Sentences with phrase «in important international exhibitions»

She has participated in important international exhibitions such as the Hugo Boss Prize at the Guggenheim Museum, New York NY, Documenta XI in Kassel, Germany, and the 44th and 56th Venice Biennale, Venice, Italy; where she was the first African American woman to be shown in 1990.

Frida's work has been presented in important international exhibitions such as: the 20th São Paulo International Biennial (1989); 49th Venice Biennial (1990); «Metropolis International Art Exhibition», in Berlin (1991); «Ultramodern: The Art of Contemporary Brazil» at Gulbenkian's Foundation, in Lisbon (1993) and «Discover Brazil» at Ludwig Museum, in Cologne (2005).

His work also was featured in important international exhibitions, including the São Paulo and Venice biennials and the Brussels World's Fair.

Living and working in Santiago de Chile, Atria has developed a significant local and international career, with multiple solo exhibitions and participation in important international exhibitions at venues such as The Museum of Contemporary Art, MOCA (Los Angeles), The Jack S. Blanton Museum of Art (Austin), Chateau de Tours (Tours, France), Bienal de Mercosul (Porto Alegre, Brasil), among others.

Living and working in Santiago de Chile, Atria has developed a significant local and international career, with multiple solo exhibitions and participation in important international exhibitions at venues such as The Museum of Contemporary -LSB-...]

Not exact matches

NMNA is a U.S. subsidiary of Germany - based NürnbergMesse GmbH, one of the 20 largest trade show companies in the world with a portfolio covering 120 national and international exhibitions and congresses, including Brau Beviale, which is this year's most important capital goods exhibition for the beverage industry worldwide.

The Holden Design Studio is an important part of General Motors global design network, as one of only three facilities in the world with the capability to design and build prototype concept vehicles for exhibitions and international auto shows.

Her work has been exhibited at the Museum of Modern Art, New York; the Museum of Contemporary Art, Chicago; the Walker Art Center, Minneapolis; Whitney Museum of American Art, New York; Los Angeles Museum of Contemporary Art, Los Angeles; Jeu de Paume, Paris; and Haus der Kunst; Munich amongst others, as well as important international exhibitions such as the Hugo Boss Prize at the Guggenheim Museum, New York, Documenta XI in Kassel, Germany, and the 56th Venice Biennale, Venice, Italy.

He's been included in several important international exhibitions including 10,000 Lives: The Eighth Gwangju Biennale, Gwangju, South Korea (2010); Moving Images: Artists & Video / Film, Museum Ludwig, Cologne, Germany (2010); Playing Homage, Vancouver Contemporary Art Gallery, Canada; Sympathy for the Devil, Museum of Contemporary Art, Chicago, IL (2007); Istanbul Biennial, Istanbul, Turkey (2005); Manifesta 5, European Biennial of Contemporary Art, San Sebastian, Spain (2004); Fast Forward.

During his life, he participated in important group exhibition including Fourteen Americans, The Museum of Modern Art, New York (1946); four editions of the Carnegie International (1958, 1961, 1964, 1967); Documenta (1959, 1964); and numerous editions of the Whitney Annual (1939, 1945, 1950, 1952, 1956, 1960).

Morellet's work has been included in important international group exhibitions including The Responsive Eye at The Museum of Modern Art, New York (1965), Documenta in Kassel, Germany (1964 [with GRAV], 1968, and 1977), and the Venice Biennale (1970, 1990, and 2011).

His work was included in the Museum of Modern Art's 1961 group exhibition, «Art of Assemblage,» an important international survey of artists working with collage in two and three dimensions, and during that same year he participated in the São Paulo Bienal.

Rome's new - kid - on - the - block Damiano Quaranta pays homage to Alberto Burri with a solo exhibition at Galleria Acquario, one of the most important places in Rome for national and international artists.

He was one of fourteen artists included in «Unbound: Possibilities in Painting», the important exhibition of international artists held at the Hayward Gallery in London earlier this year.

Mellors has been featured in several important group exhibitions including: Taipei Biennal 2014, Taiwan; British Art Show 7: In The Days of the Comet (2011); La Biennale di Venezia - 54th International Art Exhibition - ILLUMinations, Venice, Italy (2011) and Altermodern, Tate Triennial 2009, Tate Britain, Londoin several important group exhibitions including: Taipei Biennal 2014, Taiwan; British Art Show 7: In The Days of the Comet (2011); La Biennale di Venezia - 54th International Art Exhibition - ILLUMinations, Venice, Italy (2011) and Altermodern, Tate Triennial 2009, Tate Britain, LondoIn The Days of the Comet (2011); La Biennale di Venezia - 54th International Art Exhibition - ILLUMinations, Venice, Italy (2011) and Altermodern, Tate Triennial 2009, Tate Britain, London.

In particular, Kukje has played a critical role in introducing Korean artists to important collectors, museums and cultural venues around the world, and many Korean artists supported by Kukje Gallery have exhibited in international biennials and major museum exhibitionIn particular, Kukje has played a critical role in introducing Korean artists to important collectors, museums and cultural venues around the world, and many Korean artists supported by Kukje Gallery have exhibited in international biennials and major museum exhibitionin introducing Korean artists to important collectors, museums and cultural venues around the world, and many Korean artists supported by Kukje Gallery have exhibited in international biennials and major museum exhibitionin international biennials and major museum exhibitions.

The Newport Street exhibition is the first major show since Hoyland's death in 2011 and will reaffirm his status as an important and innovative force within international abstraction, providing new insights into the way in which his work evolved from the huge colour - stained canvases of the 1960s, through the textured surfaces of the 1970s to the more spatially complex paintings of the early 1980s.

The exhibition brings together an extraordinary selection of works by some of the most important Dutch artists of the late 20th century, who stood at the forefront of the international ZERO movement and of geometric abstraction in the 1960s.

She has presented in many important international exhibitions including Documenta 12 (2007), Asia - Pacific Triennial (2009 - 10), Singapore Biennale (2011), and Gwangju Biennale (2014).

Her work has been featured in important international group exhibitions including the 2013 Carnegie International, Carnegie Museum of Art, Pittsburgh, PA; the Venice Biennale 54th International Art Exhibition (2011); All of this and nothing, Hammer Museum, Los Angeles (2011); the Moscow Museum of Modern Art, Moscow; the Museum of Contemporary Art, Los Angeles; the Institute of Contemporary Arts, London; and the Whitney Biennial, Whitney Museum of American Art, Newinternational group exhibitions including the 2013 Carnegie International, Carnegie Museum of Art, Pittsburgh, PA; the Venice Biennale 54th International Art Exhibition (2011); All of this and nothing, Hammer Museum, Los Angeles (2011); the Moscow Museum of Modern Art, Moscow; the Museum of Contemporary Art, Los Angeles; the Institute of Contemporary Arts, London; and the Whitney Biennial, Whitney Museum of American Art, NewInternational, Carnegie Museum of Art, Pittsburgh, PA; the Venice Biennale 54th International Art Exhibition (2011); All of this and nothing, Hammer Museum, Los Angeles (2011); the Moscow Museum of Modern Art, Moscow; the Museum of Contemporary Art, Los Angeles; the Institute of Contemporary Arts, London; and the Whitney Biennial, Whitney Museum of American Art, NewInternational Art Exhibition (2011); All of this and nothing, Hammer Museum, Los Angeles (2011); the Moscow Museum of Modern Art, Moscow; the Museum of Contemporary Art, Los Angeles; the Institute of Contemporary Arts, London; and the Whitney Biennial, Whitney Museum of American Art, New York (2008).

In addition, the gallery has highlighted emerging talents, such as Mickalene Thomas, Hernan Bas, Angel Otero, and the Japanese artist Mr. by organizing important solo exhibitions around the world and presenting their work at prominent international art fairs.

In addition to contemporary works by the gallery's stable of international artists (including important L.A. figures such as Paul McCarthy, Mark Bradford and Richard Jackson), there will also be museum - grade exhibitions organized by Schimmel and other curators.

Since the mid 1980s, Ottersbach's works have been included over one hundred international group and solo exhibitions and are held in some of the most important international collections today including the permanent collections of the Blibliothèque Nationale, Paris, the Museum of Modern Art, New York, the Getty Center, Los Angeles, and National Gallery, Canberra Australia amongst others.

Most Notable Exhibition: In Enwezor's case, it's a tie: As the artistic director of the second (and final) Johannesburg Biennale, Enwezor's «Trade Routes: History and Geography» is largely credited as an important moment for African art on an international scale.

The six institutions were selected for their established interest in studying and featuring contemporary art from Latin America; the regional influence of their art collections, exhibitions, and programs; and for serving as important references for an international artistic community.

Exploring international abstraction in the postwar era, the MoMA exhibition highlights abstract female artists and their important contribution.

Reporters from Marie Claire, Beaux Arts Magazine, Elle, Connaissance des Arts, and Le Journal des Arts, along with other important international art journalists, were in attendance as the historic exhibition was announced.

In addition to participating in numerous international biennales and important group shows, he has held solo exhibitions at Capsule Gallery, Tokyo (2014); a site specific exhibition entitled «House Lives with Time» in a traditional house in Seoul, Korea (2012); Kunstmuseum St Gallen, Switzerland (2012); Ullens Center for Contemporary Art, Beijing (2011); Miyanomori Art Museum, Hokkaido, Japan (2010); San Francisco Museum of Modern Art, USA (1997); Fondation Cartier pour l'Art Contemporain, Paris, France (1996); and Modern Art Museum of Fort Worth, USA (1996In addition to participating in numerous international biennales and important group shows, he has held solo exhibitions at Capsule Gallery, Tokyo (2014); a site specific exhibition entitled «House Lives with Time» in a traditional house in Seoul, Korea (2012); Kunstmuseum St Gallen, Switzerland (2012); Ullens Center for Contemporary Art, Beijing (2011); Miyanomori Art Museum, Hokkaido, Japan (2010); San Francisco Museum of Modern Art, USA (1997); Fondation Cartier pour l'Art Contemporain, Paris, France (1996); and Modern Art Museum of Fort Worth, USA (1996in numerous international biennales and important group shows, he has held solo exhibitions at Capsule Gallery, Tokyo (2014); a site specific exhibition entitled «House Lives with Time» in a traditional house in Seoul, Korea (2012); Kunstmuseum St Gallen, Switzerland (2012); Ullens Center for Contemporary Art, Beijing (2011); Miyanomori Art Museum, Hokkaido, Japan (2010); San Francisco Museum of Modern Art, USA (1997); Fondation Cartier pour l'Art Contemporain, Paris, France (1996); and Modern Art Museum of Fort Worth, USA (1996in a traditional house in Seoul, Korea (2012); Kunstmuseum St Gallen, Switzerland (2012); Ullens Center for Contemporary Art, Beijing (2011); Miyanomori Art Museum, Hokkaido, Japan (2010); San Francisco Museum of Modern Art, USA (1997); Fondation Cartier pour l'Art Contemporain, Paris, France (1996); and Modern Art Museum of Fort Worth, USA (1996in Seoul, Korea (2012); Kunstmuseum St Gallen, Switzerland (2012); Ullens Center for Contemporary Art, Beijing (2011); Miyanomori Art Museum, Hokkaido, Japan (2010); San Francisco Museum of Modern Art, USA (1997); Fondation Cartier pour l'Art Contemporain, Paris, France (1996); and Modern Art Museum of Fort Worth, USA (1996).

He had paintings in group exhibitions in Angers, Rennes, Paris and Bordeaux; there were one - man shows of his work in Paris; his work appeared in the important Salons; he became a member of the Salon d'Automne; in the International Exposition of 1900 he received the Diploma Hors Concours — Jury Member; he painted in Brittany and Switzerland, as well as, in Paris; he evolved and progressed constantly through steady work, his vision refined and strengthened by his daily confrontation with nature.

Furthermore, Smith has been included in several important national and international group exhibitions at venues including the Contemporary Arts Museum, Houston, TX (2007, 1995); Camp Marfa, Marfa, TX (2007); Casa de Carton, Ingalls & Associates, Miami, FL (2007); Menil Collection Museum, Houston, TX (2006); African American Museum, Dallas, Texas (2015, 2006); Blue Star Contemporary Art Center, San Antonio, TX (2006); Rockland County Center for the Arts, West Nyack, NY (2000); Art Car Museum, Houston, TX (1999); Galveston Art Center, Galveston, TX (1999); Museum of Fine Arts, Houston, TX (1996); Studio Museum in Harlem, Sculpture Garden, New York, NY (1995); Project Row Houses, Houston, TX (1995); Kenkeleba Gallery, New York, NY (1992); Dallas Museum of Art, Dallas, TX (1992); High Museum, Atlanta (1992); Milwaukee Art Museum, Milwaukee, WI (1992); Blaffer Gallery, University of Houston, TX (1992); Deanza College, Euphrat Gallery, Cupertino, CA (1992); United States Information Agency, Washington, DC (1989); Huntington Art Gallery, University of Texas, Austin, TX (1989); Longview Museum of Art, Longview, TX (1989); Bronx Museum, NY (1989); Dallas Museum of Art, Dallas, TX (1989); The Museum of African American Art, Los Angeles, CA (1988); Studio Museum in Harlem, New York, NY (1988); Arnot Museum of Art, Elmira, NY (1973); New York Cultural Center, New York, NY (1973); Newark Museum, Newark, NJ (1973); Rutgers University, NJ (1971); Hudson River Museum, Yonkers, NY (1970) and the Whitney Museum of American Art, New York, NY (1970).

Fuchs has been included in several important national and international group exhibitions at venues including the ICA at MECA, Portland, Maine (2017); Texas Gallery, Houston TX (2016, 2010); Sala Diaz, San Antonio, TX (2014, 2001); McClain Gallery, Houston, TX (2012); Lisa Cooley, New York, NY (2010); Inman Gallery, Houston, TX (2010, 2000); Museum of Fine Arts, Houston, TX (2008, 1997); Diverseworks, Houston, TX (2007, 2005, 1999); Arthouse, Austin, TX (2006, 1997); University of Texas, San Antonio, TX (2005); Dallas Contemporary Arts Center, TX (2005); Contemporary Arts Museum, South Florida, Tampa (2002); New Orleans Museum of Art, LA (2001); Modern Art Museum of Fort Worth, TX (2000); Contemporary Arts Museum, Houston, TX (2000, 1998); Arlington Museum of Art, TX (1998); British Council Window Gallery, Prague (1998); Whitechapel Art Gallery, London, UK (1996); Cornerhouse, Manchester, UK (1992 - 93); and the ICA, London, UK (1992 - 93).

The New Museum Triennial is the only recurring international exhibition in New York City devoted to emerging artists from around the world, providing an important platform for a new generation of artists who are shaping the current discourse of contemporary art and the future of culture.

Jensen has been featured in numerous important international group exhibitions including Documenta (1964, 1968, 1972), the Venice Biennale (1964), Biennial of São Paulo (1977), and Post Painterly Abstraction, a landmark travelling exhibition curated by Clement Greenberg for the Los Angeles County Museum of Art (1964).

Curator Hans Ulrich Obrist's trick, with this group exhibition, is to enlist the house, gardens and contents, and inviting more than 30 Brazilian and international artists to work on a series of site - specific pieces: to «immerse themselves in Lina Bo Bardi's world in order to establish intimate relationships with this singularly important figure».

Works by international contemporary artists, including Yinka Shonibare, MBE, will play an important role in the exhibition.

In addition to shows and projects by the gallery's LA - based artists, exhibitions at Hauser Wirth & Schimmel will include a mix of important historical, thematic group exhibitions; exhibitions that introduce LA to the gallery's international artists; and one - person shows and special projects by artists new to LA and the gallery.

She has participated in important group exhibitions and international biennials including «Illumination», Louisiana Museum of Modern Art, Humlebæk (2016); «Another Minimalism», Fruitmarket Gallery, Edinburgh (2015); «Formes simples», Centre Pompidou - Metz, Metz and Mori Art Museum, Tokyo (2014); Manifesta 10, St. Petersburg (2014); «Light Show», Hayward Gallery, London; Museum of Contemporary Art Australia, Sydney and Sharjah Art Foundation, United Arab Emirates (2013); 18th Biennale of Sydney (2012); «Fruits de la Passion», Centre Pompidou, Paris (2012); Manifesta 8, Murcia (2011); 5th International Media Art Biennale Seoul (2006); «Ecstasy: In and about altered states», Museum of Contemporary Art, Los Angeles (2005); 5th International Biennale of Istanbul (1997); and 22nd International Biennale of São Paulo (1994in important group exhibitions and international biennials including «Illumination», Louisiana Museum of Modern Art, Humlebæk (2016); «Another Minimalism», Fruitmarket Gallery, Edinburgh (2015); «Formes simples», Centre Pompidou - Metz, Metz and Mori Art Museum, Tokyo (2014); Manifesta 10, St. Petersburg (2014); «Light Show», Hayward Gallery, London; Museum of Contemporary Art Australia, Sydney and Sharjah Art Foundation, United Arab Emirates (2013); 18th Biennale of Sydney (2012); «Fruits de la Passion», Centre Pompidou, Paris (2012); Manifesta 8, Murcia (2011); 5th International Media Art Biennale Seoul (2006); «Ecstasy: In and about altered states», Museum of Contemporary Art, Los Angeles (2005); 5th International Biennale of Istanbul (1997); and 22nd International Biennale of São international biennials including «Illumination», Louisiana Museum of Modern Art, Humlebæk (2016); «Another Minimalism», Fruitmarket Gallery, Edinburgh (2015); «Formes simples», Centre Pompidou - Metz, Metz and Mori Art Museum, Tokyo (2014); Manifesta 10, St. Petersburg (2014); «Light Show», Hayward Gallery, London; Museum of Contemporary Art Australia, Sydney and Sharjah Art Foundation, United Arab Emirates (2013); 18th Biennale of Sydney (2012); «Fruits de la Passion», Centre Pompidou, Paris (2012); Manifesta 8, Murcia (2011); 5th International Media Art Biennale Seoul (2006); «Ecstasy: In and about altered states», Museum of Contemporary Art, Los Angeles (2005); 5th International Biennale of Istanbul (1997); and 22nd International Biennale of São International Media Art Biennale Seoul (2006); «Ecstasy: In and about altered states», Museum of Contemporary Art, Los Angeles (2005); 5th International Biennale of Istanbul (1997); and 22nd International Biennale of São Paulo (1994In and about altered states», Museum of Contemporary Art, Los Angeles (2005); 5th International Biennale of Istanbul (1997); and 22nd International Biennale of São International Biennale of Istanbul (1997); and 22nd International Biennale of São International Biennale of São Paulo (1994).

It is the only recurring international exhibition in New York City devoted to emerging artists from around the world, providing an important platform for a new generation of artists who are shaping the current discourse of contemporary art and the future of culture.

In addition to the loan from the Astrup Fearnley Collection the exhibition also includes important loans from international museums and private collections including Centre Georges Pompidou, Paris; Fondation Beyeler, Riehen / Basel; Smithsonian Institution, Washington, DC; Museum of Modern Art, New York and Tate, London.

His works are also shown in several important international exhibitions such as Lyon Biennale, Sydney Biennale, Gwangju Biennale and Shanghai Biennale.

In addition to receiving extensive commissions, residencies, awards and critical attention, studio faculty have exhibited their works in major museums and galleries around the world, and in important exhibitions including the Whitney Biennial, the Sao Paulo International Biennale, and the Venice BiennalIn addition to receiving extensive commissions, residencies, awards and critical attention, studio faculty have exhibited their works in major museums and galleries around the world, and in important exhibitions including the Whitney Biennial, the Sao Paulo International Biennale, and the Venice Biennalin major museums and galleries around the world, and in important exhibitions including the Whitney Biennial, the Sao Paulo International Biennale, and the Venice Biennalin important exhibitions including the Whitney Biennial, the Sao Paulo International Biennale, and the Venice Biennale.

Jenny Holzer, Talking Politics, 2008, Pigment print, ed 1/5, 60 x 75 in., Given by the artist, UM 2014.32 40 Years / 40 Artists is an exhibition of work by renowned local, national, and international artists who, at crucial moments in their careers, had exhibitions at our museum which had great impact in opening up important dialogue on ideas relevant to contemporary art and society.

In its ninth annual exhibition, The Armory Show 2007 will present 148 international galleries, including many of the most important contemporary dealers showcasing new art from around the world.»

With an independent exhibition programme, in collaboration with Moderna Museet and its own international contacts, this high - quality museum shows contemporary art's most important artists and modern classics alternated with a selection from Moderna Museet's rich collection from 1900 and onwards.

Housed in the Zitelle Palladian building complex in the Giudecca island (hence its name), the Zuecca Project Space promotes contemporary art exhibitions and events which conjugate the local communities and some of the most important international cultural institutions.

Salon to Biennial documents in two volumes the most important international group art exhibitions from 1863 to today, and is the most comprehensive reference book on the subject.

The multi-storied space became a centre for international art gatherings and exhibitions, including an important installation of works by Paul McCarthy, the first in Britain.

The most important exhibitions include, in 2003, participations at the Mies van der Rohe - Haus, Berlin and Seeing Red: An International Exhibition of Nonobjective Painting, at the Hunter College / Times Square Gallery in New York City.

He has been included in important exhibitions at the Tate Modern (Street & Studio), Haus der Kunst (Click Double Click) and the 52nd International Venice Biennale, Ukrainian Pavilion (A Poem about an Inland Sea).

He's been included in several important international exhibitions including 10,000 Lives: The Eighth Gwangju Biennale, Gwangju (2010); Moving Images: Artists & Video / Film, Museum Ludwig, Cologne, Germany (2010); Playing Homage, Contemporary Art Gallery, Vancouver (2009); Sympathy for the Devil, Museum of Contemporary Art, Chicago (2007); Istanbul Biennial, 9th Istanbul Biennial, Istanbul (2005); Manifesta 5, European Biennial of Contemporary Art, San Sebastian (2004); Institute of Contemporary Art, London (1999), among others.