Sentences with phrase «in illusionistic»

His 1961 work Tea Painting in an Illusionistic Style transposes a nude on to a box of the tea.

David Hockney (b. 1937) Tea Painting in an Illusionistic Style, 1961 A Bigger Splash, 1967 William Hogarth (1697 - 1764) The Painter and his Pug, 1745

The recent series «ZOE» are photographic images that deceive the eye and transform perception in an illusionistic process.

In 1949, the then Queen bought two paintings from it; Hockney's Tea Painting in an Illusionistic Style and The Third Love Painting were in the 1962 exhibition, now both in the Tate Collection; Hirst's fifth and sixth «Medicine Cabinets» were in the 1989 iteration, bought by Charles Saatchi.

Here, however, each layer of paint is applied from the far edges of the canvas working inward toward the center, thus resulting in an illusionistic depth, the lighter tones of the composition acting as a framing device.

Taylor's «B» is angled to remind us that it has been applied on the flat surface of the picture, not on the door in illusionistic space; the white drips on the floor could be in the room itself, or a result of his vigorous work on the canvas.

Not exact matches

Various facets of his more recent white - primed rhomboids and diamonds are painted behind, or in front, in bright, saturated hues creating a fascinating play between literal and illusionistic depth.

Illusion in the trompe - l'oeil sense is not one of my techniques, and the effect isn't illusionistic.

By the late 1960s, as in works such as the frond - like Etude, 1969, Hantaï allows the primed, raw canvas to play a role equal to the painted sections, and is always at pains to keep illusionistic passages at bay.

Various facets of his new white - primed rhomboids and diamonds are painted behind, or in front, in bright, saturated hues creating a fascinating play between literal and illusionistic depth.

There is a well - worn narrative of twentieth century painting that goes like this: From Cezanne to Picasso to Pollock, the illusionistic space of painting flattened more and more until the picture plane and the surface created by the paint itself became the primary subject matter, eliminating images altogether in favor of abstraction.

Thus, with no formal training in sculpture, but an interest in exploring the illusionistic potentials of three - dimensional space, Simpson began making constructed forms, both wall based and freestanding, from corrugated cardboard, some titled Corrugated Drawings (1978 — 1980).

The haunting spaces of the observatory in Jaipur and of the pavilions at Fatehpur Sikri led to renewed experiment with illusionistic representation of architectonic volumes.

«In the 20th century, it was impossible to get away from the notion that the canvas or the painted surface was no longer beholden to illusionistic depth,» he tells me.

Both renowned artists turned to the projected image in the seventies, highlighting the shifting awareness of spatial perception in the interaction between illusionistic filmed space and a physical location.

Its inconspicuousness gives it the capacity to mediate, to make visible, in a positively illusionistic way, like a photograph.

If it's done well, like in the work of [Francisco de] Zurbaran or [Jean Baptiste Siméon] Chardin, then the painting is also working on this illusionistic level that is almost sinister in its awareness of you.

In terms of material, working in the theater also taught me to use cheap, every day materials and transform them into any number of illusionistic scenarioIn terms of material, working in the theater also taught me to use cheap, every day materials and transform them into any number of illusionistic scenarioin the theater also taught me to use cheap, every day materials and transform them into any number of illusionistic scenarios.

In her compositions Jebavy often includes glassware forms that call to mind other Baroque artworks, such as Bernini's expansive Baldachin in St. Peter's Cathedral, or illusionistic Italian ceiling paintings and cathedrals, building altar - like architectural spaces that are at once intimate, domestic, and banal, and monumental, metaphysical, and transcendentaIn her compositions Jebavy often includes glassware forms that call to mind other Baroque artworks, such as Bernini's expansive Baldachin in St. Peter's Cathedral, or illusionistic Italian ceiling paintings and cathedrals, building altar - like architectural spaces that are at once intimate, domestic, and banal, and monumental, metaphysical, and transcendentain St. Peter's Cathedral, or illusionistic Italian ceiling paintings and cathedrals, building altar - like architectural spaces that are at once intimate, domestic, and banal, and monumental, metaphysical, and transcendental.

What changed for Thiebaud in his landscapes of the 1990s and 2000s was the incorporation of Diebenkorn's sense for structure, with angled rays acting as both abstract lines of force and illusionistic lines of sight.

Steinkamp's works interact between the actual space and illusionistic space resulting in environments where the lines between viewer and object blur.

Ms. McEneaney is seen infrequently, usually from the back or from a distance or when she's asleep, her pets arrayed around her in settings notable for their bold colors, dense details and distortions of illusionistic space that exert a magnetic pull.

Between Spaces will include film, installation, photography, and sculpture that address themes of nostalgia, a preoccupation with materiality, and the creation of illusionistic and psychological shifts in space.

They are painted in a trompe l'oeil manner with the picture plane serving literally as a flat surface and these illusionistic images are cross referenced with their physically real counterparts strung throughout the gallery.

Real space interacts with illusionistic space in Conversation, If and Yellow Light, all of which are built of two or more panels of varying reliefs.

Rauschenberg's abandonment of illusionistic depth effects — whether of conventional representational art or of the abstract expressionists» vast, immeasurable spaces — seems to come in part from an attachment to the physical realities of this world rather than to the less tangible possibilities of an inner vision.

Each piece traverses a terrain that is both physically present and illusionistic, a smeared dichotomous zone, which Iva Gueorguieva has explored extensively in her collaged paintings and works on paper.

Through these works, the exhibition examines the social, political, and creative impulses that help drive the creation and subversion of illusionistic space in art.

Painted in 1934 and purchased the following year, Paranoiac - astral Image was one of the earliest paintings by Dalí, today the most popular master of illusionistic Surrealism, to enter the collection of an American museum.

On view in PC — G's Reilly Gallery, this group exhibition consists of illusionistic compositions — rendered somewhere between meticulous staging techniques, analog processes and digital alterations — manipulate perceptions of space and reality to create photographs that appear as abstract paintings.

Her digitally animated works make use of the interplay between actual space and illusionistic space, creating environments in which the roles of the viewer and the object become blurred.

Composed of a single horse bone mounted on a walnut pedestal in front of an illusionistic graphic depiction of a similar

Working in stainless steel, glass, copper, stone or paint on plaster, he employs subtle illusionistic devices, instigating a play of depth that remains consistent from piece to piece.

Inasmuch as actual physical parts form shapes and surfaces to be painted, Stella's rich illusionistic mix has pushed composition outward from the wall, while retaining the idea of pictorialism in the use of pattern and gesture to create an anomalous fictive space on any given surface.

They feature discs in locations set by Picabia, which in later versions became illusionistic cylinders, recalling Popeye's cans of spinach.

These renderings are then executed in acrylic paint and overlaid with enlarged drawings painted with a vinyl paint that alternately reinforces the illusionistic space of the painting and calls to attention the physical reality of the paintings» two - dimensional linen support.

In Imprint (2006), within which two women seem to meld into one, malleable form, Yuskavage interprets the flat, illusionistic space of bas - relief sculpture through the use of close color and punctuations of extreme contrast at the points of human contact.

Though Stella, like Richard Serra, is not shy of scale, the overarching issue here is not the presence of focused materiality but the potential for material to form an open - ended Baroque extension, the consequence being that an illusionistic painting now exists in real space.

She teases the viewer with the promise of illusionistic painterly space and then she catapults her canvas into the void, forcing it to exist in real time, building little fortresses, and firing cannons in its general direction.

These two approaches articulated very early on in its history this kind of work's almost paradoxical dynamic: that one can read a monochrome either as a flat surface (material entity or «painting as object») which represents nothing but itself, and therefore representing an ending in the evolution of illusionism in painting (i.e. Rodchenko); or as a depiction of multidimensional (infinite) space, a fulfillment of illusionistic painting, representing a new evolution — a new beginning — in Western painting's history (Malevich).

The tendency to regard illusionistic techniques, decorative details, and emotional qualities as distractions and to eliminate them for the sake of the material's integrity is evident in work by such artists as Donald Judd and Carl Andre.

A pioneer in painting, Murray's distinctively shaped canvases break with the art - historical tradition of illusionistic space in two - dimensions.

Maine's use of carefully chosen pre-existing materials deployed in the «real» space found just in front of the supporting wall sculpturally counters the illusionistic tendencies of painting while clearly echoing painterly concerns with color and structural relationships.

His illusionistic style creates utter beauty in simple yet incredibly complex abstraction.

In other pieces in the show, everyday objects such as books are transformed by applying to them the geometry of paper ornaments and minimalist sculpture (Minimal Bibliography), and photographed window fences with geometric designs are isolated from their functional environment by cutting the prints and flattening the illusionistic space of the photograph, thus relating those specific daily life situations with the idealistic language of modernist geometric abstraction (Popular GeometryIn other pieces in the show, everyday objects such as books are transformed by applying to them the geometry of paper ornaments and minimalist sculpture (Minimal Bibliography), and photographed window fences with geometric designs are isolated from their functional environment by cutting the prints and flattening the illusionistic space of the photograph, thus relating those specific daily life situations with the idealistic language of modernist geometric abstraction (Popular Geometryin the show, everyday objects such as books are transformed by applying to them the geometry of paper ornaments and minimalist sculpture (Minimal Bibliography), and photographed window fences with geometric designs are isolated from their functional environment by cutting the prints and flattening the illusionistic space of the photograph, thus relating those specific daily life situations with the idealistic language of modernist geometric abstraction (Popular Geometry).

In approaching The Arcades Project (Harvard University Press) for the first time in earnest I explored Benjamin's use of «phantasmagoria,» traced it back through letters with Adorno, to Marx, to the 17th - century illusionistic «theatre of phantasmagoria,» and developed an essay about illusions created on social media for a journal tasked with addressing the rise of authoritarian populism around the globIn approaching The Arcades Project (Harvard University Press) for the first time in earnest I explored Benjamin's use of «phantasmagoria,» traced it back through letters with Adorno, to Marx, to the 17th - century illusionistic «theatre of phantasmagoria,» and developed an essay about illusions created on social media for a journal tasked with addressing the rise of authoritarian populism around the globin earnest I explored Benjamin's use of «phantasmagoria,» traced it back through letters with Adorno, to Marx, to the 17th - century illusionistic «theatre of phantasmagoria,» and developed an essay about illusions created on social media for a journal tasked with addressing the rise of authoritarian populism around the globe.

The juxtaposition of disparate images with graphic renderings in an ambiguous, illusionistic space in Burns to Breathe (Got ta Have a Better Attitude)(2014, 40 x 38.5 inches) recalls the «inscapes» of Surrealist painter Roberto Sebastián Matta, who combined unexpected imagery with unconventional painting techniques to create fantastic landscapes intended as landscapes of the mind.

In place of flatness, they suggest illusionistic depth.

While from a distance (or reproduced in images) my paintings may seem illusionistic, the technique denies neither the physical texture of the paint nor the flat surface of the canvas.

Al Held, for example, used line etching to render an illusionistic world of space and form in «Straits of Malacca,» 1987.