And incidentally, these publishing routes tend to have a keen interest
in the midlist authors, niche genres, and minority voices traditional publishing is struggling to support.
Or maybe the bookstores can just cater to their needs and let the rest of
us in the midlist meet our readers and sell books of ALL types, returnable or not returnable.
Not exact matches
One agent, who spoke on the condition of anonymity, said he certainly wouldn't call Konrath's deal a game changer, but that it does say something interesting about the place of the
midlist author
in legacy publishing: «It's not necessarily clear that big corporate publishing is well structured to help low
midlist authors with rapidly reducing print runs
in an environment
in which overall print sales are falling week by week.
In any other industry, a standard 2014
midlist writer contract would be considered a scam contract and no reasonable attorney would ever let you sign it.
I was a
midlist author
in the traditional publishing world.
Whether or not a
midlist author should remain
in the traditional publishing realm is a different question.
But
in all reality, I'm a
midlist writer.
There were genre writers on both sides of the dispute, but on the publishing side were huddled the biographers, urban historians,
midlist novelists — that is, all the people who were able to eke out a living because publishers still paid advances, acting as a kind of local literary bank,
in anticipation of future sales.
Amazon has used its monopsony power, and its ability to threaten punishment, to extract an ever greater share of the total price of a book from publishers, which has resulted
in less revenue to support
midlist authors and certain kinds of books, effectively silencing many voices.
I have a lot of information from writers, most of which is
in private correspondence, none of which I can share, that leads me to believe that this particular agency isn't the only one that used my blog on royalty statements to benefit their bestsellers and hurt their
midlist writers.
In order to say yes to a future project from a midlist author (looking to change representation), I would have to believe that the new project or proposal is strong enough to bump the sales numbers or will take the author in a new, stronger direction from which the author can buil
In order to say yes to a future project from a
midlist author (looking to change representation), I would have to believe that the new project or proposal is strong enough to bump the sales numbers or will take the author
in a new, stronger direction from which the author can buil
in a new, stronger direction from which the author can build.
Revenue has also increased steadily, due
in part to ever - growing ebook sales from small presses and self - publishers, effectively discrediting Authors United's claim that there isn't enough money to go around to support
midlist authors.
Those publishers have often started with
midlist or backlist content, but as the concept and its compensation structure have become clear, some publishers are even placing their frontlist and bestselling titles
in the models.
Under this strategy, Amazon decides that it will demand no more discount than offered to any other vendor, for any purpose *; it will do everything
in its power to meet author and indendent publisher demands; and it will send a bouquet and basket of puppies to
midlist authors who place their out - of - print books on Kindle,
in addition to the royalties due (and a holiday bonus).
March 1: Pretty Opinionated March 2: A Cozy Readers Corner March 3: Suddenly Books March 4: M. Scott Fiction March 5: Makobi Scribe March 6: Workaday Reads March 7: Luxury Reading March 8: Indie Author How To March 9: Books, Books, the Magical Fruit March 10: Jennifer Hubbard Blogspot March 11: College Aftermath March 12: Spellbound By Books March 13: Ramen Rent Resumes March 14: To Be Determined March 15: Writing is a Blessing March 16: Graduated and Clueless March 17: The Daily Harrell March 18: VVB 32 Reads March 19: 2 Read or Not 2 Read March 20: Enter Adulthood March 21: Jamie's Precious Peas March 22: Tiger's All Consuming Books March 23: Bookshelf Confessions March 24: What Book Is That March 25: Reflections with Coffee March 26: The Top Shelf March 27: Bibliognome March 28: Tifferz Book Review March 29: The Minding Spot March 30: My Life on the
Midlist March 31: My Neurotic Book Affair April 1: Buried
in Books April 2: Reading Away the Days April 3: FWIW Reviews April 4: The True Book Addict April 5: Mary's Book Blogger April 6: Donna's Blog Home April 7: Ednah Walters Blogspot April 8: Giving n» Sharing April 9: Indie Designz April 10: Made By Jess April 11: Silver Solara April 12: Sharon Henning Blogspot April 13: LB Writes April 14: Book Lovers Paradise April 15: Turknoy April 16: So Simple Sara April 17: Wakela's World April 18: Earth's Book Nook April 19: Lori Calabrese Writes April 20: Grad Meets World April 21: Stressed Rach April 22: Is It Amazing April 23: The Mod Podge Bookshelf April 24: Sapphyria's Book Reviews April 25: Simple Love of Reading April 26: Bookingly Yours April 27: Life After College April 28: Smiley Boy Knows Best April 29: e-Volving Books April 30: Build Creative Writing Ideas
And the newbie is more likely to fall flat
in the dust while the
midlist author gone indie will soar.
I'm low
midlist, which is about the lowest form of life
in the trade press.
From misguided agents to cruel or absent editors to the callous slashing of
midlist authors and backlist titles, the longer a writer is
in the publishing world, the more chance of encountering at least one of these major (and sometimes career - freezing) hurdles.
After decades of slow decline, as advances grow smaller, as sales concentrate more
in the head, and as the
midlist disappears, what was once somewhat possible — writing as a profession — is now unlikely, and is fast becoming impossible.
«We've seen the popularity of both frontlist and
midlist titles soar
in the library, building a loyal following not only through the volume of impressions, but also
in conjunction with targeted publisher campaigns and the various social and readers» advisory features included
in the library websites.»
Amazon CEO Jeff Bezos did meet with CBS CEO Leslie Moonves earlier
in the week to talk about eBooks, maybe contributing backlist and
midlist titles had something to do with it.
In this one, authors, especially
midlist authors, are bemoaning how near - impossible it is to make a living by their writing anymore.
This will display full publisher catalogs from those participating
in library lending, including
midlist and backlist titles that your library may not have purchased yet.
You are correct that the real important questions are at the
midlist level as few authors will be
in the outlier cateory.
At the moment she is driving last year's Ford
midlist floor model (her father owns the dealership — «Prescott Ford: Most Fords sold
in the 541 area code!»)
(I will under modern copyright law and standard genre
midlist contracts, get my book back
in 35 years no matter what the contract says.)
The Business Rusch: Bad Decisions and The
Midlist Writer (Changing Times Part Fifteen) Kristine Kathryn Rusch Last week, I ended my blog with this happy thought: «Looking
in my crystal ball, I worry that the writers who will get scammed, who will lose actual fortunes, won't be the beginners or the bestsellers.
By sheer volume of sales, the top - ranking author will outpace
in profits her
midlist counterpart.
Midlist is a term
in the publishing industry which refers to books which are not bestsellers but are strong enough to economically justify their publication (and likely, further purchases of future books from the same author).
If you (traditional publisher) are offering me a small
midlist contract of say $ 5,000.00, the contract terminates completely
in five years from the day of publication or six years from the day of signing on the contract.
Of her post today, Judy says, «I've always been convinced that as writers we share a unique kind of fragile ego, regardless of where we are
in our writing careers — trying to get an agent or publisher, first book being published, hanging onto the
midlist, or even when we are blockbuster best sellers.
I am the happiest of
midlist authors today for having made the leap from traditional to the new frontier
in publising, that which rewards the reader and the writer more so than the gatekeepers of old.
In a more likely scenario, say you achieve a comfortable
midlist status with a half dozen books.
What I would like to see is the sales for
midlist titles
in different categories for Traditional Publishing.
Distribution directly to the readers became possible, the silliness of thinking of self - publishing as a bad thing got shot
in the head after fifty years of life, and some
midlist writers finally got completely sick of the bad contracts and even worse treatment from traditional publishers.
I'm a
midlist author writing
in the Mystery, Thriller and Suspense genre.
Because a few monolithic, profit - focused companies are controlling the publishing industry, critics claim, we are seeing fewer and fewer fringe books and new authors — and even established authors who sell respectably but not spectacularly (the so - called
midlist) are having a tough time staying
in print.
There are problems
in this area and the main problem is that retailers are pushing the front list much more aggressively and the
midlist is suffering.
In terms of authors» yearly earnings in different brackets ranging from $ 10,000 to $ 1M, despite releasing fewer titles to the market, indie authors significantly make money even among midlist group who earns $ 10K p.a
In terms of authors» yearly earnings
in different brackets ranging from $ 10,000 to $ 1M, despite releasing fewer titles to the market, indie authors significantly make money even among midlist group who earns $ 10K p.a
in different brackets ranging from $ 10,000 to $ 1M, despite releasing fewer titles to the market, indie authors significantly make money even among
midlist group who earns $ 10K p.a..
In May 2016 Author Earnings also reports that «the vast majority of traditional publishing's
midlist - or - better earners started their careers more than a decade ago.
There was an interesting article
in the Canadian Globe and Mail about the plight of the
midlist author, and the trouble with track records:
When you add
in the cost of warehousing, distribution and the working capital tied up
in inventory POD has becomes the optimal choice for more
midlist titles.
There, hundreds of seasoned, veteran authors — many of them strong players
in US genre
midlists — will be discussing ways forward
in a landscape that at times tend to look healthy only for authors of publishing houses» blockbusters and high - earning outliers of the independent - author corps.
I suppose we ought to feel pity, but given the abusive relationship they've consistently shown to their bread and butter
midlist authors I just can not find it
in me.
Given the very slow publishing schedules
in mainstream publishing and the fact that there is a limit to how many books a publisher wants from any given
midlist author
in a year, the money odds for «most» of us who are not famous or breakout bestsellers... is
in the indie side of things, because we can publish on a faster timetable, while still keeping the quality up.
I firmly believe the future will see more and more authors (new,
midlist trad - pubbed, as well as veteran bestsellers) going indie,
in part or whole.
Combine this with the high priced celebrity advances, the numerous fiction scandals (Kavvya Viswanthan, James Frey again) Scholastic's inability to fill the Harry Potter void (They should have been searching for a new franchise after Harry 2 IMO) and the decline of the
midlist and it's easy to understand why the industry is
in trouble.
I don't think so, because physical bookstores are not that big a market for most self - pubbed authors
in the first place — or even for second - string /
midlist authors at major houses (I'm married to one of those, and used to be one).
I'm solidly
midlist in the indie scene.
You are
in a good
midlist author range!