Sentences with phrase «in images from popular culture»
Peter Blake is known as one of the leading figures of the British Pop art movement, and central to his work is his interest in images from popular culture.
http://www.artlyst.com/ Not exact matches
The pop art movement took place primarily in the 1960s, and it is easily distinguished by its use of images, objects, and themes from popular culture as subject matter.
Working Paper Series # 1: Michael A. Genovese, Art and Politics: The Political Film as a Pedagogical Tool # 2: Donald B. Morlan, Pre-World War II Propaganda: Film as Controversy # 3: Ernest D. Giglio, From Riefenstahl to the Three Stooges: Defining the Political Film # 4: John W. Williams, The Real Oliver North Loses: The Reel Bob Robert Wins # 5: Robert L. Savage, Popular Film and Popular Communication # 6: Andrew Aoki, «Chan Is Missing:» Liberalism and the Blending of a Kaleidoscopic Culture # 7: Barbara Allen, Using Film and Television in the Classroom to Explore the Nexus of Sexual and Political Violence # 8: Robert S. Robins & Jerrold M. Post, Political Paranoia as Cinematic Motif: Stone's «JFK» # 9: Richard A. Brisbin, Jr., From State and Local Censorship to Ratings: Substantitive Rationality, Political Entrepreneurship, and Sex in the Movies # 10: Stefanie L. Martin, Fiction and Independent Films: Creating Viable Communities and Coalitions by Reappropriating History # 11: Peter J. Haas, A Typology of Political Film # 12: Phillip L. Gianos, The Cold War in U.S. Films: Representing the Political Other # 13: Michael A. Genovese, The President as Icon & Straw Man: Hollywood & the Presidential Image # 14: Michael Krukones, Hollywood's Portrayal of the American President in the 1930s: A Strong and Revered Leader # 15.
In addition to the official recognition and many awards he received for those achievements, he also wrote a comic strip, and enjoyed accolades from popular culture: Ace Drummond was an aviation comic strip, written by Eddie Rickenbacker and illustrated by Clayton Knight, an aviation author and illustrator - click the image to see a larger version.
Moving from scenes of terror and violence to images of great intimacy, and drawing on film, photography, political cartoons and other sources in popular culture, Lawrence created an innovative format of sequential panels, each image accompanied by a descriptive caption.
Highlighting politics, religion and popular culture, sex, citizenship, mysticism, and iconography, Figueredo paints and carves images that are both recognizable and falsified, compelling the viewer to believe in these dream - like stills as scenes from the past, present and future.
Working largely in black and white, and often with signature images drawn from comics and popular culture, Joyce Pensato is an exuberant expressionist painter.
Williams refers to this piece as a «real model image», a standard image taken from a specialist form of popular culture, in this case a magazine on show chickens, which is then reproduced by Williams as closely as possible whilst introducing an element of difference.
Mixing art historical references with images taken from the internet, their subject matter knows no limits: from icons of popular culture such as Roy Orbison to much admired paintings of the past such as Georges Seurat's Bathers at Asnières (1884); from the lonesome cowboys in a Steven Spielberg film to the shocking photographs of Mexican photographer, Enrique Metinides.
His work deals with images, language and themes gathered from popular culture, and he is known for productions in which he deconstructs language and images, and creates sculptures reflecting both aggression and retreat.
He first used the term «mass popular art» in the mid-1950s and used the term «Pop Art» in the 1960s to indicate that art has a basis in the popular culture of its day and takes from it a faith in the power of images.
Mixing art historical references with images taken from the internet, the paintings of Polish artist Wilhelm Sasnal (born 1972) borrow liberally from the image glut around us, appropriating anything from icons of popular culture such as Roy Orbison to paintings of the past such as Georges Seurat's «Bathers at Asnières» — from the lonesome cowboys in a Steven Spielberg film to the photographs of Enrique Metinides.
With massive drawings, Jamal blends references from popular culture, religious iconography, and symbolism in an attempt to create a possible image of what our multilayered identities could look like.
Appropriating and representing images from high and popular culture and mass media, these artists aimed to point at things that already existed in the world, at the same time making what they implicitly signified apparent.
Arthur Jafa with Gavin Brown sets images from popular culture in irregular arrays on fields of gray.
In Sounds Like Her, Boyce is presenting a new development of her ongoing Devotional series with the names of 200 black British female performers inscribed on a wallpaper, overlaid with placards especially created for the exhibition, featuring images of these women, plucked from Boyce's own archive of concert announcements, fashion magazines and other materials documenting popular culture.
The collaged elements and image transfers on Crosby's large paper canvases provide interesting insights into life in contemporary Nigeria; popular culture references from the media depict a life that is not so different from that in the West.
Influenced by history, cinema and popular culture, Spanish artist Ernesto Cánovas sources images from old and new media to produce evocative, semi-abstract paintings that capture a fleeting moment in time.
The bulletin boards that Tom Burr has been arranging since the late 1990s reference not only art historian Aby Warburg's Mnemosyne Atlas strategy of employing a black panel backdrop in order to heighten thematic arrangements of photographic images — including reproductions from books, and visual materials from newspapers and popular culture — but also reflect a setting typical of early cinematic and photographic motion studies.
The drawings, which combine fragments of text with images culled from American popular and underground culture, dominated the exhibition, due in part to the sheer number of them and in part to the appeal of familiar images drawn in a simple graphic style.
Nevertheless, this one is a must - see, because like the Brown Paper fest I attended in Baltimore, it focuses on artists of color — who are inexplicably, erroneously absent from the stereotypical popular image of zine nerd culture.
James Casebere first came to notice as a member of the famed «Pictures Generation,» standing out from fellow artists like Cindy Sherman and Richard Prince for his uncanny take on appropriation: instead of lifting images from popular culture, Casebere created tabletop models of architectural settings out of modest materials and photographed them in eerily flat, theatrical light.
Leckey, born in Birkenhead, is known for his interest in different aspects of popular culture and his Turner exhibition includes Cinema - in - the Round 2006 - 2008, a video work which is essentially an art lecture in which the artist expounds on his fascination with the life of images on - screen and takes in everything from Chuck Jones's Road Runner chasing Wile E Coyote, and Felix the cat, to James Cameron's Titanic and Homer Simpson.
In the new works, Sarmento combines his seminal portraits of the female form with images taken from popular culture (found and personal material) silk - screened directly onto the surface of the paintings, that read almost like fragmented film stills.
Combining iconography from comic books, art history, and popular culture, Art & Beauty portrays a broad selection of images of female figures in diverse settings.
Uprooted from Cuba as a child, and brought to Miami via Spain in 1983, Andres Conde, an expressionist painter with pop tendencies, mitigates the feeling of displacement by merging images from popular American culture with historic examples of Cuban iconography.
The artists of the Pictures Generation, such as Cindy Sherman, Sherrie Levine, Laurie Simmons, Barbara Kruger, David Salle and Robert Longo, explored a new stylistic vocabulary grounded in their interest in popular culture, appropriating images from books, magazines, advertisements, television, and film.
In a fashion similar to Richard Prince and Jack Goldstein, he appropriated tropes of popular culture as a means of celebrating the emotional dynamics of images from mass media.
Drawing from classical painting and architecture, the contemporary urban landscape, and popular culture, Scheibitz deconstructs and recombines signs, images, shapes, and architectural fragments in ways that challenge traditional contexts and interpretations.
There is a an undeniable reference to memory and youth in these images, specifically the childhood associated with 1950's popular culture — from the use of the artist's own toys, to the evocation of editorial pages from Life and Look magazines or family - oriented situation comedies like Father Knows Best.
He was the first to return figuration to postwar American painting, was innovative in his combination of «high art» with images from popular culture, and is today celebrated as the pioneer of postmodern, figurative painting.
Part of NSU Art Museum's Regeneration Exhibition Series, and featuring works from its Golda and Meyer Marks Cobra Collection, the largest Cobra art collection in America, this exhibition explores Cobra artists» innovative use of animal images and how they expressed elements of popular visual culture.
Artist Statement In my most recent constructed assemblages, I combine material gathered from popular and glamour culture with digitized and magnified images from contemporary media and art history.
Warhol, an iconic American artist whose reputation has only increased in the quarter - century since his death, is best known for appropriations of images from popular culture — advertisements, mass - media photographs and celebrity portraits — that challenged the conventional definitions and subjects of art.
In her sculptures and wall works, Kathryn Andrews appropriates images from popular culture, often from American movies, television, and stock photography archives; she then alters and recontextualizes them into three - dimensional configurations to create new narratives where viewers are invited to rethink the images» content in relation to their own bodieIn her sculptures and wall works, Kathryn Andrews appropriates images from popular culture, often from American movies, television, and stock photography archives; she then alters and recontextualizes them into three - dimensional configurations to create new narratives where viewers are invited to rethink the images» content in relation to their own bodiein relation to their own bodies.
Hamilton gained renown evoking popular culture and exploring graphic design in a range of media from paintings and etchings to photographs and computer - generated images.
Artists created charged works by juxtaposing disparate images sourced largely from popular media, such as Hannah Höch's 1930 photomontage Untitled (Large Hand Over Woman's Head), a work of layered images from magazines that speaks to the representation of women in popular culture, and Kurt Schwitters» Mz 426 Figures (1922), an assemblage of discarded newspaper and printed detritus, which evokes the urban environment in which he lived.
Often making abstractions from popular culture to explore the way in which meaning is mediated in an image driven world, his prints and sculptural work engage with the dialectic of desire and value.
In the 1940s, he created a series of collages combining images from popular culture and advertising.
Since then his work predominantly consists of appropriated images from popular culture or nature, depicted in glossy paint on aluminium.
He was the first painter to return to figuration in the post-War era and was quite pioneering in linking high art and images from popular culture, so that today many celebrate him as the trailblazer of postmodern, figurative painting.
Far from the airbrushed perfection that permeates images of nudity in popular culture, Audrey's pose references forms of the classical and renaissance past, whilst modernising the genre of the nude to act as a tool for philosophical investigation.
Entang Wiharso (b. 1967, Tegal, Indonesia) studied painting, graduating from the Indonesian Institute of Arts in Yogyakarta in 1994 and is widely regarded for his dramatic visual language which draws on popular culture and ancient mythology to create unique images of contemporary life.
Ray Johnson, a collage artist who was a pioneer in using images from popular culture, died Friday in Sag Harbor, N.Y..
Employing recognizable objects, images of celebrities and symbols from popular culture, this updated form of Pop - Art also drew inspiration from Dada (in their use of readymades and found objects), and from modern conceptualism.
In her often - narrative compositions Eisenman draws as much from art history as from popular culture, and her works, while accessible and humorous, occasionally yield critical and poignant images of contemporary life.