FBI file amassed during her father's years as a Black Panther.

Continuing the concepts embedded in her recent solo exhibition, Smell the Roses at the California African American Museum in Los Angeles, Gaignard's new body of work employs exaggeration and camp to explore social constructions that relate to her identity as a biracial woman.

Her work questions what it is to be a contemporary subject, while examining the construction of identity in the modern world.

Janet Biggs: Echo of the Unknown is a multidimensional exhibition combining video, sound, and objects that explore the role of memory in the construction of identity.

The disparate pieces suggest the constantly evolving construction of Manders's own identity both as a private person and as a public figure, a mental menagerie that has found physical expression in the form of a series of idiosyncratic «rooms.»

Level 4 Gallery Part of the Great Exhibition of the North A series of pavilions, constructions and projects displaying work exploring Northern imagination and identities, including a photography exhibition documenting women in the North, curated by Sirkka - Liisa Konttinen