Sentences with phrase «in imaginary landscapes»
The compressed and flattened space of his early paintings gave way to illusions of deep, cavernous space, for example in his imaginary landscapes and seascapes, such as Un Sospiro di un onda.
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As early as 1967 he made drawings of over-life-size sculptures set in imaginary landscapes.
ARTIST STATEMENT For the past several years, my paintings have featured animals in imaginary landscapes.
For this installation the artist has isolated the monuments, which are unique to Shanghai, and presents them as scale models in an imaginary landscape.
As well as depicting dramas I also create tiny tales of growing and crumbling relationships using «anthropomorphic beings», often set in an imaginary landscape.
It has geometric aspects in an imaginary landscape.
Not exact matches
There is a sense of discovery in scene after scene of «The Phantom Menace,» as he tries out new effects and ideas, and seamlessly integrates real characters and digital ones, real landscapes and imaginary places.
Chronos is a gorgeous third - person action game that fits well in the Rift, using VR to turn players» worlds into a series of tiny imaginary landscapes.
V - Wing 1997 V - Wing is one of the numerous AUTS and Turboraketti clones, a caveflier, which would have been forgotten long ago without its new features.The game follows the tradition of cavefliers: V - shaped ships drawn with two lines fly around in imaginary platform landscapes and try to shoot each other into pieces with...
Taking a sheep as a main motif in this body of work, the artist is portraying an imaginary landscape inspired by a world of order and disorder.
Delicately intermixed in those white lines are filmy passages of blue, yellow, and green, staining these imaginary streets with faint echoes of a verdant landscape, abstracted vaguely and delicately in the manner of Helen Frankenthaler.
Having mastered the pictograph format, Gottlieb sought new challenges, and in the 1950s, he «hit on dividing the canvas into two parts, which then became like an imaginary landscape.
The works in Surrealism USA are borrowed from public and private collections in the United States and abroad, and all aspects of the Surrealist movement in America are represented: the figurative depictions of a fantasy world by Peter Blume, Dorothea Tanning, and Helen Lundberg; the social surrealism of O. Louis Guglielmi, James Guy and Walter Quirt; the imaginary landscapes of Kay Sage and Yves Tanguy; Joseph Cornell's enigmatic and poetic constructions; the lyrical abstractions of Arshile Gorky and William Baziotes; the automatic experiments of Jackson Pollock and Gerome Kamrowski.
Emerging from the window in the North Gallery, Denizens represents a flock of imaginary beings descending on Wave Hill's landscape.
In the series The Book of Changes Kha produces imaginary landscapes that trace aspects of her own cultural heritage using sourced material from the collections of Chinese porcelains at the British Museum.
These have included «Arr / Dep» (imaginary landscape for the birds) for the Headquarters of Lufthansa in Frankfurt (2006) and E = V = E = N = T (2015), a sculpture commissioned for Malmö Live, a concert hall for the Malmö Symphony Orchestra.
Thomas's «Interiors and Landscapes» series, depicting imaginary environments (at left, Landscape With Ocean, 2012), was inspired by her residency last year at Giverny, Claude Monet's home and gardens, and is influenced by vintage books on modern décor as well as the artist's interest in how we «decorate our spaces to make us feel like a particular character or person.»
Reflecting on the embedded and latent meanings around light, nature, the frontier, borders, race, gender and power in influential American landscape paintings of the 19th century, she uses materials collected from her everyday life, including holiday - themed tablecloths, discarded medical records, nature calendars, plastic bags and paint, to craft imaginary landscapes that are grounded in accumulation, personal narrative and historical critique.
The title of one work references the story of «Alice in Wonderland», and indeed Berry conjures a similar sense of the imaginary — and of landscapes teeming with both chaos and magic.
Dalwood has his fans — you lot said he should win — but Britain's newspaper critics aren't among them: Richard Dorment of the Telegraph called his work «cack - handed paintings of imaginary landscapes and interiors», while our own Jonathan Jones said back in 2000 that «if this is what they mean by painting, I hope it goes away soon».
Viewed up close the landscape appears in soft focus, the monochromatic palette melting in some imaginary heat.
This new Hatje Cantz publication emphasizes the influence of Arte Povera on Rhode's aesthetic, whose creative dialogue also formed during his meeting with the gallery Tucci Russo and his early collaborative efforts with photographer Paolo Mussat Sartor, in which he transformed urban landscapes and interior spaces into imaginary worlds, as two - dimensional renderings become the subject of three - dimensional interactions by a sole protagonist (usually played by the artist or by an actor inhabiting the role of artist).
In many instances, the lyricism and ebullience of her paintings evoke landscapes, both real and imaginary.
This interpretation of his surroundings, though it may appear at first fantastical, is emphatically Harrison's reality, in which historical, imaginary and existing figures and landscapes collide.
The exhibition «The Dream of Forms», presented for the twentieth anniversary of Le Fresnoy — Studio national des arts contemporains, has been conceived as an imaginary landscape, a monstrous garden with perishable forms growing in it, as well as germinating surfaces, protuberant organisms and flat figures.
This exhibition highlights the contemporary appeal of Oelze's work by featuring drawings and sketches of imaginary landscapes, fantastic objects, and figures that he drew in the years following World War II.
Two other artists with solo shows use imaginary structures and creatures in landscapes.
Each of these artists, in his or her own unique way, commemorates the profoundly mysterious, elusive, and imaginary qualities of landscape.
Mame Diarra Niang's «Metropolis Central» series of photographs flattens Johannesburg's urban landscape into arrangements of colored planes, refashioning it into an imaginary, mutable territory that stands in for the artist's peripatetic upbringing.
Exhibition of Sculpture by Mary Callery, January 8 — 30 * Paintings by Camille Pissarro, January 8 — 30 * Sculpture by Charles Howard, January 8 — 30 Mark Tobey, February 7 — 27 * Robert Motherwell: Paintings, Collages, Drawings, February 2 — 27 * Kurt Seligmann, March 5 — 30 Variety in Abstraction, March 5 — 30 * Thirtieth Annual Exhibition by the Professional Members, April 7 — 27 * Albert Pinkham Ryder / Arthur Bowen Davies: Exhibition, May 7 — 31 * Corrado Cagli from Cherbourg to Leipzig: Documents and Memories, May 7 — 31 Exhibition of Paintings and Drawings from the Josef von Sternberg Collection, November 1 — 27 * Jean Hugo: Paintings, Pastels, Drawings, and Theater, December 3 — 26 Landscapes: Real and Imaginary, December 3 — 26 *
In the landscape paintings by Yuka Kashihara, existing sceneries and imaginary inner spaces are woven together like a fine texture.
In «War,» Welling created an imaginary landscape that he destroyed and then photographed in virtual spacIn «War,» Welling created an imaginary landscape that he destroyed and then photographed in virtual spacin virtual space.
www.gardnermuseum.org Nari Ward Episodes: Bus Park & Forevermore October 16, 2002 — January 5, 2003 Artist Nari Ward uses commonplace objects to create evocative, materially dense environments in which everyday materials are transformed into imaginary landscapes, resonating with the themes of memory, faith, history and the collective experience.
In 1956, the lower part of the Imaginary Landscapes detached itself from the picture edges to become an independent floating form in vertical compositions known as the Bursts, Gottlieb's best known workIn 1956, the lower part of the Imaginary Landscapes detached itself from the picture edges to become an independent floating form in vertical compositions known as the Bursts, Gottlieb's best known workin vertical compositions known as the Bursts, Gottlieb's best known works.
In a 1989 statement, Ghirri said his images, «become our impossible landscape, without scale, without a geographic order to orient us; a tangle of monuments, lights, thoughts, objects, moments, analogies from our landscape of the mind, which we seek out, even unconsciously, every time we look out a window, into the openness of the outside world, as if they were the points of an imaginary compass that indicates a possible direction.»
Yet one wonders whether more exaggerated selections (e.g. Frank Stella's «60s grid paper drawings in the «Imaginary Landscapes and Fantastic Cities» or Rauschenberg's Combines in «Fantastic Dreams and Haunting Tales» or Glenn Ligon in «The Allure of Language» section) would have created more mischief in our interpretation and understanding of some artists?
We feel ourselves in the presence of imaginary landscapes — landscapes distilled into chromatic essence.»
Trained in the classic artistic mediums, each artist adopted digital technology as a means of deepening their investigations of invented landscapes, imaginary narratives, and personal identity.
His landscapes are in no traditional sense surreal, as those of Tanguy or Dalí, they are more reminiscent of surveys, outlines of an imaginary landscape.
If previous works of hers reflected genre categories in western painting — the landscape, still - life, portraiture and the nude — in recent years she has been shifting her subject matter to a subliminal realm of imaginary landscapes, rendered in a language of abstraction.
traces the continual and deliberate evolution in the artist's work from his early to late career and reveals Gottlieb's constant willingness to reevaluate his paintings throughout his lifetime.The eleven works on view, created between 1948 and 1972, focus on three specific series: the Pictographs, the Imaginary Landscapes and the Burst paintings.As Lilly Wei writes, «All three serve as deeply meaningful touchstones, sometimes serious in intent, other times playful, to which he returned to time and again, in one formulation or another, all his life.»
In the West this was history painting, but in East Asia it was the imaginary landscape, where famous practitioners were, at least in theory, amateur literati, including several Emperors of both China and JapaIn the West this was history painting, but in East Asia it was the imaginary landscape, where famous practitioners were, at least in theory, amateur literati, including several Emperors of both China and Japain East Asia it was the imaginary landscape, where famous practitioners were, at least in theory, amateur literati, including several Emperors of both China and Japain theory, amateur literati, including several Emperors of both China and Japan.
Reihana's «digital wallpaper» reimagines Cook's pre-colonisation encounters in the Pacific, placing re-enactments by performers and actors of Polynesian, Maori and Aboriginal First Nations descent within a similarly painted Tahitian landscape, in which the historically accurate bumps up against the imaginary and exotic.
In the 1950s he began his new series Imaginary Landscapes he retained his usage of a «pseudo-language,» but added the new element of space.
Covered here on our blog, his earth toned works give us a glimpse of the hidden landscape in our own backyard, bustling with tiny imaginary creatures based on real animals and insects.
Other important contributors to action painting include: Mark Tobey noted for his White Writing style of calligraphic gesturalism; Franz Kline, an artist whose works include colour field compositions as well as vigorous gestural work, sometimes compared to gigantically enlarged fragments of Chinese calligraphy); Robert Motherwell (in his series entitled Elegy to the Spanish Republic, and his powerful black and white paintings); Cy Twombly (in his gestural works based on calligraphic, linear symbols) and Adolph Gottlieb (noted for his abstract surrealist series including Pictographs, Imaginary Landscapes and Bursts).
Using materials collected from her everyday life, including holiday - themed tablecloths, discarded medical records, nature calendars, plastic bags, and paint, Hoffman crafts imaginary landscapes that are grounded in accumulation, personal narrative, and historical critique.
Works in the series «Notations (Imaginary Landscape)» are on view and seen as topographical portraits by the artist, visually translating the Antarctic landscape's mountains and ice.
During these early years (1820s), landscape painting was divided into two schools or styles: the Italianate Neoclassical school of Southern Europe which promoted idealized imaginary views often populated with mythological, or biblical figures; and a more realistic school derived from the Dutch Realist tradition - more popular in England and Northern Europe - which remained faithful to the real nature rather than the idyllic version.